Thanks for this review. I agree, white needs to go ( except if you want to create pastel colours). I would change it for a true Phtalo Blue. Disappointment about Burnt Umber and Sienna containing PBk11. It would be so easy to make them monopigment. Your mixes were beautiful 😍 and show how versatile these colours are.
Interesting to see a comparison between old and new versions. We do not know what motivates companies to change the recipe of their paints. Could be a good practice to move forward monopigmented and do not add white.
I appreciate companies moving forward and finding pigments that do better, especially in term of lightfastness. We all wish for watercolor pieces that stand hundreds of years.
Very interesting to see 😊 I think they probably used a very opaque version of PY42 for their Naples yellow reddish and that's why it looks so much like they've used white in there. Quinacridone red is one of my favorite colours, sad that you hadn't enough space. I don't own a turquoise tube of Van Gogh but I had the same problem with other tubes by nearly all brands. Depending on the pigment, some like to separate more. My best advice is use a toothpick to mix in the tube before squeezing out. This way you can reach the pigment on the bottom and mix it with the binder. Works really well.
I had the same issue with my pallet 🤣 the pans fell out of mine too. Also had the same issue with the tubes! I bought a 6 tubes and 4 of them were separated like yours 🤷♀️
I really enjoyed your review and comparisons. I bought this set in August with intentions to replace the pans with tube paint. However I am liking these paints so I am going to use them. I was able to fit 6 quarter pans into the slot where the brush goes too!
@@mariram I "sticky taped" 3 each on a cardboard strip with a tab so they could be easily removed for refilling or replacing with other colors. So far it has worked perfectly.
Как я люблю веселые обзоры, это намного интереснее скучного перечисления параметров ❤️ А еще всегда крайне занятно узнавать чужой выбор красок) У меня тоже лежит Naples Yellow Red, но применения ему не нахожу, какие твои любимые замесы с ним или используешь чистым?
Спасибо :) я только начала снимать, пока ещё не очень комфортно себя чувствую, надеюсь, со временем буду адекватнее. Я неаполитанскую эту в чистом виде использовала пару раз, но не для реалистичных иллюстраций. Мешать с укрывистыми красками я не люблю. Кто-то для кожи её использует, но я портреты не рисую. А так, в небо или в песок добавить её, оттенок приятный.
Very interesting palette-I’d love to see how you use the greenish umber. I make greens with it. But the color by itself is difficult on the eyes-don’t love it. I have to use the coral color.
Hmmm, I never had any trouble with the pans popping out my twelve count basic pocket box - but then again, I rearranged the pans in that right away ^^'.
Seems like you need a second palette for the colours you like but do not fit into your main palette! But I like your colour choice. I would be sorry about the quin red too, it is a lovely colour. Haha, I see you did this anyway! I would have done that too.
Yeah, can't control myself when it's about the watercolors. I ended up getting an empty box just a little bigger to accommodate all leftovers of the VanGogh and Rembrandt. But most of the time I still use just the one designed in this video. It kinda works for me.
Thanks ;) I succeeded to mix it a bit but it's still not perfect. Difficult to rewet and paints out a bit milky/soapy. Not the best van Gogh's watercolor, I love all the other ones much more.
@@mariram i posted a vid on this exact colour a while ago. mine wasn’t milky or soapy at all. but i agree that it’s hard to rewet and rather low tinting. i think they’re trying to imitate cobalt green/turquoise.
Ciao complimenti per il video! La cartella colori che hai realizzato é uno spettacolo per gli occhi 🤩. In effetti neanche io amo tanto l’aggiunta del bianco però ho notato che la royal talens mantiene una qualità e una trasparenza che in altri brand non ho visto e il bianco non disturba. Quel ceruleo mi sembra quasi più simile a un manganese hue e anche se mi piace non lo trovo usabile come sostituto di un ceruleo. Il turquoise green é un colore particolarissimo specialmente in una linea studenti. É un peccato per quel tubetto in cui la gomma arabica si è separata. Non mi é ancora successo con i Van Gogh ma mi é successo con marchi molto più costosi da cui proprio non te lo aspetti. Ho quel colore in godet e ho notato che in mass tone tende ad essere lucido per la gomma arabica. Forse é la formula che hanno usato anche perché ancora non mi é chiaro come hanno ottenuto quel verde da due pigmenti blu. Il pyrrole orange é davvero diverso tra Rembrandt e Van Gogh però tutte e due le linee hanno dei brighteners. Il PO73 del Van Gogh tende più al rosso ed é molto vivace rispetto al PO71 ma non riuscirei a scegliere sono tutti colori bellissimi e adoro la palette che hai composto. Sicuramente seguirò le tue novità e i tuoi lavori. 💗
Thank you for the suggestion! Really enjoyed watching this tutorial. Never thought of using white for the underpainting and then moving the colors around. That's eye-opening :)
Individually and with Schmincka, not all colors are masterful, everyone is just smart on a piece of paper and they have two children's pictures, edit which picture to see your mastery and then criticize something. I use Rembrandt and Schmincke and in the beginning I wanted to throw them away, colors do not paint alone, it takes years of hard work to achieve a level of mastery if someone is not ultra talented and masters one of the most difficult painting media within a couple of years.
really liked your video! (just a note - van gogh is pronounced "van GO" like to go somewhere. the gh is silent. in dutch though it's more like "fan Hohh" with a gutteral h on both ends. but american english it's "GO" ) : ) one of the paints you named i didn't recognize at all! and i've seen a ton. i think it was MV? so cool to see new things!
Cool, yeah I've heard how Americans pronounce "van Gogh". I am not American, English is not my first language. I speak 6 languages and I don't care for the accent or the little mistakes in pronunciation. Correcting people is not something we should do especially when they don't ask for it, most of the time it discourages them to continue speaking the foreign language. Anyways.. it was Maimeri Venezia, student line of Italian watercolors that is now discontinued. But I suggest you to get the Maimeri Blu if interested in this Italian brand.
MARIЯAM sorry I wasn’t trying to upset you. And it wasn’t about the language, more about art brands and artist names. People I know have never heard the right way so they’re always shrugging when they say things, and saying “I don’t know how to pronounce it“. you know it’s really funny about corrections. A lot of people complain that nobody ever corrects them or tells them anything. And then other people get totally triggered and feel like they have to defend themselves. 🤷 so yeah, sorry you took offense.
@@lurklingX no worries no offense taken ;) there are actually many art brands we pronounce differently in EU and USA, like Arches or Hahnemühle. Even of Ecoline (the same company that produces van Gogh) I've heard three different pronunciation.
There is no "right" American english pronunciation of the name van Gogh, it's just a consequence of not being able to make the right sounds. The dutch pronunciation is the only right one, and people who speak a different language can make of it whatever they like.
@@edzejandehaan9265 I know this is an old comment, but it always cracks me up when Americans try to "correct" pronunciations of European names. It keeps happening on my videos as well. Sit down Karen, you're wrong!
This is because the colors are made in China, every pan made in the Netherlands is wrapped in a paper wrapper where it says every pigment, the color is semi-opaque, opaque, transparent, the difference is huge for colors that come from the Netherlands and have nothing to do with Chinese Van Gogh.
@@wiktoriatluvi It is still the old set of Van Gogh's pans, the new one always has Chinese white, I don't know what is disputable and Rembrandt sets in the pans do not contain all Chinese white or opaque white, titanium white ...., VG colors are very intense and it is better take them in tubes than in pans, each color behaves differently, if we are actually in traditional watercolor there is no white color in any form, the ancient Egyptians used zinc white but it is obsolete because it darkens over time, when I see this experimentation with colors I immediately recognize the amateur, Rembrantd (I work with them + Schmincke Galaxy) are one of the best colors on the market with Schmincke .... A. Durer J. W Turner, Cezanne ... and made masterpieces, e those colors come on
Ciao complimenti per il video! La cartella colori che hai realizzato é uno spettacolo per gli occhi 🤩. In effetti neanche io amo tanto l’aggiunta del bianco però ho notato che la royal talens mantiene una qualità e una trasparenza che in altri brand non ho visto e il bianco non disturba. Quel ceruleo mi sembra quasi più simile a un manganese hue e anche se mi piace non lo trovo usabile come sostituto di un ceruleo. Il turquoise green é un colore particolarissimo specialmente in una linea studenti. É un peccato per quel tubetto in cui la gomma arabica si è separata. Non mi é ancora successo con i Van Gogh ma mi é successo con marchi molto più costosi da cui proprio non te lo aspetti. Ho quel colore in godet e ho notato che in mass tone tende ad essere lucido per la gomma arabica. Forse é la formula che hanno usato anche perché ancora non mi é chiaro come hanno ottenuto quel verde da due pigmenti blu. Il pyrrole orange é davvero diverso tra Rembrandt e Van Gogh però tutte e due le linee hanno dei brighteners. Il PO73 del Van Gogh tende più al rosso ed é molto vivace rispetto al PO71 ma non riuscirei a scegliere sono tutti colori bellissimi e adoro la palette che hai composto. Sicuramente seguirò le tue novità e i tuoi lavori. 💗
Bello leggere un contributo così sostanzioso! Ho altre palette ma quando voglio uno schizzo scelgo questa palette. Per quanto riguarda il manganese blue genuine non l'ho mai provato ma mi piacerebbe tanto.
Thanks for this review. I agree, white needs to go ( except if you want to create pastel colours). I would change it for a true Phtalo Blue. Disappointment about Burnt Umber and Sienna containing PBk11. It would be so easy to make them monopigment. Your mixes were beautiful 😍 and show how versatile these colours are.
Interesting to see a comparison between old and new versions. We do not know what motivates companies to change the recipe of their paints. Could be a good practice to move forward monopigmented and do not add white.
I appreciate companies moving forward and finding pigments that do better, especially in term of lightfastness. We all wish for watercolor pieces that stand hundreds of years.
White watercolor was good enough for John Singer Sargent, but you think you're too good for it, funny!
So insightful! Thank you for taking time and sharing your experience with a wider audience of art lovers
Thank you Marina!
Lovely, dirty, muted swamp colours! I love it!
Ha-ha I am glad you appreciated :D
I love your accent, it's hilarious to listen you being angry with that accent 😆
Very interesting to see 😊 I think they probably used a very opaque version of PY42 for their Naples yellow reddish and that's why it looks so much like they've used white in there. Quinacridone red is one of my favorite colours, sad that you hadn't enough space. I don't own a turquoise tube of Van Gogh but I had the same problem with other tubes by nearly all brands. Depending on the pigment, some like to separate more. My best advice is use a toothpick to mix in the tube before squeezing out. This way you can reach the pigment on the bottom and mix it with the binder. Works really well.
A well thought out palette to paint wuthering heights. I love it. I too prefer muted colors.
I had the same issue with my pallet 🤣 the pans fell out of mine too. Also had the same issue with the tubes! I bought a 6 tubes and 4 of them were separated like yours 🤷♀️
I really enjoyed your review and comparisons. I bought this set in August with intentions to replace the pans with tube paint. However I am liking these paints so I am going to use them. I was able to fit 6 quarter pans into the slot where the brush goes too!
That’s such an amazing idea! I’ve just ordered the smallest pans I could find! Will experiment too ;)
@@mariram I "sticky taped" 3 each on a cardboard strip with a tab so they could be easily removed for refilling or replacing with other colors. So far it has worked perfectly.
@@enyardreems genius! When I will film an update on the palette and what colors I used up I will mention your tip!
Как я люблю веселые обзоры, это намного интереснее скучного перечисления параметров ❤️ А еще всегда крайне занятно узнавать чужой выбор красок) У меня тоже лежит Naples Yellow Red, но применения ему не нахожу, какие твои любимые замесы с ним или используешь чистым?
Спасибо :) я только начала снимать, пока ещё не очень комфортно себя чувствую, надеюсь, со временем буду адекватнее. Я неаполитанскую эту в чистом виде использовала пару раз, но не для реалистичных иллюстраций. Мешать с укрывистыми красками я не люблю. Кто-то для кожи её использует, но я портреты не рисую. А так, в небо или в песок добавить её, оттенок приятный.
In case no one said this yet, the white spots are because of oil. The paper absorbed oils from your hand so the paint isn't absorbed in those areas.
I love your accent.
Thanks :) that's a Russian accent that I was ashamed of for so long but finally embraced it.
Your accent has so much personality it in. It's great. There is no reason to be ashamed of it. I'm glad u embraced it.
I love it too! And just the way you speak in general..id listen to you talk about anything (but seriously, your content is just as great as amazing).
@@morgenmachen2400 you melt my heart! Thank you so much!
Open the tube and scrape everything into a dish, remix let dry. Usable!
Very interesting palette-I’d love to see how you use the greenish umber. I make greens with it. But the color by itself is difficult on the eyes-don’t love it. I have to use the coral color.
Totally agree! In pure form it is not a color I like to look at. But it makes nice shadows on red objects, and greens as you mentioned already.
Hmmm, I never had any trouble with the pans popping out my twelve count basic pocket box - but then again, I rearranged the pans in that right away ^^'.
I don't have this problem anymore because I inserted the half pans till the "click" so they stay tightly in there ;)
Good review, i agree with getting rid of the white, but would have been safer to clip back in the plastic box, then use the knife!
Seems like you need a second palette for the colours you like but do not fit into your main palette! But I like your colour choice. I would be sorry about the quin red too, it is a lovely colour. Haha, I see you did this anyway! I would have done that too.
Yeah, can't control myself when it's about the watercolors. I ended up getting an empty box just a little bigger to accommodate all leftovers of the VanGogh and Rembrandt. But most of the time I still use just the one designed in this video. It kinda works for me.
7:23 lovely mixes! 10:53 i have the same colour in the tube and mine was the same but i stirred it and it was fine.
Thanks ;) I succeeded to mix it a bit but it's still not perfect. Difficult to rewet and paints out a bit milky/soapy. Not the best van Gogh's watercolor, I love all the other ones much more.
@@mariram i posted a vid on this exact colour a while ago. mine wasn’t milky or soapy at all. but i agree that it’s hard to rewet and rather low tinting. i think they’re trying to imitate cobalt green/turquoise.
@@PaintinHiding can you share the link to your video? Will be glad to watch it! You are right, they def try to imitate a cobalt ;)
@@mariram here you go~ :) czcams.com/video/wN8GkEta-YA/video.html
Thank you for a very informative video!
Thanks Sacha!
Ciao complimenti per il video! La cartella colori che hai realizzato é uno spettacolo per gli occhi 🤩. In effetti neanche io amo tanto l’aggiunta del bianco però ho notato che la royal talens mantiene una qualità e una trasparenza che in altri brand non ho visto e il bianco non disturba. Quel ceruleo mi sembra quasi più simile a un manganese hue e anche se mi piace non lo trovo usabile come sostituto di un ceruleo. Il turquoise green é un colore particolarissimo specialmente in una linea studenti. É un peccato per quel tubetto in cui la gomma arabica si è separata. Non mi é ancora successo con i Van Gogh ma mi é successo con marchi molto più costosi da cui proprio non te lo aspetti. Ho quel colore in godet e ho notato che in mass tone tende ad essere lucido per la gomma arabica. Forse é la formula che hanno usato anche perché ancora non mi é chiaro come hanno ottenuto quel verde da due pigmenti blu. Il pyrrole orange é davvero diverso tra Rembrandt e Van Gogh però tutte e due le linee hanno dei brighteners. Il PO73 del Van Gogh tende più al rosso ed é molto vivace rispetto al PO71 ma non riuscirei a scegliere sono tutti colori bellissimi e adoro la palette che hai composto. Sicuramente seguirò le tue novità e i tuoi lavori. 💗
For the "white watercolor" topic I recommend M.D. Cambell's video to watch:
czcams.com/video/D1ZqCXOaR8w/video.html
Thank you for the suggestion! Really enjoyed watching this tutorial. Never thought of using white for the underpainting and then moving the colors around. That's eye-opening :)
Thanks for sharing
Thank you for watching :)
Individually and with Schmincka, not all colors are masterful, everyone is just smart on a piece of paper and they have two children's pictures, edit which picture to see your mastery and then criticize something. I use Rembrandt and Schmincke and in the beginning I wanted to throw them away, colors do not paint alone, it takes years of hard work to achieve a level of mastery if someone is not ultra talented and masters one of the most difficult painting media within a couple of years.
really liked your video!
(just a note - van gogh is pronounced "van GO" like to go somewhere. the gh is silent. in dutch though it's more like "fan Hohh" with a gutteral h on both ends. but american english it's "GO" ) : )
one of the paints you named i didn't recognize at all! and i've seen a ton. i think it was MV? so cool to see new things!
Cool, yeah I've heard how Americans pronounce "van Gogh". I am not American, English is not my first language. I speak 6 languages and I don't care for the accent or the little mistakes in pronunciation. Correcting people is not something we should do especially when they don't ask for it, most of the time it discourages them to continue speaking the foreign language. Anyways.. it was Maimeri Venezia, student line of Italian watercolors that is now discontinued. But I suggest you to get the Maimeri Blu if interested in this Italian brand.
MARIЯAM sorry I wasn’t trying to upset you. And it wasn’t about the language, more about art brands and artist names. People I know have never heard the right way so they’re always shrugging when they say things, and saying “I don’t know how to pronounce it“. you know it’s really funny about corrections. A lot of people complain that nobody ever corrects them or tells them anything. And then other people get totally triggered and feel like they have to defend themselves. 🤷 so yeah, sorry you took offense.
@@lurklingX no worries no offense taken ;) there are actually many art brands we pronounce differently in EU and USA, like Arches or Hahnemühle. Even of Ecoline (the same company that produces van Gogh) I've heard three different pronunciation.
There is no "right" American english pronunciation of the name van Gogh, it's just a consequence of not being able to make the right sounds.
The dutch pronunciation is the only right one, and people who speak a different language can make of it whatever they like.
@@edzejandehaan9265 I know this is an old comment, but it always cracks me up when Americans try to "correct" pronunciations of European names. It keeps happening on my videos as well. Sit down Karen, you're wrong!
This is because the colors are made in China, every pan made in the Netherlands is wrapped in a paper wrapper where it says every pigment, the color is semi-opaque, opaque, transparent, the difference is huge for colors that come from the Netherlands and have nothing to do with Chinese Van Gogh.
:o I hope they are not very bad, as I used the regular ones up until now and just bought this set 😅
@@wiktoriatluvi It is still the old set of Van Gogh's pans, the new one always has Chinese white, I don't know what is disputable and Rembrandt sets in the pans do not contain all Chinese white or opaque white, titanium white ...., VG colors are very intense and it is better take them in tubes than in pans, each color behaves differently, if we are actually in traditional watercolor there is no white color in any form, the ancient Egyptians used zinc white but it is obsolete because it darkens over time, when I see this experimentation with colors I immediately recognize the amateur, Rembrantd (I work with them + Schmincke Galaxy) are one of the best colors on the market with Schmincke .... A. Durer J. W Turner, Cezanne ... and made masterpieces, e those colors come on
Ciao complimenti per il video! La cartella colori che hai realizzato é uno spettacolo per gli occhi 🤩. In effetti neanche io amo tanto l’aggiunta del bianco però ho notato che la royal talens mantiene una qualità e una trasparenza che in altri brand non ho visto e il bianco non disturba. Quel ceruleo mi sembra quasi più simile a un manganese hue e anche se mi piace non lo trovo usabile come sostituto di un ceruleo. Il turquoise green é un colore particolarissimo specialmente in una linea studenti. É un peccato per quel tubetto in cui la gomma arabica si è separata. Non mi é ancora successo con i Van Gogh ma mi é successo con marchi molto più costosi da cui proprio non te lo aspetti. Ho quel colore in godet e ho notato che in mass tone tende ad essere lucido per la gomma arabica. Forse é la formula che hanno usato anche perché ancora non mi é chiaro come hanno ottenuto quel verde da due pigmenti blu. Il pyrrole orange é davvero diverso tra Rembrandt e Van Gogh però tutte e due le linee hanno dei brighteners. Il PO73 del Van Gogh tende più al rosso ed é molto vivace rispetto al PO71 ma non riuscirei a scegliere sono tutti colori bellissimi e adoro la palette che hai composto. Sicuramente seguirò le tue novità e i tuoi lavori. 💗
Bello leggere un contributo così sostanzioso! Ho altre palette ma quando voglio uno schizzo scelgo questa palette. Per quanto riguarda il manganese blue genuine non l'ho mai provato ma mi piacerebbe tanto.