heavy distortion without losing dynamics
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- čas přidán 31. 05. 2024
- this is a neat little technique called “companding” or “compander saturation” where we’re able to put compressors and saturators on either end of a saturator, so that we can heavily distort a signal then recover the dynamic range afterwards using an expander which applies the same amount of gain that the compressor initially removed. this can be great for coloring a sound with distortion while preserving dynamics.
compander saturator bitwig grid preset: drive.google.com/file/d/1JgJp...
0:00 clip for loudness vs color
0:44 drums example
2:03 MSaturator tutorial
3:45 compander in bitwig grid from scratch
4:58 vocal example
5:42 saw pluck example
6:06 summary
the fun thing about a compander setup is that it enhances transients in two ways. first, the transients get distorted harder, and then the transients also get put back in as the loudest 'part' of the waveform. this can definitely cause problems if you're overdoing it, but it can also just be a really nice way to make transients cut through the mix in a way a normal transient shaping plugin wouldn't be able to.
well said!!
So a Compander is the tool? I am surprised Bandlab has it. Compression and Expansion! I understand one but not Expansion
@@rodstoneExpansion is basically the opposite of compression.
Compression takes all output above a certain level and brings it down to the desired level without touching anything below that level
Expansion (also known as upwards compression) takes everything below a certain level and brings it up without affecting anything above that level.
Oh my god, this might actually change how every single song I make from now on will sound, thank you so much!!
you’re welcome :) hope you get good results!!
I don’t know how many years I’ve wished I could have distorted thickness with the dynamics intact for vocals. This is amazing thank you
Its been a long time that ive watched a music production tutorial and it was about something "simple" and generally useful that i didnt know yet
🙂!
@@jshstuff also i dont know if this would necessarily have a use, but would it be possible to achieve this without the intial compression? Aka you just record the amplitude of whatever goes above the threshold on your saturator to reintroduce that volume after the clipping. So it would only be cutting off peaks but boosting them right back in.
or even crazier being able to adjust how much the initial sound is compressed regardless of the expansion in the end. so you could basically adjust how dynamic the saturation should be, but still retaining the dynamics of the original sound, rather than having completely even saturation due to the input getting squashed by the compressor.
I think the thing you built in bitwig could already get close to achieving just that if you just removed the part that did the gain reduction in the beginning.
And obviously application for this would be 808's where you might want a harder distortion in the beginning that fades off. If you compress it then the distortion would be applied equally which would be a different type of dynamics lost.
You could be adding spectral dynamics from distorting a dynamic sound (aka different levels of saturation due to the amplitude differences) AND you could reintroduce the lost dynamics in the end.
yeah you’re a smart one!! this would totally be possible and could lead to some great results. I don’t think you can do that in MSaturator because the companding links the compression and expansion, but in my Bitwig grid patch all I’d need to do is bypass the module doing the gain reduction and it would work just like you said.
thanks for this awesome idea 👏👏👏
"It's super easy"
*opens up bitwig's effects grid to custom compressor setup built from scratch*
😵💫🤯
I don't know how to thank you enough. It's literally the one thing that always lacks in my mixes.
And a small rant: How many times I've seen videos on CZcams saying "These 3 Mixing Tips will save your life" or "Muddy mix? Use this to get it clean!" and providing just niche specific tricks that dont help at all. While you just get straight to the point with plenty of examples and a detailed explaination. Thank you!
:)
I use Faturator by Kiloheartz and i really like how it retains dynamics while still providing an incredible sound
For a different approach, you could have an effects rack that has a compressor on one end, then an expander on the other with the side chain being the pre-compressor sound. For extra gravy you could assign macros that compensate for each other combining the same controls on the compressor and expander side, but because of the saturation you don't necessarily want the exact same settings on the compressor and expander
cool idea that would work super well!
you can flat tilt out bass pre-distortion and then do the opposite EQ curve after distorting. This will bring back some dynamics as youre distorting an altered signal. Also nice to have it not modulate so hard from insane bass energy.
what do you mean?
@@PrideGamingTV pump the bass with an eq going into the distortion and then do the opposite so the rest of it gets some more of the dynamics
a couple people asked for the bitwig grid patch preset. it's linked in the description now, have fun :)
I don't see it in the description. But great video bud!
@@AlecWyldshould be after the main description and before the time stamps?
Oh I had your video open before you updated it haha thanks! @@jshstuff
other clever way is insert the tool device after saturation or clipper then add audio sidechain modulator and take the input from the same track but choose pre-fader then adjust the setting with rise and fall settings , then modulate the gain knob in tool device the add original dynamic back into the track after distortion/clipping
another bitwig W. you’re totally right I didn’t even think of that. thank you for sharing!!
@@jshstuff Bitwig is the best daw, no cap
@@jshstuff To do it in a more controlled way, you could also use a Segments modulator and use that to modulate the Tool device instead of dealing with the rise and fall of any kind of envelope follower.
@@shaboogen there's endless possibilities with bitwig and that's what i loved about it
underrated channel. what a straight forward, clear tutorial. props, mate!
This. Sometimes there do be gold in the reccomendations
and this is how Skrillex makes his stuff loud af 😮💨
Love this, especially for me as a hardstyle producer where distortion is used everywhere, this opens up a new world. Thank you!
it’s been three weeks. upload again. i don’t even make music, but i gotta feel productive when i binge youtube at 4 am.
the way you use microsoft paint and explain big brain maths comprehensively to make music sound good is so beyond my 45 iq understanding, and i need more of this.
this is one of the most informative and useful videos I've seen. I've been trying to figure out how to get my drums to sound crispier/saturated without it sounding horrible in the mix. Low and behold this pops up in my feed and gives me the exact information I was looking for. literally 10/10
that was some THICC KRONCH there at the outro with all the companded saturated parts playing at once, love it!
for level match the input and output of any type of sound while maintaining dynamics, dial +6db in Compander Output, Attack and threshold at . Thats literally it. The saturation threshold must NOT be on , thats the gain knob (it indicates where the effect starts applying, if put at zero it doesnt do anything). Release work to smooth the saturation being added.
What you explain in the video is how to introduce saturation using the compander as a pre dynamic modifier. Thats why it only works if you put +6db in the output of the Compander with the saturation threshold at zero (what you do its surpass the "zero threshold" capacity to read sound). That explains why you dont hear the mode of the saturation changing either.
Great video!!
Very well edited, very educational,very informative, Keep up the good videos!
that's the best outro I've ever heard
"I tricked you this is a bitwig tutorial now" 💀💀💀
bro this is so helpful I didn't watch this type of tutorials for long time , thank you so much
This helps bring more perspective to my tracks because I’m actually taking more cleaner digital sounds (although some emulate analog synths that means nothing) and run them through different methods of distortion with bus processing to slowly reverse engineer the song to have an authentic loss of fidelity to it. If I can make the song sound like your dad dug it out of the old milk crate, I did it right 🎉❤
❤️
this sounds like fascinating technique, I would love to hear some examples in your work if you'd like to share!
great video! It really changed my understanding of saturation and clipping again! Thank you! I'll definitely apply this method in my productions!
yay! you’re welcome :)
your voice is exactly what i want my voice to be. literally so asmr
This is an excellent technique. Thanks 🙏
This is why I love CZcams, the only place you can find gems like this! Thank you so much for this the effect is great.
yw!
Your videos are gold, thank You so much🖤
awesome tips, this adds a lot of color without losing the clarity
Wow, this is such a simple, yet genius idea. Thank you for this VERY helpful video!
Keep up the good work :)
you’re welcome!
This is some really interesting stuff. I've always wondered if this was possible!
Bro I've been looking for something like this for over a year...you are the GOAT
right, isn’t it sick!!? I’ve been using it on everything for the past 2 weeks ish
God his voice is so pleasant I could listen to him talk about anything
asmr/bedtime story channel at 100k subscribe subscribe subscribe
@@jshstuffyou better keep your word
@@IDGs_space I promise
Thank you, can't wait to try this
Bro keep making this type of video, that's important knowledge for producers
you’re insane. been looking for a way to do this for ages. thanks so much
you’re welcome!
amazing tutorial, very consise and entertaining. will definitely try this out
:)
Cant wait to try this on some drums!
This is a really great video, very well made!
Damn this just what i been trynna figure out for some drums not too long ago where things got too squashed, but i liked the grit. Was kinda able to get around it, but will def be using this in the future
oohh that's sick! definitely gonna be using this
People normally say.."oh this is gold" and i am like hhhmmmm but damn all of your videos are gold and they speak to all the issues we all face and we hardly see other people covering or if they do their solutions are normally Mid. Thank you
amazing info! thank u!!
This video is TIGHT, subscribed
Great lesson. I realized that through few mastering processes. I thought compressing some problematic bands like the low end would make my mix sound more stable on dynamics and tonal balanced but when clipper was used the problems got bigger hahaha
Interesting technique, Melda makes such good stuff, I ought to get into it. I do many variations of this with multiband expansion and then a subtle clipper or comp, simple volume/gain automations, serial and parallel fx going on the same sound etc. But nice to have a tool like that which does it all and with a simple enough gui...
Fantastic video. Informative and no fluff. Subbed af
Gems!! Thanks for the tips. What a game changer 🧨
💎!
Fantastic! Thank you so much :)
very insightful and helpful video thank you jsh
:D
I literally clicked on the compander enable button, heard that it made the song sound like booty, then disabled it and never used it again. Thank you for this brief and well explained tutorial.
Love this vid. Thanks for explaining the Melda plugin like this. I think YT is lacking tuts for them & all their plugins are great. Appreciate you. 🙏
Awesome!!!!
Love and blessings.
❤️❤️❤️
this is incredibly informative! thank you!
yw!
wow i didnt think of this, fantastic
this is some insane stuff ty for posting this
yw!
that is a freaking genius technique!!!🎉🎉🎉
great video, thanks for sharing!
yw :)
Damn this can get completely creative! I do a lot of work with vocals and playing around with distorting them while retaining the natural dynamics is something i haven't really thought about. Thanks for these tips!
Also the bitwig rack thing looks sick! Looks like a colorful and somewhat simplified version of the FL Studio patcher.
hope you get good results with this!
btw Bitwig grid is certainly not a simpler version of patcher. imo patcher is a toy while Bitwig’s grid is a toolbox. the only thing patcher has that’s better is the UI creator tool
Maybe simplified was not the right word, but rather more easy on the eyes. Patcher to me always looks flimsy and weird lol it gave me a hard time learning the tool itself @@jshstuff
@GaashMusic yeah gotcha. patcher can do a lot of stuff but at the end of the day it’s just a glorified FX rack, as opposed to the grid/the ableton one (max for live I think), which are actual instrument/FX creation tools.
I find that I have to jump through all sorts of hoops to get anything done in patcher. and yeah agree it’s not easy on the eyes, unless you spend hours making a pretty control surface for it.
First audio vid I've watched yet, very confused And very inspired.
Nice video! Thank you!❤️
you’re welcome!
Wahh that's such a cool trick, didn't know about it yet! Deffo going to use this ~ thank you!
I didn’t know until yesterday either, you’re welcome!!!
parallel heavy distortion (i.e. just using the mix knob on your distortion plugin) at a low-ish mix level can often give you very similar results at a fraction of the effort
@@TheJohnsofDoes It adds harmonics while keeping most of the dynamics intact
some great vids on your channel, looking forward to more
:)
great video!!
Let's go he's got the most based FL studio theme kicking
Wow great tip!
Idk why I was just expecting another video on NY compression but this is actually quite unique
Thank you for the high quality video
you’re welcome!!
Ohhhh shit. Okay wow. This is a game changer for me im using this on literally everything now moving forward
yaaaa I’ve been using it on everything too
I literally just tuned out your voice and listened to the drumbeat for like 5 minutes
stuff in the grid looks cool
Woah, subbed. Great vid.
Yo this is a real gem
awesome stuff - had no idea about companders tbh. I always used parallel distortion or would use compressors to shape the dynamics of a clipped signal after the fact, but this is something really cool I didn't know you could do
every day I seem to get a tiny bit closer to converting to bitwig I'm afraid
woah it's the coolest youtuber of 2023 aka pailiaq
do it I dare you, do it
Spot on, keep that up
great vid!
Really helpful video man nice oneee
Game changer production tips
This is pretty interesting, just for future reference, it'd be cool to hear a super clear back to back comparison of the different plugins/ settings you're using, just for a bit of extra clarity to understand what you're talking about
What is the visual plugin in the top left corner? Please let me know :) (with the RGB color waveform that looks like a waveform of a DJ software)
minimeters!!
great tutorial man, thanks
you’re welcome!
I love your videos, I'm really into those nerdy music production tips!
BTW: What plugin is that meters on top of the screen?
this makes me very happy :)
minimeters!! it's only $10 and is so good!!
Thank you so much bro!
you’re welcome :)
This guy is very smart, subscribing
awesome dude
MSat is one of my FAVORITES
holy shit, your videos are really good
thank you wangle aka the sound design GOAT herself
@@jshstuff aww omg thank you :D
cool stuff!
this is very cool, thanks so much! Been using MSaturator for a while but I always ignored the compander section because I didn't know what to use it for.
:)
awesome!
cool tip!
Big up for using Melda's stuff!
Just recently switched to bitwig as well! Nice to see you've done so as well :)
I switched just over a year ago, been loving it
u should post more, also this mixing based content is peak
Good video! Just a tip, Klanghelm's SDRR2 can achieve a similar effect. There are multiple saturation options, and there's a dynamics section in every one of them. Set the dynamics slow, transients wont be affected/squashed with saturation. Cheap and a good plugin!
Just wanted to share.
cool thanks for sharing! it looks good gonna have to check it out
Finally, a tutorial that isn't incredibly basic information.
Great video wtf this is insane
this is great
you too
thanks for class! What is the spectral visualization above? It is a complement? What is it called please? I see useful.
minimeters!!