Puccini’s “Che gelida manina” from La bohème
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- čas přidán 1. 05. 2019
- Renowned mezzo-soprano Joyce DiDonato presents a series of three master classes focusing on opera arias. Here Ms. DiDonato coaches tenor Jose Simerilla Romero with pianist Justina Lee on Puccini’s “Che gelida manina” from La bohème (1896).
To watch more videos from Carnegie Hall’s Workshops and Master Classes, visit
• Joyce DiDonato Master ... .
Mezzo-soprano Joyce DiDonato’s performances have been called “a model of singing in which all components of the art form-technique, sound, color, nuance, diction-come together in service to expression and eloquence” by The New York Times. The revered singer presents a series of three public master classes for young opera singers who were chosen from an international pool of applicants. To learn more about Carnegie Hall’s Workshops and Master Classes and to apply, visit www.carnegiehall.org/workshops.
(Long comment warning:) These sessions were brought up to me recently and I was asked about them and my progress since. I realized I never had a chance to really look back, and see these video recordings and so I wanted to share and explain that these sessions were at a time when I was VERY young, and had very little to no understanding of the voice. In some of them I remember being sick, and tired as well. I am very grateful for these opportunities and will always look back at them as the very beginning of my vocal studies, which as consequence sparked an intense journey for me in the following years to progress and build my voice, as well as an intense desire to search for the truth about great operatic singing taught by the traditional Italian school of singing passed down from Caruso onwards!!! I wish every young singer the absolute best in their own respective journeys into learning about their vocal instrument, and hope that wherever their paths lead them they never lose their love and passion for the artistry which is why we do this in the first place, never to get infuriated or too highly critical of yourself, and also never to stop experimenting with your voice and searching for answers and asking questions…sometimes the only way to find the right path is by hitting every dead end. Trust me!!! :)
It is evident to me that he is sick and tired, you can hear it during all the aria. This and the nerves make him even more dry, even when he is having a conversation after the aria he clears his throat several times. So I wouldn’t judge him for this performance...this aria is really difficult.
Wow so many Opera critiques and experts here in the comment section. hahahaha
Theater class? Shouldn't she teach vocal technique?
Don`t mind the degrading comments below, they know nothing about singing or teaching. Jose is a very talented singer and Joyce clearly knows what she `s doing. Congrats and good luck to you
This was the third (!) day of intensive rehearsals and workshops and masterclasses and you can clearly hear that his voice is just tired (my and your voice would be tired too!). I still like his timbre and phrasing thou. I am sure he will be a very good Rodolfo in Vienna !
Don’t be too harsh on singers, he might be sick. And one single performance doesn’t mean anything
Why sing this aria? He's obviously not ready for it.
I think he is sick and as a result more nervous and as a result insecure in his high notes
Joyce is tough but really hilarious! Yeah, she teachrs the next step - make it your own!
MAN I'M A 19 YRS OLD BARITONE AND I IDENTIFIED MYSELF SO MUCH WITH HIM, amazing masterclass
OMG! Joyce DiDonato is absolutely brilliant! So charming and funny and passionate and on and on and on! Bravo Jose Romero for putting yourself out there and learning from the Masters! BRAVO Jose and as for you Joyce DiDonato...I am a huge fan after watching this Master Class! I shall re-watch this often! A Masterclass in acting...FANTASTIC!
From Virginia...just a listener of opera. Jose, you did so well here. Very courageous and confident. Her comments are so great about this role and the need to be creative and spontaneous, rather than the stock opera character. I too have been bothered by this. More recently, I have seen tenors making it all much more believable like Michael Fabiano. Love his Rodolfo. Jose really on the spot here, but really did well to bring your rapport with Mimi to another level. Ms. DiDonato is so spot on regarding your musicality and natural gifts. It is a pleasure to watch and listen to you. And appreciate your recent comments below. Best of luck in your career!
Didonato ist wunderbar. Ihr Bezug zur natürlichen Situation ist fantastisch.
Muy buen tenor y muy buena la maestra. Me encantó!!!
Great acting tips! It's got to look and feel as natural as possible. In this way, it becomes more realistic and stimulating for the audience. And Joyce is a born entertainer.
magnificent
I had little exposure to opera. Nevertheless, this brings back fond memories of when my mother was invited to fine music recitals and I was allowed to accompany her. Largely piano recitals. One that I still recall was Susan Starr. As I recall, she was to visit Russia shortly after.
When is JD gonna direct an opera?
Bravi!