How to Nail Invisible ii V I's
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- čas přidán 15. 04. 2021
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Implying "invisible" harmony in your solos is a great way to make simple chord changes sound more interesting and complex. You can be sure to nail those invisible ii V I's if you have a strong soloing vocabulary at your fingertips.
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The production quality is outstanding
Seriously knocked it out of the park with this one
The background music of this video is very underrated! Whenever he talks about a 251 or shows a 251 on the screen, the wurli plays some form of a 251, very clever!
Wow. Virtuoso level teaching and production, bravo! It's been awesome to watch these videos evolve over a few years.
Thanks, Ryan!
This is the best music theory video I've ever watched. This is a concept I've aurally identified so many times and never been able to pin down exactly what they're doing!
Okay, that "bump, set, spike" bit got me pretty good.
loving the editing style!
I heard of tritone substitution twice this week, time to learn it!
Big name for easy concept. No panic !!
The basics are easy but its proper application not so.
"II V is the journey. I is the destination." Mujas grajas for that one.
In the volleyball analogy, I actually think of the "spike" as the dominant chord, which forces the sound to the next team. They will respond by "bumping" on the I of the spike, and then setup a new offensive maneuver, with a "set" on a ii chord, and "spike" with the V to yet another chord. The insight here is the the "bump" is a response to the previous "spike", while the "set" and "spike" is a new attack (chord).
Brilliant! I feel like I hear this all the time in solos but didn't know what they were doing.
the editing for the video is incredible
man im lovin this editing style bruh
i love how you synchronised the chords in the BGM with what you were saying, hitting that "destination chord" in the script while a progression resolves to I is amazing
Damn the quality is out of this world!
This is the best CZcams video I have ever seen. To the point. Production great, so so so descriptive. And even a Memento Cameo!
This channel will blow up at any moment.
Just I'm studing how to solo over chords using different scales I watch this video, and finding that creating "invisibles II V I", or ii° V I, is a one remarkable idea. Thanks!
Jeff you are as gifted a teacher as you are a player. This video illuminated a lot for me, thank you!
Amazing to me that this content is free. Fantastic information and presentation.
Ik everyone's talking about the graphics but this video was just genuinely helpful. Like hearing the licks back to back really drove the plot home
Thanks, Aaron! Glad it was helpful :)
I LOVE your analogies!!!
J. Schneider has got to be the best content creator out there for any and all musicians trying to improve (which is hopefully everyone!). He communicates the theory and concepts so simply, that you can pragmatically use it in your practice routine and eventually your performances.
Phenomenal and unreal work. Thanks for all the help, and keep it up!
I dig Vox-ish videoproduction
My Dude has II-V-I lick books...sick!
As if I can watch this video for free. Thank you Jeff!!
Yay a Jeff video!
Really nice solos!
Very cool how the chords change during the groove depending on which chord you're talking about at that moment.
Jeff being Jeff! always great!
In addition to the ii chord being m7(♭5) in a ii-V targeting a minor chord, the V chord is also usually 7(♭9♭13), for the exact same reason: Take the minor target scale and make it a have a Dominant V chord, and the resultant chord scale has a ♭9 and a ♭13.
This is soooooo gooooood!
Nicely done, Jeff. Definitely livens up the changes.
Nice! I appreciate your regular e-mails, but it is nice to see CZcams clips too! Thanks for the licks!
Another Excellent clever clogs clip from JS!
beautiful work
Thank you for this video!
That was a great video, Jeff. Thank you !
Great video!
Wow... Just amazing
Fantastic video! Thank you!
Priceless knowledge distilled in style. Keep them coming!
This is so cool. Thanks for the help!
This is all great!
this is outstanding
Awesome video, thank you a million for the info and the delivery style !
Great video! Kudos Jeff, this is awesome. The invisible concept rocks!
Amazing work!
Love your videos 🔥🔥🔥
Wow, can’t wait to dig into those licks! Thanks, Jeff! Good luck with the move.
Wow! Thanks Jeff! Love how you've mastered video production also!
This is SO good Jeff
Great video, well explained and easy to understand, thanks Jeff.
So dope!
Cool concept
Thank you so much for it
Very brief and helpful. Great video!
Grear Stuff as always- great content made easily digestible with creative analogies and smooth editing/production. Thanks Jeff!
The quality of this video shows an amazing improvement, plus I love that approach of tonicization!
This video is amazing! Thank you sm 💖
Thanks so much for the hand outs 🌚💞
A ridiculously clear and well presented explaination! Thank you for taking the time to make and post this!
Thanks, Alex!
Thank you!
Dude your content is amazing, you always find a way to make things easier and acessible! I'm sure theres a lot of people like me that can't afford music lessons or isn't in a place with good instructors, so your content is like pure music gold. Thank you man, you're make a hella difference in these though times
The best presentation of music material. Listo para estudiar!
Nice one, Jeff, and thanks for the free ii V I licks, very cool! 🙏
Amazing thank you
Excellent and so well explained , thx
👏 ( hi from Paris )
Beautiful graphics and video edit and well explained and useful musical content. I loved it
Good stuff brother 👌🏾💪🏾
instant sub because this is the EXACT thing I've been trying to get under my fingers the past few months
Wow great content
Very clear great job thank you
Thanks for watching!
This is over my head (and that's not a complaint - I am beginner) but it is so awesomely presented that it is inspiring and I am learning. Thank you.
Very useful lesson and analogies 😂. thanks Jeff 😉
This video made me go wow music theory but also go wow editing
WOW thanks.
Yikes I actually get it! Thanks Jeff, another excellent video
thanks
Sensei 🔥🔥🔥: U’ve bumped up your editing game to new heights 👀🎯🤩!!!
BTW: still hoping u might come round to dissecting the intro to D’Angelo’s “Really Love”. Am dipping in and out of the first video you did on the chords . Figuring out the solo by ear is quite tough...
thx for opening up music to me in so many ways, Jeff !! 🙏🏿
Bro, Mr. Jeff Schneider. Haven't seen you in like 5 yrs when i used to watch your videos, GTCU again 😊 But I was wondering if you can do those LOOP OF THE DAY progressions on keys, that would be great!! 🙏🙏 I MISS THOSE, THOSE WERE DOPE!! 😂😂
Great
Weirdly some channels seem to have saturated their subscriber count although their content and production quality keeps rising
Nice typography in animations!
Thank you for this brilliant content. Does the person accompanying you need to adapt what he is playing in this case?
Nope!
Thanks for a great video! quick question tho - how do you comp with it? do you create a pedal point by just playing the original chords or do you actually play 251? I know it wouldn't be an "invisible" if chord players played 251 but just curious if the line based on tritone subs work with the original chords too.
First comment haha. Thanks for this useful/helpful video !
I just got the free 36 licks and realized i don't know how to read sheet music. Great video thanks
Thanks for the lesson ,but none of the PDF or audio files open for me at all.
How can I support you dude like seriously I wish I could just subscribe, view and like over and over
Thanks, Julian! Glad you're enjoying the videos!
animation wow
Jeff - very nice "to the point" summary on cadencing to any destination major (or 7th) or minor chord during a solo. Thank you. BTW - is there a CZcams rule when using a segment of a movie?
Jerry @ London, Canada (I was enrolled in the 2021 Jazz Summit)
Hi form the Katz
3:26 "tonicization?" I thought for sure you were going to say 'secondary dominant' here? Do you see some differences?
1:47. soooooo, the ii is the supertonic diatonically, right? But, you are saying that it is functioning as the or a pre-dominant based on this (very common) usage in the progression?
4:47 if you have to think about this lick on E half-dim / A7 / Dm would you think it as D harmonic minor changing to Dm or A phrygian dominant?
Great stuff. Question: Gm7 to Dbm7 isn't technically a tritone sub (same inverted function with the 3rd and 7th scale degrees, but not tritones), but it's still a common sub . Do you know what the precise definition of this sub is? Also agree with the commenter below about "picking an audience".
Is tonicization different from changing the key in the middle of the piece, then going back to the original key?
Sorry I'm new to music theory and all of my knowledge are just from my own effort of reading texts and playing the piano (not so good on that lol) and watching videos like this.
Great explanation Jeff! Really opened my eyes. Just one question... at 5:45 you mention you can ii-V-I-ize any chord... so you have a Am7->D7->Bm7... but previously you said the ii chord has to be a half-diminished chord if your target chord is a minor. So shouldn't that Am7 be a Am7b5 (half-dim)?
I think the two bars before the ii-V-I are just 2-5's. They resolve to another 2-5 instead of a 1.
@@ChrisBellingham That's possible Chris, but I thought the whole point was to resolve to a 1, ie, the target chord. The ii-V should lead you to that I/i. Earlier in the vid, Jeff said the II had to be a 7b5 (half-dim) chord. That's why the part at 5:45 was confusing to me.
@@frankgreco I think Jeff said it's 'typically' a 7b5. I think the quality of the ii might also be related to the scale. A B7b5 suggests C major, whereas the E7b5 suggests F major. That's all I've got. It's a good question. We really need @Jeff Schneider to weigh in.
Your Making the Changes course link is broken on your website. Unable to purchase it.
What he said