When you see it in a cinema theater in 70mm it really makes the effects look more special. Film as a medium has a really soft color grade so that there are lots of gentle soft differences in colors and are not harsh. Even CGI special effects when on film look amazing and so much more realistic than they do in digital TV and projector formats. The special effects in Vertigo do not look that good on a tv but on 70mm film they have a very dream like quality to them and look surreal.
@@bighands69 Vertigo wasn't filmed in 70mm. It was filmed in Vista Vision, a regular sized screen, high definition process that was at some point transferred to 70mm. Why I will never know. Vista Vision was problematic because originally the reels ran through the projectors horizontally, so special equipment was needed. The only plus with Vista Vision is that it was a very clear image that could be projected on any sized screen. It didn't last, because 70 mm was just around the corner.
Well put together, excellent choise of movie cuts, great timing and gorgeous soundtrack. Together they tell a whole new story and give sentiment to the super panavision 70
When you visit panavision in woodland hills CA, this camera is prominently on display at the entrance. Really cool to think how much iconic footage it's captured.
But who the hell shoots 70mm film for texture? Isn't the whole point that it's higher fidelity? Maybe there was just enough of the texture in film stocks in the period the movies in this video were shot on but nowadays, the one stock that's available, vision3 is very clean, even on 35mm, it feels too perfect versus the past, to the point that if you were shooting film for the texture there's no point, it looks virtually identical to many digital cameras.
This is the end of innovation and development.Marvellous achievement.What else is needed and could be expected.Nothing more could be done further.This is bliss.
This scene at 1:57 is really powerful and give me goosebumps, and a nostalgia feels that i never experienced. it shows how T.E Lawrence is walking alone in the middle of the desert at midnight. And also the vibe is like we never experience for, I mean just LOOK at that... So powerful man. U got the Dunes, the bushes, some little sandstorms flying, and a footstep, and then there he is, Lawrence himself. Gotta say this it THE best movie ever, no one can make a movie like this anymore. Hands down to Krishna Kumar, great editing, transition, All the best!
Krishna, you have done an amazing job with this - the editing, effects, music, choices of movies and scenes - if I were to show someone how I feel about Super Panavision 70, I will show them this film.
Nice video, for sure some of the great films shot on the standard 5 perf format. There weren't very many movies shot using the Super Panavision logo, but there were LOTS of movies shot and projected on 5 perf 70mm. It was a very common format in the late 50's through the early 90's before digital audio for 35mm came out. There has been a huge revival of 5 perf 70mm, but outside of Hateful Eight, which was shot on anamorphic 5 perf, none of the newer films are entirely shot on 5 perf, some are mix of 15 perf and 5 perf, some are a mix of 35mm and 5 perf/15 perf. Even more are digital mixed with 5 perf. So the format is still alive and well, just not using the name Super Panavision.
Either way 35MM became standard and it totally sucks compared to 70MM. We have a plethora of movies that are poor 35MM quality with studios paying big $$$ trying to pull a high quality upscale out of them now. It's quite sad really. Why studios didn't archive their movies in 70MM is beyond me.
What would we do without those little 'holes' down (or across) both sides of the film ??? Videotape has electronic holes and transistors have electron holes. 'Holes' are clearly very important!
Why just those 3 films? Granted, there among my all time favorites, but there are SO many more Super Panavision 70 titles. Like, the original "West Side Story," "Ice Station Zebra," "The Master," "Far And Away," and so many more.
@@southlyndale Yes. It was shot in Super Panavision 70... the vista's in Monument Valley...the special miniature effects. But, it's reception in the U.S. was such that most people only saw the 35mm reduction print. I manage to see a 70mm screening, and it was delightful.
This editing video is ABSOLUTELY Perfect! no any bad thing nor miss, you are an excellent editor Krishna, you should earn more viewers and subscribers for this :)
when digital cameras reach this level one day.. then, only then I can say it is finally done. We crossed the line, where digital is as good as analog. And yet.. in 2022 and even with the newest digital ARRI cameras.. they still cant do it. Thats sad actually
Film can still be used while that digital gap is covered. Another approach for smaller budget movies is to shoot most of the scenes in digital, then transfer to film and to be very specific when shooting scenes on film.
Nonsense. This has nothing to do with film, but with highly skilled cinematographers. All these movies would have looked equally gorgeous and then some if they had been shot by the same cinematographers on an Arri Alexa 65 digital camera. You go and watch Blade Runner 2049 by the great Deakins and tell me that isn't a reference for aspiring cinematographers for decades to come. And that was shot on 35mm digital in a mere 2.8K resolution.
@@Stinktierchen Well, then do tell what is wrong with the comment. It seems so very obvious to you and yet you didn't bother to include that. That tells me a lot about who is the one actually clueless here.
@@jurgentebeest6199 You can continue writing as much as you want. Doesnt make the things you say any more "correct". I have no oblvigation to prove anything in here.
This is fun, and you've got some sharp prints, but it's nothing like the stunning, immersive effect of the real thing, sorry. The fact is, sadly, that unless you are over seventy five, you would never have actually seen a film made in, and screened in, Super Panavision 70. Or Todd -AO. Or Cinerama. Theaters today aren't equiped with the projectors needed, or the screens to project on.
The Story Telling in these movies was also incredible.
Jesus this really made me appreciate on a whole different level just how gorgeous a piece of art 2001 A Space Odyssey really is
When you see it in a cinema theater in 70mm it really makes the effects look more special. Film as a medium has a really soft color grade so that there are lots of gentle soft differences in colors and are not harsh. Even CGI special effects when on film look amazing and so much more realistic than they do in digital TV and projector formats. The special effects in Vertigo do not look that good on a tv but on 70mm film they have a very dream like quality to them and look surreal.
@@bighands69 I've been lucky enough to see it, I saw Lawrence of Arabia a few nights earlier it was absolutely amazing
@@bighands69 Vertigo wasn't filmed in 70mm. It was filmed in Vista Vision, a regular sized screen, high definition process that was at some point transferred to 70mm. Why I will never know. Vista Vision was problematic because originally the reels ran through the projectors horizontally, so special equipment was needed. The only plus with Vista Vision is that it was a very clear image that could be projected on any sized screen. It didn't last, because 70 mm was just around the corner.
Well put together, excellent choise of movie cuts, great timing and gorgeous soundtrack. Together they tell a whole new story and give sentiment to the super panavision 70
Can't wait to see Nolan's new film, "TENET" in glorious Super 70 on film next year in the DOME.
Do you know which other cinemas across the US will be showing it in 70mm?
70mm sounds great I wish I could see a film with it. but dude. with Christopher Nolan. IMAX 70mm is the way to go
When you visit panavision in woodland hills CA, this camera is prominently on display at the entrance. Really cool to think how much iconic footage it's captured.
No digital cinematography can replicate the texture of real film!
Some day it may offer some sort of an imagine that is beyond film but we simply are not there yet.
@@bighands69 digital is too perfect ,thats not a character of film
But who the hell shoots 70mm film for texture? Isn't the whole point that it's higher fidelity? Maybe there was just enough of the texture in film stocks in the period the movies in this video were shot on but nowadays, the one stock that's available, vision3 is very clean, even on 35mm, it feels too perfect versus the past, to the point that if you were shooting film for the texture there's no point, it looks virtually identical to many digital cameras.
it looks so organic and true to life
@@SuperSy99 Kodak vision3: allow us to introduce ourselves
2001 A Space Odyssey
will always remain the greatest film ever made.
That once upon a Time in the West soundtrack makes this video better
2001 A Space Odyssey is so beautiful.
This is the end of innovation and development.Marvellous achievement.What else is needed and could be expected.Nothing more could be done further.This is bliss.
Yes, Love real film! That Panavision is the Real deal! - Digital makes everything look like soap operas or After School TV movies.
And shaky too.film is steady.film has rich and thick photo.just watch clip gone with the wind clip.1939 film superior than netflix movies
@asrar b not hipster.just notice difference
What is a hipster ?
The Hateful Eight - on Ultra Panavision 70
This scene at 1:57 is really powerful and give me goosebumps, and a nostalgia feels that i never experienced. it shows how T.E Lawrence is walking alone in the middle of the desert at midnight. And also the vibe is like we never experience for, I mean just LOOK at that... So powerful man. U got the Dunes, the bushes, some little sandstorms flying, and a footstep, and then there he is, Lawrence himself.
Gotta say this it THE best movie ever, no one can make a movie like this anymore.
Hands down to Krishna Kumar, great editing, transition, All the best!
Yes! My favorite scene in the whole movie!!
its like the 70's HD, and it's brilliant
At minimum 8k equivalent
@@cheetahluv210 No, the max. And only on the negative. 70 does *not* look like 8K in projection, but more like genuine 4K.
Three great movies, all favourites of mine - 2001 being my all-time No.1 ever - shot in SP70. I love it! Bravo!
We applaud you for your excellent video. Thumbs up.
unbelievable footage... so... beautiful
Krishna, you have done an amazing job with this - the editing, effects, music, choices of movies and scenes - if I were to show someone how I feel about Super Panavision 70, I will show them this film.
Just beautifully done.
Thank goodness these movies made it into the modern age of film restoration and high-tech digital transfers. We'll have them forever, now.
If these films had been store correctly restoration wouldn't have been necessary.
Nice video, for sure some of the great films shot on the standard 5 perf format. There weren't very many movies shot using the Super Panavision logo, but there were LOTS of movies shot and projected on 5 perf 70mm. It was a very common format in the late 50's through the early 90's before digital audio for 35mm came out. There has been a huge revival of 5 perf 70mm, but outside of Hateful Eight, which was shot on anamorphic 5 perf, none of the newer films are entirely shot on 5 perf, some are mix of 15 perf and 5 perf, some are a mix of 35mm and 5 perf/15 perf. Even more are digital mixed with 5 perf. So the format is still alive and well, just not using the name Super Panavision.
Either way 35MM became standard and it totally sucks compared to 70MM. We have a plethora of movies that are poor 35MM quality with studios paying big $$$ trying to pull a high quality upscale out of them now. It's quite sad really. Why studios didn't archive their movies in 70MM is beyond me.
What would we do without those little 'holes' down (or across) both sides of the film ??? Videotape has electronic holes and transistors have electron holes.
'Holes' are clearly very important!
@@Ampex196 'Holes' are what hold the film to the projectors.
@@bfg9000d1 They had no idea back then that certain color processes would fade either.
Celluloid is a rare breed now.
Why just those 3 films? Granted, there among my all time favorites, but there are SO many more Super Panavision 70 titles. Like, the original "West Side Story," "Ice Station Zebra," "The Master," "Far And Away," and so many more.
Mackenna's Gold!
@@southlyndale Yes. It was shot in Super Panavision 70... the vista's in Monument Valley...the special miniature effects. But, it's reception in the U.S. was such that most people only saw the 35mm reduction print.
I manage to see a 70mm screening, and it was delightful.
The Master was cropped on the sides - so when it was released everyone wondered what all the fuss was about. And Far and Away was rarely seen in 70mm.
@@southlyndale That's a great movie that badly needs a 4K remaster and UHD bluray release. Another one is Ryan's Daughter by David Lean.
Fantastic editing.
This editing video is ABSOLUTELY Perfect! no any bad thing nor miss, you are an excellent editor Krishna, you should earn more viewers and subscribers for this :)
Absolutely beautiful
seeing 2001 in IMAX was INSANE
Good old 60's in f1 no guardrail its like rally in asphalt
2:22 I know that feeling.
once...west is my favorite western
Thanks for sharing
This is just wonderful.
Lawrence of Arabia (1962)
Grand Prix (1966)
2001: A Space Odyssey (1968) 😎
Superb!
Nicely done
Great work!
Niiiiiice.
Dude, thank you for this.
I had goosebumps my god
same! this video is perfect, the way he edit this is absolutely pure!
wish i could see this in real life
What is the font you used in your titles? Thanks.
Peignot bold, I’m not sure about the script one
what fonts did you use?? i love em
Worth mentioning that Chris Nolan uses vistavison cameras to film portions of his imax scenes, thought I'd throw that in the mix.
Well done!
👏👏👏
You need to make a longer version... Please???
wow
Especially nice to see this on a 21:9 screen!
😭😭😭
hateful 8?
That was shot in Ultra Panavision 70 not Super.
They simply don't make them like this anymore.
A.I.
make Krull movie version
Please do a video on “tribute to ultrapanavision 70”
May 2024: is this AI?
Elvis the new biopic was filmed with Panovision
What camera was this shot with!?💘
Super Panavision 70mm, gotta praise it!
when digital cameras reach this level one day.. then, only then I can say it is finally done. We crossed the line, where digital is as good as analog. And yet.. in 2022 and even with the newest digital ARRI cameras.. they still cant do it. Thats sad actually
Film can still be used while that digital gap is covered. Another approach for smaller budget movies is to shoot most of the scenes in digital, then transfer to film and to be very specific when shooting scenes on film.
Nonsense. This has nothing to do with film, but with highly skilled cinematographers. All these movies would have looked equally gorgeous and then some if they had been shot by the same cinematographers on an Arri Alexa 65 digital camera. You go and watch Blade Runner 2049 by the great Deakins and tell me that isn't a reference for aspiring cinematographers for decades to come. And that was shot on 35mm digital in a mere 2.8K resolution.
@@jurgentebeest6199 Only if you had any clue what you are talking about.
@@Stinktierchen Well, then do tell what is wrong with the comment. It seems so very obvious to you and yet you didn't bother to include that. That tells me a lot about who is the one actually clueless here.
@@jurgentebeest6199 You can continue writing as much as you want. Doesnt make the things you say any more "correct". I have no oblvigation to prove anything in here.
Can someone tell me the name of the movies please?
2:37
and My Fair Lady ?
Phineas camera migth can world like a panavision sistema?
This is fun, and you've got some sharp prints, but it's nothing like the stunning, immersive effect of the real thing, sorry. The fact is, sadly, that unless you are over seventy five, you would never have actually seen a film made in, and screened in, Super Panavision 70. Or Todd -AO. Or Cinerama. Theaters today aren't equiped with the projectors needed, or the screens to project on.
where can one buy super panavision 70 camera?
Tsing Tao Fei omfg
best buy, right under the thumb drives
Those are like buying a brand new house. But if you go to film school your class might have one.
Panavision cameras are only for rent. They are never sold. Yes, they are that good.
Lol u can't
The Video is not showing any of panavision or films quality, low bitrate not even 4k, just looks like a bad dvd rip.
Meh