Claire Ollett: Hatshepsut's Temple at Deir el Bahari: Agenda and Legitimisation

A talk at the conference Profane Landscapes, Sacred Spaces, held in Prague in June 2014. egyptologie.ff.cuni.cz/pdf/Lan...
Claire Ollet (University of Liverpool)
Integration of Monument and Landscape - Hatshepsut's Temple at Deir el Bahari: Agenda and Legitimisation
Hatshepsut directed substantial resources to the monumental development of the sacred landscape at Thebes: the divine temples of Karnak and Luxor, her cult temple at Deir el Bahari, and the development of religious festivals. This paper will investigate the mechanisms and communication strategies that she developed to legitimise her kingship within this sacred, monumental landscape.
This process of legitimisation included a programme of royal self-presentation. Utilising a three-fold methodology, which encompasses an examination of architectural context, iconographic programme and textual composition, this royal self-presentation can be analysed to form a theoretical reflection on the meaning and functionality of the monuments themselves and the landscape as a whole.
The issue of self-presentation is particularly relevant in the case of Hatshepsut as her reign as king was unusual and her legitimacy uncertain: first she was a female ruling within a predominantly male dynastic framework and second, and perhaps more importantly, there was already a legitimate king on the throne.
This paper will present elements of the integrated three-fold analysis, with a specific focus on the cult temple of Djeser-djeseru at Deir el Bahari: a temple built to Hatshepsut's specifications and the epitome of the integration and symbiosis of monument and landscape. It will consider various research questions relating to accessibility and audience, whilst seeking to elucidate the motivations that lay behind the development of this functioning and interactive environment, in an attempt to establish whether there was a specific personal agenda. It will also consider the connectivity and inter-relationships at play within the landscape, across the broader landscape of Thebes, and Egypt as a whole, and present some current working hypotheses.

[@rashataylor7166]

12 mins in and the "evidence" put forth suggests that tuthmose I built it, with Hatshepsut finishing it (phase 2), this would also be supported by tuthmose + Hatshepsut in reliefs together (note how they're the same size, typically female royalty was almost always drawn or carved much smaller than pharohs, possibly suggesting her elevated status, or her own attempt at such elevation if those reliefs are done after the build was done, if they're done during construction then that would suggest tuthmose I elevated Hatshepsut!)

[@kingxstunna]

sea mineral craft for ancient ballers