SICKNESS live at "It Came From the Shore" Festival, Asbury Park, NJ. Sept 19, 2021 Video by Charmaine Lee. Recording by Chris Goudreau. www.chrisgoudreau.com
The legend and the archetype. Goudreau's concepts and execution brought me to where I am now. It's so difficult not to use his ideas. I often find myself deleting a track because I feel there's too much "Sickness" in it.
Yeahhhh, boyyy. Nice to know people still have an interest in classical music. I am a noise musician and have been for years. But I’ve always done it with gear that has gotten on my nerves eventually. What exactly is happening here? What modules are you using and how ? I’m Thinking of grabbing a pulsar and enner and a sampler. But love the idea of doing it in a small make noise case.
So many good ones out there : HNW, Noise Plethora, morgasmatron, 100 grit, morphagene, blah blah blahhhhhh….. quadrax after , Maths without a doubt, ………………..
@@leonsubbotsky6087 Thank you. No, it doesn't matter what I use. You need to find your sound and what works for you. What works for me does not work for everyone but isn't satisfying in the least unless you find it on your own.
@@chrisgoudreau722I think your fans just want some guidance. A general direction, suggestion on technique, etc. I know you didn’t sign up to be anybody”s teacher, but being a master of your craft will summon inquiring minds. Guilty here.
@@NothingNowhereNoOne To me, the search for sound teaches a user more than I ever could. I believe that you do not grow or discover anything about yourself or your process without it. You learn nothing about the work you do and how you approach it. I think sound discovery is a highly personal journey, and taking that away from others is detrimental if you deny them the chance to learn for themselves.
The legend and the archetype. Goudreau's concepts and execution brought me to where I am now. It's so difficult not to use his ideas. I often find myself deleting a track because I feel there's too much "Sickness" in it.
Greetings From Asbury Park, New Jersey!
Favorite types of venues to play at personally. He did fucking great
This is crazy good damn! ⚡️⚡️⚡️
fire a lot
Yeahhhh, boyyy. Nice to know people still have an interest in classical music. I am a noise musician and have been for years. But I’ve always done it with gear that has gotten on my nerves eventually.
What exactly is happening here? What modules are you using and how ?
I’m
Thinking of grabbing a pulsar and enner and a sampler. But love the idea of doing it in a small make noise case.
METAL ZONE!!
Sickkkkkk wtf
Insane set, Chris! What case is that there?
Erica Synths
@@chrisgoudreau722 thanks! and where can i get a crazy shaker box like that?
@@drphiI It is a custom designed one of a kind.
@@chrisgoudreau722 it's certainly very cool either way
Let’s see who’s got better eyes than me…. I see:
Morphagene
1010 bitbox micro
Beads
Pamela’s new workout
….
pressure points, koma filter
What is your favorite module for Noise?
So many good ones out there : HNW, Noise Plethora, morgasmatron, 100 grit, morphagene, blah blah blahhhhhh….. quadrax after , Maths without a doubt, ………………..
@@NothingNowhereNoOne If real any module can be used by fx loop and it will be Harsh Noise////
What is that mixer?
Any advice on getting that kind of controlled silence in noise sets?
Im guessing noise gate
what are you controlling with your right hand here?
In my left hand is a custom shaker box, and my right hand is changing settings on modules.
Can you post a full equipment list? Or at least just pics or something. Incredible performance btw
@@leonsubbotsky6087 Thank you. No, it doesn't matter what I use. You need to find your sound and what works for you. What works for me does not work for everyone but isn't satisfying in the least unless you find it on your own.
@@chrisgoudreau722I think your fans just want some guidance. A general direction, suggestion on technique, etc. I know you didn’t sign up to be anybody”s teacher, but being a master of your craft will summon inquiring minds. Guilty here.
@@NothingNowhereNoOne To me, the search for sound teaches a user more than I ever could. I believe that you do not grow or discover anything about yourself or your process without it. You learn nothing about the work you do and how you approach it. I think sound discovery is a highly personal journey, and taking that away from others is detrimental if you deny them the chance to learn for themselves.
ilike how the dude in 0:40 just doesnt give a dimeon allthis