Rodgers & Hammerstein's CAROUSEL | Through Time and History | Narrated by Laurence Maslon
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- čas přidán 18. 04. 2020
- "The Best Musical of the 20th Century!" - TIME Magazine, 1999
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Laurence Maslon is an arts professor at New York University's Tisch School of the Arts, as well as associate chair of the Graduate Acting Program. He is the writer and coproducer of the American Masters documentary, Sammy Davis, Jr.: I’ve Gotta Be Me, broadcast on PBS in 2019, as well as the artistic director and writer of “Yes I Can: The Sammy Davis, Jr. Songbook” at the 92Y’s “Lyrics and Lyricists” series. He is also the host and producer of the radio series, Broadway to Main Street on the local NPR-affiliate station WPPB-FM. The program is winner of the 2019 ASCAP Foundation/Deems Taylor Award for Radio Broadcast. His most recent book is the companion volume to the Broadway phenomenon Come From Away, as well as an update third edition companion volume to the PBS series Broadway: The American Musical. His history of recorded music from Broadway, Broadway to Main Street: How Show Music Enchanted America, was published in 2018 by Oxford University Press. He edited the two-volume set American Musicals (1927-1969) containing sixteen classic Broadway librettos, published by the Library of America in 2014 to national acclaim, as well as the Library of America’s Kaufman & Co., an anthology of Broadway comedies by George S. Kaufman. He wrote the American Masters documentary Richard Rodgers: The Sweetest Sounds in 2001 and with producer/director Michael Kantor, he cowrote the PBS series Make ‘Em Laugh (Emmy nomination) and two episodes of the Emmy-winning Broadway: The American Musical as well as its companion volume (third edition upcoming in fall 2019). He served on the nominating committee for the Tony Awards from 2007 to 2010. He was written for the New York Times, the Washington Post, the New Yorker, Opera News, Stagebill, and American Theatre. - Hudba
I loved Carousel and no matter how many times I have seen it I cry each time. IF I LOVED YOU HAS GOT TO BE ONE OF THE GREATEST LOVE SONGS EVER WRITTEN!!!! The last song in the musical has the same effect You Never Walk Alone!!!! Today after all the sadness of coronavirus it really hits home!!!!!
This is my absolute favourite musical, the music is just so beautiful and expressive
The film version of "Carousel" was released in 1956, not 1954.
0:03 Awesome Behind The Scenes Look About Rodgers And Hammerstein's Carousel The Original Broadway Musical. Thanks Mate. X
How clever that Rodgers and Hammerstein wrote Carousel so that the mood of the songs matched the mood of the country as World War II was approaching its conclusion (as mentioned in the video, the war in Europe ended, leaving the Pacific half left to be fought). The death of FDR and the loss of American military personnel in the war inspired You'll Never Walk Alone to teach audiences to find strength and go on living. June is Busting Out All Over reflected hope for the future when the war ended, at least the war in Europe after the musical opened on Broadway in 1945. This production, like all the others, provides life lessons we can all appreciate. Thanks for the video.
There was also a tv version of"Carousel" that aired on ABC TV in the 1960's.
Yes, with Robert Goulet as Billy Bigelow. I liked that version.
I enjoyed the Goulet version. One of his costars was Patricia Neway, who'd originated the Reverend Mother in "The Sound of Music".@@Celluloidwatcher
Carousel is very good.
I like June is Busting Out All Over, If I Loved You And You’ll Never Walk Alone. The story itself and the extended music breaks don’t appeal to me though.
Allegro came next after Oklahoma!
dear
Rodgers and harmmrstn carousel Maggie sundby was Julie jordon
Original Julie was Jan Clayton. There is a video of a TV performance with her and John Raitt doing the bench scene here on CZcams. She's amazing.
Love the music. Hate the dumb depressing plot.I only listen to the soundtrack album these days.
f u , “Carousel” comes under the category of Musical Comedy not “Tragedy”.I can’t find comedy anywhere in this show.If selfish,unpleasant
people like Billy are given divine power to return to earth and slap their children then God help us.The score deserved a better narrative.
I don’t blame you. I never seen the show or movie before. I only like three songs from the score though.
I don’t think the movie would have worked with Sinatra. Let’s face it. He simply didn’t have a Rodgers and Hammerstein voice. (Not that Gordon McRae was anything special as an actor) It would have been viewed simply as a vehicle for Frank Sinatra just like Pal Joey.
I agree about Sinatra and his voice. Love McRae's voice - he sings the songs beautifully, but not a "bad boy." John Raitt owns the role - vocally and has just the right amount of darkness.
Way to ignore the elephant in the room 🤦♂️