6 ways to IMPROVISE over MODES of the major scale!
Vložit
- čas přidán 30. 06. 2024
- In this video I’ll show you 6 unique and practical ways to improvise over modes of the major scale by using a variety of techniques and ideas. This video will help you to create the most beautiful sounding solos for sure! From a simple pentatonic scale adding the modal trigger note to the pentatonic scale to more advanced techniques like superimpose pentatonic scales, using triad pairs, using the diatonic scale, modal arpeggios and the Jazz approach.
Chapters:
0:00 Introduction
01:02 The pentatonic solution
02:42 Adding the modal trigger note
05:01 The diatonic scale
08:42 Superimpose the pentatonic scale
12:21 Triad pairs
15:17 Modal arpeggios
17:13 Modes in Jazz
19:06 Conclusion
Crystal Clear E-BOOKS with audio files:
qjamtracks.shopify.com
Tabs and tracks at PATREON:
/ qjamtracks
*Social Media/contact:
QJamTracks
QJamTracks
/ qjamtracks
*Strandberg Guitars
strandbergguitars.com
Fractal Audio (FM9)
www.fractalaudio.com
(c)2024 Rob van Hal, Netherlands
YOU HAVE CREATED A MASTERPIECE GUITAR LESSON!
THANKS!!!
Your teaching style and content quality really deserve more praise
Thank you!
It's so great
That was hands down nothing short of amazing! The triad pairing concept is so insane! Simple and effective! For the first time I managed to understand everything that was explained! Thank you so much, please don't gove any regards to haters, your content is absolutely exceptional :)
I liked the sneaky Vai reference on your Lydian mode example. Very subtle sir!
By far the best lessons on CZcams!
This is by far THE LESSON I was waiting for .... Now YT can erase ALL guitar lessons and keep this video as a LESSON written on stone ... for us ... the guitarkind ..... BTW, this video is FOOD for my brain ... and what a great menu !!!!
Thank you! :)
always excited about modes!
Great lesson, Rob. Very useful. Greetings, Gerrit.
Dank je wel Gerrit! :)
I watched some of your other videos and now the CZcams algorithm is feeding me so much information regarding modes, but your videos have provided me information that is practical and something that I can immediately incorporate into my playing. Thank you
for all that you do. Cheers from California.
Thank you :) That is my goal, to make complex things easy and practical.
MASSIVE ! A joy for the ears and .....my little brain ! thanks you a really nice job we have here !
Thanks!
For me ... humble self ... this lesson brings it - I remember several 🤔? - all together. The last one one you made, Superimposing and so on .... plus, cristal clear about how to see/hear Modes 👏👏👏!!! ... 😎🙏🙏🙏
Thanks :)
Muy buenas sus lecciones, the best teacher !
This approach of adding a note to pentatonic scales and making it hexatonic and then the full mode may work for people who have played only pentatonic scales and then want to incorporate modal playing. However, it is best to learn modes based on Major scale patterns (like you show in the third approach) and absorb sound intervals and thereby grasp the key characteristics of each mode.
Also, on a different note, saying Dm pentatonic over D Doran scale is potentially confusing. Perhaps one could say playing Dm pentatonic over D Dorian chord progression.
Hello.In the video pair triads part, D Dorian example, there is triad D/A, mayor triad shape. I don't understand this shape if are two minor triads. Can you explain me please??. Thanks from Spain
That should be Dm./A.... Excuse me for that!
In the b -major scale the E and F# is at the wrong place 7.25
I don't understand why you don't have more subscribers
I guess high quality video content isn't for everyone
People in general only wish to get the TAB's plus showed how to play a particular song. Not learn how music can be constructed ... why and what could work in this or that situation. In either way you can reach a certain level. But the one who has some knowledge about what he/she is doing might have an advantage 😉✌️
i hear all modes the same
Another one trying to confuse beginners to look knowledgable. All modern discussion of modes is a sham. In the system of keys they are just variations on the scale pattern, not a separate entity to complicate mental assessment of the desired effect. Made up out of thin air ideas to confuse people. Just like the high priests of the Pythagorean church keeping it a secret that the intervals weren't actually perfect ratios when they discovered it later on. All you beginners, ignore all talk of modes and stick solely to the system of keys.
Spot on man🤘
Well It's fun to explore it either way.
Everyone can have his/her own opinion of course, but for the viewers of this post the following is important (in my opinion):
This is not an explanation of modes for beginners and this lesson is not pointed at beginners. Besides that, modal music is another thing than tonal music. It's a different approach and not a "variation on scale patterns" of the major keys. Functional harmony doesn't apply on modes as it does on typical tonal music. This is commonly accepted by musicians all over the world.
@@QJamTracks they are wrong.