I HATED This 80's Guitar Tone...Until Now
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- čas přidán 15. 06. 2024
- My least favorite guitar sound of all time, has always been the ultra clean, chorus-y, super compressed sound of many 80's and 90's pop, light rock, and AOR records. Despite it being used by many of my now favorite guitarists: Steve Lukather, Michael Landau, Dann Huff, Michael Thompson; It was a guitar tone I HATED, until now.
In this video I'll show you how i've been so obsessed with recreating this guitar tone, and how I did it using UAD plugins and clever audio interface routing.
⏱ Timestamps:
0:00 - Introduction
0:52 - What guitar tone I hated
2:20 - Why I hated it
3:54 - Discovering the great LA session guitarists
4:26 - How I feel about it now
5:03 - The history and background of this sound
5:13 - Vertex video "Evolution of Wet/Dry/Wet: 80s, 90s, & Now" ( • Evolution of Wet/Dry/W... )
5:39 - Example of 80's LA Session Rack Rig setup
7:19 - Why they built these huge racks
8:40 - My options to recreate the sound
9:34 - How I Recreated The Sound
10:21 - UAD Console
12:15 - Dry Signal
15:17 - Wet/Time Based FX
17:27 - Where to place the chorus effects?
18:12 - Hack for more AUX SENDS in UAD Console
20:07 - Dytronics Tri Stereo Chorus plugin
21:50 - The Eventide H3000 sound
24:18 - The Final Sound
26:03 - Taking the sound further with panning control
29:23 - With Distortion
29:40 - DI Guitar sound example
31:05 - Conclusion
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#80sGuitarTone #BradshawRack - Hudba
Hey RJ...great vid & great playing. My detuned H-3000 sound was actually delay, not chorus. In my quest to try to cop the Edge's detuned delays I stumbled on the Micropitchshift patch in the 3000. I found that increasing the left and right "p delay" to normal delay times (for example left 300 ms and right 600ms) and adding a bunch of feedback I could get a lovely, Edge-like detuned delay...THAT became "my sound" and I preceded to use it on every single record that I played on! LOL Interesting side note: The micropitchshift patch on my H-3000 DSE had this kind of grainier texture that I couldn't get out of the Eclipse - it was too clean. These days I can get everything I need out of pedals but I still have the 3000 at the ready if I need "that sound". best, MT
OMG! It's the legend himself! Always loved your playing sir! Great tones, great choice of notes!
The miracle of today's internet!
I can't believe I'm just seeing this comment - Michael it's truly an honor, I'm such a big fan. Thank you so much for watching and the detailed insight.
That’s cooooool!!!!
@Michael Thompson, I remember watching a video that Pete Thorn & Tim Pierce did at your place where you mentioned exactly that and the whole E-Bow with the vibrato pedal works. Still the only video from both of them that I watched regularly for a dose of inspiration.
I call that the 80's glass tone. I love that tone, reminds me of Prince Purple Rain.
It's technically called Tri-stereo chorus
Yup that Purple Rain Chorus is magical...
So f*ing pretty.
The chorus sound on Purple Rain was much simpler than this. Non AOR sounds this reminds me of is early King’s X and Whitesnake (depending on your definition of AOR 😉)
Its more Dann Huff sound than that on purple rain
I will NEVER get tired of that tone. It’s so transportive. It just sounds and feels good. Especially when you’re just chillin’ and strumming some chords on a lazy weekend afternoon. Great video R.J.
Can we just call this what it is:
The “John Hughes Movie” Tone
Hope you guys enjoyed the video! One thing I forgot to mention was how I am able to record this sound in my DAW: I can either record with the all the effects, as I hear it, to a stereo track OR I can record each channel of the mixer to individual tracks (Dry, Tri Stereo Chorus, h3000, reverb, delay) and have more control over when I mix in the DAW.
G’day mate
Digging your new format!
👍🇦🇺
And a month later, you get a super 80s sound pedal that has it ALL, from our dear friend Robert Keeley. :D
Now, all joke aside, I'm sure he's looking for ideas of that kind.
Great work. Very thorough. I'm a big fan of the way this was edited, too. Cheers.
Hey buddy!! Another great video. I saw an interview with Dann Huff who explained that 80s guitar sound. He said with the invention of the Yamaha DX-7 which appeared around 1983, all music changed to this glassy, overly processed digital sound. Digital keyboards and the Linn drum machine took over pop music. What kept guitars in the mix was chorus and the Stratocaster. The heavily chorused Strat could enhance the digital keyboards and humanize an otherwise sterile sounding production.
VERY cool video!!
I've always loved so much of the 80's tones. My favorites being Alex Lifeson, EVH, Jamie West Oram (The Fixx) etc..
Thanks for pointing out Jamie West-Oram. He truly deserves more praise, attention and recognition than he has gotten. He is an amazing guitar player.
I also love The Edge, for those same reasons. Amazingly distinctive and immediately recognizable sound and style. They actually are under-rated guitar players, in that they helped develop and pioneer that amazing 80's Digital Delay / Heavily Chorused British tone, sound and style that unfortunately, barely caught on and lived beyond the 80's. Guitar players claim they do not try to integrate it because it is such a "dated" sound. Yet, I disagree with that assertion. I play some guitar. And, playing with / against a delay and heavily chorused guitar effect is actually somewhat difficult and takes time to learn and get used to playing. It requires exceptional skill and talent to take those extra steps in playing / sound creation. I would argue it is not so "dated" as it is a challenge for too many guitarists to tackle.
Between Synthesizers, Pop Music and Guitar Sounds / style, the 80's was a most amazing decade. It was a culmination of so many great things coming from the 1950's - 1970's in Rock and Roll / Music and Sound Engineering / Recording. It was almost a climax or apex from those preceding decades. We got the best of the best. Most everything seems to be on decline from that decade, or trying to copy things from that decade, which often fails miserably in its attempt.
But, no doubt, some of the best and most influential guitar players came from that era (mid to late 70's - 80's). Clapton and Hendrix were also great, for example. But, they are who were primary influences on these great guitar players you mention / are referring too, for example.
@@axisgarret2516 A hidden gem of a unique guitarist of the 80's: Geordie Walker from Killing Joke. They've gone through a crazy variety of phases and sounds through their career as a band, but for sake of our conversation, their stuff from the latter half of the 80's shows it greatly (Night Time, Brighter than a Thousand Suns, etc.). Actually, Geordie kept a lot of those sounds from the 80's, like the stereo modulation and delays, then tweaked and changed it to fit newer music later on, even when they got into heavier metal and alternative, but it doesn't sound out of place or dated in the slightest!
Jamie West Oram is hugely underrated, and one of his signatures is that perfect chorus sound, in his version of this "tone".
Jamie West Oram is in my too five faves of all time.
Compression + FLANGER.
Not chorus; FLANGER.
I use this sound myself quite a lot.
Alex lifeson is the king of the chorus pedal, so many great tones
The Fixx’s guitarist Jamie West-Oram is one of the best practitioners of this style of squashed stereo-chorused 80s tone…Stand or Fall, Saved By Zero, One Thing Leads to Another…great guitar parts and those songs all stand up today as well as ever!
Great guitar player.
Sign of Fire is my jam, love the Fixx.
West-Oram many years later turned up on the Brian Eno album Nerve Net and played beautifully on the song "Ali Click." You should check it out if you're a fan
Clean tones are underrated.
There's a genre in the punk family called Math Rock that's all pretty much clean tones and Telecasters
And missing from most modern hard rock and metal records.
AOR was not corporate rock. It was deep cuts, full length tracks, the antithesis of 80s top 40 which is what you're referencing here.
Love the channel, Keep it up!
Songs that were considered either too long or not commercial enough for the general public.
AOR was corporate rock, but with album cuts approved in addition to singles for airplay. It gave illusion of more freedom but it was still tightly controlled by playlists via the station conglomerates.
Album Oriented Rock.
Adult Oriented Rock. That 80’s stuff had nothing to do with album deep cuts.
Come to think of it, aor was a misnomer. The bands dismissed as AOR usually weren’t on those stations. Deep cuts of Journey and Foreigner didn’t show up…
Robert Plant with Robbie Blunt on Big Log. Ultimate 80's clean tone for me.
Probably totally brewed by the studio techs.
I met , hung out with and jammed with Robbie , he told me that was his strat with EMGs into a Boss Ce 2 chorus into two old fender supers (for stereo ) and used the spring reverb from the amps . Super nice guy
@@ScottSudbury Wow. That's awesome.
One of my favorite tones. That song pops into my head every couple days for no reason other than it’s killer.
Exactly!!
Alex Lifeson was the one that truly made me love that tone, though it was Prince who first planted the seed on Purple Rain.
Of course a Dimension C will also get you in the ballpark as well.
You forgot to mention the active EMG's. That guitar you're using appears to be equipped with them, and will also be a factor in the tone.
I didn't know they used active pickups in this type of music. A normal Strat with the middle and bridge pickup together is really really close to the sound as well in my opinion. The most 80's tone in my book.
@@Remu- Yeah in the Signature guitars he played they were loaded with EMG's, if I'm not mistaken. That's the only way, he felt, he could cut through the dense Keyboard mix.
@@brettmarlar4154Steve Lukather's guitars in the 80s also had active single and bridge pickups.
Yeah, Alex's "Mystic Rhythms" guitar timbre has _them airy jangles_ like no other, except perhaps some Phil Manzenera stuff came close to that.
Vini Reilly of _The Duritti Column_ was another god of '80s clean/vintage-y chorus timbre, well before the shoegazers hit.
On a session once, the great drummer John JR Robinson told me he started showing up to sessions and they would want some drum sound from some other record he had played on. It became frustrating. Obviously the miking and engineering of the basic tracks which may or may not be mixed by the same engineer would make that request almost impossible to achieve. So when the Dynachord sampler showed up in the 80s, he got 2 of them and sampled every drum sound from a few of his popular original sessions. He would show up to sessions with the Dynachords and a huge case full of snares. If he were asked for let's say that Steve Winwood 'Higher Love' sound, he would pretend to choose a particular snare, let the engineer mic it, then send the signal from the Dynachord he was triggering. He said they almost always ended up using the sample!!
Dude, how could you ever have not liked the guitar tone intro for Endless Summer Nights..🤘😍🤘
“Oooooooohh, I remember.” 🎤 😉
As a forty something year old....... Killer sound.
I think (same age group as R.J.) that we kind of ignore stuff that's all over the place and ubiquitous growing up. Early on as a metalhead, all that stuff was "gay" (not saying that in a modern context, just what we used to say back then and I wouldn't use the term today) and lame and "poser". But being a musician and getting into more and more stuff, sometimes we go back and listen to this stuff and hear/see more things than we used to. I've been rocking Foreigner, some Journey, Dare, Fortune, Alien, Styx, and all sorts of stuff I didn't used to like lately (well Liked Styx for quite longer but the rest no). I just can't get enough of that atmosphere and the keyboards and all that. The wussy love lyrics are a blessing and a curse though, since sometimes if I'm dating someone they're ok but otherwise eww lol
Angelia!
I'm a sax guy. Endless Summer Nights is my jam.
Ah. The “Don’t Dream It’s Over” guitar tone.
...There is freedom within...
@@MajorUpgrade Try to catch the damage on a paper cup... what a line! Thank you Tim Finn! 😎🎸🎹🤘🐦
@@MusicTherapyLaz I always thought it was "try to catch the deluge in a paper cup".
@@hrosemd It is indeed! Written by Neil Finn--in a genuinely crowded house, of all places--recollecting Lennon/McCartney's Across the Universe line, "Like endless rain into a paper cup," as Finn tells it. ^5
"Don't Dream It's Over" is definitely emblematic of the 80s, but for me it's one of the few that transcends. Maybe because it leans harder into this vibe than most? Verges on an almost Brian Setzer kind of thing, rather than the more sparkly, hyper-processed RIchard Marx area. (Is "Richard Marxist" a thing?)
Nailed it perfectly!, another BIG factor contributing to that ultra-clean tone is the use of EMG active pickups like the ones you used in the video but didn't mentioned, the set of 89/SA/SA was as classic as the effects used too!
Robert Cray’s “Right Next Door” has a good example of this 80s tone during the 80s blues revival.
* Tim Pierce has entered the chat
He even played on Don’t Dream It’s Over
Why not use a daw where you can have more aux channels?
Lol! Stop fiddling with your computers everybody! That won't make you no better!
Computers don't have knobs
@@forester057 because at some point a lot of folks (myself included) want to document songs we’ve written & let others hear them. For that you have to record them & learning to use a DAW & record is just as important as learning to play. When people hear my music I want the playing & the production to be the best they can be.
Chill out grandpa.
@@miketmcquinn You’re a knob
wholetime, the PYT guitar tone is perfection. always has been, always will be. hate begone
Mj for life
My fave 80's guy is DEF Andy Summers (Police!!!)...guy had fabulous chords and phrasing...he didn't use a ton of dirty tones...just loved his chorus/flanger/reverb all at once ...killer player IMO.
Andy's chord choices really made his parts stand out and fitted so nicely with Stings bass parts.
I was about to write that Andy started all this in the late 70s
You nailed it! I was a session player in the San Francisco Bay Area in the 80’s and 90’s. I still use these tones on stage with The Whispers.
I love 80's tone. I love chorus effects. This is one your best videos so far. David Gilmour sounded awesome in the 1980's "Delicate Sound Of Thunder" era. I would love to hear what it sounds like if you add some univibe into your "rack" mix. Please do more videos like this one.
Best two versions of the 80s guitar tone:
Clean:
Bryan Adams: Run To You
Crunch/ Hi-gain:
Chriss Oliva-Savatage: Hall Of The Mountain King
Both instantly recognizable and glorious.
Yeah, Run To You is a very special example of that sound.
You have discerning ear ! You nailed it .
The intro to Journey’s “Stone in Love” is another incredible clean tone.
my favorite hi-gain is Corrado Rustici’s guitar solo on Whitney Houston - So Emotional. that is the most/the best 80’s hi-gain in my opinion!
When Brian Adams solos the rhythm guitar part at the end, it sounds incredible. It’s the only time that four chords with a clean tone makes you want to drive faster.
good job at creating this iconic sound.. I've chased it for many years.. recently I added the Vertex Nyle to my rig.. and it's helped immensely.
I was totally fascinated in the 80's with the guitar sound of the pop music as I was learning guitar. The first pedal I ever bought was a Boss Chorus, that was to mimic Madonna's Open Your Heart. Good job RJ.
Love the Gonzales deck in the background! Nailed the tone. Loved hearing how you went about recreating it.
I thought AOR stood for Adult Oriented Rock, cuz it was the type of music your parents listened to.
It does
It does
🤦♂️ ALBUM oriented rock
It does, or so I've heard since I was a kid and started reading music magazines.
@@ortanchibiri Album
I have to give solid props to this man for having an 80's Mark Gonzales skateboard hanging on his wall. Well done sir. You are clearly a man of astute taste and demonstrating you are winning at life.
As a kid, I heard this sound from a Roland Jazz Chorus 120. There was that multi-chorus pedal that needed a bit more compression to get that punchy sound Lukather had. Nice. Thanks for this great video.
I absolutely love that 80s clean tone as well as the crunch tones. And how bout the solo tones?! Anything by Huff, Luke, Landau. Those Richard Marx albums had those tones everywhere. Great tunes imo. I love it.
Tim Pierce on Rick Springfield albums.
Dann Huff mainly used an SPX-90 (pitch change c) for solo tones. He usually didn’t use too much delay or chorus for solos unlike with cleans. It was mainly micro pitch detune and insane playing!
RJ your content quality has gone thru the roof! Excellent work!!!
Wow!! Awesome video! I learned so much from you about 80’s chorus patches, thank you!!
Love your stuff RJ!
Also izotope mouth de-click.
It does magic!
sounds like Ty Tabor to me.
The greatest 80s clean tones: Jamie West Oram of the Fixx, and Robbie Blunt off the first two Robert Plant albums. And of course: Andy Summers.
Yep!
Robbie Blunt had Stratocaster 002 direct into the board.
I was just about to say the same thing about Ty.
Yeah, the dude from the Fixx had a cool Strattastic style.
Tabor is a King.
I feel that that sound was heard in new wave as well - the Police, the Damned, someone already mentioned Crowded House. I love that tone, but never figured out how to achieve it other than it revolved around the 2 or 4 positions on a strat (also previously mentioned). Great video. Just recently subscribed. Not regretting it at all. Looking forward to more of these types of videos. It's like a detective series - solving that tone. Take care and God bless.
Exactly, 2 or 4 position, clean, compressed, chorused, touch of digital reverb and delay.
I learned how to make this sound from Jamie West-Oram of the Fixx and Andy Summers of the Police back in the day. The stompbox formula you need is a cranked compressor, a modulation effect, and a delay. I tend to use am mxr custom compressor + hartman flanger (rather than chorus) to make it because it is a vintage electro mistress clone, which is what Andy Summers used. I skip the EQ and all the bullshit. Three stompboxes is all you need to do it on stage: a good compressor, flanger (or chorus), and delay.
The Police actually helped invent that sound. Rush listened to the Police and Lifeson wanted to ape it, so he started to culminating in his usage of the famous/infamous Gallien Krueger 250ml amp.
@@alsacrime4806 all that yep
What about INXS? nobody has mentioned them yet!
Awesome job recreating this classic tone! I actually like the way you set it up to give you more control over the overall effect sounds you hear in the tone. It's definitely a great hybrid of hardware and software working together to create such a massive sound, and defines my favorite period of guitar sound in the 80s! Keep up the good work R.J.!
RJ! I realize this is an older video. You hit me in the feels! I'm from the 80s, and always will be, and this is amazing. I play guitar, and this is the sound I've chased my whole life, without realizing it. Thank you so much. Rock On.
I saw Toto back in the 80's, Luke was on fire. I remember he had Mesa Boogie's and a rack so enormous it had it's own spot light !! I think they introduced it at the end of the show ha ha ha. This was before he played his Music Man's. He was playing his Valley Arts guitars. I remember i wanted that tone so bad but couldn't afford it.
Best sound he ever had ! Saw him 3 times just sounds dull now ! Great player bring. Back the rack !
You weren’t the only one.
He remains an exquisite player, but I wish he'd go back to the EMG pickups
When I was a kid (back in the ‘80’s) this was just known as the “clean tone” 😂 But I’ve never hated it. I was very fortunate that I got to sit on the control room floor and watch some of the masters of that era (Steve Farris, George Terry, Reb Beach, Tim Cansfield, Alan Kendall, Midge Ure, Eric Clapton, etc.). I have to pinch myself when I think back to those days...Your analysis and reproduction of this tone is excellent bro ! Keep it up R.J. 👍🏻👍🏻 🙏🏻
Clapton?!?! :O
Thanks a lot. I always wondered how they did it exactly. And it is so great you explained how to recreate it in the box.
Always good content. You know your stuff. A pleasure to watch.
It's the guitar plugged into a rack mount Scholz Rockman. Lazy engineer's set up turned into an iconic tone. Absolutely love that tone.
Crazy, those rockman units are what Def Leppard used for all guitar tracks on the Hysteria album. I really want a company to come along and make a hardware clone of the old Rockmans (the new ones are a joke, don't sound good, and are beyond noisy).
Also the ART SGX and SGE rack units had a (cheap) sound like that, which could not be gotten away _from._
Though at the time being all I could afford to 'splurge' on, it ended up feeling like more of a prison than a destination, heh.
RJ, I think one thing that widely drove this '80s guitar sound to be widely used in studios, A) those chorus-type effects were relatively new and brought an interesting spatial dimension (IF used properly), and B) they were clean-sounding and easy to mix and blend - so engineers loved them. But while someone like Andy Summers was a genius at using them, others just made cheesy songs with them.
This is so awesome, thank you for the work you put into this! Really exceptional!
Oh, you nailed it. Funny, I didn't think I would be that interested in this tone quest but found it great to watch the development and examine the tonal differences and possibilities with this setup.
Fantastic, fascinating explanation. Thank you! I started writing 80's-influenced music this year and this is super helpful. I already have a Rockman X100 and an ADA MP-1, so this will be another great tool in my tone toolkit.
You lucky dog (or maybe intelligent or wise is the right word)... the old Rockman's are awesome! I just wish a company would make an affordable hardware clone of them sooner than later. The new rockman's are unbelievably noisy and don't sound good.
Try using the ADA for lead solo tones. Basically run the chorus effect however set everything flat or as close to zero as possible. It turns the tone into that ''Liquid'' sound. 'Is This Love' solo is what I am talking about. It almost sounds like a doubler but in the same octave. For the neck PU sound it is wonderful and highly addictive.
Absolutely loved this video, will definitely watch again . Big fan of Graydon, lukather,Landau ,Jackson Jr etc loved also the direct sound you did like Michael Thompson . Fantastic
WOW - that volume pedal swell sent me RIGHT back. It's those little details that make the difference. Thank you!
thanks for this! have been watching your tour vlogs. gives me some hope and inspiration in this time of pandemic.
It’s like Purple Rain - cool AF
Like you, I'm in my mid '40s and am catching up with all the great music that I missed in my youth... because it was dad rock-y. I'm now knee deep in Toto, Mr. Mister, Journey, Chicago, Pages and all that good stuff. I too used to HATE that sound... but I'm now running a compressor, stereo chorus and circular delay (all analog BTW) and I'm LOVIN' IT! I haven't gone W/D/W (yet), but stereo is a wonderful thing... and I will probably break my all-analog ethos soon - as I need a good hall reverb ;)
God... I loved that 80's clean Comp./wide stereo Chorus sound.
Chasing it for years. Nice work man!
Boogie preamp (clean)
DBX160x compressor
Dytronics CS-5 Chorus
Eventide H3000 pitch detune
Lexicon PCM "circular delays" & Reverbs
Kristian Larsen and Ethan Brosh are some folks that are in to it today.
That is my favorite tone for clean textures and all clean and more clean!! It is like you have to have a certain right and left hand style to play that. Nice video/playing and I wondered if I was the only one still using that sort of tone (I use this tone a LOT downtown Nashville not just 90's country but almost everything else). Great stuff R.J.
A few British guitarists helped popularize what became the 80s sound: Robbie Blunt, Andy Summers, Jamie West Oram, James Honeyman Scott, Andy Taylor, and Mark Knopfler were all tonal game changers!!
Really good comment
chris clermont Don’t forget the brilliant Steve Rothery from Marillion. 👍🎸
Andy Taylor used an Eventide. Still does based on a pedal board photo he shared a few months ago. Totally agree on JWO - fantastic tone.
Don't forget Alan Murphy!
I love the crisp, compressed chorus-y guitar tone. IMO, Jamie West-Oram hit the pinnacle of it, though there are a great many others who used (and use) it so well. I loved it then, love it now, and never stopped loving it.
Thanks, RJ for this explanation of how you set up your DAW rig - it sounds pretty spot on to me.
Nailed it! Freakin awesome...Im an 80's teenager and was never a huge fan of 80's pop. However, there were several bands that we did covers of that had this tone - The Fixx, Wang Chung, Prince, etc. Love how you recreated it man! UA needs to make an RJ 80's template for this DAW!!
Great job I like the realistic approach you took and kept all the way through recreating this tone, which brings back good memories now (yep I kinda hated it too back then). There are easier ways nowadays to digitally make it happen but it wouldn't sound as high-end as you did it, you got the real deal going. Great playing too.
The 80s was truly the last decade of variety and now so much of the kids today are become obsessed with that sound. TOTO'S I'll be over you is the record that sticks out for me so I am happy you mentioned Steve Lukather.
Lukes best recorded solo tone ever IMO
Nah the 90's had a TON of variety.
SL played on a ton of 80's hits and songs. He also played on and co-wrote Talk to you later by the Tubes.
My feeling towards that tone is that it's another tool in the toolbox. If it fits within a song then it's useful. At least I think that's how I feel about it. 😄 You did an excellent job getting the tone. It sounds amazing!
Rylie Rainbow This!
Thanks RJ. I never get tired of hearing Michael Thompson's clean
strat sound. Glad that he chimed in below! That glassy shimmering
strat tone works well when blending acoustic guitars, pianos, violins etc...
it's a classic sound for quality rock, pop and ballads.
Really enjoyed this video man. I absolutely love the 80s tones and glad that Dan Huff got a mention! His tones with Giant were so good! Cheers from England!
Spot on.. any guitar player in the 80's who listened to luke/Landau wanted this sound - great deep dive into their gear
Lukather played on so many songs back then, Olivia Newton John's Physical comes to mind
I made my living with that tone in the 80s. I still have most of the gear left. Thanks for the inspiration.
Thank you so much for making this video! This clean tone always intrigued me, even back in the 80s, and I've always wondered how to create this sound. You nailed it using the Apollo. Makes me realize how much experimenting those guys went thru back in the 80s just to get this particular sound that was on so many great recordings. Excellent video !!!!!
I think you nailed it! LOVE that tone!! And those changes you were playing to demo, dude...LUSH! As a pro sax player dabbling into the world of guitar, this was quite a session for me. Learned a lot. I'll need to come back to it continually if I'm to delve further and further. Yeah man!
One of my favorite guitarists, and guitar tones, is Johnny Marr. All you need is a Boss GT-100; Marr even used one for a few years (search for the video), and he may still be using it. I can also get Cure tones with my GT-100; another one of my favorites for guitar tones. The GT-100 can do more than 80's tones, but it does the '80s tones very well. IMO. I was there in the 80s, and had a refrigerator rack built around my ADA rig.
Mike Landau -Steve Lukather-Dan Huff-Steve Lynch.. The processing was just part of it..The players were and still are amazing..
wow, that sounds really amazing, and also thanks for the great tip with the Cue Sends!!
Hey R.J., i totally love that sound, and understand perfect what you mean. It's one of my favourite sounds and i didn't have hear many people talking about it on youtube, so this vídeo now becomes one of My favourites. Here in México city, i would call it the universal stereo sound(it's a 80's radio station, one of the most popular in the city) thanks for sharing this R.J.!
Man, we're about the same age and I totally relate. I kinda liked some of the AOR stuff, but I was a rock guy who loved rock guitar myself. But in recent years, I've grown to LOVE this stuff!
That was brilliant R.J 🎸👍 Made me want to watch my old Steve Lukather Starlicks video where he explains his stereo rig from the 80’s where he talks about putting ‘Grease’ on his guitar tone !
Hell yeah! You might enjoy this then...czcams.com/video/8IiDLaotMsM/video.html
R.J. Ronquillo 🤣 Hey ..thanks R.J ..that’s great, thanks for the link, just watched it....you obviously know all about the ‘grease’ 👊🎸
Just found your channel. I love old 80’s rack stuff. I have a system in my studio I put together for nostalgic reasons. I have a Marshall JMP 1 for overdrive , distortion, preamp stuff. The warmth is great and it has some mojo when you need to take a break from the DAW plugins.
Anyway, thank you for your channel. I’ve subscribed and will be following from across the pond. All the best buddy. Keep up your great content.
Rich
United Kingdom 🇬🇧🎸👌
Awesome stuff. Appreciate how deep you went. I'd love to see you do this again just in the DAW rather than via the interface as in essence this is done easier likely just in the DAW.
Man, one of you’re best vids. Thanks for you’re input into creating the best ear candy sound ever. Still gets me when I hear that lush sound. No one did it better than Landau. Huff a close second and then Thompson. That’s the holy trinity of the studio sound. You nailed it. Pickups had everything to do with the sound as well. But that’s a completely different video. Thanks man for all you do.
Great players, all three!
Not to mention you need a Strat style switched to the 2 or 4 position to get this as that is a huge part of that sound.
Yep, the Stereo Chorus was and still is the big part of 80's New Wave (or Retro wave/ Synth Wave as people call it). Not only for guitars, back in the day we used to put synths through external Stereo Chorus pedals or rack fx with pretty awesome results. I write and record commercially licensed music as a composer (under performance rights organization, BMI, Inc) and if I am writing in any 80's New Wave / pop genres, I use a Fender Telecaster and Stereo Chorus Fx all the time. I also recommend the Flanger Pedal Fx (Listen to some of the band: "The Cure" albums from the 80s, their sound is all around Flanger Fx) Also Phase / Phasor pedal if you want late 70's/early 80's Funk / Pop / New Wave sounds. Have a great weekend.. stay safe out there.
Thanks for this breakdown! What type of gear would you recommend nowadays, in order to get a sound like RIchard Marx, Steve Lukather, Dan Huff, Etc ...
That’s amazing man. As one who was in high school during that time, I can say you’ve nailed it!
What a nice FM synth sound you've got there!! BTW, you totally nailed that 80's sound. Thanks for sharing.
I don't know why I missed this video. It is a great breakdown of a tone that I really don't like, but I enjoyed the video :)
Eric Johnson has one of the sweetest clean tones
Nailed it !!! you have given me some pointers as to my rig .. THANKS !
I was there! And you nailed this tone ... great video, friend!
You can get that 80s chorus sound in 10 seconds with the Arion SCH-1 stereo chorus pedal from the 80s. Try it. It's fabulous. Add a delay and there you go. Two floor pedals. Been doing it since 1988 👍. Great video with some lovely tones.
Ha! Just suggested that pedal to someone.
Get a Tom Scholz Rockman! Those things are pretty much that 80s sound in a box
Only if you rock man😆
Well...what do you know
I loved his Rockman vid
Boston in a box.
I'd love a VST plugin of that.
Great info!... I was re-creating this sound back in the 80s live with a Roland JC-120, Boss CS-3, and various delays and reverbs in the loop.
Great Video!! not a huge fan of 80's tone, but you may have temped me to play with it!! Also, this is a great demonstration on how you can use UA Apollo for guitar!! thanks again
I never really cared for it in the 80's or any time until I was hanging out in the studio and the engineer and a guitar player were working out this sound with vintage gear and I instantly had an appreciation for it. They tried to get the same sound with plugins but had no soul.
Do you know the name of the second song he’s using as an example in the vid?
@@razorcola5434 ye plug-ins can sound soulless
Great video! Do you think you can recreate this sound on, say, an HX Stomp, or a Kemper? I’d really be interested to use that sound in a live environment! - Shin from Japan
You can get close on IK multimedia AmpliTube Max you can run wet dry wet and maybe di all at the same time.
Such an iconic sound, you did really well with it. I have grown to appreciate the 80's sound as I have aged and through session guitar players like Lukather and Tim Pierce. Awesome job!
one of the best things ive seen in a while!! Off to play with my effects now..
Man, I’m glad it wasn’t just me who went through this. I hated that sound, now, it’s the mainstay of my clean tone. Back then, I was obsessed with Nuno Bettencourt’s tone and Ty Tabor’s tone. Now, I’m using a lot less gain and more of a retro tone.
King's X? Yes please!
Oddly enough, though, some of the stuff our friend was planning here reminded me of Ty Tabor's clean sound in tracks like "Summerland". But I hear what you're saying (you're talking about his dirty guitar sound).
I absolutely agree. I never really cared for this tone in the 80’s. I was always into the hard stuff
Every time he hits that B chord, my ears are anticipating Goldilox.
Dude, you totally nail all of the tones. Great job!
haha, this is my ideal clean tone so I'm happy you came around to it! Great video as usual!
good to see and hear you have matured, in musical outlooks and tastes. The 80's were the best times for all things guitar!
Ty Tabor from King's X used this sound a few times on their early albums.
Summerlaaaaaaaaaaaaannnd
Yes, He danced around the Summerland chord progression a few times!
I think Ty used a bit more dirt, but certainly had that 80s chime.
Nice job thanks ! Was hoping more dry funky 80's tone too but I guess I can figure out by myself with those advices
Comprehensive walkthrough mate! Love it!
Loved that tone, and at the same time, I would ALWAYS hear that in every cover band here in the Philippines. It's like a default patch that we have here. :D
Some of the songs I use this tone for:
Another Day - Dream Theater
All This Time - Tiffany
Never Say Goodbye - Bon Jovi
Up next: RJ teaches 80s AOR Guitar Licks, Tips, and Tricks
Well done! I learned a lot. Thanks for sharing this. I'm going to put this to use.
Fantastic video!Really good work!