How To Sketch with a Fude Nib on Watercolor Paper
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- čas přidán 30. 06. 2024
- In this video, I'm going to demonstrate how a fude nib fountain can be used to draw on rough, could-press watercolor paper.
This is a versatile technique that I think produces some very interesting results.
For an introduction to the fude nib, and purchasing recommendation please watch this tutorial:
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The excellent fude nib in this video was made from a #5 steel Jowo nib by FPnibs.com. It’s being used in a TSWBI 580 pen.
I’m using Arches cold press 140lb paper and DeAtramentis document brown ink.
Love it! Didn't know I could have my favourite pen with a fude nib 😮 Now I'm sold ❤
I was excited to discover it!
Wow...i can watch this video several times and get something new each time. Thank you
Thanks! I'm happy to hear that.
@@mkompan i have recently discovered the dip pen world and was looking for another alternative. I use watercolour and ink as well but have not yet found my sweet spot. This might be the right direction. I will check out your other videos. I am now subscribed. Thanks again.
i enjoyed both the script and the artwork.
Thank you kindly.
Your channel is awesome. You present so much helpful info in each video, and your pieces are so incredible.
This one has me looking for Calvin and Hobbes to appear around a tree and walk onto the scene.
Thank you Sean! Bill Watterson is an incredible artist-glad to be channeling him.
Amazing informations in all of your videos. Thanks for sharing your knowledge, not everybody does that.
You’re welcome! It’s nice to hear that it’s appreciated.
Great info and beautiful work! Having the camera closer to your detail work would be helpful. Regardless, the video is very interesting. Thanks.
Thank you! I’ll try to include more close ups in the future.
este es un canal con inteligencia natural ...👌✒______________
Gracias a usted!
Wonderful demonstration- this has got to be the single most informative video! And a beautiful piece as bonus! The transcript alone would be worth rereading multiple times. Thank you for sharing! Been hesitating on springing for the de Artramentis for the fude, you’ve sold me.
You're very kind! I'm glad you found my channel and are finding my videos helpful. Thanks for your support!
Very good insight into that kind of nib. I bought one two days ago and that was the video I wanted to see! :)
Thank you!
This is a very interesting combination Marc. Great video! Thank you!
You're welcome! I'm glad you liked the vid.
As always, I am stunned by your artwork
Thank you!
Thanks Marc! A lot of great information! I currently live in Mexico so I have very little access to fountain pens, but you are greatly assisting in my research for when I do.
You're welcome Kevin!
This is a wonderful video, thank you! I learned a lot, especially because I have just bought a Duke Fude pen and I want to learn watercolors. You gave some really good advice here for both. Your work is beautiful and I will start to follow you and check your other videos 😊.
Thank you for the kind words! Fude pens blend so well with watercolor, I’m happy to share this technique.
Beautiful job and fascinating techniques, I really enjoyed that
Thanks Robert!
Thank you. I have two fude nib pens, a Sailor Profit and a Duke 209. I never thought to put my Document Brown in them though. Definitely will try it!
You're welcome! Document Brown is such a lovely ink to use with fude nibs. It brings out its transparency and warmth.
WOW 🤩 More please 💝
Thanks. More on the way!
Very nice technique. I have used the Fude’ nib pens for awhile now and use it almost exclusively for my pen and ink drawings. You didn’t mention that turning t nib tip down or upside down makes the finest line Available for whatever size nib you’re using. And I like your never use black for shading. But I find neutral tint with other tones such as blue or purple work well at times as well. Again thanks for sharing this with us. I like your style in sketching. Thank you.
Thank you Richard! I do mention that the fude makes a finer line upside-down in my other video that covers fude pens in general. On rough watercolor paper working that way is very scratchy, however.
Thanks! Loved this demo and the sketch you produced with this technique. I have been using dip pens for my line and wash, but have ordered a Fude from your recommends. I also want to experiment with color pencil on top of a under-painting with ink lines.
You’re welcome! Color pencil over ink sounds interesting.
Thanks
You're welcome.
i am definitely still struggling with the fude nib pen i got because on coldpressed paper the flow is sometimes interrupted. Thanks for sharing your process! You've amazing control!
You're welcome, and thank you for the kind words! You definitely need a fude with good flow for this technique.
I also flip the fude nib in reverse mode for very fine lines
Yes, this works on smooth paper, on the rough watercolor paper used here, not so much.
The line variation really really breathes in a new depth in this case. For now I'm shy of line variation because I don't feel confident i can use it appropriately. All in due time! Fude nib could also be used with watercolor paper to do some japanese/asian style ink and ink wash minimalistic landscape (totally theoretical though).
Line variation is an added complication, to be sure, but the only way to improve at it and gain confidence is to try it. You might not be happy with the results at first, but so long as you’re learning from mistakes, those failures will lead to growth. I think the fude on watercolor paper can be taken in lots of unexplored stylistic directions. I’m curious to see where people go with it.
@@mkompan fude nibs and fountain pens in general are not that popular (as it seems to me). Why do you think artists shy away from them? Is it the cost or something else at play? I feel like a lot of people see them as a lot of fuss and go with disposable materials: zebra brushes, microns or at best dip pens. What is your perspective?
@@relaques666The fountain pen industry was virtually wiped out in the 1950’s and 60’s by the ball-point pen, which despite being inferior in every way for drawing, appealed to the general public because it was dirt cheap, fuss-free and wrote on crappy paper. I’m a child of the 70’s, and didn’t realize that fountain pens could be used for drawing until I was an adult. While there were a few fountain pen-like objects on the market when I was coming up, such as the Rotring Artpen, no one used fountain pens in art school, not even the dinosaurs that taught us. The joy of using them was simply forgotten. The resurgence of interest has come recently, and I’m doing what I can to introduce fountain pens to my students and colleagues. It’s tough going, and not only because people are used to their disposable, cheap stuff. If you're an artist with thousands and thousands of hours of experience working with a certain beloved tool, to the point that it has become an extension of the hand, it's going to be hard to hear that there's a better option.
As for fudes: they are super awkward to use at first, which makes people hesitate to try them. I once gave a fude demo to an older, super proficient pen and ink artist. He told me, "the line quality is amazing, but I just don't see myself holding a pen that way." He never even tried it.
@@mkompan Wow... Thank you for the detailed answer. I'm young so I never heard of this perspective. I can see the reasoning: starting over with a new utensil gets progressively less enticing the more you succeed in a given medium. We'll see how it all goes moving forward.
The abundance and variety of mark-making tools is a blessing, I think. Way more chance to find something you can fall in love with. Picking up your favorite drawing implement does make you want to do something with it!
@@relaques666 I agree! I love trying new stuff, and the variety of drawing supplies, particularly coming out of Asia, is really exciting.
Another great video, thanks. I am still looking for a really good sepia ink, the ones I've tried seem too red, that is fairly waterproof. Thank you.
My pleasure! De Atramentis document sepia is grey-brown, and though I’ve never used it, I’ve had nothing but excellent results from their inks.
@@mkompan Again thank you for your very quick informative reply, you're awesome.
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What angle degree nib did you choose? I appreciate your channel! Nice work!
Thanks! This is the standard 45 degree bend.
Great video series but where is the link to the ink?
Thank you, and apologies for the oversight. I’m using DeAtramentis Document Brown ink. As for a link, many online retailers sell it.
How are these pens for left handed folks like myself? Do they offer a proper nib?
Gosh, as a righty I couldn’t tell you.
Excellent sir!!! Does anyone make a reliable Crow Quill fountain pen, thanks in advance.
Thank you Larry! I have no experience with them myself, but Ackerman pens makes a pen that takes a crow quill. Other than that, the closest you're going to get to a quill are pens that fit a Zebra G nib. There are a lot of ways to do this, one of the easiest is to get a Zebra G nib fitted into a #6 Jowo feed and housing from the Flexible nib factory. They you can fit it into any pen that uses that set up,
@@mkompan Thank you for the quick informative response. I have tried the Ackerman G nib, non pump, pen & have converted a Jinhao 450 to a G pen. The conversion works well & use Crow Quill dip pens; the Non Pump Ackerman is not satisfactory. I was hoping there was a Crow Quill alternative. Again, thank you.
@@larryglatt2548 what was your experience with the ackerman crow quill? Was thinking of trying it. How did it write and what were the issues? Thank you..
@@nostgeoffhi-fi Glad you got back to me. My judgement has changed, The Jinhao conversion DIDN'T actually work after all (total fail for me) as for the Ackerman G nib pen, that I wound up returning for a refund (lovely folk), but I couldn't make it work. BTW, I use Platinum Carbon ink; as for the Crowquill, no I haven't tried that one. At present I am using a Swan Manga Pen from Swan Pens on Etsy, it comes with its own Soft Maru- type nib for Calligraphy & Art (their description.) I like it for inking line work, just a bit scratchy but I'm getting better with it. Next, it has a very large capacity self contained converter, which is great, but the Carbon ink can't be left in it. The owner, Thomas (great guy) said to rinse after use and it should be fine & it has. So, I use & rinse after each day's use. At present I have 2, one for the Carbon ink & the other with Noodlers' bullet proof (?) black which is just fine. Interestingly he has a Fude pen as well which I plan to purchase down the line. Let me know what you think. Best regards, Larry