This has to be the single best guitar lesson I have every jammed along with ever! Right on the upper limit of my ability but still manageable. I am going to have so much fun with this!! Many thanks man!!
This lesson might be brief, but the tremendous potential that one can gain from learning Barry's techniques makes this video worth more than some that go for hours.
What I really love about this is the process of taking a musical single idea (comprised of a few concepts, of course) and running it through all of the available permutations to find new sounds.
This is so simple, we all should have thought of it. Been working on chords into chromatics for a long time, not realizing it was easy to be musical running the chords because they are a "system" of motifs and variations and also not realizing my chromatics were hard to make work musically because they were not systematized. Now, with Barry's chromatic rules and scale, they are.
I know my scales and stacks, some of these connecting ideas are new and super helpful. I'm imagining practicing them in all keys and wondering how long it will take to ingrain these techniques. I feel like not as long as I might think, like relativitly quickly. But we'll wait and see. If all your other videos are as good as 60 and 61 then I will be watching and studying all the rest. This great because Barry's spirit lives on here.
This is great stuff...like always...thank you so much for that very inspiring and creative content Chris.... if one transfer this concept in this case (D7) to A Melodic Minor I think that gives you a more modern sound because of the raised 4th of D7 (->G#)...what do you think? Stay well and keep fit
And the end of vídeo You said that this material Works in Am to? For example in a I am7 I g7 I ? Sometines í´m paralice in ii of a progresión. Si There any. Vídeo that you talk about? Thanksssss❤❤
thanks again for great ideas and content! i've been experimenting with using enclosures of the chord tones when i land on the beat with a 4,2, etc that needs correcting. For example, after a pivot - when i land on the 4. besides the option of going 4 5 3 to get on a good note, ive been also using 4 b3 3. Does Barry ever work with those? His scale stuff (adding 1/2 steps, chromatic scale method) is SO good, i was curious about whether he teaches using 4 b3 3 / 2 7 1 / 6 #4 5 / on descending scale ideas too??
This has to be the single best guitar lesson I have every jammed along with ever!
Right on the upper limit of my ability but still manageable.
I am going to have so much fun with this!!
Many thanks man!!
one of my favorite guitar / music philosophers on youtube. love what your doing!
Thank you. More to come.
I'm officially obsessed with your lessons on Barry's method. The Jazz Guru. Thanks man
This lesson might be brief, but the tremendous potential that one can gain from learning Barry's techniques makes this video worth more than some that go for hours.
Thank you James.
What I really love about this is the process of taking a musical single idea (comprised of a few concepts, of course) and running it through all of the available permutations to find new sounds.
This is what Barry does all the time. He leaves no stone unturned.
This is so simple, we all should have thought of it. Been working on chords into chromatics for a long time, not realizing it was easy to be musical running the chords because they are a "system" of motifs and variations and also not realizing my chromatics were hard to make work musically because they were not systematized. Now, with Barry's chromatic rules and scale, they are.
"Pretty things to play on just one chord" Amen
Barry emphasizes attention to detail.
You have a very kind voice and explain things with clarity. Thanks for the lesson bro :D
Thank you Steven. More to come. Please share with your musician friends.
Providing context and making lines from all of this is amazing - thanks Chris!
Fantastic stuff! If you can please continue this series for creating lines, you will be MY HERO!
Brilliant lesson thank you! I have been studying jazz guitar for so long and wish I knew such an exercise years ago!
I know my scales and stacks, some of these connecting ideas are new and super helpful. I'm imagining practicing them in all keys and wondering how long it will take to ingrain these techniques. I feel like not as long as I might think, like relativitly quickly. But we'll wait and see. If all your other videos are as good as 60 and 61 then I will be watching and studying all the rest. This great because Barry's spirit lives on here.
Didn't know that this journey was still being written. So cool
Alfinal del fraseo descendi la última octava de D7 con la escala cromática tal como tu la explicaste GENIAL
Great advice. Been seeing great results with this approach
Wow never tried that one! Love it. a scale note down from a 4 note arpeggio or a sixth up from the first. But then the chromatic too cool!
Hey man, what a great lesson, again!
Thank you
Great as always Chris. Thanks!
Thanks Pete.
Beautiful indeed!
Thanks brother
Great as usual. Thanks!
Thank you Juan.
Fantastic. Thank you
Thank you. More to come.
I hope you will tell us more about the creation of more complex movements
More to come.
Amazing lesson!
The more I learn about this, the more I notice that "modern" sounds can be derived from Barry Harris's ideas.
Thank you Mauro. It's all Barry's method.,
@@azomyte I feel like Barry's method gives you the ability to sound more "modern' than any new player.
Great stuff Chris!
Add pivoting to these ideas for extra flavor
Absolutely. I bet it's really pretty.
This is great stuff...like always...thank you so much for that very inspiring and creative content Chris.... if one transfer this concept in this case (D7) to A Melodic Minor I think that gives you a more modern sound because of the raised 4th of D7 (->G#)...what do you think? Stay well and keep fit
Barry plays Eb minor 6th diminished scale on D7 to give you an "altered sound"
@@thingsivelearnedfrombarryh2616 when you connect both scales (A MM and Eb MM) one measure each you get an interesting inside-outside effect...
3:53, nice indeed man, "very pretty" as you say maman :) i love your channel...
Thank you. More to come.
Great lesson! How about one for maj7 and min7 too?
Major is a good idea. Barry plays the Dominant for minor 7.
@@thingsivelearnedfrombarryh2616 How would you then treat e.g. Solar's minor major/minor 6th chord for 2 bars in the beginning?
And the end of vídeo You said that this material Works in Am to? For example in a I am7 I g7 I ? Sometines í´m paralice in ii of a progresión. Si There any. Vídeo that you talk about? Thanksssss❤❤
Am7 I D7 I sorry
sweet
More to come.
Wicked!!
thanks again for great ideas and content! i've been experimenting with using enclosures of the chord tones when i land on the beat with a 4,2, etc that needs correcting. For example, after a pivot - when i land on the 4. besides the option of going 4 5 3 to get on a good note, ive been also using 4 b3 3. Does Barry ever work with those? His scale stuff (adding 1/2 steps, chromatic scale method) is SO good, i was curious about whether he teaches using 4 b3 3 / 2 7 1 / 6 #4 5 / on descending scale ideas too??
You'd have to show me what you mean.