Ustad Bahauddin Dagar & Sukhad Munde | Raag Patdeep (Pt. 2) | Dhrupad | Music of India
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- čas přidán 7. 09. 2024
- #darbarfestival | Bahauddin Dagar’s unamplified dhrupad performance of Patdeep, on the rudra veena. Though rare now, it is often described as the king of Indian classical instruments.
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Learn more about the music:
Ustad Bahauddin Dagar is a torchbearer of the dagarvani dhrupad, known for its patient, meditative approach. He is the world’s leading master of the rudra veena (‘roaring veena’), still considered by many to be the king of Indian instruments. Though rare today, its even, austere tone remains linked with a certain universal purity, close to the essence of Indian classical.
Some trace the Dagar family lineage back to master musicians of the 16th century, and Ustad Bahauddin studied under his father Ustad Zia Mohiuddin Dagar and his uncle Ustad Zia Fariduddin Dagar. He describes the relationship: “His method of teaching was subtle and mysterious...he would give a student a few key phrases that captured its soul. Then he would ask him to work on them till the spirit of the raga revealed itself. And, we did find that once we had mastered the key to a raga, the whole raga opened itself up effortlessly when we sat down to play.”
Bahauddin’s musical style is marked by an unobtrusive eloquence, and he regularly performs with no amplification, harking back to a pre-technological age when musicians played longer and slower. But he also draws creative energy from dhrupad’s status as a living form - it may be India’s oldest surviving style of classical music, but many consider it to be the most highly evolved by virtue of this. He seeks to represent his tradition as a full person, with a reputation for high-quality teaching across the global veena community. Listen to more of Bahauddin here:
-Patdeep (Pt 1) | • Ustad Bahauddin Dagar ...
-Vardhani (with Pelva Naik) | • Masters of Dagarvani |...
Patdeep is an afternoon raga. It draws from Kafi thaat, with an aroha [ascent] of nSgmPNS and an avroh [descent] of SNDPmgRS. The vadi [king note] is Pa, and the shuddha Ni differentiates it from the similar Raag Bhimpalasi. It somewhat resembles the Carnatic Raga Gowrimanohari. Hear more superb performances of Patdeep here:
-Omkar Dadarkar (khayal vocals) | • Hori Khelat Bahar | Ra...
-Sahana Banerjee (sitar) | • Magical Raag Patdeep |...
Performed for Darbar on 20 Sep 2013, at London’s Royal Festival Hall
-Bahauddin Dagar (rudra veena)
-Sukhad Munde (pakhawaj)
-Seetal Gahir (tanpura)
Darbar believes in the power of Indian classical arts to stir, thrill and inspire. Through shared experiences and digital connectivity we ensure that one of the world’s finest art forms reaches the widest possible audience. Founded in 2006, we deliver premium quality live events, music education, broadcasts and online engagement through promoting artistic innovation and creative technology. We are also committed to providing a platform for new talent from India and the UK.
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If a few brief minutes of Bahauddin aren’t enough…watch his 70-minute duet performance of Raag Vardhani with Pelva Naik, in pristine HD on the Darbar Player, along with dozens of other captivating concerts: www.darbarplayer.com/videos/ustad-bahauddin-dagar-pelva-naik-raag-vardhani
We'd like to upload everything for free - but filming, editing, and hosting cost money, and we’re a small not-for-profit organisation. Signing up to the Darbar Player costs about the same as a couple of coffees a month ($5), which we hope is an excellent price for such a wealth of unique music.
Please also conduct a festival in india once a year ,so that we acn also come ,i am sure if dabar does this it will attract many music lovers from not only india bt around the world
It is a crime to put ads In-between this soulful Dhrupad Raaga.
I wish there was a darbar TV channel in India for introducing Hindustani classical music in India and abroad.
Agree. Tiny suggestion. It's Hindu classical music...Hindustani, Carnatic, all included. 🙂🙏
Checkout INSYNC Channel on TV(Tata Sky, DishTV, etc.)
You see, no showmanship is required, just that lilt of pure Dhrupad.
Dhrupad is Shiva worship...yoga genre...obviously physical mannerisms would be minimal.
The tonal quality of the Rudra veena and the purity of the playing style make this a truly rewarding listening experience.
Ustad Bahauddin Dagar is a great Beenkar but the star of this video, I think, is Sukhad Munde. Great performance on the Pakhawaj.
I would have to agree there
Heavenly Been player!
Wonder what it must have been like for the young Ustad to know that unless he carried forward this timeless tradition of Been, it would be lost in the annals of history. And then to have put in such arduous riyaz and to now be carrying forward this daunting legacy so ably shows the stuff he is made of.
The grandeur of ancient Indian musical tradition shimmers in every stroke he plays on his Been. My eternal gratitude and deep respect to him!
What a wonderful pensive mellow of supplication.It uses komal ga; and the rest are shuddha swaras; uses no re and dha in the ascendence; and uses all seven notes in avarohana. Therefore, its mela-kartaa is gauree-manohari of the Karnataka tradition.
Holy moly, if all is well I will have the greatest sweetness of fortune to see Bahauddin next year. Pray I live long enough.
I saw him in New Delhi last year.
Pakhawaj and rudra veena, a great combination.
Hi Alok Dixit,
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This music right here is the essence and beauty of our Hindu heritage😍😍😍
😇
Both artists are gems to indian classical music
Special mention to the Pakhavaj player. Extraordinary.
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Dagar style Rudra Veena has the best tonal quality among the other Indian instruments.
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Darbar i request you to bring up those artists also who play rare instruments like the chitra veena , vichitara veena , surbahar , sagar veena etc . Please, this is a humble request 🙏
He is playing the slow Tintal Masitkhani bani up to beat 11 then a syncopated last matra to Sam. Interesting unusual approach for Dhrupad Chautal. (12 Matras)
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Divine rendition
Ustad Bhauddin Dagar is.... and always the Great....his style socked in Divinity also
kya baat hein! mast! mein ghum ho gaya. my love for music is like the love of sunflower for light. cannot live without it.
This is odissi way of playing music .
15 minutes of bliss! Such brilliance. My respects to the maestro for continuing & enriching the legacy of the great classical instrument. May its mystical sound reverberate through the decades and centuries to come.
There was so much joy listening to the song and tears when it all ended. Aha very sensitive!
I really appreciate your description of artists and raags in a professional way for the listeners
BLESSED WE FEEL MORE WITH MORE REPEATS.
Ustad ji you are great, greater still was your father who had no equal in his time. I wish I could have learnt from your father but he passed before I was born. Inshalah I will get the opportunity to learn from you one day.
Hi Pardesi,
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Whah whahhhh ... Awesome fentasticly played. Made me dance OMG
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Very good thanks God beautiful players
Om. Namashivaya .Simply Divine Music.
God Bless the Artistes.
Thanks please
Really nice! Also nice to see the change of light on the South Bank.
such a pristinely beautiful prayer is heard in Ustad Bahuddin's rendering. And the rudra veena is a majestic instrument no doubt. Just that the pakhaway player, seems to be very intent in dominating the proceedings. A balanced level of playing would have been good. Going berserk on the percussion may be okay in a solo, but just tilts a performance like this out of balance. But the way Ustad Dagar just smiles and let the percussionist go just because he is itching to , demonstrates his {ustad dagar's} accomodative nature. and also his seniority.
I thought they worked well together...yes Sukhad Munde may have been a bit persistent with the pakhawaj but it helped to build the climax.
I also felt that the pakhwaz is dominating.
Dagar Sahab himself permitted Mundeji to go ahead and it is a older method where in Dhrupad all improvise together. They used to say 'Saath me chalo' meaning come forth and work with me. I think it was an authentic presentation.
Strong performance !
Kya baat hai!!!
Thank you Sir for continuing this valuable tradition!
fabulous performance and location !
So sublime; I long to learn this wonderful instrument.
I was missing deep and Sublime.music of.Drupad
..for.a long..long time. Tank.yoi..u.
Appeals to my heart :: Celestial ,:::
Superb!
Lajawab work kya baat hai
Beautiful!!
Thank you! 😊😇
Beautiful
Amazing
Wonderful performance.
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11:00 - 11:36
Pure Magic Right There !
Glimpse of Thirwakhan sahib at 8:30-8:34 :)
Close your eyes and listen
Is that a Dholak or a Mridangam? That sounds beautiful, of course.
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Krishna murari bhav Bhai haarai.
Please also acknowledge the percussionist in the title.
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Charan sparsh
Why do most Rudra veena players place the instrument on the shoulder, unlike him?
Aakash Binu To avoid the weird angle at your shoulder on your fingering hand, I assume. It’s a pain on the ‘normal’ Veena, I assume it’s worse with the huge hours of the Rudra Veena
Dagar style Rudra veena is a lot bigger and heavier than veenas of other gharanas. It is not possible to hold it above the shoulder without being really uncomfortable. Plus this style is a unorthodox style.
🙏🙏🙏🎻🎹🌹👑👑
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Amazon Prime: Harmony with A. R. Rahman: Season 1 Episode 2
What is the name of this Beautiful Instrument Ustad Badauddin Dagar playing, the sitar look like with giant pots at both end ??
rudra veena.
Its funny he says this, I always wondered if you could make one with raised frets and more sympathetic strings, so it would be like a.... Rudra Sitar?
Dyar Ashoob Rudra Veena
ShaineJams :3 try listening to Surbahar(bass sitar) and Sursingaar(bass sarode)!!
ShaineJams :3 The main difference between sitar and Rudra Veena is the absence of the Tabli (resonating sound board) 👍
what is the taal in which the raag is being played??
Chautal.
Why there is no darbar app
We will keep you posted about it :-)
what is this instrument called?
Murtaza Waris Rudra Veena
Murtaza Murtaza Rudra Veena
@@debmalyamitra353 ??? How can a Rudra Veena have a middle eastern prefix??? No, the original founder is someone from this land.
@@jknayak7132 Origin of Rudra Veena is said from Lord Shiva.
ustadji was excellent as usual, but the pakhwaj playing was an abomination. Completely against the mood of the raag.
I think the word abomination would be rude rather the pakhwaj was dominating in this performance
Certainly. The pakhwaz playing was against the mood of the raga. The rudraveena was delicate and the pakhwaz was noisy.
Excellent!
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