I still have my TVS that I used on Laupers 'She Bob' and other records. I bought it at Sam Ash on Kings Highway Brooklyn in 1977. It has NEVER failed. Not once in all these years. I have had a lot of gear through the years but this is one instrument I feel in love with and have continued to play for over 35 years.
as analog as it can get .. damn damn damn. the story, the excitement, the sound .. this is just fabulous and an instrument that deserves serious attention and great respect. no tons of presets or zillion fx .. as pure as it can get and it has the capability to generate even more greatness than just adding a reverb or whatever ..it needs nothing .. humble ears..what a machine!
I was fortunate to hear an Oberheim demo in Atlanta at the the NAMM convention in 1979. I was with Dave Berry, kyboard player with a band from Greenville, SC. His band provided entertainment for the event which allowed us into the convention. I can't remember the session player who gave the demo, but we were a captive audience of 2; blown away by the instrument and the demo. Suzanne Cianti came by to check out the instrument. The first album which I remember dominated by the 8 voice was Little Feat's WAITING FOR COLUMBUS. Bill Payne made that instrument SCREAM. I used to love to play "Fat Man in the Bathtub" and rattle the windows with the filtering in the middle section. GOD!!!! Thanks for posting. In the late 70s, if I'd continued to play professionally, I'd have invested in an Oberheim synth.
What an amazing piece of engineering and craftsmanship for the time. Stuffing eight complete synthesizers using only through hole components into one box was a feat of its own. Awesome sound as well!
I became familiar with this through Lyle Mays' use of the Four Voice and later his custom Eight Voice. Lyle used this mostly for pads and the occasional lead, but he found a way to use it musically and made it sound like an organic instrument. The non-uniformity that you talk about is what gives this instrument life and makes it sound so organic. It's so easy for synthesizers to sound lifeless or one-dimensional, but because of the non-uniform SEMs it can sound like a string section or horn section, where nobody plays *exactly* the same note. It's what gives this instrument life. The SEM is such a musical synth. It seams so easy to get a musical sound out of it. I've watched so many synth demos where people demonstrate all the different sounds their synths can make, but few of the sounds they demonstrate have few musical applications. I love how you show how this instrument can make real music.
Absolutely Superb presentation of this amazing instrument. This and an ARP 2600 changed my course in music and sound. Thank You for putting this together. Inspiring!
OMG 8:20 - 8:40 just completely blew my mind. I've heard a few modern EDM producers using this sound and was trying to figure out how they done it because it sounds great.
I love this demo so much, i keep coming back to this. I love the words so much. Thanks so much for doing this it's one of the best demos ever. The SEM is one of my favourite synths ever. The two voice has just been released at a cost but 8 SEMS would be awesome ! 14:15 "I've lost entire weekends programming this beast" that did it for me ! So much passion mate.
A beautiful tribute to a remarkable instrument. I am almost tearing up thinking about selling mine- but that was 25 years ago. Thanks for the memories...
Many years ago, I saw the Stranglers at a small club in NJ. Before they went on, we had to endure about 15 minutes of agonizing screeches, as the roadie tuned Dave Greenfield's 8-voice - which may have been the only keyboard he played that night. But it did sound great when he finally got it in tune.
So I'm watching this in 2014 and the part at 8:20 gave me goosebumps. No joke it's amazing how this vintage instrument can still move people today. So powerful.
One of my all time favorite synths! Moog felt the same way about this synth. Even though he never created this one. He said it was one of his favorites. Thanks to GF!
I absolutely _love_ how this synth is essentially a hybrid of modular and normalized synths-but, without any of the accommodations both the former and the latter have. It is so radically different from anything else-even the Matrix 12-Oberheim-or dare I say anyone else-has ever done with subtractive synthesis. Now, imagine doing this with a bunch of Arp Odysseys or 2600s. That would be something.
The Vermona Perfourmer MKII is possibly the closest modern equivalent to at least the Oberheim 4-Voice. Lacking in some ways in comparison, gaining in others, it is one hell of a great polysynth for the money. It was this video that inspired me to seek out a polysynth with similar ethics and after a few years of looking, the Vermona is what I found.
Fantastic overview of the 8 Voice from the mystical past of synthesiser mythology. This makes a good video tutorial too. Tom's new Son Of Four looks even more tempting. There is just something about the imperfections between voices on these older machines that adds an X Factor into the character of the sounds.
Chick Corea had an interesting tune on his 1978 album "the Mad Hatter". It's the opening track, "The Woods". Basically an instrumental featuring the 8 voice (the one from this video I assume), mini moog, and eventide harmonizer along acoustic piano and xylophone. Amazing Oberheim sounds!
Don't move it, and keep it in a climate-controlled room between 78.5F and 79F and NO humidity: it won't stay in tune otherwise. I did some roadie work for a prog rock group that had one of these. It road on a bench inside the vehicle and was treated like Nitro: and still gave everyone fits...
I've heard a 4 voice in action, but not had the pleasure of an 8 voice (unless ive forgotten). They're huge beasts and you need patience in abundance. Still holding out for tom oberheim's redux (no idea where he is on it), which should hopefully fix the niggles. Thank you for the documentary and the sonic joy, Dave. 👍
Normally, when I click the Thumbs Up button, it's because the vid was good enough. This vid, however, had me search for the Repeat A Thousand Times button in addition. Sadly, I couldn't find such a much needed button, so I'm confined to just watching the vid and being grateful. Thanks, Dave Spiers!
Very nice. I am a fan of the Oberheim sound. EVS and FVS are incredible pieces of synth history. The ability to program each individual voice differently and place in unison can lead to some overwhelmingly interesting sounds. I just do what I can with my humble OB-8 :)
Oberheim and Kurzweil were above my budget in the 1980s. I now have a Waldorf Iridium keyboard, which is simply incredible. I still love the old analogue synths.
I had one of these (the 4 voice minus the expander unit) in 1979. It sounded fabulous, but talk about troublesome. It spent more time in the shop than making music!
Many thanks for these videos. When I started out trying to make music with affordable synths in the 90s, I could have learned so much so quickly if I'd had access to clear and detailed videos like this. One point to take away from this video for producers on a budget is the power of layering. A single software synth voice will never sound as rich as a SEM, but what you CAN do digitally is use lots of layers of different sounds.
Great Vid, great sounds, great synth, there was even one Oberheim 12 voices i believe with 2 keyboards owned by Patrick Moraz (Yes, Moody Blues) who sold it currently, a more rare gem eventually.
My brother had a 4 voice. It's an awesome sounding synth. I understand how you can lose a weekend playing with the sounds. Nice Video. Thanks for taking the time.
Very clear explaint and what a possibilities und sounds!! Last weekend I had the first time in my life the possibility to play on a Oberheim OP-Xa and a Minimoogthe during the Museum Night in Basel
The award for the best synth overview video of all time goes to: "Oberheim 8 Voice" by GForce Software. I've watched this so many times over the years and plan on watching it many more.
I still chuckle when I read video comments on CZcams emulation videos claiming to get even close to this sound. Even the CZcams audio on this shows how smooth, warm, and raw and sharp this thing is (a seemingly impossible combination until I heard the real thing!). I bought the new edition Oberheim SEM Pro as my first ever analog, and couldn't be happier. You can keep your emulations people, for those who know, nothing comes close to the real thing. GORGEOUS!
I absolutely love these old synthesizers, for the very reasons that you have just described. And it frustrates me to no end when people don't understand the point of old synthesizers is to not have a "perfect" sound, but to embrace the imperfections and use those imperfections to make some truly interesting sounds.
Yes, this is THE Doc Sketchy of Sketchy Labs. I'm always wondering what to build next, and I keep coming back to this wonderful video. I think my next big project is going to be the Sketchy Labs SEM and polyphonic controller (built in 70s style, no microcontrollers, no code, no robots -- just through-hole logic and opamps laid out in Excel as usual). I think I want to make my SEM just a little bit fancier, though... more stuff, smaller knobs.
At 8:40 the thing started to get fun... the problem is that once you created a sound you were not able to save it, you have no memory to do it. It would be very fun to have a synth just like that one with knobs that could re locate per patch.
I still have my TVS that I used on Laupers 'She Bob' and other records. I bought it at Sam Ash on Kings Highway Brooklyn in 1977. It has NEVER failed. Not once in all these years. I have had a lot of gear through the years but this is one instrument I feel in love with and have continued to play for over 35 years.
8:20 gave me goosebumps. So smooth and beautiful.
The start was sampled for Æ space in kasabians new album The Alchemists Euphoria🔥
Most beautiful sounding Synth i ever heard, so fat & sweet.
11:32 is so beautiful to listen to like i truly believe that humanity peaked in 1960-1990
Me too. 1969 perhaps. Or 1976 when Viking landed on Mars or 1979 Voyager at Jupiter and 1982 Voyager at Saturn.
1976 was the year Songs in the Key of Life was Released. Case closed. We peaked in 1976.
As did humidity
this is so warm it melted my speakers
I presume Joe Zawinul used his on Havona by Weather Report. The sound is very similar.
Great video, amazing instrument. 👍🏼
You probably won't believe how many times I returned to this video just to listen to the sound at 5:35 :)
as analog as it can get .. damn damn damn. the story, the excitement, the sound .. this is just fabulous and an instrument that deserves serious attention and great respect. no tons of presets or zillion fx .. as pure as it can get and it has the capability to generate even more greatness than just adding a reverb or whatever ..it needs nothing .. humble ears..what a machine!
And somehow you've managed to capture this magic and bestow us with the OB-E. Respect!
Great video. In the days of minimal presets, I used to do synth programming at studios for the 4-voice, CS80 and Prophet 5.
Scary walls of sounds.... A real monster, impressive even today.
I was fortunate to hear an Oberheim demo in Atlanta at the the NAMM convention in 1979. I was with Dave Berry, kyboard player with a band from Greenville, SC. His band provided entertainment for the event which allowed us into the convention. I can't remember the session player who gave the demo, but we were a captive audience of 2; blown away by the instrument and the demo. Suzanne Cianti came by to check out the instrument. The first album which I remember dominated by the 8 voice was Little Feat's WAITING FOR COLUMBUS. Bill Payne made that instrument SCREAM. I used to love to play "Fat Man in the Bathtub" and rattle the windows with the filtering in the middle section. GOD!!!! Thanks for posting. In the late 70s, if I'd continued to play professionally, I'd have invested in an Oberheim synth.
Rush was at thier hight when they toured with the
Oberheim 8 synth.....I wish I could go back in time
to hear the 1980 Permanent Waves tour.
It really is a beautiful instrument. Great overview, great demo!
What an amazing piece of engineering and craftsmanship for the time. Stuffing eight complete synthesizers using only through hole components into one box was a feat of its own. Awesome sound as well!
I became familiar with this through Lyle Mays' use of the Four Voice and later his custom Eight Voice. Lyle used this mostly for pads and the occasional lead, but he found a way to use it musically and made it sound like an organic instrument. The non-uniformity that you talk about is what gives this instrument life and makes it sound so organic. It's so easy for synthesizers to sound lifeless or one-dimensional, but because of the non-uniform SEMs it can sound like a string section or horn section, where nobody plays *exactly* the same note. It's what gives this instrument life. The SEM is such a musical synth. It seams so easy to get a musical sound out of it. I've watched so many synth demos where people demonstrate all the different sounds their synths can make, but few of the sounds they demonstrate have few musical applications. I love how you show how this instrument can make real music.
Absolutely Superb presentation of this amazing instrument. This and an ARP 2600 changed my course in music and sound. Thank You for putting this together. Inspiring!
OMG 8:20 - 8:40 just completely blew my mind. I've heard a few modern EDM producers using this sound and was trying to figure out how they done it because it sounds great.
Late November 2017 and I'm watching this yet again (must be viewing No. 6 by now). Just love this video.
I love this demo so much, i keep coming back to this. I love the words so much. Thanks so much for doing this it's one of the best demos ever. The SEM is one of my favourite synths ever. The two voice has just been released at a cost but 8 SEMS would be awesome ! 14:15 "I've lost entire weekends programming this beast" that did it for me ! So much passion mate.
Dan Rossi I've also started to come back to this vid just to de-stress and get back into loving music during a tough week. Amazing!
+Dan Rossi One more here:)
+Dan Rossi +1
A beautiful tribute to a remarkable instrument. I am almost tearing up thinking about selling mine- but that was 25 years ago. Thanks for the memories...
Many years ago, I saw the Stranglers at a small club in NJ. Before they went on, we had to endure about 15 minutes of agonizing screeches, as the roadie tuned Dave Greenfield's 8-voice - which may have been the only keyboard he played that night. But it did sound great when he finally got it in tune.
So I'm watching this in 2014 and the part at 8:20 gave me goosebumps. No joke it's amazing how this vintage instrument can still move people today. So powerful.
Right with you on that one. Deep sound there.
Excessive? Yes! This synth sounds beautiful.
One of my all time favorite synths! Moog felt the same way about this synth. Even though he never created this one. He said it was one of his favorites. Thanks to GF!
Dave Greenfield (RIP...) used this synthesizer on Stranglers albums "The Raven" & "The Gospel according to the Meninblack".
I absolutely _love_ how this synth is essentially a hybrid of modular and normalized synths-but, without any of the accommodations both the former and the latter have. It is so radically different from anything else-even the Matrix 12-Oberheim-or dare I say anyone else-has ever done with subtractive synthesis.
Now, imagine doing this with a bunch of Arp Odysseys or 2600s. That would be something.
Bloody hell, the patches you make are simply excellent!! I nearly cried at some of them - positive I wasn't the only one
Dennis DeYoung made this synthesizer rock! Listen to Pieces of Eight and Cornerstone, this synthesizer is all over those albums!
08:21 I met GOD sonically!
I have this vid in my favorites and watch it over and over again. It just gives me chills. Such massive sound. Nothing has nor ever will compare.
This is one of my favorite videos on this whole website
Dream Synth!! This is my favorite sounding Oberheim!!
That was so beautifully demonstrated!
One day...oh, one day I will get my hands on one of these beasts.
Great video, thank you. The Lyle Mays pads on all his offerings with Metheny are some of the best ever. As Falls Wichita, So Falls Wichita Falls!
The Vermona Perfourmer MKII is possibly the closest modern equivalent to at least the Oberheim 4-Voice. Lacking in some ways in comparison, gaining in others, it is one hell of a great polysynth for the money. It was this video that inspired me to seek out a polysynth with similar ethics and after a few years of looking, the Vermona is what I found.
Fantastic overview of the 8 Voice from the mystical past of synthesiser mythology. This makes a good video tutorial too. Tom's new Son Of Four looks even more tempting. There is just something about the imperfections between voices on these older machines that adds an X Factor into the character of the sounds.
So much variety and color in harmony. It's like a synth orchestra.
"...and I know it seems excessive, stacking 16 oscillators for a monophonic patch.."
it's not dude, it's not.
I think it's time for a name change...Wendyringus....
"I've lost entire weekends programming this beast" LOL!
God this thing sounds so blissful.
This is the best demo and explanation of the Oberheim 8-voice that I've ever seen/heard. Thanks.
Chick Corea had an interesting tune on his 1978 album "the Mad Hatter". It's the opening track, "The Woods". Basically an instrumental featuring the 8 voice (the one from this video I assume), mini moog, and eventide harmonizer along acoustic piano and xylophone. Amazing Oberheim sounds!
One of my all-time fave synths. Great demo, thanks fora great nostalgia trip!
Don't move it, and keep it in a climate-controlled room between 78.5F and 79F and NO humidity: it won't stay in tune otherwise. I did some roadie work for a prog rock group that had one of these. It road on a bench inside the vehicle and was treated like Nitro: and still gave everyone fits...
I've heard a 4 voice in action, but not had the pleasure of an 8 voice (unless ive forgotten). They're huge beasts and you need patience in abundance.
Still holding out for tom oberheim's redux (no idea where he is on it), which should hopefully fix the niggles.
Thank you for the documentary and the sonic joy, Dave. 👍
Normally, when I click the Thumbs Up button, it's because the vid was good enough. This vid, however, had me search for the Repeat A Thousand Times button in addition. Sadly, I couldn't find such a much needed button, so I'm confined to just watching the vid and being grateful. Thanks, Dave Spiers!
This synth sounds awesome, has a very warm and full sound
Presenting Lord of the Synths, Dave Spiers...This is One Synth to Rule Them All....
What an amazing sounding Synthesizer.
Brings tears to my eyes!
こういうの好きだなぁ。
シンプルな2VCOシンセだけど、それを複数個スタックすることで全く新たな意味が生じる。
I keep coming back to this demo. This is GOD.
now that is a truly unique synthesizer. it's a joy to watch you play with that thing :)
you could probably spend your whole life in a room with this thing and not regret it
This is the single best synth tutorial I've ever seen. You should develop training DVDs for all the classic analogs.
Thx much. Had a 4 voice on the road in ‘84.
Brilliant! And a big CONGRATS to you for the OP-E which is incredible!! 👍😀
Absolutely fantastic! What a beauty with an enormous sound! GREAT.
Very nice. I am a fan of the Oberheim sound. EVS and FVS are incredible pieces of synth history. The ability to program each individual voice differently and place in unison can lead to some overwhelmingly interesting sounds. I just do what I can with my humble OB-8 :)
Oberheim and Kurzweil were above my budget in the 1980s. I now have a Waldorf Iridium keyboard, which is simply incredible. I still love the old analogue synths.
I had one of these (the 4 voice minus the expander unit) in 1979. It sounded fabulous, but talk about troublesome. It spent more time in the shop than making music!
that's why I gave up on vintage and settle with reissues instead. 4 voice is a beast too and quite massive. The new SEM is quite something.
bloggulator I own one, never any problems, fantastic machine.
It's the variable VCF structure that really makes it unique. It's not fat like a Moog or ARP, more "wide".
This monster sounded just absolutely amazing from 5:40 on.
it's also the sound from the intro to the video.. Maybe that's why you felt it sounded familiar it sounds incredible! I'm blown away by that sound.
wonderful sounds, amazing explanations/narration - this is truly a phenomenal video, great job!
Incredible! This thing sounds just incredible!
Stunning. Dave you did an incredible breakdown of this national treasure. Thank you
Many thanks for these videos. When I started out trying to make music with affordable synths in the 90s, I could have learned so much so quickly if I'd had access to clear and detailed videos like this.
One point to take away from this video for producers on a budget is the power of layering. A single software synth voice will never sound as rich as a SEM, but what you CAN do digitally is use lots of layers of different sounds.
This is the sexiest thing I've ever seen.
Thanks for this. Informative and entertaining as always, but as always, I get serious gear envy.
Serge pizzorno sampled this in the interlude Æ space
I pretty much return once every few months just to hear 8:20 and 11:32 again.
Something similar to 8:20 is the first sound in the Oberheim OB-E. Powerful stuff!!
This is my favorite CZcams video.
Imagine this thing in full beast mode...Mother of mercy!!
OH MY GOD!!!!! This is outstanding!!!! Blend them all together!!
Great Vid, great sounds, great synth, there was even one Oberheim 12 voices i believe with 2 keyboards owned by Patrick Moraz (Yes, Moody Blues) who sold it currently, a more rare gem eventually.
I hope you still have each other. Beautiful engineering. Stack on, sir!
tHANK YOU the most thoroughly enjoyable vid I have ever watched about synths on you tube .
Excellent demo!
While I'm no software synthesist, I wouldn't complain if GForce could break through and create a software version of this monster.
what a rich and creamy sound! Thanks a lot for that detailled demo!
Thanks for the impressing presentation of your beloved!
My brother had a 4 voice. It's an awesome sounding synth. I understand how you can lose a weekend playing with the sounds. Nice Video. Thanks for taking the time.
Very clear explaint and what a possibilities und sounds!!
Last weekend I had the first time in my life the possibility to play on a Oberheim OP-Xa and a Minimoogthe during the Museum Night in Basel
This video is way too good to be free
Dave,
thanks for showing and explaining this marvelous instrument in such detail.
Mat
Great post, sounds so wonderful.
Dave, Sir.... You are a Rock Star!! ;)
I needed a quadruple bypass after hearing this monster! Thank you so much!
This keyboard was Prince's keyboard of choice during the 1999-Purple Rain Albums.
The award for the best synth overview video of all time goes to: "Oberheim 8 Voice" by GForce Software. I've watched this so many times over the years and plan on watching it many more.
FANTASTIC!!!!!TOM YOU ARE THE BEST
I still chuckle when I read video comments on CZcams emulation videos claiming to get even close to this sound. Even the CZcams audio on this shows how smooth, warm, and raw and sharp this thing is (a seemingly impossible combination until I heard the real thing!). I bought the new edition Oberheim SEM Pro as my first ever analog, and couldn't be happier. You can keep your emulations people, for those who know, nothing comes close to the real thing. GORGEOUS!
I've been listening to those three chords over and over. F-ing beautiful.
Best synth under the sun!
I absolutely love these old synthesizers, for the very reasons that you have just described. And it frustrates me to no end when people don't understand the point of old synthesizers is to not have a "perfect" sound, but to embrace the imperfections and use those imperfections to make some truly interesting sounds.
Yes, this is THE Doc Sketchy of Sketchy Labs. I'm always wondering what to build next, and I keep coming back to this wonderful video. I think my next big project is going to be the Sketchy Labs SEM and polyphonic controller (built in 70s style, no microcontrollers, no code, no robots -- just through-hole logic and opamps laid out in Excel as usual). I think I want to make my SEM just a little bit fancier, though... more stuff, smaller knobs.
At 8:40 the thing started to get fun... the problem is that once you created a sound you were not able to save it, you have no memory to do it. It would be very fun to have a synth just like that one with knobs that could re locate per patch.
very beautiful tune
8:23 I did wet myself.
LOL, I was going to make almost the same exact comment (though "poop my pants" was what I would have said)...
UNISON POWAAAAAAAAAAAA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
same at 11:32
Wonderful stuff - and as usual highly entertaining!