Gain & Room Tone | Episode 4: Indie Film Sound Guide | The Film Look
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- čas přidán 10. 04. 2017
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The Indie Film Sound Guide is a step by step series teaching you all of the basics to achieve better audio for your films. This includes preparation, recording, and mixing.
The guide uses a scene shot specifically for the guide, and follows a proper workflow from start to finish. This is everything you will need to know to start recording great sound for your short film!
Anything we didn't cover? Leave us a comment and we'll create a wrap up episode at the end of the guide, answering any questions we missed!
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Episodes released weekly:
Introduction: • Want to Get Better Sou...
The Scene: • The Scene | Indie Film...
Positioning: • Position is Key | Epis...
Dialogue: • Dialogue is Priority |...
Minimise Noise: • Minimise Noise | Episo...
Wild Takes: • Wild Takes | Episode 5...
Foley Art: • Foley Art | Episode 6:...
Organise & Sync: • Organise and Sync | Ep...
Mixing: • Mixing | Episode 8: In...
Behind The Scenes: • Behind the Scenes | In...
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I just absolutely love this series
Maybe a small tip, but use a XLR Y-Splitter to record a safety track like 6 dB below of your master track. It doesn’t cost anymore time or effort but can and probably will safe you on moments your master track is clipping.
PS: Especially handy in run and gun situations
Marc LaFunk woahhhhh so simple but genius
And what about the quality?
I think this is the best Filmmaking courses I've ever had. Thanks for sharing it with us and my best LIKE
No problem, thanks for watching! Happy to help :D
Hey there, I just want to say having just found this (a couple of years later) that this was/is an amazing mini-series. Short, sweet, and to the point. You guys have another subscriber for sure.
That's great you found it after a few years. Glad you liked it and thanks for the sub.
Solid Advice!!!
I appreciate your channel very much. Just thought I'd share that with you 🙏
Thank you Anoush!
Good tip. I do dual channel recording on my F8 for everything. I have never needed more than 8 channels.
Really handy, especially for a fast turn around
What about this scenario: You record a take with the actor yelling loud and after that he speaks in a lower tone. You set the gain for the loud yell, but now you have to raise the lower tone to get up between -6 and-12 db. The noise/hissing will therefore also be raised and you don't want that noise/hissing in the rest of the dialoque. How do you solve this problem without denoiser?
That's a great question. We've dealt with this scenario before. Our way was to swing the boom and create distance for the yell then bring the boom closer again for the quiet dialogue.
Another way you can do this is to set the levels for the quiet dialogue, hot-mix the loud yell on the fly by lowering the gain, then add extra room tone back in to compensate for the lack of natural room tone now baked into the track.
Thank you for the fast and great answer. Definitely an usable advice :-)
Great to hear!
Great tip having people record room tone before the scene. Not enough sound mixers and ops do this.
It gives people time to calm down before the big day of shooting too!
Do you always put a full layer of room tone on top of the entire dialoque scene or just, if there is yelling? Or is it most of the time enough just connecting the dialoque recordings in smooth transitions without the top layer of room tone?
There will be natural room tone baked into your dialogue. I use room tone just to fill in the gaps and fix blips and mistakes. Our mixing episode covers how we use room tone in the edit.
And what kind of mic do you use for room tone recording? Not that shutgun, right? Cardioid or omnidirectional condenser microphone?
We use the same microphone as the dialogue, so the shotgun mic, yes.
Guys how are you doing? You're great btw, I didn't understand the concept of setting the levels for the dialogue
Ok nevermind I got it😛
We're doing great! How are you?
@@TheFilmLook doing great thanks.
Get yourself a field recorder with safety limiters on the input. Your Tascam probably has one. Read the manual.
We upgraded to the DR-70d a few years back now and have been using limiters when recording. Cheers!
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Excellent!!