One ton bee showing just how under the radar it is for being such a fantastic fuzz. Mojo hand tends to always delivers a usable pedal. My pick though, always the muff. That sustain just sings, second would be a tone bender.
Im a Big Muff guy through and through. Tho, I love them more for rhythm playing or lead lines behind vocals as they sit in a mix perfectly. They generally need a boost from elsewhere for lead. I did pair my Russian with an Octave Fuzz the other day, tho. It worked.
I actually came away with having a feel for each pedal’s strengths and realizing which attributes I may not enjoy personally. Great approach (and playing) on this video. Thanks.
What a cool video. Really useful comparison to show how the pedals perform in a mix. Love the track btw reminded me of the Wedding Present and other early 90s indie. Bang on!
I really like the one ton bee!just a question;how do you set the volume of that pedal as the same of the amp or you just roll back the guitar vol pot? I can't crank that vol knobs like that at home!!
Unless you have a 3 piece, or you are the only guitar in the band, the Maestro and Muff circuits tend to turn you into mud or bury you in a mix. One can compensate if they have a very mid-heavy amp, EQ or even TS pedal stacked. Or just get the Tone-Bender circuit.
Well, we didn't have the budget to make a movie! But I think the majority of fuzz lovers are into '90s Alt Rock so this should be of interest to a wide enough audience. There's a reason why the latest Big Muff by EHX has J Masis sgnature on it (and it's #1 on Reverb.com's fuzz charts).
This is the most useful video on guitar youtube.
What I really got out of this was the first jazz master tone that I didnt think sucks….wow great sound
This is some great video production. I bet this channel gets huge!
The best Fuzz comparison, if not the best pedal comparison. of all time. Very educational.
I'm going to watch again. Well done!
One ton bee showing just how under the radar it is for being such a fantastic fuzz. Mojo hand tends to always delivers a usable pedal.
My pick though, always the muff. That sustain just sings, second would be a tone bender.
Im a Big Muff guy through and through. Tho, I love them more for rhythm playing or lead lines behind vocals as they sit in a mix perfectly.
They generally need a boost from elsewhere for lead. I did pair my Russian with an Octave Fuzz the other day, tho. It worked.
In this instance, it’s the Park for me.
I actually came away with having a feel for each pedal’s strengths and realizing which attributes I may not enjoy personally. Great approach (and playing) on this video. Thanks.
Let’s hear your analysis…Fuzzes are fun to breakdown.
OK. Now I need the Park.
This is Excellent! I want any and all of these. 👏😀
What a cool video. Really useful comparison to show how the pedals perform in a mix. Love the track btw reminded me of the Wedding Present and other early 90s indie. Bang on!
Great video!!!
Park and Land for me
one ton bee
I really like the one ton bee!just a question;how do you set the volume of that pedal as the same of the amp or you just roll back the guitar vol pot? I can't crank that vol knobs like that at home!!
Very cool!
Great job!
Thanks!
Wish you wouldve played through a cleaner amp so we could hear the fuzzes better.
The riff is smashing pumpkins lite
Is that JD Simo playing the intro song?
One ton bee is the beeswax
There's nothing fuzzy about this logic! Thanks for sharing.
What amp is this with
Sorry! I don't mean to insult you people...but that Maestro fuzz is the worst fuzz I ever tried in 20 years of trying.
I’ve been waiting for feedback on that pedal. I have the delay. It’s ok. Nothing crazy.
@@Thomasdgolden I bought them both. Liked the delay better...ended getting an original tc electronics flashback.
@@Thomasdgoldenthe fuzz was weak...there's many better out there
Unless you have a 3 piece, or you are the only guitar in the band, the Maestro and Muff circuits tend to turn you into mud or bury you in a mix. One can compensate if they have a very mid-heavy amp, EQ or even TS pedal stacked. Or just get the Tone-Bender circuit.
It's a different kind of beast. In a 70s soul / funk thing or 60s rock / pop playing mini lead lined they're perfect.
Fuzz you, I mean, thank you!
Several other ways to use fuzz in very different kinds of mixes. This is awfully 90s-centric.
Well, we didn't have the budget to make a movie! But I think the majority of fuzz lovers are into '90s Alt Rock so this should be of interest to a wide enough audience. There's a reason why the latest Big Muff by EHX has J Masis sgnature on it (and it's #1 on Reverb.com's fuzz charts).