Messiaen: O sacrum convivium (performed by the EVCH)

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  • čas přidán 18. 06. 2014
  • Olivier Messiaen (1908-1992): O sacrum convivium
    Performed by the English Vocal Consort of Helsinki:
    Iida Antola, soprano
    David Hackston, countertenor
    Martti Anttila, tenor
    Valter Maasalo, baritone
    Live recording 6/2014 in Olaus Petri Church, Finland
    www.englishvocalconsort.com/
  • Hudba

Komentáře • 45

  • @perry1559
    @perry1559 Před 9 lety +57

    Man, it takes some guts to do this as solo quartet. Kudos.

    • @snugglethorn
      @snugglethorn Před 7 lety +5

      There's an additional clarity to it with only 4...I'm amazed it's only four parts with no divisi to begin with...God do I ever love Messiaen's harmonies...They're heartbreakingly lovely...
      -
      But ya GOTTA have the right space to sing it in with this few performers...This was a great choice

    • @originaltommy
      @originaltommy Před rokem

      No kidding! I'm floored!

  • @originaltommy
    @originaltommy Před rokem +4

    Tears streaming down my face. Thanks for your stellar artistry and bravery!!!

    • @davidhackston
      @davidhackston Před rokem

      Thank you, Thomas! I'm so glad you enjoyed it and that this performance continues to touch people after all these years.

  • @dogvom
    @dogvom Před 6 lety +15

    I love how the English Vocal Consort of Helsinki is doing a piece in Latin by a Frenchman. Music truly is the universal language!

  • @goldenmantis
    @goldenmantis Před 7 lety +12

    This is incredible! Such a big sound with only four voices!

  • @HoboMiracleMan
    @HoboMiracleMan Před 3 lety +5

    The first time I heard this piece I thought, wow Messiaen wrote the most sublime and majestic "Hallelujah" that I'll ever hear. This is def my favorite performance and recording of it.

  • @DavidReadsASoIaF
    @DavidReadsASoIaF Před 3 lety +6

    Glorious. The sounds Messiaen constructed in contemplation of the divine almost seem to reach beyond the limits of human perception. There's an almost terrifying psychadelic quality to the music, not in the sense of purely evoking a "trip" but an altered state of consciousness, one almost capable of comprehending concepts like omnipotence and eternity.

  • @johnboulanger5201
    @johnboulanger5201 Před 7 lety +7

    What a revelation to hear this piece with one voice on a part! The clarity is incredible, and I applaud your sheer nerve! Exquisite!

  • @charlesbrown1934
    @charlesbrown1934 Před 7 lety +12

    What a remarkable performance! The tuning of each individual singer brings a clarity not easily achieved in a choral ensemble, or in most solo quartets for that matter. Simply beautiful.

    • @ashbell1046
      @ashbell1046 Před 2 lety

      Yes.
      It utterly evades me as to why Messiaen wrote this to be performed by massive choirs. If he had lived to hear this version….I can’t even….

  • @docsketchy
    @docsketchy Před 2 lety +2

    It's amazing how rich the harmonies are in this piece when you realize that it is only four parts. My all-time favorite choral moments from Messiaen are the lovely chorale in Mvt 2 of La Transfiguration (Configuratum corpori claritatis suae) and the entirety of Mvt 7 (Choral de la sainte montagne). The latter in particular has some unspeakably beautiful harmonies.

    • @markrudman6271
      @markrudman6271 Před 9 měsíci +1

      Indeed. It's perhaps a rare Messiaen piece that gives me some insight into his harmony, pared back to four parts while the rich texture is still there.

  • @justmusic822
    @justmusic822 Před rokem

    Such a heartfelt performance! Thank you!

  • @tommorrissey9963
    @tommorrissey9963 Před 6 lety +3

    Amazing, amazing. We get not just the grandeur of the music but an extraordinary intimacy. Quite a revelation to hear the work performed by such a small ensemble.

  • @Finkldorkin
    @Finkldorkin Před 8 lety +7

    This is outstanding guys! terrific work!

  • @jantourneur2756
    @jantourneur2756 Před 6 lety +3

    This is an incredible performance of an incredible piece of music.

  • @malcolmcrisp6287
    @malcolmcrisp6287 Před 4 lety +1

    Incredible voice and breathing control. No hiding places with just four voices !

  • @edoardobighin5003
    @edoardobighin5003 Před 6 lety +3

    The whole soprano line from 0:57 to 1:11 sounds like performed on Ondes Martenot: pure awe!

  • @yordankaacosta2849
    @yordankaacosta2849 Před 2 lety +1

    Oh, wow!!! Only four.

  • @philipthomas7918
    @philipthomas7918 Před 6 lety +5

    Wonderful! It’s difficult enough to get the phrasing, legato and breathing sorted out in a small choir (I know; I’ve sung this in a small choir of 8), but this performance is excellent.

  • @JosiahofSilverton
    @JosiahofSilverton Před 4 lety

    This is one of my favorite performances of one of my favorite pieces of music.

  • @josephj8230
    @josephj8230 Před 2 lety

    Such harmony, awesome indeed 💖

  • @lancedavidwilliams3159

    Wonderful performance from a superb ensembel. Bravo!

  • @engelhardtunaeb6591
    @engelhardtunaeb6591 Před 5 lety

    So beautiful!!!!

  • @MevrouwErkens
    @MevrouwErkens Před 6 lety

    Simply stunning

  • @jingweihan4189
    @jingweihan4189 Před 6 lety

    You guys are Amazing!

  • @voiceover2191
    @voiceover2191 Před 2 lety

    Wonderful performance of this technically quite challenging piece and as already many have stated, very brave of these excellent singers.

  • @sindykeng1214
    @sindykeng1214 Před 7 lety

    Mesmerising... Such clarity with conviction .. Thank you for sharing😇

  • @OngoingBox
    @OngoingBox Před 4 lety

    lovely

  • @OldPost661
    @OldPost661 Před 8 lety +1

    Agree with David Perry. Guts indeed. Well done!

  • @ashbell1046
    @ashbell1046 Před 2 lety +1

    It sucks to have tastes so eclectic that one can find something as profound as this and find so little comment on it. Even Messiaen miscalculated the power of the writing. His version was for massive choirs of upwards 80 performers. Yet this quartet finds the soul of it in is smallness

    • @markrudman6271
      @markrudman6271 Před rokem +1

      And it's minimalism helps me understand Messiaen's harmonies more than any other from his amazing oeuvre.

  • @ericperrymusic
    @ericperrymusic Před 6 lety

    Wow

  • @Sam-zz7br
    @Sam-zz7br Před 3 lety

    Does anyone know why there are menorahs in the back when it's a Christian church? I could be wrong but it seems very uncommon to see a church with a cross and menorahs.

  • @marygebhart9745
    @marygebhart9745 Před 7 lety +1

    How do you say "incredible!" in Icelandic??

  • @jsc5492
    @jsc5492 Před 10 měsíci

    So difficult to keep in tune (cf the other such work Kenneth Leighton, Drop, drop slow tears.) Part of the problem is solved in being certain that repeated notes don't go flat...

  • @alindsayfieldrecording
    @alindsayfieldrecording Před 8 lety +1

    Wonderful sound. Doesn't quite sound as dissonant as sung by a choir, but still sounds great!

    • @davidhackston
      @davidhackston Před 7 lety +4

      Thanks, Alex! Glad you enjoyed the video! Having sung it both in choirs and in this performance, I think when you have only one singer on each part it's much easier to tune the chords properly, so the piece isn't actually as dissonant as it sometimes sounds :)

    • @ashbell1046
      @ashbell1046 Před 5 lety +3

      David Hackston: I’ve listened to this version over and over and over again. It veritably breaks my heart every time. It may very well be the best version of one of the beautiful pieces of music ever written. Considering Messiaen’s ease with smaller ensembles, it’s odd that he would have opted for the ‘big’ choral sound with O Sacrum. The clarity and intimacy you guys brought to this would have left him sobbing in gratitude. You guys were really smart in recognizing what was always CLEARLY the WAY this was meant to be performed

    • @davidhackston
      @davidhackston Před 5 lety +1

      @@ashbell1046 Thank you so much, what a lovely comment!

    • @ashbell1046
      @ashbell1046 Před 5 lety +1

      David Hackston I’m honored!
      Now the embarrassing question...Which part are you singing? I can rule out one member using simple heuristics. LOL...But BTW, she is AMAZING. That penultimate crescendo....Like a bell.
      Again, I can’t begin to tell you how many of my fellow musician friends I’ve insisted listen to this performance....It’s absolutely seminal. Like Yuja Wang’s version of Ravel’s piano concerto under Dutoit, you kind of hate having a ‘favorite’ because it’s unintentionally dismissive of all the hard effort that others have put into these works. But ce la vie...Like the tag-line from the movie Highlander...There can be only one
      Sort of.
      Thanks again....
      (:

  • @Choristenimes
    @Choristenimes Před 5 lety

    C'est pas mal ...mais c'est écrit pour choeur...là , trop de sopran ...bien quand même ! :)