Monteverdi | Vespers for the Blessed Virgin
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- čas přidán 8. 07. 2024
- Claudio Monteverdi | Vespers for the Blessed Virgin 1610
Ensemble der Innsbrucker Hofmusik
Marian Polin, direction
30.09.2022 Court church, Innsbruck (A)
PROGRAM
00:00 Praeambulum: Girolamo Frescobaldi - Toccata avanti la Messa della Madonna (Fiori musicali, 1635)
INVITATORIUM
01:14 Intonation: Deus in adjutorium (choraliter)
01:22 Responsorium breve: Domine ad adjuvandum
03:15 Intonation: Giovanni Gabrieli: Intonazione del nono tono
03:55 Antiphon: Nativitas gloriosae Virginis Mariae (choraliter)
04:50 PSALMUS: Dixit Dominus
12:06 CONCERTO: Nigra sum
15:59 Intonation: Giovanni Gabrieli: Intonazione del duodecimo tono
16:41 Antiphon: Nativitas est hodie (choraliter)
17:17 PSALMUS: Laudate pueri
23:27 CONCERTO: Pulchra es
27:44 Intonation: Giovanni Gabrieli: Intonazione del secondo tono
28:14 Antiphon: Regali ex progenie (choraliter)
29:12 PSALMUS: Laetatus sum
35:53 CONCERTO: Duo Seraphim
43:30 Intonation: Giovanni Gabrieli: Intonazione del sesto tono
44:06 Antiphon: Corde et animo (choraliter)
45:00 PSALMUS: Nisi Dominus
50:05 CONCERTO: Audi coelum
01:00:09 Intonation: Giovanni Gabrieli: Intonazione del ottavo tono
01:00:45 Antiphon: Cum jucunditate (choraliter)
01:01:27 PSALMUS: Lauda Jerusalem
01:05:32 Sonata sopra Sancta Maria
01:12:05 Capitulum: Ab initio et ante saecula (choraliter)
01:12:36 HYMNUS: Ave maris stella
01:19:58 Versikel: Nativitas est hodie Sanctae Mariae Virginis (choraliter)
01:20:12 Responsum: Cujus vita inclita cunctas illustrat ecclesias (choraliter)
01:20:29 Intonation: Giovanni Gabrieli: Intonazione del undicesimo tono
01:21:00 Antiphon: Antiphon: Nativitas tua (choraliter)
01:22:58 CANTICUM: Magnificat
Source for the chorales: Antiphonale Benedictinum, 1630
liturgical form for the Vespers : Mariä Geburt (duplex secundae classis cum octava simplici)
Anastasia Terranova, Soprano 1
Marta Redaelli, Soprano 2
Andrea Gavagnin, Alto 1
Enrico Torre, Alto 2
Andrés Montilla-Acurero, Tenor 1
Angelo Testori, Tenor 2
Riccardo Pisani, Tenor 3
Davide Benetti, Bass 1
Matteo Bellotto, Bass 2
Marco Kerschbaumer, Violin 1
Gabriele Toscani, Violin 2
Manako Ito, Viola 1
Aljoša Solak, Viola 2
Mauro Colantonio, Viola da gamba & Lirone & Traverso
Katharina Haun, Cornett 1
Pietro Modesti, Cornett 2
Benedetta Ceron, Cornett 3
Henry van Engen, Trombone 1
Matthijs van der Moolen, Trombone 2
Cameron Drayton, Trombone 3
Joachim Pedarnig, Violone & Doublebass di Viola
Reinhild Waldek, Harp
Alessandro Baldessarini, Theorbo
Christoph Anzböck, Organist 1 (Positiv organ Giovanni Pradella, Sondrio/I 2020)
Mario Aschauer, Organist 2 (Choir organ Jörg Ebert, 1558/1561)
Audio & Video:
Simon Lanz | / incantorecordings - Hudba
So leben Monteverdi, Gabrieli und Frescobaldi immer weiter. Vielen Dank
This is easily one of the best and most historically and liturgically accurate performances of the Vespers that I have heard/seen : as soon as I heard the sacristy bell ring, I knew that this would be impressive. And what a pleasure it is to hear the Lirone accompanying the "Pulchra es"!
Thank you very much! We invested a lot of heart and soul into this performance. I am still very proud looking back to September 2022...
Magnificent setting and performance. Thank you!
das anwesende auditorium ist zu beneiden, einfach wunderbar, die aufführungspraxis ist sehr gelungen
Wunderbar. Danke!
Leider kann man nur 1x den Daumen hoch liken!… 😢
Eine wunderbare Darbietung, bei welcher endlich auch wieder einmal die Räumlichkeit der Musik absolut plausibel nachvollzogen wird! ❤ - mE absolut nicht zu vernachlässigen, dass nach „historisch informierter Aufführungspraxis“ die Musik in liturgischen Gesängen in der Regel seltenst von frontal aus dem Altarraum vorgetragen wurde (das war ja schließlich auch der den Pfaffen vorbehaltene Bereich! 😂), sondern die der heiligen Handlung Beiwohnenden mit der musikalischen Offenbarung aus dem Off „überfallen“ werden sollten. 😂
Ganz ganz toll gedacht UND gemacht! Bravissimi!
You bring Paradise on Earth. Thanks for sharing this so beautifull musical moment.
A great deal of thought went into the performance, where best to place the singers for the right effect. Congratulations to everyone a excellent performance so glad it was recorded for everyone to enjoy
Alles einzigartig,total erfreulich,ganz von oben,völlig neu für mich,hört sich schön an.😊❤️
Magnifique exécution des Vêpres
Dank voor deze prachtige uitvoering. Hartelijke groet vanuit Nederland 🙋♂️
When I listen to this song,
the passage of time is visible to me, and there is time when I can see eternity
Félicitations 🙏😇 Merci !Bravo!!!!
Magnifique !
another version of this amazing piece! what a blessing---- in such beautiful architecture too.
Assolutamente da vedere e da ascoltare! Peccato non essere stato presente dal vivo... Bravissimi tutti gli interpreti e un plauso particolare al maestro Polin. Magnifico!
Duo Seraphim is amazing! Thank you.
Diapason 450 Hz, Cornetti built especially for this performance....
Why is the diapason so high? Is it historically accurate for this music? Or maybe for a more practical reason? Love this performance anyways
@@gianlucasalan it is because the historic Ebert organ we used for the performance is on this pitch. As the organ is from 1561, it could indicate the historic diapason used in Innsbruck in the 15th/16th century.
@@franzgratl Oh wow ok, thanks for the reply and congratulations again for the performance
M A G N I F I C A E S E C U Z I O N E . . .!
Amazing! In one word.
Such beautiful music, performed so beautifully! Thank you.
Thank you so much, a wonderful performance
Divin!
Magnificent! I can't imagine how are happy all of those people!
Che meraviglia.... siete spettacolari. Bravi, complimenti
It doesn't get much (any?) better than this
Fantástico
Simply beautiful
AWESOME
Bellissimo !
Magnificent!
❤❤❤
The best music I have heard on CZcams: Sonata sopra Sancta Maria. I don't know if anyone knows anything about the ornate trombone from the clip - it looks really beautiful.
This tenor trombone is built by Aron Vajna, Basel and is an altered copy of the anonymous instrument from c.1560 in the Accademia Filarmonica di Verona.
@@henryvanengen thanks for getting back to me.
Bravoooo
❤❤❤❤❤❤
Really appreciate the effort made to record this piece❤️
gut
Himmels Willen, wie schwer haben die sich das denn gemacht?
Ich habe schon mal einen Auftritt in der Hofkirche gehabt, wo wir im Chor von der Empore einen Solisten an Hochaltar begleitet haben und vom Volksaltar aus dirigiert worden sind. Es war sehr schwierig den Takt zu halten, jedoch ist es anscheinend ziemlich gut angekommen.
Dieses Ensemble hat überall, kreuz und quer Sänger und Instrumentalisten. Für ein rhythmisch anspruchsvolles Werk wie die Marienvesper ist das eine ziemliche Herausforderung.
I usually prefer old recordings of classical music, but this performance is amazing. Everything fits. Thanks so much for sharing.
17:18 36:55
Can barely hear the cornetts in the opening number - that part of the quick melodic line (maybe a little too quick to even hear it precisely) is drowned out by the rest of the ensemble. Other than that things seem competent.
You‘re right, sadly it‘s one of the biggest disadvantages of the position changes in our live performance 🫤
@@marianpolin Thanks for feedback. Was wondering if it was me or the recording. Performers were very good.
👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋👋