Paiṅguval̤ai Kārmalarāl |
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- čas přidán 21. 08. 2024
- Thiruvempavai Song 13 - Paiṅguval̤ai Kārmalarāl
Rāgam : Sāveri
Tālam : Rupakam
Transliteration (IAST)
paiṅguval̤ai kārmalarāl
seṅkamala paimpodāl
aṅgam kurugiṉattāl
piṉṉum aravattāl
taṅgal̤ malam kazhuvuvār
vandu sārdaliṉāl
eṅgal̤ pirāṭṭiyum
eṅgoṉum poṉṟisainda
poṅgu maḍuvil
pugappāyndu pāyndu nam
saṅgam silamba
silambu kalandārppa
koṅgaigal̤ poṅga-
kuḍaiyum puṉalpoṅga
paṅgayap pūmpuṉal
pāyndu
āḍelor empāvāy
Gist : The thirteenth pathigam symbolizes seeking spiritual purity in a sacred pond adorned with nature's beauty. The song describes a beautiful pond as the meeting place of birds, snakes, and flowers, representing Nature, and the Lord and His consort, Uma Devi. The pond represents a purifier, and is a common spiritual ground for all living brings. By immersing ourselves and surrendering to the Lord , all beings can experience the divine.
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Thiruvempavai’ are a set of twenty songs that are sung in Shiva temples in the month of Margazhi. The songs are sung early in the morning, one on every day, followed by ten songs of the ‘Thirupalliyeluchi’.
The paavai songs are part of an ancient tradition amongst unmarried young girls, where they would light lamps in the early mornings of Margazhi, and sing songs in praise of Lord Shiva. It was believed that such rituals would bring prosperity and a suitable husband.
The ‘Thiruvempavai’ songs, along with the ‘Thiruppavai’ songs composed in honour of Lord Vishnu, resound in temples across Tamil Nadu during the cold days of December and January.The songs are even sung during the coronation of the King of Thailand!
The twenty songs of the ‘Thiruvempavai’ form a part of the ‘Thiruvasakam’, a set of ancient Tamil hymns that date back to the 9 CE, and were composed in Annamalaiyar temple by the poet-saint Manickavasagar. Each song in the ‘Thiruvempavai’ is a fervent expression of the poet's deep devotion and surrender to the divine, and quest for spiritual enlightenment.
The songs are written as conversations between a sleeping maiden, reluctant to wake up early, and her friends who try to persuade her to accompany them to the temple.
Listen to the Thiruvempavai songs here • Thiruvempavai | Margaz...
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My dear music family,
It is a dream come true to be able to work on classical Thamizh songs that are rooted in our tradition. If you wish to support me in presenting more such content that preserves our musical traditions & culture, please do contribute. Details are there in the end of the video.
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Credits:
Lyrics - Thiru Manickavasagar
Concept, direction & vocals - Madhu Iyer
Cinematography - Aravind Rajagopalan
Translation and transliteration - Anuradha Srinivasan
Video edits, thumbnails and social media - Saroja Vasanth
Edits, Mix and Master - Sankararaman, Conch Music House
Recording - At Atrium sounds by Anish Mohan.
Art - Vishnuprabha of Vishnu Arts
Other images from the Internet (creative commons)
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Verygood presentation God bls u thk u
Sweetly rendered. Excellent voice and sahityam. Blessings for many concerts
Excellent presentation fantastic rendition lovely singing nice voice leading to Divinity God bless you always and your entire family members ❤❤❤🎉🎉
Om NAMASHIVAYA ❤
Very beautiful. Namasivaye
SAW...VERI good. Thiruvembaavai 13....who said 13 is not lucky....whoever gets to watch this 13 is lucky. Madhu, the only other person who changes get ups so frequently next to kamal :-) :-) And also looks good in all of those get ups :-)
Sweet voice and rendition!
Om Namah Shivaya!🙏
Thank you 🙂
As soon as I started listening to this Thiruvempaavai, I immediately looked into the Raagam, since I got a unique feel which I've never been able to express while learning this Raagam 'Saveri' during my school days. Raagams such as Kalyani, I always could associate with divinity, Hamsadwani, a pleasant feel, Mohanam and Shankarabharanam, a simple yet classic feel, Abhogi a mixed feel. Saveri, I could never bring it under any such definition and hence used to skip this Varnam mostly while practising while my Guru used to keep reminding me. Very well sung this difficult Raagam Sis !!
Thank you.
Yes Saveri is more of a serious raga for me. But meditative also.. kriti association to the feel is more precise than associating the raga. Example Muruga muruga in saveri is very popular. And the kriti evokes a very meditative feel
@@madzi89 Thanks for sharing such wonderful music facts Sis 🙏👍
Bring the most fortunate guy on earth to limelight. Your husband. Madhu. 😢😢😢