Deducing Beauty: The Grounds of Beauty in Schiller's Letters on the Aesthetic Education of Man

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  • čas přidán 2. 07. 2024
  • In this video, I examine Schiller's transcendental deduction of the beautiful set forth in his Letter's On the Aesthetic Education of Man. Whereas in my previous video, I articulated Schiller's account of the social and political effects of beauty, here I attempt to explain Schiller's view of Beauty itself. Following Kant, he attempts to offer a transcendental deduction of the beautiful, arguing that if human perfectibility is possible, then beauty must exist as a necessary condition of that possibility. In the process, I distinguish between contemporary and Kantian meanings of the term "transcendental", and explain Schiller's accounts of the form drive, the sensual drive, and the play drive. I also consider some differences between Schiller's account of beauty and human perfections and more traditional Platonic accounts.
    A corresponding essay can be found on my website: premieretat.com/deducing-beau...
    Follow me on Odysee: odysee.com/@premieretat:f
    And on Bitchute: www.bitchute.com/channel/fXnF...
    Timestamps
    Intro: 0:00-0:46
    Transcendental Arguments: 0:47-3:10
    The Phenomenon of Humanity: 3:11-7:01
    The Paradox of Perfectibility: 7:02-12:04
    Sensuous and Form Drives: 12:05-19:08
    The Play Drive: 19:09-30:48
    Transcendental Deduction of the Beautiful: 30:49-38:06
    Concluding Reflections: 38:07-42:44

Komentáře • 4

  • @Jessica_Irene_
    @Jessica_Irene_ Před rokem

    ♥️👌🏻 thank you.

  • @chrisdiver6224
    @chrisdiver6224 Před 11 měsíci

    The sensuous drive and the form drive are fully realized by us in each act of discovery wherein heretofore different things become expressions of a unifying theme. In the moment of discovery, time becomes eternal and eternity time - this paradox, this logical impossibility, is God's manner of awareness.

  • @fethk
    @fethk Před rokem

    Thank you! Splendid as usual!

  • @metafisicacibernetica

    I'm here, nobel friend.