Try this simple concept to create movement within chords (triads) - Line cliché guitar lesson- EP452
Vložit
- čas přidán 10. 02. 2022
- In this week's guitar lesson, you'll learn a simple concept that involves moving just 1 note in a chord to create a melodic movement (or a line cliché).
To view the premium materials (tablature for all of the concepts discussed), visit: www.activemelody.com/lesson/s... - Hudba
Brian, you are the most impressive and most influencial teacher on the internet. Every lesson is pure motivation. Thank you for your passion over a long time. You are great.
You deserve “two tickets to paradise” for this lesson. Thank you for all you do!
I think you are one of the best teachers on online, everytime I watch one of your videos a light seems to come on in my head
Without a doubt..the most understandable and seamless teacher I've ever seen on here! Really appreciate you patient and detailed approach. Hands down, the best guitar teacher and guitar tutorials on CZcams!! 🙌
Thanks great teaching.
Brian,the more I progress as a player, that is, The better I understand the guitar… The more I begin to understand all the brilliant nuances that you have to offer… You teach fundamentals but you also teach in a manner that is understandable. And
In so doing, you broaden my understanding of guitar and how the little things add up to so much when it comes to playing… THANK YOU!
I am going to look into becoming a premium member!
A line cliche! I knew of the concept but it couldn't remember what it's called. It's been driving me crazy ever since you mentioned it a couple lessons back. Many thanks to the listener who put it in the comments and thank you Brian for sharing!
You are an amazing instructor. My favorite without a doubt.
Just panning for gold here. Just found a little nugget!👍 Thanks!
A really interesting and informative lesson, Brian. My quest is to learn the fretboard and be able to readily apply this knowledge in my playing. I am most appreciative of this lesson because it expanded on what I know. For example, I knew that the D shape on the 9th fret is an A major, but I did not know about how to create and employ “line cliches” in “triads”, ascending and descending from each string, and how to resolve the “line cliches” with the 4th chord. With each lesson, more and more pieces of the “fretboard puzzle” are becoming clearer to me. Your site is called Active Melody, and that’s exactly what this lesson epitomized. Thank you!
Been playing forever but this just gave me a lightbulb moment. Great lesson. This will be great for song writing
This is a very cool lesson! Yes, so many songs use this technique. Very exciting. 😎
After a long time watching your free YT vids, it’s little gems like this that make me so glad I recently became a premium member. Thanks Brian! 👏👏👏
Thanks Brian. This was a great motivation to explore all the triad shapes.
These lessons are great. Opening my eyes to whole new worlds!!! ❤️
This is great stuff! It helps me understand this stuff from different angles. You have such a great way of breaking this stuff down.
With that line cliché around 3:55 I immediately flashed back to Guess Who, "Laughing" which is a classic note-for-note quote of that progression.
My first reaction was to try and name those chords.
Instead, I messed around with that progression in several places on the fretboard, and put off the theory until later. Thank you Brian, for working the practical into the theory lesson!
SUBSCRIBED
You are doing good job man we learned a lot from you. Salut from Switzerland.
I love lessons like this. I like having little riffs or chord/triad things like this that allow me to noddle and create things on my own. Thank you.
Brian I can’t stress enough how much your videos have had a profound effect on me! Your style of teaching resonates with me because I am a visual learner and started late in life ! Iam always eagerly awaiting your videos; I gain something from each one thank you sincerely
I really appreciate your "little" lessons. 15 minutes of gold! I, like the commenters below, got soo much out of this one. And the part you play at 12:35, with the open A drone, sounds like the intro to an Aerosmith song to me. Toys In The Attic?
Thank you for an uncomplicated, yet comprehensive insight into what many budding guitarists do or experiment with , but don’t have the terminology to describe it consistently. We heard many snippets of famous songs that use ‘movement within chords’ to drive or expand the melody. A valuable lesson, and easy to grasp! Thanxalot!
Wonderful! This opened up all sorts of avenues!
Cool. I just learned the Eddie Money song baby hold on this week! Fun stuff to play along to.ELO has some fun chord movements in Telephone line as well
The Beatles used this trick all over. Sounds so good as it leads you into the next chord.
They did indeed! To wonderful effect
Reminds of isn't it a pity by George Harrison
As always wonderful Brian. Only thing, I just wrote a song using a line like your lesson. Dog gone, you give away all of the secret. Ha haha. Nice lessons always. Thanks
Another beautiful and useful lesson! 🙏🎸🔥
Great stuff as always Brian. Haven't been nerding out on your site so much in recent months after a lot of Active Melody lessons through lockdown, but I renewed my membership for another year anyway cause I just appriciate what you are building so much. Learnt so much from you over the last few years and look forward to many more breakthroughs and "lightbulb moments" in the future. Much love brother!
Great lesson!
Funny how you touched on the things I have been finding out recently. I’m all about making tones and making it easier. I also played similar on the 6,5,4 strings with the notes played in G,C, and Am chords. Oh look! Another lesson! Thanks very much. By the way, I love your Telecaster. Would love to build one.
Always Great Thanks Tom
Great wee lesson
Love it Brian
Great lesson, very cool progressions
Helped a lot, Thank you
Thanks, great lesson.
Appreciate the videos!
Nice! Brings me back to one of the first songs I learned - the into riff to Sunday Bloody Sunday by U2, based on the D shape/triad in first position.
Man, I hear this everywhere! Thanks.
Excellent lesson Brian
Great, thank you!
Many thanks from France !
Kiss Me, as covered by Sixpence - D Dmaj7 D7 Dmaj7 D. This lesson expanded beyond what I was already aware of. Great stuff!
That was so useful Brian! Thanks so much and keep these fantastic lessons coming. You’re the best teacher!
Your a great teacher my friend 👊
I love it when it's explained in detail so well.
Bravo 👏
At about the 3:55 mark, it reminded me of the beginning of "Raining in My Heart" by Buddy Holly. Great lesson, Brian...thank you! Cheers! :)
Incredible concept. After this I’ve began looking at triads in a new way. Love the movement . BTW the ascending chromatic movement of the 5th on the A chord immediately reminds me of John Lennons, STARTING OVER. Thanks
Very helpful 👍 I've been struggling moving between chords
Very good lesson 👏
Love it!
Eyes wide open. Thank you
very cool, similar to Dreaming with a Broken Heart ~ John Mayer, but on guitar, LOVE THIS!
Fun stuff! Stay Well Groovy One!
I plan on becoming a premium member, great lessons
Way thank you!
Minor one reminded me of that old scorpions song! Good lesson!
THANKS BRIAN 😃
That Paulacaster sounds good! Pickups... (P90, paf...) Magnificent idea/concept! 💡
Buddy Hollys Raining in my heart....
Great as t lesson it all hekps
Great Thankyou
Sounds beatley
This should draw 10,000 subs. Get him to half a mil!
Nice lesson, very "Beatle-esque"
Light bulbs are burning bright right about now. Thank you, Brian.
You never let us down. Don’t know how you do it.
That's a nice sound. Reminds me of Anne Murray singing "Raining in My Heart."
Outside of Brian Kelly#1 this would be my favorite guitar teacher.
Brilliant lesson. Sorry I came to it late.
Wish I had help like this in the early 2000's..
Corey Taylor , from can to cant- displays this idea perfectly!
The Am arpeggio (Dm shape) moving to F major arpeggio is Moonlight Sonata (except Beethoven is in C#m!)
That tele is so sweet.
Could you pls do a losson on reading your tabs? They seem to differ from what I would call normal tabs.
Headsick from USERx feat. Manchester Orchestra, same pattern, great song !
I love the concept of short and sweet lessons, Brian! 🎸💕 As far as I’m concerned you can come up with those more often because I feel like I’m actually learning more in less time.
Other than that - gosh, you got glued to that Danocaster for weeks now! It must be that good! 😜
Nice
Awesome!
F it, I'm signing up!!
Very nice! Sounds like a George Harrison progression to me. In the minor progression it reminds me of Bob Dylan's "Mr. Jones".
❤ 13:53
John Mayer music
Thanks send me some of your technics along with your magic PLEASE 15:24
Hey Jimmy ! Please send me some songs from Led Zeppelin # 1 and 2 your BEST MUSIC OFF ALL TIME ! Ramble on and whole lotta Love b ,Thank you Sir 15:24
No m
crazy watching this, because one song i was writing has the exact same line cliche with a d shape, turning to a dmaj7 shape, to a d7
Nyc sir
10/10
This was a great lesson. simple yet very effective in developing intro/ending to songs, Excellent!!!
Sounds like something from abbey road. Cool.
I worked on something similar a few months ago working on chords it went major to aug, 6th , 7th , leads to 4 chord .
when you move the 1st interval up the neck, that is the beginning chord progression to Know Body Knows by Billy Squire
Hey do you think you can make videos about how to dial an amp to create good blues tones and maybe some distortion too, thanks.
?*
Very interesting....how to get started?
Cool idea. Thanks for sharing. What's your guitar by the way? I like it. Cheers.
hey Brien good job.do you teach bass lessonS '?love it teaching techniques
first part of the chords sounds close to isn't it a pity by George Harrison. Good Video
Hi Brian, fun lesson. I've done this as well noodling around but didn't realize the underlying meaning. There is a disconnect in my knowledge how you move one of the notes in the triad to create I, III, IV. Are you moving that single note up the scale? Hope my question makes sense. Basically I just don't get how you were able to label the cliches eg. the IV was the release. What made it the IV? How do we find all the components and is it a pattern we can apply to all keys . Hope in not alone in this void and your answer will help others.
Thank you
What is that Tele? Great quick lesson, thanks
i was really hoping you would explain why these moves work...for example the first example implies a 2-5-1 turnaround with dominent chords...B7-E7-A...which ii have seen you do many times in your blues compositions.
I heard 'simple twist of fate' there, by Dylan (05:45)
Is That an original late 60't tele with gibson pickups added or did you buy it like that?
Dude what model tele is that?
Great video. I have a question. I'm a premium member and I wonder if it's possible to place a video suggestion. Cheers!
I see the move form A to D here rather as a resolve from V to I in D - when moving back from D to A over an ‚Em we have a nice II V I..
I'm not ready for this in terms of my level. It would be nice (and also probably annoying for you) to know what frets your fingers are on and which fingers you're using for what
That's true...Not so clear for us watching
That first riff sounded just like English Rose by The Jam. Starts exactly the same.
The second progression reminds me of “I need to be in love” by the Carpenters