Giannina Arangi-Lombardi sings Aïda "Qui Radamès verrà...O patria mia"

Recorded November 1928, Milan, Milan Symphony Orchestra, Lorenzo Molajoli (conductor)
Giannina Arangi-Lombardi, 1891 - 1951
Biography:
www.cantabile-subito.de/Sopran...

[@WMP777]

The power of many angels are in the voice of this phenomenal artist.

[@henningbeil8797]

Quelle voix somptueuse, du velours, de la puissance et des pianissimi sublimes. Elle n'est pas assez connue et est pourtant des meilleures Aida.

[@puma5471]

Outstanding!

[@AulicExclusiva]

A tremendous performance in the grand manner-and the authentic manner, too. Fabulous messa-di-voce and a masterful high arch to the soft high C, as written. Supreme.

[@draganvidic2039]

It’s written DOLCE.
Why on earth have so many gotten this wrong !!????
Dolce = Sweet, gentle, mild, smooth…
#googleisyourfriend

[@MrSkylark1]

Superb - the pianissimo at the beginning of "O patria" is the key to her splendid singing

[@lorenagaleazzi5026]

Voce d'oro di un tempo ormai passato....

[@MightyTenor]

To die for

[@Birgitwannab]

This is absolutely Brilliant!!! Thank you so much for posting it.

[@petergraham8681]

Wonderful singer, Superb soft initial high C followed by a slight crescendo which not many can manage. Besides that this is not to ignore the entire aria itself which is beautifully done as well.

[@paulostroff99]

Not many better performances exist. TY Scalatti for posting

[@draganvidic2039]

The high C is marked dolce in the score which is more about quality of tone, not about dynamics.
Dolce = Sweet.

[@CurzonRoad]

Yes, really, really outstanding! Many thanks to Scalatti for posting, to AE for sending to Nate, who in turn has forwarded this way. Thanks to all!

[@paulostroff99]

Awesome! TY

[@frankykneefel8685]

Voor mij Perfect ! jammer dat ze van de mic moest wegdraaien bij de hoge c.
Maar dat moest in die tijd anders word tschril.