Poet Sharon Olds reads, April 14, 2014, Emory Libraries
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- čas přidán 13. 04. 2014
- Pulitzer Prize-winning poet Sharon Olds visited Emory University for a free reading March 20, 2014 at the Schwartz Center for the Performing Arts on the university campus. The author of 12 poetry collections, Olds' other notable books of poetry include her first, "Satan Says" (1980), which won the inaugural San Francisco Poetry Center Award; "The Dead and the Living" (1983), winner of the Lamont Poetry Prize and the National Book Critics Circle Award; "The Father" (1992), shortlisted for the T.S. Eliot Prize and a finalist for the National Book Critics Circle Award; "The Unswept Room" (2002), finalist for the National Book Award and National Book Critics Circle Award; and "One Secret Thing" (2009), shortlisted for the T.S. Eliot Prize. The March 20 reading was part of the Manuscript, Archives, and Rare Book Library's Raymond Danowski Poetry Library Reading Series, now in its ninth year.
Whenever I listen to Sharon Olds read her poems a transfer of emotion begins.
I really like Sharon Olds's poetry. I like her poetry because it's so feminine and interesting!
hi sharon its me bryan from big bend
"I turned sideways and slipped through the needle's eye and then I walked down the aisle toward my father, the jet was full and people's hair was shinning,they were smiling, the interior of the plane was filled with a mist of gold endorphin light, I wept as people weep when they enter heaven in massive relief...."
Simply Beautiful! Thank You!
"I go back to May 1936" at around 52:49, Sharon reads this poem.
Her voice is so soft, my eyes are watering itself.
I've loved Sharon Olds' poetry since SATAN SAYS. I met her once and I could barely speak, which I have regretted many, many times since then.
Singsongy, brilliant, folksy, accessible -- I enjoyed this reading, especially getting a sense of Olds as a survivor (refugee?) of an abusive "Christian" fundamentalist background. Neruda must be thanked (again and again) for his odes and their influences upon this poet's work -- poems that are among her most powerful because they inhere and extol with such delicate felicity as epistles. This is a storyteller whose poems, particularly in Stag's Leap, are episodic and often contain stanzas that the poet has opted not to delineate visually on the pages of her texts. We also hear in her reading how Olds has subtly stitched together prose constructions presented in linear notation juxtaposed with more lyrical, beat-driven passages, so we move back and forth between stretches of compressed diction and the more relaxed valleys of the commonplace. She is a master of these transitions.
Wish I still had my signed first edition of 'Satan Says'...
Sharon olds is brilliant!
you are great. I love your language I love your voice.
Sharon, could you please do a reading tour of Australia? Much obliged.
starts 13.57m lucille clifton poem.
28m known to be left from stags leap
48.30m resume reading
How did no one here comment on the douche bag poem? It was practically the 11 o'clock number.
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I flinched when she referred to the Jewish-Palestinian conflict. I heard this poem when I was younger and was unaware of this conflict. Now, it's all over the news.
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