The first piano rendition I heard in my life was played by a little girl of 9 years. I was 13 years. It happened in Lyceum of Beja, Portugal, in 1954. Imagine who played it? MARIA JOÃO PIRES! The greatness of her genius of the art of piano makes me so proud of my remembrance of that day. Though she keeps young as the artists do. And me too in my constant and huge admiration to her.
Wow! What a treasure! Wish I could hear a recording of that. There's something about the last movement which speaks on behalf of adolescence and she still captures it beautifully, might I say better than anyone else so far. Obrigado por partilhar isso.
Madame Pires nous ravit par cette interprétation subtile et cohérente de cette extraordinaire sonate : un équilibre parfait entre les deux mains, des forte sans brusquerie et une fluidité admirable dans le phrasé des mélodies. Pas de pathos ni d'emphase inutiles. Cette sonate devient limpide sous ses doigts et échappe à toute exagération. Un lyrisme bien contrôlé. Bravo !
There is something about Maria Joao Pires that is irresistible. If I had to explain I'd say that it's the combination of her appearance (with the pixey hairstyle, of course) and her uniques sort of playing. I liked every piece she'd played. I don't think that it's the fact that she's Portuguese or that she now lives on a farm away from the madding crowd, but it doesn't hurt. Thanks for a superb performance of "The Tempest," Ms. Pires.
Her performance of the third movement is perfect, some play it to slow some to fast but this is perfection! Every note she plays is so clear, she is just on another level of playing!
I am so loving those glasses laying on the key block! (I wonder if they are hers?) There is a marvelous interview of her on youtube where she says performances should be in a festival atmosphere - not the rigid, recital form. She really captured my heart when she said "...a child should never be allowed feel the aloneness of the stage..." - I can vouch for that 1st hand. A truly gentle soul.
she's expressing sooo much with this sonata. she brought to the surface passages i had never ever noticed before...with such delicacy of touch! it is profound and mysterious, elegiac, poetic, nostalgic, tumultuous. absolutely top notch beautiful interpretation!
Yep, that's MJP! Great adjectives. Add magical and mystical. What she does with that the beginning of that first Schubert Impromptu is is miraculous. There is more to be mined in music's tender moments.
i absolutely love her fearlessness in changing emotions, that's what's so great about having beethoven in your life....comments welcome or/(am i not right?)
I agree with you... I heard this interpretation in 1976 (she also recorded it in these years... I've been looking to find this records for years (not even mentionned in her discography)... and I am glad to hear her on youtube
Ich höre Ihnen so gerne zu.Immer habe ich das Gefühl von Vertrauen und Gelassenheit, da ich spüre, dass Sie die Musik mit einem tiefen Verständnis interpretieren. Auch mit einer Portion Demut. So sollte es sein,für immer. Genau so. Man fühlt sich so aufgehoben und zuhause. Tausend Dank.❤
Fantastic performance. The Opus number is 31 Nº2. This sonata was published under the same opus that sonata Nº16 and Nº18 that has the N1 and N3 respectively. Opus 32 is the Lied 'An die Hoffnung'.
Such a wonderful pianist. Exquisite tone, such care with dynamics and clarity of tone and voicing of chords, never execrated tempo and such interpretative freedom. Never any hint of showing off, It's all about the music.
execrated-hmm as players (not even performers) we are under strict orders to be prepared inwardly for all the changes before (pretty much) while practicing, making them audible-B has a lot of moral integrity, no?
Superbe interprétation d'une grande fluidité et d'une remarquable sensibilité. Le finale rappelle un peu la célèbre "Lettre à Elise" , mais en beaucoup plus développé. Il est grandiose sans aucune grandiloquence pour autant. Cette sonate et une merveille d'un bout à l'autre.
Que posso dizer desta execução, da Sonata 17 de Beethoven? Simplesmente fabulosa. Só Maria João Pires, toca desta maneira, ou seja, com uma expressividade, e, sentimento, fora de série. Para mim, a distinta pianista, encarna na perfeição, o espirito de Beethoven. Além da sua predisposição natural, o seu distinto mestre, Professor Campos Coelho, foi aluno de Viana da Mota, que por sua vez, descobriu sonatas inéditas de Beethoven. Por isso, Maria João Pires, vem em linha recta, do imortal compositor, e, pianista. Curvo-me respeitosamente, perante tamanho virtuososmo. Desejo á distinta, e, ilustre pianista, felicidades, saúde, e, muitos êxitos, com que, aliás, nos tem sempre nos brindado. Subscrevo-me respeitosamente Paulo Costa.
2nd mov. Is just...out of this world. The tenderness and stark contrasts when required is noticed. I've listened to countless recordings of it since I was young. This has to be one of my favourites for so many reasons...thank you for another perspective...fell in love once again.
Sim, admirável. Sobretudo nos "espaços" que Beethoven exige nesta Sonata - pausa no momento certo, ataque impetuoso no momento mais que certo - impecável. Talvez no 2º andamento .Maria João Pires seja um tanto lenta - aqui e li tem como que "hesita" de propósito. exigindo um contraposto ou resposta que não se espera mas sempre muito bem. Questão de interpretação nos limites restritos da liberdade de quem executa. E o final é brilhante.
great thank you, I am sight reading through all the sonatas and this one is coming up-it's going slowly due to ensuring all the fingering is accurate..
Maria The Great! ... it looks like she is composing this sonata right now that she is playing it! ... sembra che stia componendo questa sonata proprio ora che la sta suonando!
Querida Maria Joao, a minha estima e admiraçao pelo seu incrivel Talento sera ate ao fim vida fora. Os verdadeiros Talentos sao IMORTAIS. Esta e uma perfeita 'rendiçao' de Beethoven! Abraço.
Beautiful performance. Thank you for posting. I’ve always been fascinated by this sonata. There is so much incredible pathos in this sonata. In the recitative, it’s the closest sound to pure suffering. Yet this sonata ends almost on a whisper.
bravo maria joao.... keep playing, please.... always.. “To be great, be whole; Exclude nothing, exaggerate nothing that is not you. Be whole in everything. Put all you are Into the smallest thing you do. So, in each lake, the moon shines with splendor Because it blooms up above.” ― Fernando Pessoa. Para ser grande, sê inteiro: nada Teu exagera ou exclui. Sê todo em cada coisa. Põe quanto és No mínimo que fazes. Assim em cada lago a lua toda Brilha, porque alta vive. ― Fernando Pessoa. you inspired my music and my life @2-nY
Listening to this wonderful performance I came across your quote. I found it so impressive that I have copied it out. I know nothing of the author but he reflects a wisdom that is the essence of deep creativity. Many thanks for sharing this.
Ce n'est pas Maria mais Maria-João, en français, ce serait Marie-Jean. Au Portugal, c'est un prénom composé fréquent... Pour le piano, elle est sublime... que ce soit avec Beethoven, Mozart, Schubert ou Shumann...
Have you tried Sokolov's or Fazil Say's? They're the best ones for me; the first is super loud and thunderous, and the second is relentless, gives you no time to catch your breath! Both are just what Beethoven should be.
The first piano rendition I heard in my life was played by a little girl of 9 years. I was 13 years. It happened in Lyceum of Beja, Portugal, in 1954. Imagine who played it? MARIA JOÃO PIRES! The greatness of her genius of the art of piano makes me so proud of my remembrance of that day. Though she keeps young as the artists do. And me too in my constant and huge admiration to her.
Which pieces she played?
Wow! What a treasure! Wish I could hear a recording of that. There's something about the last movement which speaks on behalf of adolescence and she still captures it beautifully, might I say better than anyone else so far. Obrigado por partilhar isso.
@@aachoocrony5754 ⁹
Very nice Jose! ❤
very cool!(destiny?)
To me, her playing of Beethoven is one of the best there is !
Madame Pires nous ravit par cette interprétation subtile et cohérente de cette extraordinaire sonate : un équilibre parfait entre les deux mains, des forte sans brusquerie et une fluidité admirable dans le phrasé des mélodies. Pas de pathos ni d'emphase inutiles. Cette sonate devient limpide sous ses doigts et échappe à toute exagération. Un lyrisme bien contrôlé. Bravo !
don't know much french, but pathos, yes, merci
00:00 第一楽章 Largo-Allegro
09:08 第二楽章 Adagio
16:50 第三楽章 Allegretto
I am shocked. Best understanding of Beethoven. Genious interpretation! Thank You Maria! ❤
Браво! Восхищаюсь Вами, Вашим исполнением и Вашей музыкой! Благодарю!💐💐💐❤️
There is something about Maria Joao Pires that is irresistible. If I had to explain I'd say that it's the combination of her appearance (with the pixey hairstyle, of course) and her uniques sort of playing. I liked every piece she'd played. I don't think that it's the fact that she's Portuguese or that she now lives on a farm away from the madding crowd, but it doesn't hurt. Thanks for a superb performance of "The Tempest," Ms. Pires.
Her performance of the third movement is perfect, some play it to slow some to fast but this is perfection! Every note she plays is so clear, she is just on another level of playing!
Yes! This is my FAVOURITE interpretation of this movement. So incredibly expressive. Love it!!!!
When Pires plays a piece, it has got too be emotional and exceptional! I have no words!
Amazing artist. Her tone is among the most beautiful of any pianist.
There's magic in your fingers and your brain . We are fortunate to experience it.
Она просто завораживает своей игрой. Невозможно оторваться. Спасибо ей за это наслаждение.
I am so loving those glasses laying on the key block! (I wonder if they are hers?) There is a marvelous interview of her on youtube where she says performances should be in a festival atmosphere - not the rigid, recital form. She really captured my heart when she said "...a child should never be allowed feel the aloneness of the stage..." - I can vouch for that 1st hand. A truly gentle soul.
she's expressing sooo much with this sonata. she brought to the surface passages i had never ever noticed before...with such delicacy of touch! it is profound and mysterious, elegiac, poetic, nostalgic, tumultuous. absolutely top notch beautiful interpretation!
she is amazing, love her
her coloration of the harmonic modulations in 3rd movt is the most sensitive and inspiring!!!
Yep, that's MJP! Great adjectives. Add magical and mystical. What she does with that the beginning of that first Schubert Impromptu is is miraculous. There is more to be mined in music's tender moments.
i absolutely love her fearlessness in changing emotions, that's what's so great about having beethoven in your life....comments welcome or/(am i not right?)
Sublime...un mare di emozioni che ti accarezzano l'anima
Amazing.....her use of the sostenuto pedal for resonance in certain passages, is a fine touch....... the whole presentation is wonderful.
The best interpretation of this 17 of Beethoven I have. ever hears.
I agree with you... I heard this interpretation in 1976 (she also recorded it in these years... I've been looking to find this records for years (not even mentionned in her discography)... and I am glad to hear her on youtube
magnifica interpretazione! Mi ha incatenato nell'ascolto dalla prima all'ultima nota. questa interprete è un dono di Dio
Ich höre Ihnen so gerne zu.Immer habe ich das Gefühl von Vertrauen und Gelassenheit, da ich spüre, dass Sie die Musik mit einem tiefen Verständnis interpretieren. Auch mit einer Portion Demut. So sollte es sein,für immer. Genau so. Man fühlt sich so aufgehoben und zuhause. Tausend Dank.❤
これはすごい演奏だ。 リヒテル以来 宇宙感を感じるくらい無限空間を感じた演奏はこの演奏が初めてだ。
The pure art of phrasing. She is an amazing poet. Thank you.
Fantastic performance.
The Opus number is 31 Nº2. This sonata was published under the same opus that sonata Nº16 and Nº18 that has the N1 and N3 respectively.
Opus 32 is the Lied 'An die Hoffnung'.
Such a wonderful pianist. Exquisite tone, such care with dynamics and clarity of tone and voicing of chords, never execrated tempo and such interpretative freedom. Never any hint of showing off, It's all about the music.
execrated-hmm as players (not even performers) we are under strict orders to be prepared inwardly for all the changes before (pretty much) while practicing, making them audible-B has a lot of moral integrity, no?
What a fabulous player. So glad I’ve seen her in live performances
Лучшее исполнение этой сонаты. Браво, Мария!!!
Ну, ещё Михаил Плетнёв...
Божественно и непревзойденной! Самое лучшее исполнение сонаты! Слезы текут рекой!!!
Superbe interprétation d'une grande fluidité et d'une remarquable sensibilité. Le finale rappelle un peu la célèbre "Lettre à Elise" , mais en beaucoup plus développé. Il est grandiose sans aucune grandiloquence pour autant. Cette sonate et une merveille d'un bout à l'autre.
Que posso dizer desta execução, da Sonata 17 de Beethoven? Simplesmente fabulosa. Só Maria João Pires, toca desta maneira, ou seja, com uma expressividade, e, sentimento, fora de série. Para mim, a distinta pianista, encarna na perfeição, o espirito de Beethoven. Além da sua predisposição natural, o seu distinto mestre, Professor Campos Coelho, foi aluno de Viana da Mota, que por sua vez, descobriu sonatas inéditas de Beethoven. Por isso, Maria João Pires, vem em linha recta, do imortal compositor, e, pianista. Curvo-me respeitosamente, perante tamanho virtuososmo. Desejo á distinta, e, ilustre pianista, felicidades, saúde, e, muitos êxitos, com que, aliás, nos tem sempre nos brindado. Subscrevo-me respeitosamente Paulo Costa.
2nd mov. Is just...out of this world. The tenderness and stark contrasts when required is noticed. I've listened to countless recordings of it since I was young. This has to be one of my favourites for so many reasons...thank you for another perspective...fell in love once again.
2nd movement is soooo good
マリアが好きでしたが、この動画を見て更に大好きになりました。すべてをとらえる事ができる人だけに、楽しんでピアノと向き合える人。素敵過ぎる。
the best Beethoven and Schubert I have ever heard....
Thank you Maria, watch you play is always very inspiring, musically and spiritually! Touch the heart, every note, every moment.
Miracle she could keep her concentration with all the coughing and noise at 10:30.
Lei ha una perfetta espressione di ciò che volesse dirci Beethoven. Meravigliosa touché
Her rendition always gives me chills! Heavenly!
This is very good playing. A few missed notes but even the very best do that. Just the right tempo too.
Maravilhosa , que artista de excepcional sensibilidade e técnica a Maria João Pires !! Performance belíssima !! 💐👏🏻👏🏻👏🏻👏🏻
鍵盤から絵画が描かれているように聞こえるのは、風や雲の流れ人の悲しみ楽しさ人間の欲望が見えてくる。
Piresが到達した高みに感動する。心を打つ演奏で、実に美しい。
The best performer for this sonata
Какое богатство оттенков музыки!высший уровень исполнения
Tremendous ability to communicate with Beethoven. Amazing Maria!!
Wonderful!!!
Great pianist, great performance
Sim, admirável. Sobretudo nos "espaços" que Beethoven exige nesta Sonata - pausa no momento certo, ataque impetuoso no momento mais que certo - impecável. Talvez no 2º andamento .Maria João Pires seja um tanto lenta - aqui e li tem como que "hesita" de propósito. exigindo um contraposto ou resposta que não se espera mas sempre muito bem. Questão de interpretação nos limites restritos da liberdade de quem executa. E o final é brilhante.
マリアさんは初見です。
2楽章がとくに素晴らしい！左手のタカタカ、の表現が秀逸で泣けました。
いい演奏ありがとうございます。
great thank you, I am sight reading through all the sonatas and this one is coming up-it's going slowly due to ensuring all the fingering is accurate..
Simplement merveilleux pour l'esprit et pour le coeur .
Pires' Beethoven is magnifique. Love this piece. Play it myself.
❤❤❤❤❤❤❤❤❤❤
Maria The Great! ... it looks like she is composing this sonata right now that she is playing it! ... sembra che stia componendo questa sonata proprio ora che la sta suonando!
Querida Maria Joao, a minha estima e admiraçao pelo seu incrivel Talento sera ate ao fim vida fora. Os verdadeiros Talentos sao IMORTAIS. Esta e uma perfeita 'rendiçao' de Beethoven! Abraço.
Thank You, Maestra!
Absolutamente maravillosa
Dios te abenzoe
Desde Chile.
Beautiful Maria! 💞 💞
Excepcional e maravilhosa interpretação, amei....muito obrigado!!?
Un bonheur, tout y est , de la douceur à la violence !
Maria João Pires
いつも、MariaJoaoPiresなら、‘’どういう音、音の響き、音の色で‘’この作曲家の作品を奏でるだろうか’’と思い、心の準備をして聞き始めます。’’すると‘’第一音から、’’ああ、そう、！’’と思う間もなく‘’その作曲家’’の世界が広がっていきます。
The best Tempest I ever heard!! What a great pianist !
2nd: 9:10
3rd: 16:49
Fantastica !!!!!
Beautiful performance. Thank you for posting.
I’ve always been fascinated by this sonata. There is so much incredible pathos in this sonata. In the recitative, it’s the closest sound to pure suffering. Yet this sonata ends almost on a whisper.
Fabulosa interpretação! Sei bem o que digo, oiço Beethoven desde que nasci e Maria João Pires desde 1977, pelo menos.
so you don't known the last recording by Yves Nat ( before his death in 1956 , his will are the 32 sonatas , listen him
Superb !!!
< description : Op.32 (X) → Op.31 no.2 (O) >
Simply BEAUTIFULL
bravo maria joao.... keep playing, please.... always..
“To be great, be whole;
Exclude nothing, exaggerate nothing that is not you.
Be whole in everything. Put all you are
Into the smallest thing you do.
So, in each lake, the moon shines with splendor
Because it blooms up above.”
― Fernando Pessoa.
Para ser grande, sê inteiro: nada
Teu exagera ou exclui.
Sê todo em cada coisa. Põe quanto és
No mínimo que fazes.
Assim em cada lago a lua toda
Brilha, porque alta vive.
― Fernando Pessoa.
you inspired my music and my life
@2-nY
Listening to this wonderful performance I came across your quote. I found it so impressive that I have copied it out. I know nothing of the author but he reflects a wisdom that is the essence of deep creativity. Many thanks for sharing this.
@@paulmorris1227 best portuguese poet... best portuguese pianist... maria is at the top history players of mozart .. with horowitz...
Wow absolutely wonderfoul sounds.
Fantastic 🎹🎹🎶🎶👏👏
Fantástica!!!
B composed this after considering ending his life. knew he was going deaf. Maria always great.
Que super-maravilha!!! Interpretação irretocável.
Исполнение божественное
Excelente Maria, como siempre. Genial. Muchas gracias
It's Op.31 No.2.
素晴らしい。鳥肌が立つ
Obrigada!!!! Magnifico!!!!!!
More than fantastic ❤️❤️❤️❤️❤️
Gracias a vos María !!!
Bellísima ... ❤️🙏gracias Beethoven
Nuanced, passionate, exquisite.
Merci a toi l'ami une nouveauté,et en plus belle Maria
Ce n'est pas Maria mais Maria-João, en français, ce serait Marie-Jean.
Au Portugal, c'est un prénom composé fréquent...
Pour le piano, elle est sublime... que ce soit avec Beethoven, Mozart, Schubert ou Shumann...
Блестящее исполнение!!!Браво!!!
En el 3er mov. se perdió, no encontraba las notas, pero aún así fué un recital extraordinario
Brilliance.
Great interpretation!
Исполнение щедеврально
Excelente
Brilliant!!!
Потрясаюшпя пианистка !!!
Sublime.
I was listening and crying at the same time.
played this surprising well imo.
Какое понимание чувств какие оттенки!!!!!!!?
Such a Big interpretatión🙏💙
Браво Мария!!! ❤
Lindo. Obrigado
beautiful
I cannot understate my love of her playing, or my sadness that she has not recorded more
¡Bravo! ¡Magnífico!
The best Tempest for me ;-; so much pathos.
Have you tried Sokolov's or Fazil Say's? They're the best ones for me; the first is super loud and thunderous, and the second is relentless, gives you no time to catch your breath! Both are just what Beethoven should be.
@@bennemann diggin 'em in now, thank you for the suggestion!
bravo
!!!!!!!!!
I'm a bit late, but this is "op 31 n2" and not "op 32" which is a short song and has nothing to do with this masterpiece...