@@KaizerMan i wish, you only earn that money when you turn 22. I used to earn €5,25 per hour when I was younger. Imagine earning €50 after a fucking long day
Amazing directing. The first half of the movie you feel the glamor of Mob life. The smoothness of the scenes like this, the happy doo-woppy soundtrack that induces nostalgia for the good old days, etc. The second half (especially the long scene where Henry is making dinner for his family, stowing away the guns, and getting his package ready) is fragmented and accompanied by frenzied rock music. It's like the first half is drinking the champagne, and the second half is the hangover.
Tony Soprano 550 It’s also interesting in the end after Henry is bailed out. When Henry is talking to Jimmy, Pauly, talking to the FBI dude, the court, the new home, etc., there’s no music. It’s like Henry sobering up to the realities of mob life.
4 years late, but the oscars are overrated anyways. So many good films overlooked by “critics”. There is no such thing as critics today imo, just paid off ‘sponsors’ that write for film/news boards.
Technically, no-because the movie's garnered far more attention for not winning than if it did. More people study it and analyse it far more than if had won awards.. I like Dances with Wolves, I do. But when Goodfellas comes on, all my plans go out the window. Doesn't quite happen with Dances With Wolves. Plus, as others noted, the Oscars aren't worth anything- Harvey Weinstein proved you could play the system.
i mean im indifferent to whether he shows that up close. i dont think showing that means a movie is dumbed down and they think the audience are idiots..i dont think not showing it means the movie is the creme de la creme of the thinking man's cinema. it's just a minor shot of a dollar bill
This is filmmaking at its best. I can feel the difficulties of making this scene. Longshot, steady(possibly handheld) cam, timing, lighting & audio,and so on... I wonder how many times Scorsese need to take this...
+Wilson Gozal Ironically it would have been less if it weren't for the actor who played the comedian (who appears at the end of the video), as he kept forgetting his lines. Even though it wasn't integral to the scene, and the hardest part was already done, Scorsese wanted the whole Copacabana scene as one shot with no cutting away.
+0mega7000 Sheesh, he didn't have much to remember with the lines in this clip! I heard directors get so frustrated. Can't blame 'em. I'm a huge fan of the late, great Sharon Tate. Such a beautiful woman. But I've heard she was a terrible actress, and it took about 70 takes per scene due to her being so timid. She infuriated directors. Explains why Roman Polanski chose Mia Farrow for Rosemary's Baby instead of his wife. He said he didn't want it to look like nepotism, but Mia was by far the outstanding actress. Off-topic, I know. But looks only go so far. Any director would take a Lorraine Bracco, Meryl Streep, or Mia Farrow over Sharon Tate or Raquel Welch. It really hurt Sharon that they stuck her in a bikini for a whole movie. She used to say, "Sexy little me", crying. Hey, you either have it or you don't. Scorsese knew exactly what he was doing.
The fact that he had the Chef walk in front instead of rbe camera being totally focused on Henry and Karen is great too, shows the chaos of the kitchen
This is directing at it's finest. I love that Marty used Phil Spector's legendary "wall of sound" as Henry and Karen make their way though what is essentially a narrow maze to get to the main dining room.
Shane Anthony you know what's even better? He could have went through the main door right before he went through the kitchen cuz all he did was make a quick Loop through the kitchen just to say hi to the guys
RIP legend. Seeing this film for the first time was for me a pillar of becoming a grownup seeing all the movies my parents loved. This scene was always my favourite.
This Copacabana sequence from "Goodfellas", the "Vertigo" scene where they introduce Kim Novak in the restaurant, the ending scene in "Gangs of New York", the baptism sequence in Godfather part1, and the bridge shot scene in "Manhattan" are my top 5 favorite scenes in film.
Shoutout to the background talent. They make this shot really soar and you can tell (as with most Scorsese long takes) that it’s so intricately blocked & choreographed
The first half of this film glorified the mafia showcasing the glam and beauty that comes with being a wise guy, it’s almost like an intoxicated dream that you wake up from realizing it was all too good to be true. The second half of the film aggressively wakes you up in a sober state and shows you just how raw, cold, and disgusting the mob life can be in such a painful eye awakening way. Sometimes with these types of movies, Bronx Tale included I can’t help but feel Scorsese just tries to grab us by the ears and scream in our faces “DONT JOIN THE MOB”.
It's nuts to think that this glamorous scene is in the same movie as the one where a completely coked out Henry is dodging helicopters and making sure his brother stirs the sauce
That is the beauty of this film...it shows the glamorous beginning of this lifestyle and the ugly reality that catches up after years of this lifestyle, the rise and fall! Kinda like Schindler's list of Oskar Schindler living a luxurious lifestyle while the war for the Germans was going well and being completely broke as defeat loomed!
+Kato Robinson he starts in the kitchen becomes the errand boy and then a body (the guys Henry is giving 20's to) then they sit down and it's Henry the wise guy and when the camera pans there's a comedian on stage performing, which in my opinion shows how eventually his life will become entertainment for the audience
The long takes in this film are the best I've ever seen. There may be other films that have even more going on and such, but the way that Scorcese used the long takes to perfectly communicate the nature of this life is absolutely brilliant. This is filmmaking with a purpose. Every technical aspect of the film is there for thematic and narrative purpose, expressing essential elements of the characters, the world they inhabit, and the life they live. They aren't gimmicky long takes, there just to impress people. They were done for practical and incredibly effective reasons that only strengthen the film as a whole and communicate really important information to the audience. Martin Scorsece is one of the truly legendary filmmakers, and this demonstrates his knowledge and skills so perfectly. Everything about this film works together in such harmony to show the audience such an authentic and compelling look into the lives of those we're seeing on screen here. Landmark film
Its cool that he can walk through the kitchen like that but in the end, it's depressing because that's literally the classiest thing he can do and the greatest amount of respect he aspires to. It's like being behind the stage at an amusement park because you work there, it seems cool at the time but ultimately its pathetic how much time you spend there and how limited your life is. It's like Pacino explains in Donnie Brasco, they pay you enough to keep you happy, you aren't saving anything but you feel like a big man.
You know when a film has hit it on the head when you hear a song and you instantly think of that movie. Like this song, I think Henry Hill walking through the kitchen with that incredible long take. Or later on, Sunshine of your Love by Cream and Layla by Derek and Dominos. Fun fact, Martin Scorsese told the writers to writer "Cream" at that scene because he already saw it in his head.
This might be my favorite scene from my favorite movie (Goodfellas). This is a brilliant shot, done brilliantly, and fits into the timeline of the story, moves the narrative forward, and sums up the movie *all at the same time*. PERFECTION. Absolute PERFECTION.
This whole movie man like a fantasy world such peace it brings through all the chaos I think it really is the beautiful soundtrack that flows with the scenes so well. A masterpiece
This is the best scene in the whole movie. It is a masterpiece. You are swept into the nightclub along with them. You are there! Plus, I love Henny Youngman. I never get tired of his old jokes. They are still funny!
still one of the best Martin S films. top notch. this film never gets old. the soundtrack is amazing brings me back when my parents were around this age back then in the 60s. RiP Ray Liotta who looked hell lot like my Uncle C.
Man those are the shots that will stay with us forever, cinema was such a blast and so much care was put into this movie. It is good that we still have some directors with a clear vision and an eye for detail, because i feel that this craft is getting worse and worse for 20+ years now.
very memorable shot from the movie. did anyone else notice the detour through the kitchen starting at 1:00 was unncessary? They turn in, then end up right back where they entered, then go left into the club.
I took a film class and remember when professor explained "the long take". He asked for an example to share with the class. This was my choice. It was an easy decision and it was clearly the best example of al my classmates.
This long take is so well done, so memorable, so appropriate that I can't imagine how it should be done differently. Cuts during the walk sequence would have killed the chaotic energy the back house segment conveyed. By the time the shot reached the restaurant, the flow had been established so well that adding cuts to that part might kill the momentum.
This scene describes the whole film really. Luxury, wealth and class but had to be done through the back.
Mayfli nice
Mayfli not bad
I don't really see a lot of class going on here
watched this movie so many times, but your statement about this sequence is absolutely brilliant.
Mayfli nice point!
I tried doing the same at my local KFC, did not work out too well.
TheDutyPaid where do you live ? North Korea? How the fuck does the KFC at you're country. Have a line?
Ronnie Francisco I live in London and KFC is very popular, aways a queue.
Just walk through the kitchen and say to everyone: "Every time I see you people here, don't you work?"
HTF did this make me laugh so hard?
TheDutyPaid lmfaooooo
For perspective: $20 in 1965 is equivalent to about $160 in 2018. A day's pay (or more) for a lot of folks.
I earn €80 for a whole day working at a restaurant in the Netherlands. That is around 85 dollars.
@@davidmartineztorres8731 alright you're basically a wiseguy now
@@KaizerMan i wish, you only earn that money when you turn 22. I used to earn €5,25 per hour when I was younger. Imagine earning €50 after a fucking long day
Yeah, that was like the price of a whole month's rotary phone bill. Similar to what I pay at Sprint for my Galaxy S8.
Now in 2020, $20 in 1965 → $163.88
Amazing directing. The first half of the movie you feel the glamor of Mob life. The smoothness of the scenes like this, the happy doo-woppy soundtrack that induces nostalgia for the good old days, etc. The second half (especially the long scene where Henry is making dinner for his family, stowing away the guns, and getting his package ready) is fragmented and accompanied by frenzied rock music. It's like the first half is drinking the champagne, and the second half is the hangover.
Tony Soprano 550
It’s also interesting in the end after Henry is bailed out. When Henry is talking to Jimmy, Pauly, talking to the FBI dude, the court, the new home, etc., there’s no music. It’s like Henry sobering up to the realities of mob life.
El Rilla Well put.👍
good anlalogy
El Rilla “And now it’s all over”
Nice.
Every man craves to take a girl to dinner like this.
every simp*
@@deathrager2404 looool
You know she’d fuck you if you could pull this off.
goldweel probably because you’re a beta
Montana Roots couldn’t have said it better myself.
It is a travesty that this film didn't win the Oscar.
4 years late, but the oscars are overrated anyways. So many good films overlooked by “critics”.
There is no such thing as critics today imo, just paid off ‘sponsors’ that write for film/news boards.
F*** the academy. This movie is a classic.
Not really...awards are shite.
Technically, no-because the movie's garnered far more attention for not winning than if it did. More people study it and analyse it far more than if had won awards..
I like Dances with Wolves, I do. But when Goodfellas comes on, all my plans go out the window. Doesn't quite happen with Dances With Wolves.
Plus, as others noted, the Oscars aren't worth anything- Harvey Weinstein proved you could play the system.
Nobody remembers the ones that did.
Love that he didn't feel the need to do a quick, upclose cut to show each guy getting a $20 in his hand. He doesn't treat the audience as idiots.
Well theres no need as she says it.
Neil M the scene right after this has exactly that though lol
i mean im indifferent to whether he shows that up close. i dont think showing that means a movie is dumbed down and they think the audience are idiots..i dont think not showing it means the movie is the creme de la creme of the thinking man's cinema. it's just a minor shot of a dollar bill
@Ethan Watts Vlogs
Well $20 in 1965 is $166.06 in todays worth. U don’t need to be greedy to be confused about that
Scorsese is a master on subtle stuff like that
I love it when you hear the couple in the background saying "how come we can't get a table" lol
alikarim391 absolutely. it's the little details like that that makes this scene perfect.
In their minds THEY were there FIRST and along comes this guy who jumps the line and gets a table right away and gets fawned over!
01:53
Never noticed that
@John6yt Have another drink!
No wonder she fell for Ray and of course she graduated to become a psychiatrist and had Tony Soprano as one of her patients.
Crucial arc in the LCNCU (La Cosa Nostra Cinematic Universe).
Always with the scenarios
I'm happy to give your comment its 400th Thumbs-Up!
Ray never had the makings of a varsity athlete
RIP Ray Liotta. Some of the best acting of his career right here.
He should’ve snagged an Oscar nom
"I'm a union delegate" (drumroll and cymbal crash) lol
Nyron Belson laugh out loud . Good catch
haha didn't notice that the first time!
union 407 all reps. all crooks. California F U
Oh oh oh very nice catch
I've seen this film a million times and never ever noticed that!
I'm in construction.
THE gotfather
The carting industry
HVAC 😭
He is a union delegate
Joonatan “I’m a union delegate” 😂
One of the best shot scenes in cinematic history.
100th like
This is filmmaking at its best.
I can feel the difficulties of making this scene.
Longshot, steady(possibly handheld) cam, timing, lighting & audio,and so on...
I wonder how many times Scorsese need to take this...
I believe it said eight takes. Not too shabby! 👍
+Wilson Gozal about 8 takes to nail it.
+Wilson Gozal Ironically it would have been less if it weren't for the actor who played the comedian (who appears at the end of the video), as he kept forgetting his lines. Even though it wasn't integral to the scene, and the hardest part was already done, Scorsese wanted the whole Copacabana scene as one shot with no cutting away.
+0mega7000 Sheesh, he didn't have much to remember with the lines in this clip! I heard directors get so frustrated. Can't blame 'em. I'm a huge fan of the late, great Sharon Tate. Such a beautiful woman. But I've heard she was a terrible actress, and it took about 70 takes per scene due to her being so timid. She infuriated directors. Explains why Roman Polanski chose Mia Farrow for Rosemary's Baby instead of his wife. He said he didn't want it to look like nepotism, but Mia was by far the outstanding actress. Off-topic, I know. But looks only go so far. Any director would take a Lorraine Bracco, Meryl Streep, or Mia Farrow over Sharon Tate or Raquel Welch. It really hurt Sharon that they stuck her in a bikini for a whole movie. She used to say, "Sexy little me", crying. Hey, you either have it or you don't. Scorsese knew exactly what he was doing.
3 or 4 and the only reason is because the comedian kept forgetting his joke at the end
True art, I've watched this sequence 100 times and it's still pure cinema magic
Yesss
1:25 i really love how smooth this turn is. Especially with that guy so close to the camera
Everything in the single Steadicam shot was just perfectly timed
The fact that he had the Chef walk in front instead of rbe camera being totally focused on Henry and Karen is great too, shows the chaos of the kitchen
Best shot ever.. Hands down.
I don't know about that: /watch?v=nm28m4gEOkI ;-)
- "I'm a union delegate..."
*Drum roll*... LOL
damn it feels good to be a gangsta!
Absolutely. Man i was a huge fan of that song before it was even in office space. Haha. Video was ill too.
Bo Zi lmao trying to pick fights with 4 year old comments
Somehow, office space reminds me of Goodfellas in a strange sense.
@@MrHamSandwhich comments by 4 year olds *
gangSTER not gangSTA, There's a difference
This is directing at it's finest. I love that Marty used Phil Spector's legendary "wall of sound" as Henry and Karen make their way though what is essentially a narrow maze to get to the main dining room.
Shane Anthony you know what's even better? He could have went through the main door right before he went through the kitchen cuz all he did was make a quick Loop through the kitchen just to say hi to the guys
"marty" oh u guys are big friends huh?
Ray Liotta. My favorite actor of all times. So sad he passed so early
"...I'm a union delegate." Good save, but the relief on his face says it all when the comedian comes on stage. Wonderful.
RIP legend. Seeing this film for the first time was for me a pillar of becoming a grownup seeing all the movies my parents loved. This scene was always my favourite.
This Copacabana sequence from "Goodfellas", the "Vertigo" scene where they introduce Kim Novak in the restaurant, the ending scene in "Gangs of New York", the baptism sequence in Godfather part1, and the bridge shot scene in "Manhattan" are my top 5 favorite scenes in film.
Every man wanted to be that guy, and every women wanted to be with him... fact
This is easily my favorite movie scene of all time.
"Henry!" *waves him through* "I know you're waiting for a table I'll be right with ya. Have another drink!"
"i felt so happy i almost cried and then he kissed me" they don't write songs like that anymore.
I love this scene so much but what I love the most is her dress! Fits her like a glove. She is absolutely stunning
The Crystals : Then he kissed me
I knew I could count on the comment section. Thanks.
"I'm a union delegate."
*band plays rimshot*
Heh.
1:07 that smile that damned smile
This is art.
Seems like the actress really feel the character's emotions 😊
the dreamlife of Henry
"What?--I'm in construction... Ah, I'm a union delegate.."
This entire take is a metaphor for henry's life. Perfection.
Sadly I just read about Liotta. Rest in peace, we will always remember you. Say hello to James Gandolfini.
"You gave them 20 dollars each" .... It's no problem, Karen. I rob the airport all day, every day.
Anyone with a big budget can make a “long take,” but it takes a genius to make that long take matter to the story.
Shoutout to the background talent. They make this shot really soar and you can tell (as with most Scorsese long takes) that it’s so intricately blocked & choreographed
This is a masterpiece of a long shot because it doesn't seem show-offy, really seems to represent a reality rather than a staged event
This was gangster af
And this boys and girls is what you call having INFLUENCE, POWER!!!
The first half of this film glorified the mafia showcasing the glam and beauty that comes with being a wise guy, it’s almost like an intoxicated dream that you wake up from realizing it was all too good to be true. The second half of the film aggressively wakes you up in a sober state and shows you just how raw, cold, and disgusting the mob life can be in such a painful eye awakening way. Sometimes with these types of movies, Bronx Tale included I can’t help but feel Scorsese just tries to grab us by the ears and scream in our faces “DONT JOIN THE MOB”.
Yeah, maybe he wanted to say hi to one of the cooks or something?
It's nuts to think that this glamorous scene is in the same movie as the one where a completely coked out Henry is dodging helicopters and making sure his brother stirs the sauce
That is the beauty of this film...it shows the glamorous beginning of this lifestyle and the ugly reality that catches up after years of this lifestyle, the rise and fall! Kinda like Schindler's list of Oskar Schindler living a luxurious lifestyle while the war for the Germans was going well and being completely broke as defeat loomed!
It's like the symbolism of going into the deepest layer of hell.
And it feels good..... At first
We will never see this type of directing ever again, even from Scorsese himself now. Such a magic, unforgettable scene. RIP Ray Liotta.
that's very true. Marty has been always been in my top 5 directors. Any day,and any time..
realizing the shot is a metaphor for Henry's life.... mind erupted. scorsese is the film god
+MrMaximum91 How so?
+Kato Robinson he starts in the kitchen becomes the errand boy and then a body (the guys Henry is giving 20's to) then they sit down and it's Henry the wise guy and when the camera pans there's a comedian on stage performing, which in my opinion shows how eventually his life will become entertainment for the audience
+MrMaximum91 Actually he starts parking cars for Vinnie just like how the shot starts by Henry giving his keys to valet
+credit14 word. it's top one regardless
MrMaximum91 you have a brilliant mind, sir.
*_"Take my wife, please!"_*
This is one of my favorite scenes from one of my all time favorite movies. Rest In Peace Ray.
The long takes in this film are the best I've ever seen. There may be other films that have even more going on and such, but the way that Scorcese used the long takes to perfectly communicate the nature of this life is absolutely brilliant. This is filmmaking with a purpose. Every technical aspect of the film is there for thematic and narrative purpose, expressing essential elements of the characters, the world they inhabit, and the life they live. They aren't gimmicky long takes, there just to impress people. They were done for practical and incredibly effective reasons that only strengthen the film as a whole and communicate really important information to the audience. Martin Scorsece is one of the truly legendary filmmakers, and this demonstrates his knowledge and skills so perfectly.
Everything about this film works together in such harmony to show the audience such an authentic and compelling look into the lives of those we're seeing on screen here. Landmark film
And that’s how you know you’re watching a Martin Scorsese movie right there
As far back as I can remember Ive always wanted to be a comic
Its cool that he can walk through the kitchen like that but in the end, it's depressing because that's literally the classiest thing he can do and the greatest amount of respect he aspires to. It's like being behind the stage at an amusement park because you work there, it seems cool at the time but ultimately its pathetic how much time you spend there and how limited your life is. It's like Pacino explains in Donnie Brasco, they pay you enough to keep you happy, you aren't saving anything but you feel like a big man.
RIP Ray
It's magical. You're there with them...what a night.
that's funny he said "take my wife please" lol
Funny how?
@@dawsondjodvorj2408 bro it's a 2 year old comment. He's probably dead now
@@NanoTekkers lmao 😂
Ray liotta deserved the oscar in this movie
The longshot, the music, the dialogue.. perfect. My favorite film of all-time!
You know when a film has hit it on the head when you hear a song and you instantly think of that movie. Like this song, I think Henry Hill walking through the kitchen with that incredible long take. Or later on, Sunshine of your Love by Cream and Layla by Derek and Dominos. Fun fact, Martin Scorsese told the writers to writer "Cream" at that scene because he already saw it in his head.
This might be my favorite scene from my favorite movie (Goodfellas). This is a brilliant shot, done brilliantly, and fits into the timeline of the story, moves the narrative forward, and sums up the movie *all at the same time*. PERFECTION. Absolute PERFECTION.
Cinematic autofellatio
gurudeclan you just here a really quiet audience and then one guy screaming "HAHA I GET IT"
1:31 "Will you follow the camera!" hahaha
Who's here because Chris joins an Italian school in the Family Guy
This whole movie man like a fantasy world such peace it brings through all the chaos I think it really is the beautiful soundtrack that flows with the scenes so well. A masterpiece
Always liked that almost everytime that he shook a hand he sneakily handed a bill
RIP, Phil. Thank you for the music.
Ray was one of the Great Ones.
RIP
I've been reviewing it for days and now the news of Ray Liotta's death arrives….
Nooooo
Henry, go tell the angels they're funny 🥺😢😭
Cinema history. The camera man and Ray Liotta made this moment. Rip Ray
I don’t know why he looped around the kitchen for still one of the greatest scenes ever
One thing...the kitchen floor. Anyone who's worked in a kitchen knows you cannot glide through there with leather soles and high heels. LOL😅😅😅😅😅😅😅😅😅
I love the drums comes in after he says "I'm a union delegate"
i got to see this at a screening at my local cinema one of the best things i ever did
I've always been struck by this scene. It's Scorcese and the camera as poet transcribing what used to be, not too long ago. It WAS perfection, indeed.
"Oh! Did he find it? Ah-- 'kay, it's a bush."
There will NEVER be another goodfellas like this one.
yeah, 2 classics from round that time, Boyz n the Hood and GoodFellas
This is the best scene in the whole movie. It is a masterpiece. You are swept into the nightclub along with them. You are there! Plus, I love Henny Youngman. I never get tired of his old jokes. They are still funny!
still one of the best Martin S films. top notch. this film never gets old. the soundtrack is amazing brings me back when my parents were around this age back then in the 60s. RiP Ray Liotta who looked hell lot like my Uncle C.
This what I miss about the old days. Not a shinebox in sight just people enjoying life
The bright side of being a gangster
Uploads a movie scene in 360p to show off how good a scene looks truly you are a genius
Man those are the shots that will stay with us forever, cinema was such a blast and so much care was put into this movie. It is good that we still have some directors with a clear vision and an eye for detail, because i feel that this craft is getting worse and worse for 20+ years now.
This is the film that should have won the 1990 Best Picture Oscar; it's now a time-honored classic.
Just noticed they take a pointless detour through the kitchen lol going into the same doorway they came out of. Cool how they did that unnoticed.
This scene just got it all. Ever since i saw it, I’ve been in love with The Crystals
Rip Ray Liotta😢
R.I.P Ray Liotta 💔💔💔💔💔
My wife said take her some where she never been before.. i said try the kitchen
Mr. Vercetti on a date
very memorable shot from the movie. did anyone else notice the detour through the kitchen starting at 1:00 was unncessary? They turn in, then end up right back where they entered, then go left into the club.
I took a film class and remember when professor explained "the long take". He asked for an example to share with the class. This was my choice. It was an easy decision and it was clearly the best example of al my classmates.
She's impressed.
This really captured the glamour associated with the old school mob guys as good or better than any other scene in any mob movie.
Probably the greatest one shot take in cinema history
One of the GREATEST and most iconic scenes in cinema history
I'm pretty sure that's the best scene. Of Cinema. Ever
This is why Scorsese is the best film director of all time. What a scene. He’s the boss. 👏
This long take is so well done, so memorable, so appropriate that I can't imagine how it should be done differently. Cuts during the walk sequence would have killed the chaotic energy the back house segment conveyed. By the time the shot reached the restaurant, the flow had been established so well that adding cuts to that part might kill the momentum.
even the table behind them at the end, looking pissed that these ungatz get a table blocking their view...brilliant directing