Luther's Wedding Day - Capella de la Torre - Utrecht Early Music Festival - Classical Music HD
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Capella de la Torre led by Katharina Bäuml performs music by Senfl, Josquin, Isaac, Willaert and Tromboncino during the Utrecht Early Music Festival in the Geertekerk (church) in Utrecht
Musicians:
Capella de la Torre
Katharina Bäume [Conductor / Baroque Oboe]
Margaret Hunter [soprano]
Harry van Berne [tenor]
Ralf Grobe [bass]
The musical programme:
Anonymous: early 16th century - Fanfare
Pavane: Le forze d’Hercole
Heinrich Isaac: Introitus: Loquebar de testimoniis
Ludwig Senfl: Missa Nisi dominus aedificaverit domum
Kyrie
Gloria
Anonymous / Gregorian: Martine par apostolis
Josquin Desprez: In te domine speravi
Anonymous: Canto
Heinrich Isaac: Süsser Vater Herre Gott
Josquin Desprez: Haec dicit Dominus
Johann Walter: Ein feste Burg ist unser Gott
Anonymous: Passamezzo
Giacomo Fogliano: L’amor, dona, ch’io te porto
Anonymous: Dolce amoroso focho
Recording: Friday the 1st of September 2017, Geertekerk Utrecht.
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The soprano is wonderful.
How wonderful when you cans see and hear how much the performers are enjoying themselves!
Gracious, passionate and talented musicians.
I love it that one of the shawm players really, really wants to sing along...
Ah. She's the conductor. She looks like she's having a marvelous time.
Very nice music with some kind of natural beauty.
Extraordinaire, merci ! Pure félicité !
Absolutely stunning performance
🙏❤️🙏
Bravo. 100/100 performance.
Wonderful gifts from God Almighty
00:00:00 Anonymous: early 16th century - Fanfare
00:01:15 Anonymous: Pavane: Le forze d’Hercole
00:04:45 Heinrich Isaac: Introitus: Loquebat de testimonis
00:09:10 Ludwig Senfl: Missa Nisi dominus aedificaverit domum
Kyrie
Gloria
00:19:20 Anonymous / Gregorian: Martine par apostolis
00:22:38 Josquin Desprez: In te domine speravi
00:26:08 Anonymous: Canto
00:28:30 Heinrich Isaac: Süsser Vater Herre Gott
00:31:46 Josquin Desprez: Haec dicit Dominus
superbe ! merci !!! un énorme plaisir toujours d'écouter ces oeuvres exceptionnelles !
The opening number here is titled "Anonymous Early 16th century Fanfare " is actually "La Morisque" by Tylman Susato, from a Danseyre collection.
A perfect musical performance. And they play nicely and correctly, I like that.
J;ADORE c,est sublime , la musique est grandiose merci pour cette vidéo
Sublime musique et très bien jouée!
Wundervoll!
Awesome expressed with heart and soul I could listen to this all the way up
👏👏👏👏👏👏
Everyone looks so happy.
Doppio ringraziamento:per la musica a me sconosciuta ,ma eccezionale e per l'esecuzione magistrale,Grazie!!!
Rock on!
bravissimi un piacere ascoltarvi grazie
Meravigliosa esecuzione!!!
Lovely
The piece at 50:04 is titled Ostinato vo' seguire by Bartolomeo Tromboncino.
Very enjoyable concert. I wish someone could provide a more accurate and complete program description with timings.
With natural beauty.
Oh dear! The Early Music Police is investigating! A musical performance has to be correct - no room for emotion and amusement... I like this wonderful ensemble and their deliberate programs. And I totally agree with Richard Morrison/The Times who wrote: This is the most spirited Renaissance consort playing I've heard since David Munrow's heyday - and that was 45 years ago.
I'm with you on this one! I don't care if the instrumentation is "incorrect" or what not. If it sounds good, I'm ok.
I can't believe it's as long ago as 45 years! David Munrow was such an inspirational man. My love of early music has not waned and I have been actively participating in it for 60 years now. There is piles of fun and emotion in it too
Oh please! As if you can't be both accurate and musically exciting.
In my experience, the musicians that use your argument are the ones who can't be bothered to do research and be accurate.
Yes, this performance may be musically exciting, but that doesn't mean they're immune from any criticism or suggestions.
And if you want spirited Renaissance consort playing, check out Piffaro, the group from Philadelphia:
czcams.com/users/OfficialPiffaro
Rubbish!
Thank you AVROTROS, because I could not be anywhere at the same time duringtheFestival of Early Music it is nice to catch up this concert afterwards! Splendid camera technique and cuttings!
The same three singers I saw during the concert in the Hertz location of Vredenburg. Nice!
You're welcome! We will upload another Early Music Festival within the hour! Hope you will enjoy that one too!
Bravi! This is fantastic.
+Caleb Young Thank you! Tomorrow morning we'll have another early music concert!
Prachtig gewoon, dus dit jaar ook weer aanwezig
A+
Just a correction for the video description. Katharina is not playing a baroque oboe, but a renaissance shawm.
Except she's playing it like a baroque oboe. And the alto shawm player likewise. Neither of them are using a pirouette. She slurs all her "divisions" and the choice of instrumentation is very odd. Shawms together with lute? Really?
Sorry to re-hash this old comment, I've also been wondering about this. Everything I've read suggests that Shawm technique was not independent of the pirouette until the mid 17th century, and yet nearly every renaissance group that I hear using them today insists upon playing without. Am I missing something or is this another attempt to try and make Renaissance music fit our preconceptions of what it should be?
I am not understanding the use of the word, Pirouette, What does it mean in this context.?
@@charlesbarkema8021 the pirouette is a lip-crutch or lip-rest (I am German and try to translate "Lippenstütze"). Here you can see a drawn pirouette under the picture of the girl on the right side www.essentialvermeer.com/folk_music/shawm_a.html#.W_ganzFReUk
@@tbraithwaite92 I think that Piffaro, the group in Philadelphia, uses pirouettes.
Capella de la torre war auf unserer Schule wir sind nähmlich die bläserklasse😃
4:45 ;; 35:15 Eine feste Burg ist unser Gott ;; 39:38 ;; 45:48
All is good, but where are the boy singers?
1 000 000 000 000 000 LIKES
Reinhören, und gutfinden ,ist Musik, in bio premiumqualität ,!!orientalische arabesken finden sich in den stücken!ist was schönes !
Great show, I lov it! Question: would this piece fall under the medieval or renaissance or baroque??. Sorry about my ignorance, but I want to learn…
Renaissance.
Hallo Victor, you are not ignorant, you are learning❤ it's good to see you are liking Renaissance and Baroque music, my great love for this music is the period between late Renaissance and early baroque, enjoy your journey
What's the title of piece at 50:02 ? really charming!!!
It's a wonderful little Italian frottola, "Ostinato vo' seguire," by Bartolomeo Tromboncino.
Please, let me know the title of the piece at 1:16:40. Thank you!
,Tante volte si, si, si' from Marchetto Cara
Warum ist die Laute so leise, dass man sie nicht hört? Könnte man sie daher nicht Leise nennen? Habe 2 Freunde, die sie auch spielen.
Lutes are indeed quiet instruments. I'm actually surprised at how easy it is to pick the lute out of the ensemble sound and hear it as an individual instrument in this recording. But then, I'm a lute player.
I suspect the lute is just close to a microphone.
Complete musical program, please, 😭?!
Schoen! Bravo.
I have heard the opening number in another video, with a different name, but can't recall exactly where.
The melody, presumably a folk tune, was used by Praetorius in Terpsichore.
HINT: Not all renaissance music requires drums.
Early music hipsters.
Please the title of 22:40 - 26:40. Thank you!
In te dominie speravi, by des prez
@@thomasward9969 Danke schön!
@ 43:00 Great Fun!
Martin should feel flattered.
Historically interesting, but artistically not very charming.
I'd have to disagree.
I would rather say, historically charming, but artistically not very interesting.
@@notaire2 Or maybe the other way down? Worthwhile enjoying, though.
👏👏👏👏👏👏