I’m not even a guitarist, but as a lifelong drummer this book enlightens not only the beginnings, but American history that changed the world. A must read for every musician. I love this channel and watch daily. It feels like I have a couple of soul brothers just down the road from Charlotte. Take care and keep up the great work!
As much as their criticized for it, I like that Fender/Squier have numerous lines of guitars with something in every budget range from $200 to $2000 and up. The jump from Epiphone to Gibson is still a big gap in pricing. There's no "building up" to a high end Gibson.
There are a number of Gibson guitars for under 1000. I do agree with the gap statement. There is a big gap even when putting the epiphones into the equation but there is definitely some good guitars for sub 1k. I own a couple. Love them.
The Birth of Loud is a terrific read. For anyone making their way through Peter Jackson’s Get Back, another is Kenneth Womack’s Solid State that takes readers through the same period of Beatles history. Fascinating to revisit such substantial musical history in context to their times and the personalities of the principals who played such substantial roles in shaping the music and instruments we’re all still so compelled to play.
This video put a thought in my head… Imagine being the first guy to discover how to control a dimed Bassman? That would have been very cool, I think.🤠 Thanks for another great video, fellas!
4:50 Fender and other guitar makers don't get enough credit for how well they've managed costs and made North American-made guitars available at affordable price points over the years. A USA Strat, a PRS S2, a Gibson Les Paul Tribute, or even a Kiesel Custom cost less today than Fender's and Gibson's early models cost in the 1950's when you adjust for inflation. The first Teles sold for $189 in the early 1950's. That's almost $2,000 today. A Strat was about $2,400 in current dollars when it debuted. A new Player Strat costs less than half that. Pretty incredible when you think about it.
You guys absolutely need to read that book!! I got it when it first came out. My. God. So much good storytelling to fuse the rise of great artists and the creators. It’s like a docuseries from the history channel but as a book!!
Podcast!!! Thank you!! I gave it 5 stars and didnt even get to listen yet.... Unfortunately its the Canadian store so it may not even count haha Love u guys!
I own both and agree they approach their consumer from a different angle. I did visit the Gibson Garage two weeks ago…walked out with a Murphy Lab Pelham Blue ‘64 SG Reissue with “Light” aging. Staff was great and awesome experience!!
Not sure if you've done a video on this before, but I always find it so curious as to how the majority of the guitars made over the last half decade are just reiterations of stuff that was brand new in the 50's. It's hard to improve on perfection, but it's also hard to believe that they got it so perfect back then. Lots of people tinker with different electronics and compound radius necks, etc. But for the most part people love and demand the classics. And I'm the same way.
I feel like this is mainly because the rise of the electric guitar in the 50’s was pretty much the invention of a new instrument in itself. Both the guitar and amp companies made what they made and it sounded how it sounded, and it all solidified what the “electric guitar” is and subsequently how the music that was made using them sounded. It’s always been interesting to me how people talk about innovation regarding the electric guitar but violin and saxophones have been what they are for centuries. Now obviously lots of innovations in the electric guitar world are really cool and it’s always good to be thinking of new ideas, but I think the “Fender style” and “Gibson style” electric guitar is basically just like an “A-style mandolin” or an “F-style mandolin” it’s simply the instrument itself. This comment ended up being way more in depth than I intended it to be
The quote I always heard from Ted McCarty originally was "now anyone with a pin router can make a guitar" talking about fender,,, then the call of $$$ was overwhelming and Gibson changed their tune
If you guys keep talking Star Wars I’m going to have to keep watching!! 🤓 that’s at least 1/3 of why I love watching you guys. The other 2/3 is so I can see Jonathan’s beard. I’m going to check out that Canadian guy. Thanks fellas
It really is a great book. Another good one is "Play it Loud" by Brad Tolinski and Alan di Perna. After reading those 2 books, pretty much all my answers about the inventors, companies, and players have been answered
I lean towards Fender guitars but I don’t think a guitar collection is complete without at least one Les Paul I prefer the studio to a standard or a custom; something about the lack of binding makes them look sleek to my eye. Some of my favorite guitars are LP studios with figured tops and transparent finishes
Nine minutes before you drifted off. We can blame Dylan talks tone for that. Yet, per usual, you masterfully wind back around to the “topic.” Thank you both for my daily dose of gear talk with a little bit of life thrown in the mix.
The book is a good read! It's really fascinating to learn the history of both Fender and Gibson. Each companies approach to what would be the birth of Rock music
Just think of Fender 1950-1964- the Telecaster, the Strat, the P and J basses, the Jazzmaster, the Jaguar, the Mustang. Now think of Gibson 1950-1964- the LP Paul, the LP Junior, the V and Explorer, the ES-335 and the other ES range, the SG, and the Firebird. Since then they’ve come up with a tiny amount of ideas (the Gibson DC, The Fender Acoustasonic) but just think of how limited the ranges of modern companies are: PRS just have variations on the Custom 22 and 24, the Silver Sky Strat-like and the 594 Paul-like, and some budget models of these guitars. The only company that comes close to Gibson and Fender in innovation is Gretsch- all of their shapes coming from 1950-1964. You wonder why those 14 years were so different to everything that came after in Guitar design.
The few 50s and 60s Fenders I’ve played really capture that vibe you spoke of. I’m not sure the tone they pioneered was completely by accident, Leo was methodical with pickup placement, tone woods etc. But I’m quite sure he never envisioned the myriad of ways his instruments would be used. Ex. Jimi Hendrix! Great vid guys!
“Tone wood” is an irrelevant concept in this context. Pickups are not microphones, they aren’t picking up any resonance in the wood, all they “hear” is the disruption in the magnetic field of the pickup caused by the vibration of the strings in the proximity of said field. What effects your guitar tone, ie what creates the signal, is the shape and size of the magnetic field (the design of the pickup), the strings (material, diameter) and how your fingers make them vibrate. On a hollow body electric guitar, contact between the strings and the body via the bridge causes the soundboard to vibrate, and that vibration on the soundboard causes the bridge to vibrate which does effect the vibration of the strings, but even in that context you’re not hearing “tonewood” beyond the fact that a harder wood will vibrate more strongly than a softer wood, that is to say that if I made two archtops, one out of a very hard wood like maple and one out of a plastic that has the same hardness as maple and put the same electronics on them, they’d sound the same. This isn’t the case where tonewood is relevant, acoustic guitars, since the interaction between the vibrating strings and the wood is much more complex and audible. You could not use plastics with equivalent hardness. There’s nothing wrong with caring about wood on your guitar, I like the weight and aesthetics of a mahogany body with a maple cap, but it’s an issue that’s purely aesthetic! The wood of a Les Paul is as relevant to tone as the color of your blanket is relevant to how soft and warm it is.
@@volkerlange7251 It’s far from nonsense. Ash and Alder sound noticeably different. Just as mahogany and maple. Fretboard material alters the sound notably as well. When you played and owned as many guitars as I have, you pick these things out a bit easier. I understand there is a faction that calls it nonsense and a faction that puts merit behind it. But the evidence is out there it makes a difference, and it’s readily available. But, hey, constructive debate is what makes this so damn interesting!
I have a 2018 studio that's basically a standard without body binding.its got the 57s in,bound fretboard and all features of a standard but with coil taps.it feels like a standard and screams
I love your show and all things guitar you discuss. But do you ever sell any guitars? I have been looking at the same wall of guitars in the background for over a year now. Keep up the good work!
You guys really should also read "The story of Paul Bigsby" Among other things you get to see photos of Paul, Les and leo hanging out. Not to mention Paul actually built a guitar for Les, pregibson. It is really fascinating to read the story of how all these guys were just buddies. Kinda neat to know that the nerdy engineers were hanging out doing the same things as all the 'cool kids'.
I truly enjoy the two of you and your ramblings. But I have a 2016 Les Paul Studio T that I had to save a couple of years for and is one of my favorite guitars. Why all the studio hate?
I love and own both Gibson and fender guitars. I will say as a personal choice, with Gibson I would love to have a custom shop or even a standard. I simply don’t like fret nibs. This has left me with studios, studio deluxe, ash body and BFG,s. Keep the great videos coming. P.S. not on the toilet while watching this video…..the wife’s not home.
You two are great! I own several pretty nice Fenders because I don't feel the buyers remorse from only dropping a grand at a time, but man! I still haven't brought myself to justify 5 grand for a nice Les Paul. I still really want one though. For now, my Epi with Duncan Antiquities will have to suffice.
I’ve read both Birth of the Loud and Play it Loud. To me the genius of Leo Fender and his team was that they listened to customers and used great designs to meet their needs at a reasonable cost. Leo started repairing radios. He branched out to renting PAs for things like church events and concerts. He was a fan of Western Swing and those musicians were among his customers. He thought he could improve the design of the steel players amps. Then he started building steel guitars. After hearing the guitar ps complain about feedback and expensive neck repairs, he branched into guitars. The Strat was based on feedback from the Tele and was meant to replace it. Some players wanted contours, more sounds and a vibrato bar. I also didn’t know that there was period early on that Bigsby, Les Paul and Leo were friendly and would discuss designs at Les Pauls home. Cool books.
Norm recommended that book a year or so ago, and I bought and read it. It is a quick read, and heck I barely know how to read since youtube. You should check it out.
Fender and Gibson guitars really show the roots of the companies that make them: Leo Fender was an electrician who made amplifiers and diversified into making guitars and his guitars look like electrical appliances. Gibson was a mandolin maker which diversified into arch top guitars in the early 20th century and their electric guitars look like musical instruments, specifically archtops (except maybe the Explorer family). Look at any two Fender models and the electrics differ as much as the bodywork, while Gibson models' differences from each other are in the wood, while the electrics mostly stick to the same formula: two humbuckers or P90s, a three-way switch and a volume and tone control each. Fender always seem to be innovating in pickups and circuitry while Gibson trades on 50s nostalgia and authenticity; people seem to want 50s pickups like they were never improved on.
Well, have they ever really been improved on? They have surely been diversified, but improved on? No, not really, I'd say. Listen to how Gary Moore got those paf:s screaming and howlin' and how Peter Green got'em to sing so sweet and lovely; they're the exact same pickups in the exact same guitar. Both sounds are more or less a "perfect" guitar sound, but so different.
I do definitely prefer the Burstbuckers over the 498T/490R that are in Studios. The Burstbuckers in your Epiphone are the same pickups that would be in a Gibson Les Paul Standard. I bought a Gibson Les Paul 60s Tribute last year for 600 bucks that had those same pickups. I just sold it to get a different Gibson but they're great pickups.
I would digest this book with Baxter and Jonathan narrating it to me, In between chapters though I’d like an awkward honesty break and some movie recommendations. Then gently fall asleep to some “wooly beard swaying in the breeze” macro sounds.
Never played a Gibson. None of the shops around where I live don’t even carry them. I’d have to drive 2 hours to a Guitar Center to even see one. But Fenders are everywhere.
Baxter just can't look away from that magnificent beard. Not to detract from the upcoming arm battle between you two but, who would win an arm wrestling match between Leo Fender and Ted McCarty?
Leo was an accountant who turned a radio hobby into a business. All his engineering starts with maximum utility. That’s what makes Fender great.
Thanks for the shoutout guys ! Appreciate you both and all the content !
Great job not getting distracted or off topic until 9 minutes in! The side stories are always awesome too though!
We really really tried!
Man I love these videos. It's like sitting with a couple of buddies, cracking nerd jokes and talking geetars. Cheers!
Thanks Dave!
I’m not even a guitarist, but as a lifelong drummer this book enlightens not only the beginnings, but American history that changed the world. A must read for every musician. I love this channel and watch daily. It feels like I have a couple of soul brothers just down the road from Charlotte. Take care and keep up the great work!
As much as their criticized for it, I like that Fender/Squier have numerous lines of guitars with something in every budget range from $200 to $2000 and up. The jump from Epiphone to Gibson is still a big gap in pricing. There's no "building up" to a high end Gibson.
Like a sg junior one of gibsons “cheapest” guitars is still $1400
There are a number of Gibson guitars for under 1000. I do agree with the gap statement. There is a big gap even when putting the epiphones into the equation but there is definitely some good guitars for sub 1k. I own a couple. Love them.
How about the Tributes?
@@Mikey__R definitely Gibson’s attempt to get a little more into the “affordable “ market
@@presmasterflash7555 I had a Tribute Studio around 2010 / 2011ish I think. It was a nice guitar, and I kind of regret trading for a MIA Jazz bass.
Always remember that a genius was usually thought of as crazy untill their idea proved to be successful.
OMG...the screenshot of Baxter smelling Jonathan's beard is my new screensaver...thank you 🙏 for hours, days, months, and years of hilarity! 🤣🤣
Very cool, I just ordered a copy. Thanks guys… really dig your feeds!
Great Book, I’m glad to hear people talking about it from your point of view.
Sounds like a good book. Adding it to my reading list 👍
Always love the topics you guys pick to go over
Sincere thanks!!!
Yes!!! Can’t wait to watch this later!
The Birth of Loud is a terrific read. For anyone making their way through Peter Jackson’s Get Back, another is Kenneth Womack’s Solid State that takes readers through the same period of Beatles history. Fascinating to revisit such substantial musical history in context to their times and the personalities of the principals who played such substantial roles in shaping the music and instruments we’re all still so compelled to play.
This video put a thought in my head… Imagine being the first guy to discover how to control a dimed Bassman?
That would have been very cool, I think.🤠
Thanks for another great video, fellas!
4:50 Fender and other guitar makers don't get enough credit for how well they've managed costs and made North American-made guitars available at affordable price points over the years. A USA Strat, a PRS S2, a Gibson Les Paul Tribute, or even a Kiesel Custom cost less today than Fender's and Gibson's early models cost in the 1950's when you adjust for inflation. The first Teles sold for $189 in the early 1950's. That's almost $2,000 today. A Strat was about $2,400 in current dollars when it debuted. A new Player Strat costs less than half that. Pretty incredible when you think about it.
Seconded. All of this.
Economies of scale and cnc machinery. Original fenders were all “hand made master built” of sorts. Look at howmany guitars fender makes per day now.
Thanks for the continued dynamic informative vids.
You guys absolutely need to read that book!! I got it when it first came out. My. God. So much good storytelling to fuse the rise of great artists and the creators. It’s like a docuseries from the history channel but as a book!!
Terrific book! Extremely informative and interesting.
Podcast!!! Thank you!! I gave it 5 stars and didnt even get to listen yet.... Unfortunately its the Canadian store so it may not even count haha Love u guys!
My wife got me that book last year for Christmas - really enjoyed it!
I own both and agree they approach their consumer from a different angle.
I did visit the Gibson Garage two weeks ago…walked out with a Murphy Lab Pelham Blue ‘64 SG Reissue with “Light” aging. Staff was great and awesome experience!!
Very cool! send the shop some photos of it! Shop@casinoguitars.com
Not sure if you've done a video on this before, but I always find it so curious as to how the majority of the guitars made over the last half decade are just reiterations of stuff that was brand new in the 50's. It's hard to improve on perfection, but it's also hard to believe that they got it so perfect back then. Lots of people tinker with different electronics and compound radius necks, etc. But for the most part people love and demand the classics. And I'm the same way.
I feel like this is mainly because the rise of the electric guitar in the 50’s was pretty much the invention of a new instrument in itself. Both the guitar and amp companies made what they made and it sounded how it sounded, and it all solidified what the “electric guitar” is and subsequently how the music that was made using them sounded. It’s always been interesting to me how people talk about innovation regarding the electric guitar but violin and saxophones have been what they are for centuries. Now obviously lots of innovations in the electric guitar world are really cool and it’s always good to be thinking of new ideas, but I think the “Fender style” and “Gibson style” electric guitar is basically just like an “A-style mandolin” or an “F-style mandolin” it’s simply the instrument itself. This comment ended up being way more in depth than I intended it to be
That's a great book. I'm on my second read now. The writing is such that it moves at a brisk pace and stays interesting the whole way through.
The quote I always heard from Ted McCarty originally was "now anyone with a pin router can make a guitar" talking about fender,,, then the call of $$$ was overwhelming and Gibson changed their tune
Cool. I plan to check out the book.
Good stuff guys!
Good book. Really interesting seeing how it all started for both of them.
Fantastic book!! Couldn't put it down, excellent read.
The Gibson Garage is awesome. I bought an L-00 there this past summer. Handy and dangerous that I live only 15 minutes from it.
That's too close for us. We would be broke :)
@@CasinoGuitars It is too close. They’re ALL too close!
The book is fantastic. Highly recommend it.
Hi Tyler - I respectfully disagree. Agree, fun read but see my comments below. Regards, rubiera58
The Birth of Loud is a very enjoyable book! I received it for my birthday a couple of years ago, and it was a perfect gift.
If you guys keep talking Star Wars I’m going to have to keep watching!! 🤓 that’s at least 1/3 of why I love watching you guys. The other 2/3 is so I can see Jonathan’s beard. I’m going to check out that Canadian guy. Thanks fellas
It really is a great book. Another good one is "Play it Loud" by Brad Tolinski and Alan di Perna. After reading those 2 books, pretty much all my answers about the inventors, companies, and players have been answered
I lean towards Fender guitars but I don’t think a guitar collection is complete without at least one Les Paul
I prefer the studio to a standard or a custom; something about the lack of binding makes them look sleek to my eye. Some of my favorite guitars are LP studios with figured tops and transparent finishes
Nine minutes before you drifted off. We can blame Dylan talks tone for that. Yet, per usual, you masterfully wind back around to the “topic.” Thank you both for my daily dose of gear talk with a little bit of life thrown in the mix.
Half way through this book right now, really good read.
The book "Play It Loud" is what started it all for me. No looking back!
That book is definitely on my to read list. I'm pretty sure Dylan lives in his own version of "Howl's Moving Castle".
The book is a good read! It's really fascinating to learn the history of both Fender and Gibson. Each companies approach to what would be the birth of Rock music
I read it last year, great book!
Just think of Fender 1950-1964- the Telecaster, the Strat, the P and J basses, the Jazzmaster, the Jaguar, the Mustang.
Now think of Gibson 1950-1964- the LP Paul, the LP Junior, the V and Explorer, the ES-335 and the other ES range, the SG, and the Firebird.
Since then they’ve come up with a tiny amount of ideas (the Gibson DC, The Fender Acoustasonic) but just think of how limited the ranges of modern companies are: PRS just have variations on the Custom 22 and 24, the Silver Sky Strat-like and the 594 Paul-like, and some budget models of these guitars. The only company that comes close to Gibson and Fender in innovation is Gretsch- all of their shapes coming from 1950-1964. You wonder why those 14 years were so different to everything that came after in Guitar design.
That book is what got me back into guitar after about 8 years away from it because life got in the way.
The podcasts have been great!
Thanks Ryan!!!
Stop planning to read it and do it already. That book is amazing!
Great book. Definitely recommend
I'm reading the book right now. It's great very interesting
The few 50s and 60s Fenders I’ve played really capture that vibe you spoke of. I’m not sure the tone they pioneered was completely by accident, Leo was methodical with pickup placement, tone woods etc. But I’m quite sure he never envisioned the myriad of ways his instruments would be used. Ex. Jimi Hendrix! Great vid guys!
“Tone wood” is an irrelevant concept in this context. Pickups are not microphones, they aren’t picking up any resonance in the wood, all they “hear” is the disruption in the magnetic field of the pickup caused by the vibration of the strings in the proximity of said field. What effects your guitar tone, ie what creates the signal, is the shape and size of the magnetic field (the design of the pickup), the strings (material, diameter) and how your fingers make them vibrate. On a hollow body electric guitar, contact between the strings and the body via the bridge causes the soundboard to vibrate, and that vibration on the soundboard causes the bridge to vibrate which does effect the vibration of the strings, but even in that context you’re not hearing “tonewood” beyond the fact that a harder wood will vibrate more strongly than a softer wood, that is to say that if I made two archtops, one out of a very hard wood like maple and one out of a plastic that has the same hardness as maple and put the same electronics on them, they’d sound the same. This isn’t the case where tonewood is relevant, acoustic guitars, since the interaction between the vibrating strings and the wood is much more complex and audible. You could not use plastics with equivalent hardness.
There’s nothing wrong with caring about wood on your guitar, I like the weight and aesthetics of a mahogany body with a maple cap, but it’s an issue that’s purely aesthetic! The wood of a Les Paul is as relevant to tone as the color of your blanket is relevant to how soft and warm it is.
@@volkerlange7251 😲 I dig the passion, bro.
@@ryanfulldark2775 I hear so much nonsense about tonewood it drives me crazy
@@volkerlange7251 It’s far from nonsense. Ash and Alder sound noticeably different. Just as mahogany and maple. Fretboard material alters the sound notably as well. When you played and owned as many guitars as I have, you pick these things out a bit easier. I understand there is a faction that calls it nonsense and a faction that puts merit behind it. But the evidence is out there it makes a difference, and it’s readily available. But, hey, constructive debate is what makes this so damn interesting!
The Slingerland Songster was the first solid body electric guitar. It used 6 coils in a hum canceling arrangement, similar to zexcoil’s design
have you guys read Brad Tolinski's Play it Loud?
Are the podcasts available somewhere else besides Spotify?
I have a 2018 studio that's basically a standard without body binding.its got the 57s in,bound fretboard and all features of a standard but with coil taps.it feels like a standard and screams
Gibson did cool/weird things in 2018. One shop had 2018 Classic with P90 pickups and no weight relief.
@@Frosenborg was 2018 the last year of Henry ? Just wondering if it will appreciate in value
@@Adamski1989 Could have been, I'm not sure. I'd think your Studio is more valuable than is regular counterparts.
"I like you, Clarence. I always have, and I always will." - The King
94 Epiphone LP-100. Took out stock pickups put in a set of Gibson 490's. Thoughts?
I love your show and all things guitar you discuss. But do you ever sell any guitars? I have been looking at the same wall of guitars in the background for over a year now. Keep up the good work!
Those are their personal collection.
@@charlesbolton8471 I know that. That is the joke.
The book is great. I highly recommend it. It is available on audio book (which is how I read it).
Fender really is like a modular guitar. Anyone can work on one. Was my first guitar and my fav to mod.
Great book!
I loved this book.
You guys really should also read "The story of Paul Bigsby" Among other things you get to see photos of Paul, Les and leo hanging out. Not to mention Paul actually built a guitar for Les, pregibson. It is really fascinating to read the story of how all these guys were just buddies. Kinda neat to know that the nerdy engineers were hanging out doing the same things as all the 'cool kids'.
I love watching yall btw
Thanks A ton Noah!
I'm a Les Paul guy but I've been looking into a tele or strat. type fiddle to add to my guitarsonal.
Love Dylan Talks Tone. His HSS loaded pickguard significantly improved my Squier Strat.
A 1954 Stratocaster was originally $249, and would be over $2,500 adjusted for inflation. A Gibson Les Paul was actually slightly cheaper
yes the JJN Epiphone Gold Glory. I want one. Also would like to get the black one to, just so I have them both
I truly enjoy the two of you and your ramblings. But I have a 2016 Les Paul Studio T that I had to save a couple of years for and is one of my favorite guitars. Why all the studio hate?
hello boys love the show .....goooooood stuff
That book is a good read for guitar history, which I enjoy
Cool how their histories intertwine
Things didn’t happen in complete isolation
Where is the video for the lunar ice?
I love and own both Gibson and fender guitars. I will say as a personal choice, with Gibson I would love to have a custom shop or even a standard. I simply don’t like fret nibs. This has left me with studios, studio deluxe, ash body and BFG,s. Keep the great videos coming.
P.S. not on the toilet while watching this video…..the wife’s not home.
please put the podcast also on deezer for the non-spotifyusers :D
I might have to change my answer to the secret question if Baxter keeps dogging Jonathan's home life.
Peace gents. Thanks for the content as always.
Does the winner of the Silver Sky also come with complimentary beard-maintenance tips from Jonathan? Thanks!
Great book….well worth the read!
That Magnatone jacket I do need
Hey! I’m in Weehawken…
Yea that book is awesome. I wouldn’t wait for the movie.
Is that guitar Lunar Ice?
I was honestly expecting a baby falcon to attack Baxter as he sniffed the beard.
You two are great! I own several pretty nice Fenders because I don't feel the buyers remorse from only dropping a grand at a time, but man! I still haven't brought myself to justify 5 grand for a nice Les Paul. I still really want one though. For now, my Epi with Duncan Antiquities will have to suffice.
new sub...and bassman owner...love it lunar ice
I’ve read both Birth of the Loud and Play it Loud. To me the genius of Leo Fender and his team was that they listened to customers and used great designs to meet their needs at a reasonable cost. Leo started repairing radios. He branched out to renting PAs for things like church events and concerts. He was a fan of Western Swing and those musicians were among his customers. He thought he could improve the design of the steel players amps. Then he started building steel guitars. After hearing the guitar ps complain about feedback and expensive neck repairs, he branched into guitars. The Strat was based on feedback from the Tele and was meant to replace it. Some players wanted contours, more sounds and a vibrato bar. I also didn’t know that there was period early on that Bigsby, Les Paul and Leo were friendly and would discuss designs at Les Pauls home. Cool books.
The book is worth the read!
Norm recommended that book a year or so ago, and I bought and read it. It is a quick read, and heck I barely know how to read since youtube. You should check it out.
If the Borg played guitar, would they play an Explorer?
It’s a great read.
What pickups come in the Lunar Ice?
PRS 635JM.
Fender and Gibson guitars really show the roots of the companies that make them: Leo Fender was an electrician who made amplifiers and diversified into making guitars and his guitars look like electrical appliances. Gibson was a mandolin maker which diversified into arch top guitars in the early 20th century and their electric guitars look like musical instruments, specifically archtops (except maybe the Explorer family). Look at any two Fender models and the electrics differ as much as the bodywork, while Gibson models' differences from each other are in the wood, while the electrics mostly stick to the same formula: two humbuckers or P90s, a three-way switch and a volume and tone control each. Fender always seem to be innovating in pickups and circuitry while Gibson trades on 50s nostalgia and authenticity; people seem to want 50s pickups like they were never improved on.
Well, have they ever really been improved on? They have surely been diversified, but improved on? No, not really, I'd say. Listen to how Gary Moore got those paf:s screaming and howlin' and how Peter Green got'em to sing so sweet and lovely; they're the exact same pickups in the exact same guitar. Both sounds are more or less a "perfect" guitar sound, but so different.
The Birth of Loud is one of the best guitar books ever written.
I have an Epiphone Studio. It's absolutely fine!
If you’ve read it maybe do a part two now! I’m rereading it for the third time lol😂
The way Jonathan’s beard smells, Baxter would definitely get distracted and get his ass kicked in an arm wrestling contest
cools vids fellas
I debated a Gibson studio vs a 59 epiphone with the Gibson pickups. Ended up with the epi, no complaints with it just getting used to the weight
I do definitely prefer the Burstbuckers over the 498T/490R that are in Studios. The Burstbuckers in your Epiphone are the same pickups that would be in a Gibson Les Paul Standard. I bought a Gibson Les Paul 60s Tribute last year for 600 bucks that had those same pickups. I just sold it to get a different Gibson but they're great pickups.
I would digest this book with Baxter and Jonathan narrating it to me, In between chapters though I’d like an awkward honesty break and some movie recommendations. Then gently fall asleep to some “wooly beard swaying in the breeze” macro sounds.
Read the book! It’s great 👍
Will definitely have to add the birth of loud to the list of reads 📙
Never played a Gibson. None of the shops around where I live don’t even carry them. I’d have to drive 2 hours to a Guitar Center to even see one. But Fenders are everywhere.
Baxter just can't look away from that magnificent beard. Not to detract from the upcoming arm battle between you two but, who would win an arm wrestling match between Leo Fender and Ted McCarty?
What'd the Fender say while arguing with a Gibson?
...
...
"Hey! Don't lose your head"