Brilliant use of a single motive for an entire concerto! I love the quasi-fugal treatment of the motive starting at m. 284 of mov.IV, where the lower voices state the motive as an accompaniment varied in mixed augmentation. Masterful writing.
Being able to follow the score enables one to appreciate Weinberg's use of harmony. While basically tonal and triadic, it plays close to the edges; the raised fourths and flattened thirds and seconds impart a distinctively Jewish quality. This Shostakovich learned from Weinberg, not the other way round.
Wunderschöne und überzeugende Interpretation dieses neoromantischen und perfekt komponierten Konzerts mit seidigem doch etwas neue.sachlichem Ton des genialen Solocellos sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Die Kadenz klingt besonders schön und echt bezaubernd. Der ebenso geniale Dirigent leitet das perfekt trainierte Orchester im detaillierten Tempo und mit angenehmer Dynamik. Wahrlich hörenswert!
Such a beautiful and interesting composition/composer. Fascinating really! Endless seem the treasures to be found on 'Bartje Bartmans'. Thank you so very much!
Weinberg, protected by Chostakovitch, is an excellent Soviet composer (born as a Jew Polish). He is a very interesting prolific composer, a sort of les pessimistic counterpart of Chostakovitch's materworks.. In my opinion, this concerto ranks among his "bet" works, together with the Fantasia op. 52 for the same scoring
I love this piece, have done since my teens. Truly gorgeous from start to finish. The Rostropovich live recording is even more beautiful than this one.
Does anybody know the year of this recording? Also, I would like to know where did you collect the material in order to write the descirption to this vodeo, any publication in particular? Thank you
Weinberg's music is delicate, harmonious, smoothly comfortable, but with significant personal character. I like his musical language.
Brilliant use of a single motive for an entire concerto! I love the quasi-fugal treatment of the motive starting at m. 284 of mov.IV, where the lower voices state the motive as an accompaniment varied in mixed augmentation. Masterful writing.
Being able to follow the score enables one to appreciate Weinberg's use of harmony. While basically tonal and triadic, it plays close to the edges; the raised fourths and flattened thirds and seconds impart a distinctively Jewish quality. This Shostakovich learned from Weinberg, not the other way round.
Wunderschöne und überzeugende Interpretation dieses neoromantischen und perfekt komponierten Konzerts mit seidigem doch etwas neue.sachlichem Ton des genialen Solocellos sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Die Kadenz klingt besonders schön und echt bezaubernd. Der ebenso geniale Dirigent leitet das perfekt trainierte Orchester im detaillierten Tempo und mit angenehmer Dynamik. Wahrlich hörenswert!
Thanks for sharing. One of the best composer the world have seen!
Thank you for this wonderful late romantic (1948!) cello concert. Weinberg has also composed marvelous string quartets, he is a very great composer.
Such a beautiful and interesting composition/composer. Fascinating really!
Endless seem the treasures to be found on 'Bartje Bartmans'. Thank you so very much!
Weinberg, protected by Chostakovitch, is an excellent Soviet composer (born as a Jew Polish). He is a very interesting prolific composer, a sort of les pessimistic counterpart of Chostakovitch's materworks.. In my opinion, this concerto ranks among his "bet" works, together with the Fantasia op. 52 for the same scoring
Hey Bartje - have just followed score right through - what a delight to read/listen -and that C ending!
Thank you.
Wonderful ❤
What a feeling to finish this piece with the backdrop you edited in
Que harmonia incrível!
Fantastic! Thank you for posting.
Как красиво звучит!👍
Must be a polish cello as well. So sweet.
Lovely
Великолепная музыка
Я нашел этот концерт только что из видео с интервью ещенепознеру солиста Шортпарис. А помогала мне самая прекрасная девушка Вика
Truly underrated
I love this piece, have done since my teens. Truly gorgeous from start to finish. The Rostropovich live recording is even more beautiful than this one.
Reminds of Miaskovsky
Does anybody know the year of this recording?
Also, I would like to know where did you collect the material in order to write the descirption to this vodeo, any publication in particular? Thank you
WHY ON EARTH is this this in 6/4 when it’s clearly 3/2? it hurts.
◑ 🌊🌊🌊🌊🌊 ◐
Thanks for the upload! Any chance of uploading his flute concerto?
Would like to, but I don't have the score.
@@bartjebartmans I have a piano score of the 1st one.
@@bartjebartmans Ок, this night :)
Done :)
Awesome! It is amazing how this becomes a group effort. Not just me doing this all alone, which is def. NOT the case.