Liminal City - 16mm short film shot on the Krasnogorsk-3 - Ambient Score
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- čas přidán 14. 12. 2023
- Liminal City is an experimental short film shot on 16mm film (Kodak 500T) using the Krasnogorsk-3 with an original ambient synth score. The film was processed at Kodak Atlanta and scanned at 2k. We colored in Divinci Resolve and used Topaz Video AI to up-rez the footage to 4k.
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#16mm
#cinematography
#indiefilm
#filmphotography
#analogphotography
#16mmfilm
#motionpicturefilm
#shortfilm
#shorts
#short
#movie
#ambient
#bladerunner
#taxidriver
#Krasnogorsk-3
#K-3
#K3
#k-3camera
#16mmfilm - Krátké a kreslené filmy
Tony Gilroy in an interview admitted He put Kathleen Kennedy on notice via the secondary phone call. Tony said “He had an idea for a prequel “Rogue One” story, however He needed total creative freedom via writer, show runner, or He’s out …!” Kennedy agreed! Hence Andor is light years better than anything available on Disney +. Period! It’s a master class in filmmaking, writing, cinematography, tonality, tension, world building etc etc.
I love Andor! When does Season 2 start?
@@TheFilmMultiverse It’s rumored to be coming out 2025. At the moment there’s reports Andor season 2 is currently doing reshoots reshoots.
Beautiful! At first i thought: this looks way too clean for a K-3. I love 16mm and the K-3, but at slo mo it will cause heavy jitter, it usually has some flicker and the 500T is rather grainy. The colors and gorgeous glow caused by the halation are there. Checked the description: Topaz. Great work! I only watched the footage on my cell phone, will rewatch on my PC. Have a great 2024!
Thanks. I was surprised how well the K-3 handled this shoot. It turned out much better than I had hoped. I shot a bunch of film on the K-3 in Europe this summer and hope to post it soon.
@@TheFilmMultiverse I look forward to your footage! Looks like you lost a loop somewhere during the shoot. This can happen sometimes, even to the best. I recommend: if you hear anything strange when filming: stop immediately, open the camera in total darkness and try to figure out where the film is. Try to thread it again and continue shooting. Of course this needs practice. Best of luck!
@@truefilm6991 Yes, I didn't load the camera properly in hindsight. It was my first time shooting on the camera and I wasn't really sure what I was doing. I've learned a lot since then. As a side note, your video on how to load the K-3 was one of the videos I watched. Great job and thanks. I decided to incorporate the "ruined" footage into the concept of the short film. I think it's a pretty cool effect as a novelty. Thanks for your comments!
@@TheFilmMultiverse It's the perfect example of a happy accident. It looks really awesome and just plain organic. Kind of like when a guitarist plays with feedback from their amp; there's chaos going on which you can't really replicate easily digitally.
Nothing captures colour and emotion like film.
I agree! Thanks for commenting.
Fantastic footage! Great use of the K3, inspiring stuff 🤩
Thanks! I've really enjoyed using the K3.
Damn that was beautiful
Also love how the physical and mechanical mediums, can give the most beautiful glitches
I agree, I love mechanical cameras. They are a blast to use. I used to be intimidated by shooting film but it's super fun and not as tough to pull off as I once thought. The results can be stunning.
This is so cool! great stuff. thanks for sharing
Thanks!
Best super 16 night footage I’ve seen here
Thank you!
The registration failure at the end looks so amazing. One of those things that you just couldn't replicate digitally. Or it would at least need a pro and a lot of work
Thanks. I was disappointed when I first saw that the footage had slipped in the camera. However, after looking at it I thought it looked pretty cool and ended up using it. A happy accident. I love 16mm film.
I recently shot some 500T 8mm and was kind of salty at the grain. Now I want to shoot a roll of 16 and see if I can get it looking as clean as yours. Thanks for posting!
I think you'll see a huge improvement with 16mm. Give it a shot. It's awesome.
@@TheFilmMultiverse Did you do any noise reduction in post?
@@JJKoester No noise reduction or digital FX of any kind. I color graded the footage in Divinci Resolve and then used Topaz Video AI to up-rez from 2k to 4k. That's it.
well done
Thanks!
Looks incredible! How is there barely any noise with the footage? What’s the secret 😊
Thank you! No secret. I'm pretty new to 16mm. I simply shot Kodak 500T on my K-3 exposing wide open. Lots of street lights helped. I then did a simple color grade in Divinci and up rez'd to 4k with Topaz Video. No FX or tricks. I was super happy with it.
What aperture where you shooting at mate? Great vid!
Wide open... f1.9. The 500T film is amazing. I had no lights and the film did great. I pushed the grade a bit in Resolve. Thanks.
You used a mini korg prologue for this. I recognize those synths lol
Wow! Good ear. Greg synth! Thanks for watching.
Yooo how did you get the warped image towards the end with the shudderin? Very cool
That was an accident actually. I loaded the film incorrectly and it wasn't registered in the gate properly. I was bummed out when I saw it but decided to use it since it looked cool. Not sure I could ever replicate this the same way if I tried. It did teach me to check my film loading before shooting.
Noticed some sort of a filtration over the lens? Pro Mist?
I didn't use any filtration on the lens or any post FX. I shot on the K-3 with the Meteor lens it came with. Maybe what you're seeing is the beauty of 16mm? Thanks for watching!
@@TheFilmMultiverse Ah ok ma badd. Just wondering where the ghosting of the lights in some of the shots is coming from, It's like a double reflection. Thanks, great video.
How did u do that effect at the end tho?
It was a total accident. The film wasn't registered in the sprockets properly in the camera and came loose while shooting. This was my mistake loading it. However, it created a cool effect so I used it. This is a true "in camera VFX".
@@TheFilmMultiverse dang, that's really cool. I wanted to use this effect in my current film.
What bit depth does the scan file have?
I'm not sure. It was a 2k scan and I think I got a ProRes file on delivery.
Did you push the film in development at all?
No. We didn't push it at all. I brought it up a little in Resolve but that's it. I was very happy with how it turned out. The 500T stock is pretty amazing. I shot run and gun style with no additional light.
it seems like its too bright...
what is soundtrack in this video ?
This is an original analog synth soundtrack my son did for the video.
@@TheFilmMultiverse ohhh. i want soundtrack like this soo much