Classical Composer Reacts to Moving Pictures: Rush (Side 2) | The Daily Doug (Episode 465)
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- čas přidán 29. 09. 2022
- #rush #rushreaction #movingpictures
In this #masterpiecefriday edition of #thedailydoug, I'm releasing side 2 of my reaction to Moving Pictures by Rush. I recorded the entire album reaction back in May for my Patreon audience. I'm now happy to share it with my CZcams friends. Included in this video is The Camera Eye, Witch Hunt, & Vital Signs. I hope you enjoy!
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Witch Hunt is one of the greatest songs about mob mentality ever, it contains some of Neil’s most powerful lyrics.
I really dig The Camera Eye too, and it's a long tune.
@@metalmike570 That is such a great song! Seeing it performed live was something I thought I would never see!
it's the song that made me the maniac rush fan I am to this day.. live version from gup I highly recommend as the best version ever recorded
@@Yyz1971 I saw time machine tour Six times.. side 2 was always epic
@@execatty Nice! I saw this tour in Atlanta and again in Tampa.
41 years later and I still get goosebumps every time I listen to "The Camera Eye."
Camera eye hits an emotional spot like few other songs...
Me too Scott. Love the music Rush made back then.
The camera eye is the fastest 10 minutes of my life every time I listen to it. If you’ve never seen still kickin’s video to this song, CHECK IT OUT!!!! Along with all of their others. Test for Echo is another favorite.
"Leave out the fiction. The fact is this friction can only be worn by persistence. Leave out conditions. Courageous conviction will drag the dream into existence."
This is a motivational speech to every creative person.
The Camera Eye is my favorite Rush song. Neil's lyrics and Ged & Al's music just paint a vivid picture.
Same
“Losing It” is probably their most beautiful and melancholy song. In my opinion.
Gorgeous song!
Losing it and Available Light are 2 underrated and underappreciated Rush songs !!!
I totally agree, a beautiful song
The Garden in my book. I do love Losing It as well:)
Ohh it really stands out in the Discography, they don't make many tracks like Losing It!
"An ounce of perception, a pound of obscure." More amazing phrasing from Neil.
So true profound
Witch Hunt is soooo under rated...I think it is one of their top 10 best songs. The mood, chord progression, lyrics...everthing is fantastic!
You’re absolutely correct don’t get me wrong. I love all the other songs, but witch hunt to me was such a great song I used to sit in the back of my car in the backseat slap in the cassette and just crank it up and smoke a Doobie and listen to that whole album and especially when I got the witch hunt
Soooooo dark! Just an amazing piece of music.
Moving Pictures will always be quintessential Rush for me, and "The Camera Eye" is my favourite track, not just from this album, but from their catalogue. Epic. So glad you did this album 😎👍
Seeing them perform Camera Eye (and really, the whole album) on the Time Machine tour in 2010 was my favorite concert moment ever.
It's definitely one of the all-time best headphone songs!!! 😃
The string of albums from 2112 to Moving Pictures is absolutely perfect. 2112, Farewell To Kings, Hemispheres, Permanent Waves, and Moving Pictures. All masterclasses!
Couldn't agree more.
NO argument here. Though I'll add Signals and Grace Under Pressure. Severely underrated by the press.
Signals is arguably their best
@@TheAlibabatree I'd argue the prior 4 or 5 albums before Signals.
It's apples and oranges y'all.
@@metalmike570 I love Hemispheres and Permanent Waves as much as the next guy, but i really think Moving Pictures and Signals is where they perfected their sound.
Everything prior is fantastic, but is dripping with influence from other bands.
Witch Hutch is lyrically and musically brilliant. It’s my favourite song on the album.
And it so effectively sets up the song with menace, then make it profound. Brilliance.
Same. With or without the rest of the Fear tracks. It's just a classic study on the theme, full of mood and paranoia. Doug mentioned that we don't hear who or what they are mad AT, but Neil made it very clear what they were made mad BY, the fear and lies from people within their own 'side'. Neil's writing is so good throughout. It puts you in both perspectives. We should be wary of the fearful mob, but more importantly, we should be wary of those who might try to manipulate US with that fear.
hunt even
@@brucedickinson12 ha ha ha. Bloody auto correct
I quote that last section often.
Neil was an even better lyricist, than he was a drummer. Not to detract from his drumming, trust me.. I'm intimately familiar.
🤘🧙♂️🤘
Fun Fact: On the last verse, when Geddy sings "Everybody got to elevate from the norm", the fourth time he sings the line, he says "evelate" instead of "elevate".
Deviating from the norm
A tired mind does become a shape shifter though
"The Camera Eye" is such a pleasurable listen. They all sound fantastic. "Vital Signs" was a rarity in concert, but when they DID play it live, it would bring the house down...such a great live jam.
It all came together here -- the virtuosity, along with the compositional and arranging skills. Geddy's voice was more developed -- less screechy, but still with extended range. And the production is fantastic. Each instrument sounds killer. No filler. A perfect album.
I have yet to hear a better produced album than Moving Pictures. So coherent and yet each instrument is fully audible all the way through. Just brilliant.
@@magicbrownie1357 you should listen to their later albums then. They are equally produced as well in what you describe
I would politely contend that 'it all came together' one album prior, but I might be biased toward Permanent Waves because "Natural Science" is my favorite Rush song. And one of my favorite songs, well, ever.
Geddy was taking vocal singing lessons leading up to both Permanent Waves and Moving Pictures.
@@cthulhuferrigno6547 maybe it’s me, but MP has a fuller mix. PW sounds “thinner”. Even more so with Hemispheres. The holy grail would be Hemispheres with the sonic depth of MP.
The Police was Rush's favorite band at that time, so you are 100% correct in identifying their inspiration.
Stewart and Neil were great friends, as evidenced on Stewart's channel where Neil appeared regularly.I believe Stewart gave a speech at Neil's funeral.
@Shigawire I was going to comment this but I figured someone had to have mentioned this in here somewhere.
Probably the reason why the record company issued "Vital Signs" as a single in the UK. It drew from the sound of The Police. I'm so glad the band decided to include it on one of their last tours, I really enjoyed that one live. It's one of my favourites
@@hughcdavies He did.
"Vital Signs" is the real gem here. Neil's playing is exceptional, and his drums sound spectacular! The feel is so refreshing after the heaviness of the previous tracks. And Geddy's playing is so strong. Just love that track!!
I listened to Camera Eye while walking the streets of Old San Juan, Puerto Rico and it resonated so well. What an experience.
Saw Moving Pictures done in entirety in 2010. One word,,,,,,,, Wow!!!.
I cut grass as a 13 year old and used my money to buy my first 3 albums.
Rush: Moving Pictures, Van Halen: Women and Children First and AC/DC: High Voltage.
I loved them all buy Moving Pictures stayed on my turntable for a year.
Superb albulm!
Way to go there. Mine is very similar
DAMN. I'm 27 and grew up listening to these bands and albums as well. But to have been young back then and buying those 3 specific vinyls when they first came out?! I don't know how you or anyone else from those years are even alive after having your minds completely blown. 🤯
I was just starting high school when it was released, and i was able to buy that album and 10 others ( ACDC, KISS, Boston etc..) through Columbia House Records for $1.99. Great time to be alive
I can't be alone on this...but every time I read AC/DC High Voltage, in my mind I hear 'HIGH VOLTAGE' like the Dirty Deeds song!
Great choices bro but yeah, my rush moving pictures album definitely got played over and over again
Hello, I’m 60 years old and I’ve seen RUSH 16 times beginning March 6th 1980 in various perspectives to the stage and once heard a fan being interviewed on the radio the day after a San Diego show and he described it perfectly;
“Each one is performing so inhumanly that you just don’t know which one to watch” So very true.
When Neal's lyrics hit, they hit ya hard. It's truly amazing how he was able to condense our 5 senses into words.
This band is God sent; cause I love how Geddy sings Neil's lyrics.
Because the 5 senses are not alone. There's also thought. And when you combine the senses and thought you get an infinite amount of different opinions and feelings from different kinds of people. And Neil was brilliant in the way of depicting all that and making it very visual.
Back in 1980-81, I was an impressionable 16 years of age. I remember skipping Tom Sawyer, gravitating to Camera Eye and Witch hunt, playing with awe over and over. The following week I purchased 2112, Permanent Waves and Hemispheres on the same day. I'm still in awe of them to this day. Now I'm watching new Rush listeners experience the same "rush" I had, with delight. Thanks Doug 😊
For me, Moving Pictures was the pinacle of Rush. I began listening when I saw 2112 at a friend's house. He had to go out, so I stayed and listened. When the album was over, I was hooked. From Fly by Night to Power Windows, the ride has been a pleasure and a dream. RIP prof.
I agree. Moving Pictures was one of my first concerts. I think they were peaking musically between MP and Signals. I think Caress of Steel is my favorite overall, tho.
My first Rush concert was Power Windows.
Took my son to Clockwork Angels ❤️
@@allenfacklerAh, Caress of Steel, the bastard child. Not sure why it gets so much flack. Not my favorite album, but I'd put it in my top 10.
There’s not a “bad” rush album. I’m more partial to their later stuff as that’s what I heard first but there are highlights in the 70’s and 80’s track wise.
It's their best album
I’m compelled to say it again - “The Camera Eye” is the track that turned me from casual Rush listener into a loyal lifetime fanatic. In my far from humble opinion, one of the best tracks they’ve put on vinyl. And if not, certainly the most cinematic, the most grand, the most likely to be immortalized by the Royal Philharmonic Orchestra. The main riff is to Rush, what the Star Wars suite is to John Williams. Neil’s lyrics are vivid poetic imagery that conjure up a place, a moment, a visceral and palpable experience that at first listen at the age of fourteen, teleported me onto the crosswalk of Broadway and 42nd, and the heart of Trafalgar Square in flawless prophecy despite the fact that I hadn’t yet visited either… physically. Geddy’s growling bass in step with Alex’s guitar wage a battling march that meticulously manifest the sense of that “purposeful stride.” And those very first six notes (seven if you count the note bend on the third) of Alex’s guitar solo…. by far his finest moment. Not another note need be played to elevate me to a high wire walk between two midtown skyscrapers as the wind precariously sways me and I struggle to maintain my balance. This song just moves me in ways no other song, not by Rush or anyone else, can.
Gosh, I played the hell out this vinyl back then. Such an epic album and band. Still hard to believe Neil is gone.
Yeah he's gone but look how much he left us!!!
The "Fear" Series originally was a series of three songs (later four) that cover the concept of fear. It consists of (in order of release) part three, "Witch Hunt" (Moving Pictures); part two,"The Weapon" (Signals); part one, "The Enemy Within" (Grace Under Pressure); and part four, "Freeze" (Vapor Trails). The first three were released in reverse order
Thanks for the background info! I wasn't aware of this!!!!
@@TheCocoaDaddy i wasn't either until i looked it up on the Fandom site :)
Another fun fact, each one of those 4 start and end differently. Witch Hunt fades in and end sudden, The Weapon fades in and fades out, The Enemy Within begins sudden and fades out, and Freeze both starts and ends suddenly.
fun fact. there were no fear suite to begin with. they just made that up as they went along, pretending that it was a well thought through suite. it was not. The jokes of Rush was very much their own universe that before the internet was very hard to keep up with. Even now they elude. Three clever guys they are/were.
Witch Hunt is my absolute favorite Rush song. It's so deep and meaningful.
I probably like Vital Signs more as a song. But everything about Witch Hunt's production sounds great & is still lyrically relevant.
That reggae guitar riff on Vital Signs is a repeat of the band bringing in that genre as they did on Spirit of Radio. Rush brought in New Wave, jazz and all other kinds of influences that you didn't usually hear in "hard rock" from that era. That's one of the many things that made them so different - they were beyond genre expectations. They were their own genre.
It doesn't seem possible that such an album should even exist, it is so sublime, almost eerily so. Its collection of tracks so superbly recorded all blend in to an isoteric sonic journey from stupendous beginning to sublime end. What a listen. Love Rush
On one of their later tours they played this album in its entirety, and I saw it! What a fantastic band 🍻
As a composer, player and performer....and a Rush fan for 45 years, your analysis, as always is wonderful. Keep bringing it, brother!
They certainly liked playing with different time signatures, even for one or two bars. Underrated composers, Master musicians. We, as listeners, were privileged to have them for 40 years.
The first Rush album I ever heard was "Moving Pictures." It still hits as hard today as a complete album as it did then. Just a masterclass in production, lyrics, musicianship and art. They didn't try to do too much, and they left enough space for every nuance...and just as Doug indicated, it left you wanting more Neil; more Geddy; and more Alex. That is what a well done album leaves you with, IMO. Exhausted and wanting more.
The only time I saw Rush live was to support this album. Still the best band I have ever seen!!!
I miss having a ton of insights about music theory in your videos, like you did with some Genesis songs that you even had sheet music on screen... With Rush there's so much interesting detail. Like, the intro for Camera eye is all "sus" chords, and while the guitar goes Csus2 Gsus4 Bbsus2 Fsus4, the bass goes C G F Bb, so the Bb chord has a 5th in the bass, and the F chord has a 4th. The verse time goes 4/4 7/4 6/4 6/4. In Vital Signs, those sharp guitar chords sting alternatingly on beats 1 and 3, and 2 and 4 of each measure. Much of Rush's sound goes unnoticed and comes from Alex' guitar tapestry. It's harmonically and rhythmically interesting and we only notice it when it isn't there anymore (isolated bass+drums tracks are good for that).
Edit: typos.
The song "Lunatic Fringe" by the band Red Rider was also being recorded in the studio the night John Lennon was shot.
Rush music will forever be timeless.
The breakdown in Vital Signs starting at 3:05 is just unbelievably good. The cyclical synth pattern, the high hat accents rolling into the upbeat, the short bass solo before coming back to the original groove - its just so eerie and funky and cool. A great little instrumental that sometimes gets overlooked. Its also the perfect song to end the album with, as this record was the transition from 70's to 80's.
Doug, please, please, please. Rush. Clockwork Angels. We're all on a headlong flight to be Clockwork Angels. A concept album for the ages!
I think Permanent Waves and Signals needs a full album review also😉
A collaboration of the 3 most talented musicians in the universe and our life time will never happen again to such perfection ! Miss them , how lucky we are !
Quick to judge, quick to anger, slow to understand; ignorance and prejudice and fear walk hand in hand. Pure poetic Peart. As well, beginning at 7:17 listen how Neil seamlessly moves the snare beat from the fourth beat for a few bars, to the third beat for a few bars 7:53, then 2 and 4 at 8:04 for the remainder of the phrase.
That’s the kind of stuff as a drummer that kept,me fascinated for,forty years
i bought this cassette in 81 and played it till it wouldnt play no more what a awesome group they were
This album the same as 2112 sums up Rush. This is them it's unmistakable. Still makes me sad to think that Neil has gone. Really sad but so happy that Rush were a big part of my formative years. What a great great album this is. Thanks guys and thanks Doug.
The sound quality of this, is awesome! More and more I appreciate the songs I know, each time I watch one of your Eps. Many thanks Doug!
If you ever come to the UK, I’m not too far down the line from London!
The live in Cleveland version of this song is just amazing. Neil’s lyrics were just so vivid. Even the song countdown recaps their experience of watching the first space shuttle launch in such a clear fashion.
On Witch Hunt, they recorded the drums and basically overlayed two drum track’s together to make the drums sound deeper and darker
The half-step interval in "The Camera Eye" wasn't due to Ged's or Alex's inability to do something more 'complex.' It's there because it was the perfect musical way to convey the mood, feeling and intent of Neil's lyrics in that song. Sometimes the simplest choice, compositionally (if that's a word), is the best one for a particular song. Some of the beautiful and/or iconic pieces in the history of classical music aren't particularly complex. When you're painting pictures with words and music, sometimes basic blue or green works better than a more complicated hue that's a mixture of four different colors. And while the chord structure under Alex's guitar solo may not be particularly complex, his blistering solo is far from simple. His choice of notes, phrasing, the chirps, and the way he builds tension and interest to a perfect climax is phenomenal. Not many other guitarists could've written and played such a perfectly appropriate solo IMHO. Lots of guitarists could've played more notes and done gymnastics on the fretboard, but that isn't what great music is about.
Absolutely love your channel and can't tell you how much I appreciate your insight into the lyrics. Thanks for the awesome content, Doug!
Not sure if the is mentioned elsewhere in the posts, I didn’t see it. On ‘Vital Signs’ the drums were recorded using a piezoelectric microphone taped to Neil’s chest (so can see this in the official video of the song). This gives us the unique chance to hear what his drums sound like from his perspective, and why they sound so different from the rest of the songs on this incredible album.
Hey Dr. Doug...Great reaction video to a classic Rush masterpiece, thank you! I swear I could just read your face and what you were thinking regarding the Witch Hunt lyrics and how relatable it is as to what is happening right now in our country...Neil was preaching to me as well!!!
Doug, to me the final transition into the next phase of Rush's sound changing is in the album after Moving Pictures which is called Signals and if you haven't listened to it you should. I think its very good.
That was a cool reaction, Doug! I grew up listening this through high school. Neil's 80's lyrics are so powerful "ignorance and prejudice and fear go hand in hand" is so deep. Power Windows and Hold Your Fire have some amazing lyrics as well, Mission is a masterpiece.
Related to the theme of fear, Peter Gabriel has a gorgeous song called Mother of Violence (fear is) the album recording is beautiful with along piano and Robert Fripp playing just one chord a single time in the whole track and there's an amazing live version on CZcams as well.
BTW I'm the guy who sent you the Congreso link a few weeks ago 😉
The Camera Eye is still one my favorite Rush songs.
Doug, thank you for another great reaction, and doubling-down with Rush. Rush's 2nd live album "...Exit Stage Left" was released right after Moving Pictures, and has the famous extended YYZ w/Neil Peart's epic drum solo in the middle. There is another live drum solo prior to Moving Pictures on their 1st live album "All The World's A Stage." Neil pounds the drum solo in the middle of Working Man on that live album. Both drum solos are in a class of their own. Ohhh... side bar suggestion, Mon. Oct. 31st, 2022 Halloween is a "Metal Monday", and what better metal song to react to than the original 13-minute version of "Halloween" by Helloween on their album "Keepers of the Seven Keys I". Thanks again for all your enjoyable reactions.
I got to see them on the Test For Echo tour at the Meadowlands, NJ(still got the t-shirt). Most memorable moment in my mind still is Neil's drum solo. The overall sound was amazing. Moving Pictures and Rush are an influence in my own music. I love how this band has touched generations. May it continue to do so.
I saw them at Brendan Byrne in The Meadowlands in 1990 for the Presto tour. Absolutely fantastic
Witch Hunt is one of my favourite RUSH tracks. Camera's Eye is really well mixed and shows just how much their production has improved!! Geddy's voice as he cuts in is perfect with the Bass!!
Honestly a truly fantastic album! I love the cover!!!
Doug, London really isn't like that anymore - it's much more like New York now. The people are more likely to get annoyed about you talking to them, than to be friendly!
The Camera Eye is one of the greatest highway driving songs ever done, imo.
Paul Gale
Agreed 👍.. I've had two speeding tickets in my 61 years. (45 yrs driving) The 1st ticket Listening to Sweets Ballroom Blitz 😍
The 2nd one listening listening to vital signs..
😁😁😁😁😁
@@oilrules4302 Ernest, your old like me(64 with more than 2 tickets in my life), and I dare say a long time fan. All of side 2 is great to drive with for sure. If you have a long drive ahead, try Rick Wakeman's Journey to the Center of the Earth. You won't speed but you may get lost because the music takes you places you may not have been before. RIP PROFESSOR PEART
Agreed…BUT…Don’t leave out ‘Red Barchetta’😀
Scars is a great night time drive somg
Great catch on The Police influence on Alex's guitar's sounds in Vital Signs. That carried on a bit into Signals and heavily into Grace Under Pressure. He's mentioned multiple times how Andy Summers was a strong influence
The Police return the favor...taking from Rush on Synchronicity.
@@charleskandrut7022 exactly. Summers later worked with Tony Levin too, and had strong influences from Prog Rock in general. Love his style of playing so much
Great thematic development in this song. All the parts assemble to a dense and colorful mix. Superbly effective in creating an epic that really grabs you.
The movement and energy from Neil, the way he orchestrated his fills, and the power, frame the song.
A few years ago, I was having a burger at the Rosedale Diner.
Two of Rush were at a table beside me.
I was too scared to approach them as the seemed to be in their safe place.
Doug Doug!! Talking over the best part of the song...the solo and growling bass underneath...wowsers! Do love your reactions even though I am clueless to the 'music speak' of time and notes...just love Rush and other bands you react too...The recent Images and Words was fantastic...Thank You!
Greetings from Brazil! Excellent analyses! "Red Barchetta", especially the live version of the following live album, "Exit: Stage Left" is simply my favorite song IN MY LIFE! And "The Camera Eye" whenever I listen to it I feel a certain sadness because it reminds me that it is the last song of "long duration" that Rush wrote in their career... and I really think that this album starts a transition phase for the years 1980, a transition that continues on the following studio album, "Signals" (which I also recommend you listen to in its entirety): there we have even more presence of synthesizers, and it is the last album that Neil Peart uses a totally "analog" drums (in later album, "Grace Under Pressure", he switches drums and incorporates "electronic" elements into it, like "pads" - I'm not sure that's the exact term).
The Camera Eye has been my favourite Rush track for 30 years. There so much more in than the C# and he C. The coloration is so profound it gives the chords very different feels.. like the two cities.
Neil’s lyrics for The Camera Eye were inspired by the writer John Dos Passos book The 42nd Parallel. There is a section of the book titled Camera Eye. It tells the story of a newly arrived immigrant to New York City and the feelings and emotions he felt as he walked the city street one night. He felt a sense of possibility. It is a really great read.
This will always be my favorite Rush album. I saw Tom Sawyer and Limelight for the first time live in Allentown, PA before Moving Pictures was released and just 6 months later saw the tour in Canada. Five 18 year olds driving from NJ to Ottawa amazing
Aw man...Side 2 gives me the feels.
Camera Eye... Where do I start. That section where it's just toggling between C and C#, in my mind, that's when you are in the subways (or Tube) of these respective cities.
The sound of the angry mob in Witch Hunt is the band shouting in the yard multi tracked. Drum set is double tracked left and right, what a great effect for this song. I think this was their first sequencer song? That's the fast bass you mentioned. Love how this side closes out with a preview of the sound of Signals, a nod to the future. Neil's kick drum sounds so thick and the gong bass drum is used to full effect.
What a band, what an album.
The witch hunt main riff is just plain bad ass. And timelessly relevant lyrics
I can actually feel Hemispheres in parts of this song (Camera Eye) . One of Alex's best guitar solos. Very underrated, unheard, and unseen solo.
So thankful for all you do, Doug 🙏🏻
The voice you hear on Witch Hunt is Neal whipping up the crew outside on a cold night. His voice muffled on purpose to give it a "mob-like-affect."
The Camera Eye is one of my favorite Rush tunes. So good.
Hi my friend, thanks for discription of this fabulous box set from Rush 1981. Got the set my selv nearly play one side a day amoung other great 80 group. Ill wait to hear more from you, you made it speciel, thanks.
Thanks, Doug. I'm sure we've all been waiting for your Side 2 reaction. To me, their entire sound at the time crystallized down to The Camera Eye. Enjoyed your reaction. Keep up the good work! LL
Side 2 was the turning point, for me. From an earlier Rush perspective, it was never going to be the same, again. New Rush starts with side 2 of Moving Pictures. For others it's the next album, Signals. When they started loading floppy disc's, during live performances, I checked out,for 20 years. Then, I re-fell in love with them for r30. You reference the Police. Interesting. I really wish Neil never heard Stewart Copeland, and his piccolo snare.
1982 one of the most important years personally & musically. My high school graduation year & the first year I performed with my band on a stage. The culmination of my dream since I was 12 years old & since I had seen Neil Peart perform. Later my bands would cover Red Barchetta & Limelight along with RUSH classics like Fly By Night & Working Man.
You've heard Rush play a reggae groove in "The Spirit of Radio".
I think the album had the matured playing, composition and lyricism all coming together at a perfect time, also technology bringing a crisp recording and sound
19:03 - Neil's drum sound was even better on Rush's next album, and particularly the toms! You'll love 'Signals' already for that fact alone, Doug! 😁👍 I sometimes wish he'd had the same great sound on 'Moving Pictures'! Which of course isn't bad per sé, but I've aways found the snare's sound to be a bit flat.
Yer killin me Smalls.
In my mind, the genius of The Camera Eye is the simplicity of half stepping so it provides a backdrop for the imagery of the lyrics without interference.
Like could you imagine La Villa Strangiato as the soundtrack for those lyrics? Haha.
And what band could maintain an 11 minute song based upon half step movement and still blow it to shreds? Only RUSH 💖
You missed Alex's brilliant guitar solo that punctuates the piece like a cherry atop a sundae because you talked over it. I realized many years ago that when I do a 1st listen on anything, I put the lyrics completely aside for later, or I know I won't be 100% focused on the music, which is the entire point 🤷♂️
The Camera Eye's lyrics are alliterative in style. The same consonant sound repeated within the lines. "Grim faced and forbidding, their faces closed tight"..."Head first humanity, pause at a light"... "So light, yet endless, From a leaden sky"..."The buildings are lost in their limitless rise"..."My feet catch the pulse and the purposeful stride" just to name a few.
IMHO. Moving Pictures is a Top Ten album of ALL TIME!!!!!!!
I don't know if you noticed this, but one of the pictures shown on the album cover is of Joan Of Arc being burned at the stake, a reference to Witch Hunt. As an example of what can happen when prejudice and hatred really get out of hand, I recommend the song Red Sector A from Grace Under Pressure, which was based on the experiences of Geddy's mother as a Holocaust survivor, which IMO includes some of Neil's most powerful lyrics ever.
🎤 🎹 🎸 🥁 🎸 🔥 🔥 🔥
You can hear just how much music and how many musicians RUSH influenced between Permanent Waves and Moving PIctures.
Another of my favorite RUSH albums .. fantastic music .. absolutely masterful works !!!
Neil was a mast lyricist - TERRITORIES - off Power Windows -
They shoot without shame
In the name of a piece of dirt
For a change of accent
Or the color of your shirt
Better the pride that resides
In a citizen of the world
Than the pride that divides
When a colorful rag is unfurled
STILL SO TRUE.
Hey Doug, I just wanted to shout a giant thank you. Yesterday was my birthday and Moving Pictures would absolutely be my desert island album. I discovered Rush when this album was released. and they have been my favorite band from that moment forward.
My favorite line, which could be autobiographical for me, is "I feel the sense of possibilities. I feel the wrench of hard realities."
I like the parts where Doug talks over killer riffs from Geddy and Alex.
Yeah I noticed that too, it'd like he totally missed all those hooks and leads too.
He talks over every solo, without fail. I enjoy his insights on the compositions but sometimes he can look over the best playing IMO.
@@Cpayne30 He was good on his other reactions that I've seen. Once in a while this happens to him. ANother good reaction
channel is Lost In Vegas, but sometimes they stop it right at a bridge or a lead break!!
He's too busy listening to chord structures and compositional stuff. I'd love it if he's do a "second listen" series, where he re-visits certain music and just LISTENS, without attempting to talk about keys, time sigs or chord changes.
Doug ur kool points just went sky high with RUSH
The best WAIT GREATEST BAND OF ALL ROCK BANDS
this album was the bridge between 70's and 80's rush.probably the favorite album of most rush fans.
Not only was this tour the 1st concert I went to, it was also the first time puffing bud. Great times!
Hey Doug. Love your stuff. Thanks for this vault video. Yes,do GO TO LONDON, but then straight to Cornwall!!
Love your Rush reviews. You always give a great perspective
Vital Signs is one of my favorite Rush songs. I also somehow associate the feel of "Witch Hunt/Vital Signs" as album closers with "Girl Gone Bad/House of Pain" that end VH's 1984. They're all dark & odd while melodic and rhythmic.
The Camera Eye is such a bad-ass song.
This song is so underrated outside of core fans. Slow burn masterpiece of composition!
7th row seats on this tour was a life changing experience...
Great record filled with a seemingly didactic way to play rock. Well thought out lyrics. I was just getting into Rush when this came out. I was barely 13 years old. In 1984 the “Camera Eye” song was featured in one of my high school lyceums in the gym. The school had a giant screen to show inspirational and motivational songs matched up with happy scenes where kids were made to look successful. But then they played shitty popular music like Michael Jackson which got more cheers. Lol
Rush are truly in a league of their own.
I wanted to recommend you a song by a relatively unknown artist from Australia, Aquilus, the song is called "Loss" from his debut album titled "Griseus".
Aquilus is an atmospheric metal band from Melbourne, Australia. The works encompass different styles of atmospheric music inspired by classical and folk.
I would really like to see your reaction to this, as this is a solo project, which honestly blows my mind. Both the composition and musicianship are astounding.
Love love Camera Eye!
Great live in 2010!
The first time I heard the song it was so amazing to me and it’s still amazing so real, so put you right there