Vladimir Ashkenazy: Modest Mussorgski - Pictures at an Exhibition - Part 3/3
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- čas přidán 19. 10. 2016
- Live recording at the Barbican Centre in London, 1983
Vladimir Ashkenazy - piano
Modest Mussorgski - Pictures at an Exhibition, A Remembrance of Viktor Hartmann
1:19 First Promenade
2:36 Gnomus
5:01 Second Promenade
5:52 Il Vecchio Castello
10:12 Third Promenade
10:34 Les Tuileries
11:23 Bydlo
13:41 Fourth Promenade
14:17 Dance of Chickens in their Shells
15:28 The Two Jews
17:44 Fifth Promenade
18:58 The Market at Limoges
20:30 Catacombe
22:29 Cum Mortuis in Lingua Mortua
24:28 Baba-Yaga
27:28 The Great Gate of Kiev
Click here for the two other parts of the film: goo.gl/ScSg45
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An Allegro film by Christopher Nupen - Hudba
This piece is one that I dream to play. I’ll probably never have the resolve to learn it, but it’ll forever remain one of my favourite works of art
I pledge to never buy anything I see advertised in the middle of this video
I love the energy he puts on the piece. No matter how many versions I hear, Ashkenazy's is just something else. By the time he gets to the Gates of Kiev my eyes are almost teary
I love his studio recording but this is so much more charming.
A spellbinding performance here by this great master of the instrument! It is actually astonishing to see him interpret and perform this amazing piece. I don't know if anyone can play the Great Gates better than this--here the maestro brings all his authority and passion to a point and draws every last iota out of the instrument to articulate the timeless grandeur of Mussorgsky's glorious chords.
Another great performance of this gargantuan piece was done by British pianist Barry Douglass at the 1986 Tchaikovsky competition which he won. Ashkenazy set a standard with this performance however!
@@joelweisberg Thanks for the hot tip! I will be sure to check out that performance!
Mark, having re-read your comprehensive review I must give you my compliments. You laid down a masterful review of this glorious piece and the outstanding Ashkenazy performance. In his 70s now he is retired from public appearances. There have been some marvelous Russian Jewish virtuosi over the centuries. Ashkenazy being one.
@@joelweisberg Thank you Joel! I really appreciate these kinds words and your love of the music!
I'm not a very educated man in classical music. But when it comes to this piece, I really find it one of the most dynamic, both rhythmically and tonally than anything I've heard. It's so dissonant at times but it's held together by this thematic spine, which is so strong, it allows the rest of the composition to whirl off in fantastic and surprising flirtatious embellishments in melody and metaphor.
This is not classical music...it has a definite programme, just as pop music has words to back up its music.
Classical music is abstract.
Harsh piano sound.No wonder he took up conducting... can do less damage to our attention ears there...☝️
I don't like predictive texts...!!!🥑
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@@TheGreatPerahia Thanks! I"m a fan and have studied I'm just not very good at reading music.
One of a kind . Usurpassed in its commitment.
I just simply love it more than ever. Now it February 9th 2021 and we are approaching the first anniversary of the GLOBAL PANDEMIC OF THE CORONAVIRUS in the UNITED STATES. We have been under Quarantine and LOCKDOWNS with other restrictions. Thus this fantastic performance has given me especially an outlook on the visual interpretation of PICTURES AT AN EXHIBITION.
I remember playing this when I was in junior high school in the schools Orchestra for graduation. We played THE GREAT GATES OF KIEV AND THE FRENCH MARCH MILITARIES instead of POMP AND CIRCUMSTANCE.
We used Gongs and very large cymbals with four sets of Kettle Drums.
Vladimir Ashkenazy is magnificent in this performance. I am very musically moved by his playing and interpretation.
The introduction sets the scene perfectly to a remarkable piece of music for solo piano.
Fair play to Ravel et al. Everybody would love to have had a part in this music. alas for all, it stands up higher as a solo,than with any amount orchestration.
This piece of music is one of the greatest tunes it's massive , entertaining, to die for, hopeful, melancholly and victorious all at once.
Ashkenazy is a Genius! This performance is overwhelming! 😱
Absolutely!
Look at the sweat at 26:50! That's real effort and passion for you!
Sweat - that's nothing - you should see Berezovsky - he can fill a bathtub
Simply outstanding
Woooooooooooooowwwww!!!!! Eccelsa interpretazione di questo CAPOLAVORO PELLE D'OCA!!!!!
Mussorgsky was an unsung genius; his music shunned by critics and even friends, to the point of his music edited by his friend Rimsky-Korsakov. This piece in its original form shows the pain Mussorgsky had as he lost a good friend; as the exhibit moves away from the sadness of movements such as Il vecchio castello and Bydlo, you see the whimsical genius and virtuosity of Mussorgsky, from the Ballet of Unhatched Chicks, to Limoges, and in the Promenade in between, you can see Mussorgsky's sadness emanating as he remembers his old friend the artist Viktor Hartmann, until we finally reach the glorious finale of the Gates of Kiev. Every movement is an image of both Hartmann's work and the emotions of Mussorgsky. This piece will be remembered as a glorious remembrance to a dear friend. Mussorgsky's music of a purely Russian taste will be remembered as we remember the chilling portrait of Repin of a Mussorgsky, who just days later, and after his birthday, died, as his drinking has gone too far.
I am overwhelmed those chiselled skillfull hands coped so well with everything thrown at them but the passion and commitment render this one of the greatest examples of his art...everything we knew he was capable of came to fruition here. He played with such a rampant sense of occasion... he threw his cap to the wind and rawed his magnificence to the heavens
The best
awesome
He is this good and still modest. That's very virtuous of him.
thank you for sharing this!
Genius..new dimension of interpretation of this piece
Pictures of an Exhibition ist eine der wenigen Kompositionen, die bis zum Kern der Seele und des Herzens vordringen können.
Vladimir Ashkenazy, schüchtern und nervös, verstärkte den Charakter des Werkes. In seinem kurzen Durchgang durch diese Existenz baute Mussorgski dieses schöne Denkmal, in dem der persönliche Konflikt seinen Höhepunkt erreicht, ohne die Zärtlichkeit beiseite zu lassen.
Ashkenazy, eigensinnig und akribisch, gab der Komposition einen höchst transzendentalen Charakter.
Musik, die wichtigste universelle Sprache, besteht aus ausdauernder Disziplin und zielt darauf ab, unseren rohen, primitiven und vergänglichen Zustand zu überwinden, und Mussorgski hat es geschafft - mit Anmut.
Danke an den Komponisten und den exquisiten Interpreten...manchmal übertreffen sich Menschen selbst.
Pictures of an Exhibition is one of the few compositions that can penetrate to the core of the heart and soul.
Vladimir Ashkenazy, shy and nervous, enhanced the work's character. In his brief passage through this existence, Mussorgski built this beautiful monument, where personal conflict reaches its apex without leaving tenderness aside.
Ashkenazy, obstinate and meticulous, gave the composition a highly transcendental character.
Music, the main universal language, is composed of persevering discipline and aims to overcome our crude, primitive and transitory condition and Mussorgski succeeded - gracefully.
Thank you to the composer and the exquisite performer...sometimes humans outdo themselves.
Картинки с выставки" - одна из немногих композиций, способных проникнуть в самую сердцевину души и сердца.
Владимир Ашкенази, застенчивый и нервный, усилил характер произведения. За свой короткий отрезок существования Мусоргский построил этот прекрасный памятник, где личный конфликт достигает своего апогея, не оставляя в стороне нежность.
Ашкенази, упрямый и дотошный, придал композиции в высшей степени трансцендентный характер.
Музыка, главный универсальный язык, состоит из настойчивой дисциплины и стремится преодолеть наше грубое, примитивное и преходящее состояние, и Мусоргскому это удалось - изящно.
Спасибо композитору и изысканному исполнителю... иногда люди превосходят самих себя.
Sad and most critics can't do quarter this good.
the war is still going😭💦
it makes me sad😭😭😭💦
Ashkenazy is a favorite interpreter of music for me. However for me it will always be Brendel -1952- with this music.
Love it
It is played with such intensity and beauty.
ハルトマンさんへあなたの絵画に触発されたムソルグスキーが作ったこの曲を世界屈指のピアノマンが次々と弾いています。名誉なことですね。今まででどうりに安らかにお眠りください。
he's great！
i hope this ukuraina's war shall be over.soon.as soon as possible😭🙏
I love Vladimir's interpretations. I play in a very similar style.
I have the Askenazi CD and the Orchestrial version on the same CD ! I still have not been able to separate the sections, even though I have listened to it a hundred times !
Musical talent aside his passion and feeling is amazinf
El piano cambio con este compositor,,,requiere sacar de el muchos sonidos que tradicionalmente no estaban,,Ashkenazy es un gran maestro de esta obra,,, tiene en su mente toda la orquesta de Ravel,,
Одно из лучших исполнений Мусоргского, Браво!!!
A genius at his zenith
E' un grande interprete del repertorio russo
grazie russia per questi geni musicali
He escaped the moment he could, changing residency permanently to Iceland in 1963 with his family. It was no good for a Jewish artist in Russia...
I like this faster interpretation of bydlo, give it more energy
Ashkenazy has a real Modest endowment
This is essentially how I've always heard this piece performed (many times) - and Ashkenazy is remarkable - but seek out Pletnev's astounding performance and you will hear it performed as if for the first time.
Pletnev tries too hard to be different whilst kissin does the best faithful version
調律スゲー、最後まで全然乱れてない！この素晴らしい演奏の半分は調律師のお手柄だ。
すばらしいです。
ウクライナとロシアの戦争が始まって以来、毎日この曲を聴いて泣いています。
爆撃・倒れた人々の悲しみ・きっと訪れるであろう平和・希望。
それらが表現しつくされた名曲です。
どちらの国民にとっても、大切な「キエフの大門」。
戦争が終わることをお祈りいたします。
これは凄い… 往年のアシュケナージはやっぱり凄かったんだなあ。
Finest performance of this famous work after Richter's.
ashkenazy is superior to richter , both pianistically and musically
That's quite a claim! personally I would say almost on a par with Richter. Ashkenazy during his recital/concerto years was of course among an international elite of truly great pianists, right from his early 20s.
pletnev's interpretation is also one of the best in my opinion
@@semprebrio haha nowhere near as good as Richter
21:00 He's great--; but he ain't getttin' anywhere-NEAR any of MY pianos---!
1:18
キエフの大門は凄まじい迫力
30:02
I like this performance. However, I find that Evgeny Kissin's performance in Paris portrays all those characters in a much clearer way, while keeping the piece very steady. This performance not so much though, as I cannot hear all the different characters as much as I should.
Agreed kissin has more pathos
30:10
uffffffff un poco mas sutil y aumentar contraste
no se xk todos hacen el paseo a la carrera
Too harsh! It becomes noisy in the promenade and other parts, as in my favourite one, Bydlo. He beats the piano!
@@foljamb Blablablabla. I didn't know that Askenazy had the true version of life. XD
And it's not youtube audio, you rude, ridiculous and violent person.
27:25
30:00
Woah, Bydlo is way too fast. Has he got a bus to catch?
💀
Mussorgsky wasn't Polish.
Does "Pictures" sound Polish to anyone?! I think not.....
명곡입니다 감동.. 최고.. 전람회의 그림 중 고성은 특별합니다
Ashkenazy could better play Prokofiev and other Hammer music... and let Mussorgski to be played by another real Artist
Congratulations! You get the 🏆 for dumbest CZcams comment! The competition was fierce, but you managed to prevail!
31:18
I like Ashkenazy a lot of the time but I don’t appreciate his vision of the promenade. There’s no phrasing or variance of any kind - he’s just stamping on it. A rather ugly rendition of a beautiful, grand, majestic tune.
Gnomus was the great sensitive player I know and love
frankborder I know right? I love Richter, Kissin and Feltsman versions, however I must admit that Ashkenazy has the best catacombs part, such a mysterious atmosphere, I love the timings of those fermatas
I think is too fast. Like typewriting... very little dynamic changes... I like horowitz’s
Мне не нравится исполнение Ашкенази. Слишком упорно долбит. Я бы сыграл по-другому.
Richter is greatest...Ashkenazi harshest...👇
Ashkenazy
Not my spelling...
A wood-chopper on the piano. Terrible performance!😣
I agree. Particularly his promenades are absurdly aggressive, which has nothing to do with their meaning. And others are so fast that are almost unrecognisable.
I wish I could chop wood like that, and secretly so do you. He combines incredible delicacy with overwhelming power, just like the music requires . . . precision and lyricism . . .
Best version I've ever heard: the first one where I didn't wish I was listening to Ravel's orquestral version instead. You should have used green ink for your comment, the color of envy!
27:29