Thumri II Raag Pilu II Nadiya kinare mora gaaon II Ustad B.S.Narang II

A TRADITIONAL THUMRI BY USTAD BS NARANG AT HARIDWAR ON BASANT FESTIVAL
RAAG:PILU
VOCAL: USTAD BS NARANG JI
TABLA: PT. TILAK RAJ JI
HARMONIUM: SH. PRADUMAN NARANG JI ( HAPPY NARANG)
Thumri (Hindi: ठुमरी) is a vocal genre or style of Indian music.[1][2] The term "thumri" is derived from the Hindi verb thumakna (ठुमकना), which means "to walk with dancing steps so as to make the ankle-bells tinkle." The form is thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs especially from Uttar Pradesh, though there are regional variations.[3]
The text is romantic or devotional in nature, the lyrics are usually in Uttar Pradesh dialects of Hindi called Awadhi and Brij Bhasha. Thumri is characterized by its sensuality, and by a greater flexibility with the raga.
Thumrī is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Saavan, Jhoola, and Chaiti, even though each of them have their own structure and content-either lyrical or musical or both-and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and music.
Contents
1 Structure
2 Origins
3 Thumri and khayal
4 Noted thumri artists
4.1 Purab ang
4.2 Classical thumri
5 Lyrics
6 References
7 Further reading
8 External links
Structure
As in khayal, thumri has two parts, the sthayi and the antara. It favours tala-s such as Deepchandi, Roopak, Addha, and Punjabi. These tala-s are characterized by a special lilt, nearly absent in the tala-s used in khayal. Thumri compositions are mostly in raga-s such as Kafi, Khamaj, Jogiya, Bhairavi, Pilu and Pahadi. A common feature of these and other such raga-s is the free movement they allow the artist, since they do not depend for their identity on rigidly formulated tonal sequences, irrespective of the compositions involved. In fact, one may say that they have a built-in provision for mixing raga-s or for moving out of the raga actually presented in order to add colour to the proceedings.[4]
Origins
The exact origins of thumri are not very clear, given that there are no historical references to such a form until the 15th century. The first mention of Thumri goes back to the 19th century, with a link to the classical dance form Kathak. This was the bandish ki thumri or bol-baant and it evolved mostly in Lucknow in the court of nawab Wajid Ali Shah. At that time, it was a song sung by tawaifs or courtesans. According to historical records, a new version of thumri arose in the late 19th century, which was independent of dance, and much more slow-paced. This form was called bol-banav and it evolved in Varanasi.

[@user-uo2lx6tz6l]

Aa ha bhai jo bhi ho kya bat he

[@balrajmehla3188]

बहुत अच्छा गा रहे हैं जनाब

[@RameshKumar-xi6oq]

वाह आनन्द आ गया अत्यंत मधुर ठुमरी सुनाई ❤❤❤

[@suryakaroshi9178]

Bahut sundar

[@singergirdharisharmagds4901]

Jai ho bahut din baad kuch suna kya baat aise kalakaro ke liye dhanya ho