Let there be leitmotifs!

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  • čas přidán 23. 08. 2024
  • From a PBS Great Performances broadcast in 1995. This has a simple explanation of Wagnerian leitmotifs, specifically in Siegfried's Funeral March and Brunnhilde's Immolation, from the opera Götterdämmerung.

Komentáře • 22

  • @weedsmokindrummer
    @weedsmokindrummer Před 13 lety +3

    wow You guys are deep into this. i've heard and played motif's but never knew the history or terminology! i love stuff like this!

  • @Bluehawk2008
    @Bluehawk2008 Před 15 lety +5

    I like how his whole body quakes with the notes he plays lol

  • @alanarmstrong8032
    @alanarmstrong8032 Před 12 lety +3

    Ah, CZcams is terrific!! Thank you for posting this.

  • @bogorzelak
    @bogorzelak Před 14 lety

    Very good video. Thank you for uploading this.

  • @RustyBanks
    @RustyBanks Před 16 lety +2

    Actually, Hugh, it is EXACTLY like the theme to jaws. The duuuuuh-DUNT thing from Jaws stands for the presence of the danger and of a character (the shark). After all, the "theme" from Jaws is more like a motif than a theme. John Williams use of Leitmotif may be a bit ham-fisted, but it works the same as in Wagner...

  • @MaistreDe
    @MaistreDe Před 13 lety +3

    Spot the mistake at 5:42 :P

  • @Smiae
    @Smiae Před 11 lety

    A leitmotif is a special type of theme explained in this video. Not all themes are leitmotifs.

  • @kenshinx7295
    @kenshinx7295 Před 11 lety +2

    I don't get it... if a leitmotif is a recurrent theme that is associated with a specific thing, person, place or idea, then why isn't the Jaws theme considered a leitmotif??? Isn't that also a recurrent theme associated with the shark?

  • @BerlinerStadtschloss
    @BerlinerStadtschloss Před 12 lety

    Yes, indeed .

  • @charlotteBraillie
    @charlotteBraillie Před 12 lety

    @RustyBanks
    And where did John Williams get the theme to jaws? Listen to Dvorak's 9th symphony, beginning of the 4th movement. Recognize anything?

  • @kenshinx7295
    @kenshinx7295 Před 11 lety +1

    Could you tell me the difference between "theme" and leitmotif? I thought a theme or recurrent theme was just a more colloquial way to say it.

  • @magiorey
    @magiorey Před 13 lety

    I believe Gluck is cerdited with writing the first leitmotifs for Opera, at least deliberately, maybe others (like Monteverdi) used them in a less systematic manner

  • @MaistreDe
    @MaistreDe Před 13 lety +1

    "The hero is killed. The hero dies"
    Errr........

  • @weedsmokindrummer
    @weedsmokindrummer Před 13 lety

    @operamystery80 your last comment took the words out of my mouth except i was born a year later. so much for the 90's

  • @cyborgtroy
    @cyborgtroy Před 14 lety

    "using leitmotifs, which don't weigh as much as heavymotifs"

  • @EdwardWhelanPiano
    @EdwardWhelanPiano Před 14 lety

    Why is that guy shaking like crazy when he is playing the leitmotifs?

  • @garybrownell
    @garybrownell Před 12 lety

    Check out wikipedia Strauss_in_Nazi_Germany regarding Strauss. It doesn't seem like he was really a Nazi. There also seems to be some controversy about von Karajan. See wikipedia Herbert_von_Karajan#Nazi_Party_membership

  • @NeverAloneForever
    @NeverAloneForever Před 13 lety

    @magiorey Indeed, he also made the precursors to what Wagnr called his musical dramas.

  • @kenshinx7295
    @kenshinx7295 Před 11 lety +1

    How is that relevant to what RustyBanks said? It is irrelevant if Wiliams got the inspiration from Dvorak, the Jaws theme is still a leitmotif.

  • @monkeybizwak
    @monkeybizwak Před 13 lety

    does saying Wagner was a nazi make me an ignorant prick?

  • @TGNViviaN
    @TGNViviaN Před 11 lety

    He didn't hide his distaste for Jews. So, I would say, that since he had an extremely anti-semitic opinion, you could consider him a 'nazi.' Maybe the hipster version of it; but since he died before the Nazi regime came about, he doesn't really fit into the category exactly.