Verdi: Aida - San Francisco Opera (starring Luciano Pavarotti)
Vložit
- čas přidán 26. 01. 2012
- Buy from Amazon:
smarturl.it/AidaAmazon
A magnificent spectacle of stars, scenery and choreography, this version of Verdi's Aïda is remastered from Sam Wanamaker's landmark production. It features monumental performances by Luciano Pavarotti as Radames and Margaret Price in the title role. The tensions which arise from Radames' love for Aida, a slave who is the daughter of the Ethiopian chieftain, Amonasro, and the jealousy this provokes in the daughter in Amneris, daughter of the Egyptian king, are portrayed in some of Verdi's most famous music.
__________
Highlights
0:57 Preludio
Act I
7:02 "Se quel guerrier io fossi!"
7:59 "Celeste Aida"
24:27 "Ritorna vincitor!"
27:38 "I sacri nomi di padre"
Act II
58:30 "Gloria all'Egitto, ad Iside"
1:02:07 Marcia trionfale (orchestra)
1:03:45 Ballabile (orchestra)
1:08:12 "Vieni, o guerriero vindice"
Act III
1:32:26 "Qui Radamès verrà!"
1:34:07 "O patria mia"
1:48:23 "Pur ti riveggo...Là tra le foreste vergini"
1:57:53 "Ma dimmi; per qual via"
Act IV
2:03:26 "L'aborita rivale a me sfuggia"
2:06:45 "Già i sacerdoti adunansi...Ah! tu dei vivere!"
2:26:21"La fatal pietra sovra me si chiuse"
2:35:06 "O terra addio"
__________
Warner Classics
► Website: www.warnerclassics.com
Subscribe to our:
► YT- Channel: wnrcl.me/subscribeYT
► Newsletter wnrcl.me/subscribeNL
Follow us on:
► Facebook: www. WarnerClassicsErato
► Instagram: / warner_classics
► Twitter: / warnerclassics
► CZcams: / warnerclassics
Listen to us on:
► Spotify: open.spotify.com/user/warnercl...
► Apple Music: itunes.apple.com/curator/warne...
► Deezer www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more. - Hudba
I can't believe I can see such art for free. What a great time to be alive
In that regard, yes!
@@davegreene8588 pmmmiki
O
Oil
O
This is a classic performance with Pavarotti in his prime. It should preserved for the ages.
Sono daccordo
He was actually far past his prime by this time. His prime was the 1960s.
@@JeremiahAlphonsus First of all, do you know when this production was? It was 1981. He was 46. His voice may not have been at its strongest but his technical mastery of its use was probably at its peak and I would argue better than in the 1960s when he would have been only in his early 30s. I'm afraid we'll have to agree to disagree.
I don't think enough people are talking about Magaret Price. Truly one of the greats. Her high C in O patria mia is nothing short of breathtaking. Yes, Pavarotti is in thrilling voice, but I think the whole cast, in particular, Price, must also be given their due.
Agreed - all great performances but hers is the outstanding one for me
Indeed!
And Ms Price was also a true Dramatic coloratura soprano who is second only to the great Joan Sutherland...
We were privileged to be in the audience during this performance many years ago...thank you for posting it online.
How simply wonderful. I heard and saw Pavarotti singing in Hyde Park when Princess Diana was still alive. I was right behind her. Has a bitter sweet memory but it was wonderful to hear and see Pavarotti in person.
Pav is cool!
No human words can express the mystic depth of this opera, Verdi's masterpiece. It is so actual and real in these times as it was in Verdi's times.
Giuseppe Verdi's Aida, must be the most beautiful opera composed by the great masters. Is an opera you never tire to listen time and time again. Giuseppe Verdi... "Sei magnifico".
Содержание
Вступление
01:02 тема Аиды
02:31 тема жрецов
1 акт
1 картина (05:25)
05:25 дуэт Рамфиса и Радамеса "si, corre voce"
07:02 ария Радамеса "se quel guerreir - ах если б я был избран"
08:00 романс Радамеса "celeste Aida - милая Аида"
08:52 его середина "il duo bel cielo - увидишь скоро родное небо"
11:43 речитатив Амнерис "quale insolita - необычною радостью"
13:54 тема ревности Амнерис "oh guai - я знаю, другое чувство"
14:24 терцет Радамеса, Амнерис и Аиды
17:51 сцена прославления Египта
21:22 ария+хор "su, del cor prorompa - к берегам священным Нила"
Сцена Аиды:
24:27 1. Ritorna vincitor - с победой возвратись
25:30 2. L'insana parola - безумное слово
26:04 3. E l'amor mio - любовь забыла
27:39 4. I sacri nomi - и я не смею открыто
28:17 5. Numi, pieta - Боги мои
2 картина (31:43)
31:43 молитва Великой жрицы "possente, possente - всесильный великий бог"
35:15 священный танец жриц
37:21 речитатив Рамфиса "mortal diletto ai Numi - богов любимый смертный"
38:28 ария+хор "nume, custode e vincide - боже, спаси нас от врагов"
2 действие
1 картина (42:24)
42:52 хор рабынь "chi mai - кто там"
43:15 вторая тема хора "vieni, sul crin - приди, чело украсим"
43:43 ариозо Амнерис "ah, vieni - мой милый"
45:19 танец мальчиков
Дуэт Аиды и Амнерис:
48:31 1. Вступление "fu la sorte - твоим братьям"
50:24 2. Экспозиция Аиды "amore, amore - любовь, о Боги"
50:56 3. Экспозиция Амнерис "Ebben, qual nuovo - о чем другом грустить"
51:59 4. Реакция Аиды на смерть Радамеса "che mai dicesti - что ты сказала"
52:45 5. Радость Аиды "vive! - жив!"
53:36 6. Молитва Аиды "ah, pieta - прости и сжалься"
(55:37 - гимн "к берегам священным Нила")
56:00 7. Мольба Аиды "ah, pieta - о, прости, что ж мне осталось"
56:54 8. Молитва Аиды "numi, pieta - боги мои"
2 картина (58:31)
59:22 хор "Gloria all'Egitto - слава Египту"
1:00:25 женская тема "s'intreci - лавровыми венками"
1:01:14 хор жрецов "della vittoria - к главным виновникам"
1:02:06 ТРИУМФАЛЬНЫЙ МАРШ
1:03:44 музыка балета
1:08:11 реприза
1:10:28 ариозо царя и тема Амнерис "salvator della patria - избавитель отчизны"
1:12:52 Аида бросается к отцу "che veggo - что вижу"
1:13:52 рассказ Амонасро "quest'assisa - эти люди докажут вам"
1:14:50 мольба Амонасро "ma tu, Re - но ты царь всемогущий"
1:19:42 Радамес заступается "o Re, pei sacri Numi - о царь, ты клятву дал"
1:22:18 реприза: тема "Gloria all'Egitto - слава Египту"
3 действие (1:27:50)
1:28:50 начало хора где-то вдали
1:34:07 соло гобоя в романсе Аиды
1:35:11 романс Аиды "o cieli azzurri - небо лазурное"
1:40:00 начало дуэта Аиды с Амонасро
1:41:14 мотив "rivedrai le foreste - возвратимся мы в край наш"
1:44:02 ариозо Амонасро "su dunque, sorgete - вставайте, враги"
1:45:42 ариозо Аиды "pieta, pieta - отец, прости"
1:48:22 начало дуэта Радамеса с Аидой "pur ti riveggo - опять с тобою"
1:49:43 ариозо Радамеса "nel fiero anelito - в желании грозном"
1:51:22 соло гобоя в ариозо обольщения
1:51:57 ариозо Аиды "la tra foreste - там, в темной роще пальмовой"
1:58:13 появляется Амонасро
2:00:06 появляется Амнерис "traditor - о, изменник"
4 действие
1 картина (2:03:26)
2:03:54 сцена Амнерис "l'aborrita rivale - ненавистная соперница"
2:04:58 сцена Амнерис "io l'amo - люблю его безумно"
2:06:47 ариозо Амнерис "gia i sacerdo - там собралися все жрецы"
2:09:04 ариозо Амнерис "ah, tu dei vivere - нет, нет, ты должен жить"
2:10:26 ариозо Радамеса "misero appien - счастья меня лишила"
2:11:56 ариозо Амнерис "chi ti salva - не спасёшься ты"
2:12:33 ответ Радамеса "e la morte - в этой смерти лишь блаженство"
2:13:54 Амнерис страдает
2:16:33 жрецы поют, суд
2:18:27 Радамес, Радамес, Радамес
2:19:16 плач Амнерис "ah, pieta - боги, сжальтесь"
2:21:43 приговор Радамесу
2:22:56 Амнерис обвиняет "sacerdoti, compiste un delitto - преступление, жрецы, вы совершили"
2 картина (2:26:11)
2:26:49 речитатив Радамеса "la fatal pietra - закрылся камень"
2:28:34 ариозо Аиды "presago il core - твою мне участь"
2:29:29 ариозо Радамеса "morir, si pura - за что ж, ты невиновна"
2:30:44 ариозо Аиды "vedi, di morte - видишь, вот ангел смерти"
2:31:50 хор жриц на фоне
2:32:37 дуэт "o terra, addio - прости, земля"
Всем гнесинцам привет)
СПАСИБО БОЛЬШОЕ, СПАСИБО!!!!!
Ух ты, ух ты
Человек, я тебя не знаю, но ты стал для меня святым
@@solom.k.a 🛐🛐
И тебе привет!
1 действие
1:03 вступление, тема Аиды
2:31 вступление, тема жрецов
8:01 романс Радамеса "Милая Аида"
11:44 сцена Амнерис, Радамеса и Аиды, выход Амнерис
13:45 тема ревности Амнерис
21:23 гимн "К берегам священным Нила"
24:27 сцена Аиды, драматический речитатив "Вернись с победой к нам"
25:30 сцена Аиды, ариозо "Безумное слово, о боги, простите!" e moll
27:39 сцена Аиды, ариозо "И я не смею открыто, свободно" as moll
28:18 сцена Аиды кода, молитва "Боги мои! Сжальтесь, молю" As dur
33:55 сцена посвящения Радамеса в полководцы, молитва Великой жрицы
2 действие
42:24 хор рабынь Амнерис, вступление
42:53 хор рабынь Амнерис, 1 тема "Кто там?"
43:15 хор рабынь Амнерис, 2 тема "Приди, чело украсим мы"
43:43 лирическая тема Амнерис "Мой милый"
48:32 сцена Амнерис и Аиды, 1 раздел A dur, Амнерис
50:56 сцена Амнерис и Аиды, 2 раздел, B dur, Амнерис
53:37 сцена Амнерис и Аиды, 3 раздел, f moll, "Ах, прости и сжалься", Аида
55:37 сцена Амнерис и Аиды, 4 раздел, тема гимна
56:55 сцена Амнерис и Аиды, 4 раздел, молитва
58:32 финал, оркестровое вступление и хор "Слава Египту и богам!"
1:00:31 финал, женский хор "Лавровыми венками украсим мы героев"
1:02:06 финал, марш As dur, когда духовой оркестр на сцене
3 действие
1:27:51 оркестровое вступление
1:34:07 романс Аиды, рефрен с соло гобоя
1:35:11 романс Аиды, эпизод "Небо лазурное и воздух чистый"
1:44:02 сцена Аиды и Амонасро, Амонасро
1:46:01 сцена Аиды и Амонасро, Аида
1:48:38 сцена Аиды и Радамеса, Радамес ("Опять с тобой, дорогая Аида!")
1:51:21 сцена Аиды и Радамеса, Аида ("Бежим! Покинем этот край")
4 действие
2:06:47 сцена Радамеса и Амнерис, Амнерис, es moll, фигурации у бас-кларнета
2:18:28 сцена суда, речитатив жрецов
2:19:17 сцена суда, реплика Амнерис "Боги, сжальтесь"
2:32:37 сцена Аиды и Радамеса, тема дуэта с ходом на б.7, Des dur, "Прощай, земля"
Благодарю, мил человек!
Спасибо!
Hey Alex, what's the story?
Verdi è un genio assoluto, tutte le sue opere sono immortali, sono lo specchio dei sentimenti umani e vivranno finché l'umanità avrà sentimenti...
Verdi senz'altro, x quanto riguarda Pavarotti meglio stendere un velo pietoso.
@@e.g.8454 la parola all'esperto...
@@e.g.8454 e se lo dice E.G. crediamoci... certamente maestro di canto al conservatorio!
quanto mi da fastidio certa gente.
@@loresog9569 Come mai siete Pavarotti dipendenti? Mai sentito parlare di Corelli Gigli Bjorling Pertile Merli Rosvaenge Fleta Del Monaco Zenatello Svanholm Merli Masini ecc ecc. Ho seri dubbi al riguardo.
@@e.g.8454 non è questione di essere Pavarotti dipendenti è questione di dire o non dire cazzate a proposito di Pavarotti - di grandi tenori ce ne sono a bizzeffe, ma non è quello il punto. capisco che atteggiarsi ad esperti anticonformisti dia soddisfazione, ma nessun esperto si esprime così. ah: non basta snocciolare un elenco di nomi per essere esperti. io sono un musicista professionista e non mi atteggio a esperto di canto lirico, ma so valutare se un cantante è penoso o meno... e non è il caso di Pavarotti (da nessun punto di vista: intonazione, timbro, potenza, interpretazione, presenza scenica), poi posso preferire quello che voglio e apprezzare maggiormente altri cantanti, ma è totalmente un altro discorso.
I remember this production so well. Margaret Price became indisposed early in the run. Luckily, there was another Price in town preparing to sing Il Trovatore. For one blissful evening, Leontyne filled in for the ailing Margaret, and to my knowledge, it was the only time she sang a complete opera with Pavarotti. The energy and excitement in the house that night was off the charts! Not a ticket to be had, even in standing room, so I walked in the stage door, checked my name off the super's list on the wall, and proceeded to get lost in the catacombs down below! I will never forget those two hours of sheer anxiety waiting to be discovered and tossed out of the place! But, when the standing room doors opened, I was already in place and I could hear the stampede approaching from below, followed by the looks of several wondering how the hell this guy got here first!
It was a fantastic production! Simon Estes, wow! Toczyska remarkable! But, I got to see and hear MY diva, sing HER opera, with the greatest tenor I ever saw. And it was touching to see this great tenor with an ego the size of all Italy, defer to Miss Price every chance he got. He realized it was going to be HER evening and he stood back and let her have it.
Oh ! I love your story about sneaking in to hear! My colleagues and I at La Fenice wanted to hear an Argerich-Kremer recital... of course there were no tickets.... where to listen from? Then we remembered the stage didn't cover the pit, so we went into the pit, sat against the pit wall. When they came on stage and bowed, they saw us in the pit and they cracked up. What a joy.
Thanks for this beautiful story . Luckily , Miss Price is still with us. And for me, I have always thought that she owned this role! I was lucky to see her at the Met many times and attended her numerous recitals at Carnegie Hall. No one sings Verdi, Barber or Negro Spirituals quite like Leontyne Price. Prima Donna Assoluta!
This is an excellent performance and must be said that the special dresses according to that Era are very original and very beautiful. All my compliments to the people who showed so much understanding to do it perfectly .
Perhaps Pavorati's ego isn't as yuge as rumored, as that was as gentlemanly as it gets.
What a story!
I feel privileged to see this production of Aida for free, especially when Pavarotti sang the role of Radames. All the singers deserved the applause! I know this adjective is overused, but it's all magnificent. Very moving, too. Thank you for posting this.
Kurt Rydl (bass): Ramfis
Luciano Pavarotti (tenor): Radames
Stefania Toczyska (mezzo-soprano): Amneris
Margaret Price (soprano): Aida
Kevin Langan (bass): the King of Egypt
Colenton Freeman (tenor): a Messenger
Susan Quittmeyer (soprano): a Priestess
Simon Estes (baritone): Amonasro
San Francisco Opera Ballet
Orchestra and Chorus of the San Francisco Opera, Garcia Navarro, conductor
Great!!! It will be preserved for ever. Honor to Verdi and Pavarotti!!!
That judgment scene is pure liquid gold. Great music, singing and acting. Verdi at its grandest.
Stefania Tochisca- one of the best Amneris i've ever heard!
@@junemayoff8110 Indeed, Stefania Toczyska. Great mezzo.
Qué pobre sería el mundo sin ópera! Tanta riqueza y belleza que conmueve el alma; sólo cabe sentir una profunda y sincera gratitud hacia Verdi y estos maravillosos artistas que Dios nos ha dado.
Luciano Pavarotti, I got to see him perform several times. He was a god. We still hear his voice. Ahhh thank you ❤️ Beautiful soul.
О да! Слышать Паваротти - это было счастьем. А его концерт на Красной площади в Москве - я никогда не забуду. И его голос для меня лучший из теноров в моей жизни)
I can see the joy to sing in his eyes . He was a great artist and a great person . People in all the world admired him so much . It was a shock when we lost him . We were blessed to see him even an hour during a concert .
Love the historical and romantic set design and costumes, it looks magical. I don't mind modern set design when it serves a purpose, but often a set design fitting the original setting and context is so much better!
Apparently, I can't get enough of this. One week on a loop and tears are still flowing.
The VERY BEST tenor this world of ours will EVER see...!!!
I am ashamed to say that all the years I have loved opera, (and I’ve seen a few) I have never seen , or listened to, Aida. This was absolutely fabulous
Wonderful production and truly great singing from the entire cast
Ironically my introduction to opera was Leontyne Price’s final performance in Aida as broadcast on PBS in 1985.
I was an extra in this production--one of many--it was something--we were all in muddy makeup and shabby drapery, but it didn't matter. Quite exciting.
Best performance of Aida - and especially Simon Estes as Amonastro - best Amonastro ever!!!! kudos! Margaret Price is so good also -
almost as good a Leontyne Price - who was the best Aida ever
RIP LUCIANO PAVAROTTI ... lost to us far too soon
Maravilloso, extraordinario. No tengo palabras para seguir alabando este magnífico espectáculo. Gracias por gratificar mi alma.
Csodálatos, rendkívüli előadás, 1981 - ben volt. Mivdenik énrkművész a legmagasabb szinten teljesített! Köszönöm, hogy megnézhettem!!!❤❤❤
Simon Estes is in AMAZING form here! I mean, all the leads are fantastic, but his voice just seems to pour out of him in wave after wave of rich sound. Bravi tutti!
We were lucky to witness this performance. Thanks for publishing for all to see!
This is a great performance, Pavarotti in his best years, but all other rise to the occasion as well. Pryce is a magnificent Aida, Toczyska an unforgettable Amneris.
The Amneris croaks - compare her with Price in their first scene. Price has a purety of tone and Amneris just warbles (and not nicely).
I found this performance a little sombre , formal ; but the singing exquisite from all . Margaret Price might not have been visually our perfect Aida , but I have never heard the role of Aida better sung . Pavarotti superb as ever !!! Stefania Toczyiska a to die for beautiful Amneris who sang magnificently !!! Simon Estes was a wonderful Amonasro with such a splendid baritone voice . Vocally this was a very well balanced all star cast , lucky San Francisco . I thought the final love scene in the tomb exquisitely tender and vocal perfection . Thank You So much for sharing this with us !!!
Margaret Price can surely use her voiceon a high level, but her face is like a face of an empty envious neighbor. Despite of this , the rest of the opera was wonderful
The final of patria mia was a disaster.
Margaret Price sang the role very well, but Leontyne Price and Birgit Nilsson were better.
Non ci sono dubbi né parole adatte: Verdi un genio immenso!
Удивительные, красивые голоса. Спасибо, я в Харькове могу смотреть и слушать эту божественную оперу.
Присоединяюсь к землякам. Восторг от постановки. Обожаю Паваротти.
Starring Luciano Pavarotti and fabulous Afghan Hound at 43.22. Splendid performance/production by all. Thank you.
Great video. My wife and I had seson tickets honoring the last year of Kurt Adler. We were disappointed that he wasn't conducting, but Novarro was handsome and great. Re Celeste Aida, the video brings the superb voice of Luciano to full life. Even in the 20th row of the orchestra we and others were a bit surprised at this great man's apparent lack of full power. But the video proves that he was picture perfect. The real surprise was Margaret Price. She was power plus and fabulous as Aida.
Խոսքերը ոչինչ են արտահայտելու այն հզոր էներգիան, որ փոխանցվեց յուրաքանչյուրիս։
Բրավո ,երիցս բրավո տաղանդների աստղաբույլին ։
Amo esta ópera en particular, la conozco desde antes de aprender a hablar. Gracias a mi padre, que me dejó la mejor herencia que se puede dejar, el amor a la bella música.
8
PAVAROTTI FOREVER!!!! SIMPLEMENTE, GRACIAS!!!
Верди гений. Прекрасная постановка, чудесные костюмы, божественное исполнение. Обожаю Паваротти.
Wonderful , what a talent is Giuseppe Verdi
My lord Celeste Aïda! Luciano was simply divine
Simply divine daahling. And by the way, you look maavelous. Oh, how you do go on, my good man.
A great production. Pavarotti is magnificent, as is Toczyska. Price is excellent, as is Estes.The rest of the cast, the chorus, and the orchestra are very good. The sets and costumes are good, and the production is fine. This production and the Metropolitan Opera production with Domingo, Millo, and Zajick are the best productions on video.
Indeed , are the best productions on video .
Try La Fenice Venice small theatre but very creative endeavor. The singers were average...….
Dolora Zajick, now retired was the greatest Dramatic Mezzo of the late 20th and early 21st Centuries. Bar None.
Outstanding and Bravisimo. From a Navy medic from the early 80’s. Luciano and Margaret so beautiful.🌹💕🇮🇹❤️🥰. Recently learned of Margherita Rinaldi ? 1920’s? 1930’s? Pavarotti, u u la la so handsome!!!🥰Amore;loved Forever.
Luciano Pavarotti was the best, still the best and will be the best tenor of all times!
Best tenor Enrico Caruso
Magnifica Stefania Toczyska, grandissimo Luciano, bravi!!! La produzione meravigliosa! Grazie!
One of my first jobs as a young ballet dancer was in “Aida” for the SF Opera, as a dancing priestess and as a child in the next act. The tenor was Guy Chauvet. Different leads for Aida. I was paid $2 extra to wear body makeup.
Какое счастье иметь возможность слушать это чудо!
Very,very beautiful staging.Pavarotti at his best years ; so was miss Price. Her voice is so agreeable to hear. Thanks for showing.
Прекрасная постановка - и голоса, и оркестр, и балет, и декорации, обновлённые костюмы.Конечно, массивная, юная Аида впечатляет.Хорош Амонасро, рост, голос.Настоящий эфиоп. Спасибо постановщикам Паваротти живой - такое удовольствие!!!
Постановка достойная самой оперы. Все в превосходной степени от исполнения до костюмов. Амнерис великолепна. Спасибо.
Сколько не слушала эту оперу с разными исполнителями и в различных постановках, эта - лучшая. Наконец-то, великолепная Амнерис, бесподобный Амонасро. Эти певцы - моё сегодняшнее открытие. Не говорю о Паваротти и Прайс- безупречны. Но Амнерис меня потрясла! Шикарная Стефания, очень красивый голос, и она мастерски строит им драматургию характера Амнерис.
Согласна. Постановка потрясающая. А какие декорации, костюмы!
In my life I haven't heard a better Amonasro. 1:13:52 is just mind-blowing.
Great voice, but the pitch is not always good, and the featuring is very average!
Luciano's voice was always perfectly placed...IN THE MASK...always forward...always perfect...never push...R.I.P.
So appreciative to be able to watch this on CZcams.!!!!
Pavarotti at his best . great to hear Margaret Price again, fabulous cast.
A feast for the ears, the eyes, the soul hungry and in search of joy and entertainment. Muchas gracias!!!
Es mi ópera preferida y esta realización es maravillosa!!!! Qué podemos decir de Pavarotti? Era el mejor, con esa fuerza y su voz que sonaba siempre joven......Todo lo demás también magnífico: cantantes, escena, vestuario y muy bien la orquesta.....En resumen, lo mejor de lo mejor.....
The Grand March is my favourite. Verdi was a genius.
Oh wow. Pavarotti was at his absolute prime in this performance. The most exciting and wonderful tenor of my lifetime and looking young and vibrant as well. I saw him in Aida in sf but in a different production. This one is much superior.
Truly the greatest Tenor of my lifetime. Not enough can be said.....
Una maravillosa Aida. Muchas gracias, por ofrecérnosla.
Simon Estes knocked my socks off! This was superb!
Quin Aida de Verdi , la millor de tots els temps ❤
Outstanding singing. Dame Margaret Price was singing with a heavy cold when this was broadcast. Listen to those gleaming top notes. You'd never guess
Mme Price shows wonderful control in every moment of this performance and great musicianship, lustrous tone, and exquisite phrasing. Thanks for sharing.
Whit pleasure ..
Aida! Immer wieder ein Genuss und mehr in so eine fantastische Kulisse mit Großartigen, unvergesslichen Stimmen! Vielen Dank...
una delle opere più emozionanti! Sia come musica, sia per i contenuti emotivi, sia per l'appartenenza alla patria tipica dell'800 e grazie dunque (oltre a Verdi) anche a Ghislanzoni. Questa a mio avviso è una bellissima edizione!
Wonderful opera of Verdi. Wonderful all singers. Thank Pavarotti forever!!!
Aida at its finest, opera at its best, Pavarotti at his best!
Luciano is, was and always and forever will be the best and only one! Not to discuss 'bout it!
Sincerely thank you for sharing this video. With subtitles of lyrics with translation option would be totally perfect 😊 ❤
Opera meravigliosa del "mostro" Giuseppe Verdi,ma sinceramente vederla e ascoltarla all'arena di Verona è tutto un altro brivido!!
Mauro Comaroli Scusa perche Mostro ?
@@CroccoC.92 He means it in a positive way, in Italian we can use the word "mostro" with a positive meaning, although it is not that common.
Non ci sono dubbi, è tutta un'altra cosa......
Sometimes, in this world that we all share, it's hard to know who is really a friend. Thank you for this, FRIEND.
My Gooood!What an amazing cast!🥰It’s for the first time when I am listening to Mr.Estes and I never heard such a beautiful,powerfull voice,a real Amonsro!
May 2016....... The Maestro Pavarotti at his operatic best! Such a marvelous production , the whole cast was devine!! Translating thi into ENGLISH would be devastating!! Thank You MarguesEunice for allowing me the pleasure of watching this Opera!
I LOVE VERDI SINCE I WAS A CHILD. GREAT OPERA.
Giuseppe Verdi Luciano Pavarotti due grandi talenti italiani. Viva l'Italia.
I was at the performance of Aida at the Caracalla baths in Italy in 1966.
Do you remember who the singers were by any chance?
Me too. Fantastic in Caracalla baths in Rome.
This is something unbelievable...
gabbie hanna
Why?
Luciano Pavarotti performance is amazing !💙
Прекрасно, спасибо, брависсимо!
Я специально листала комментарии, чтобы найти русский…
Watching this awesome performance of opera Aida brought back some most enjoyable experience of being among those who were fortunate to be there in the theater many years ago. Thanks a million for uploading this opera.
this is the way aida is supposed to sound and look. peak aida, if you will. really its just amazing how perfecto it is.
Потрясающе слов нет , одни эмоции .
Un elenco inmejorable, para la obra más maravillosa de Giusseppe Verdi. Gracias por compartirla
Grazie mille grande Giuseppe Verdi che la scritta grandi gli interpreti 😊
Nog nooit zo een prachtige VERDI gezien .
Só tive prazer de assistir AIDA uma vez, em uma boa produção, mas não se comparando com esta beleza, tudo impecavel...é de 'arrepiar'. Grato pela postagem.
Aida... a force of nature. This is a delight to my soul, heart and ears. Thank you so much for sharing this video tape.
I attended that very opera; first time seeing Pavarotti. A highlight of life experiences. Hairs on end. Aida a great joy! San Francisco’s opera in 1980s was excellence!
This opera and all of the "snippets" are important to me. I appreciate everything which enhances my knowledge and listening pleasure.
that Celeste Aida, makes everyone nervous. He must have been relieved when the applause erupted.
Grazie, Divino Maestro Giuseppe Verdi
このアイーダを観ると他のアイーダを観ることができない
何度観ても本当にすばらしい
Великие произведения можно слушать бесконечно. Как и класические постановки -пересматривать. К сожалению современные варианты оставляют десонанс в восприятии произведения.
Как хорошо, когда опера сделана так, как ее задумали, в классическом стиле и без "креативности" режиссера. Отличное исполнение.
Sui fhbv entry genbw σωδωδωττγ
Ццвулдузж
Opera is my new favorite genre!
The perfect cast, especially the third act between the father and daughter. Powerful and well acted. I can't get enough of seeing and hearing it.
Una delicia de Ópera con grandes estrellas que nos han regalado lo mejor de sí mismos. Importante destacar la producción en su completo porque es fabulosa. Mil gracias por compartirla. Felicitaciones!!
Maestro Pavarotti, Gloria de Italia. RIP.
The opening aria is simply amazing!
I was there. Best AIDA ever. Had to sell my soul to get a ticket. It was the hottest ticket to SFO to date.
wow. you hear pavarotti live...
Keen Planner WHAT . you are a very lucky person
Hasan Hany I heard him live when I was ushering at the Benedum Center in Pittsburgh. They called and asked me to usher something else and I about dropped the phone when she said "You wouldn't be interested in ushering for Pavarotti, would you?" It was only a concert, not a whole opera, but still fabulous. He was supposed to come back to do Tosca the next year but he got sick. :) He had such a distinctive voice, you could pick him out from any other tenor.
Keen Planner What year?
1987. Pavarotti was at the height of his vocal powers back then. He opened the Benedum Center as a favor to the director of the Pittsburgh Opera.
I was there, as well! A wonderful experience.
végignéztem,hallgattam! ez nagyon szép volt! értékelem!
a zenét, és az énekművészeket!!!