What Makes This Song Great? ""Love, Reign O'er Me" The Who
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- Äas pĆidĂĄn 7. 09. 2020
- In this episode we explore the music of The Who.
Roger Daltrey - Vocals
Pete Townshend -Guitars, Keyboards, Vocals
John Entwistle - Bass
Keith Moon - Drums
#TheWho #WhatMakesThisSongGreat #Quadrophenia
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THIS could be Ricks greatest air performance ever!...air timpani's, air drums, air Pete Townsend swoop guitar, and last but not least- air vocals!!!...fantastic!!!
I remember finding it strange when i was a kid and would get in the car to see not all families sing to songs on the radio and air-play various instruments.
This might be my favorite WMTSG of all time.
Rick - you are so fun to watch and validates I am not a sole alien my wife believes when I react similarly.
@@the_original_Bilb_Ono needs to be in your blood/DNA
@@johntremblay6552 I think you're not human if this song doesn't kick you in the chest.
Daltrey rarely gets credit for being one of the greatest rock n roll singers.
I've actually seen people dump on him for some reason. No accounting for taste.
@@RCAvhstape probably because he rarely holds back
It's hard being in a band with awesome musicians like John and Keith. Then you have a great songwriter and part time singer and underrated guitarist with Pete. Lots of others screaming for attention. Sometimes history just isn't fair.
I saw The Who this past summer at the Hollywood Bowl and Roger's voice was hitting those same notes!
@@crunchers9 NO WAY
I've always thought that this was THE most magnificent rock and roll song of all time. Hard to hear without tears streaming down my face. Beauty, rage and elegance, all magically woven together in a way that leaves me breathless.
Oh, man, it's that same exact feeling for me. I was just listening to the song before watching Rick's video, and had tears in my eyes.
Beauty, rage and elegance...Couldn't have described it any better.
A rock song that equals the majesty of the best classical pieces... superb.
No one ever mentions Entwhistleâs bass work. The reason being it is so flawless and perfectly layers into the rest of the music.
Even Rick doesnât mention Oxâs bass on this song, because there is so much going on between Roger and Pete
@@saintndacity4814 Not a massive factor on this track. But he has a monster groove for the bridge/solo.
Iâve gotten into legitimate fights over entwistle as a bassist. There are very few non-musicians who recognize his pioneering work on the bass and Im one of them. Iâve talked with a lot of musicians whoâve said that entwistle is the greatest bassist of all time. Honestly I think that entwistle was great because he got to play off Keith Moon.
He is regarded as the greatest bass player ever.
Old "THUNDER FINGERS"...
His widow brought John's sterling silver Sony Walkman (1979) into Rick Harrson's pawn shop (Pawn Stars) on one episode, and I believe that's where I heard her mention the nickname - or at least that he was known to break strings on his guitars being so thorough!
When I picked up a bass I wanted to "fly" like John : )
Pete Townshend originally intended to sing lead vocals for "Love, Reign o'er Me", because it's subtitled "Pete's Theme" and he wanted the vocal delivery to be a plaintive whimper. It made sense at first--this song marks the end of "Quadrophenia", where the main character, Jimmy the mod, is drunk, strung-out, and stranded on a rock in the middle of the ocean. He's depressed and disillusioned with his mod lifestyle, and on the verge of death. He's sitting in the rain with his life flashing before his eyes, and he does something he's never done before--he prays.
When Roger Daltrey wanted to sing lead vocals instead, Pete was skeptical. But when Roger came through with this towering vocal performance, Pete finally understood. It was sung from Jimmy's INTERNAL voice!
I flip between liking Pete's original demo of Love Reign O'er Me over the Who release. Must be I like whichever one that's playing at the time.
the demo where PETE's singing is amazing. ROGER's vocal is basically identical but with more guttural power.
Amazing insight there Maria thank you so much for posting that!
@Roger Coley yes like THE BEATLES kept all their early demos wonderful to hear.
What a well written short story of a short story! Iâm sure Who fans likely know all of this stuff, but itâs all new to me.
Daltrey in my opinion went to another level with his vocals on this song.
I think its fair to say that Townshend wrote the song in Daltrey's wheelhouse & that is probably an overlooked aspect of Townshends compositional abilities- he made his bandmates sound the best they ever could... he'd probably call that a bargain I know I would!
@@MrAdamNTProtester Ha ha ha.....
I've read that when Pete was looking to start a band, he wanted to find a singer that sounded like himself to voice his musical ideas, and then he met Daltrey!
@@Jekylnhyde55 NOPE Daltry was the one that started the band & Pete joined because he was afraid if he didn't Roger would beat him up... I don't think at that point in time Pete considered himself the leader of anything- that of course would very quickly change... see look on Daltry's face during very early live recording where Moon destroys his drum kit... throughout the whole thing you can see he is totally pissed like what kind of nonsense is this... it was not long before Townshend's compositional genius required him to be the band leader... and also not too long before Daltry could no longer intimidate Entwhistle
@@MrAdamNTProtester Not to mention how Roger was nearly kicked out of the band after their first album. He had a penchant for settling disputes with his fists at the time, which his bandmates didn't find endearing.
The greatest rock scream in my opinion, only to be topped by Daltrey himself in Wont Get Fooled Again.....Goosebumps quality notes
Wont get fooled again scream is the best ever in rock.
100%. Always said that very same thing.
ticks and leeches would like a word
Jim Morrison had some epic screams himself.
SOME of DEEP PURPLEâs IAN GILLAN vocals were real âscreamersâ too, especially around âMADE IN JAPANâ era !
Gotta throw out a mention of the greatness of the lyrics while we're at it. The double meaning of reign and rain, then comparing love to rain that's soothing, and then rain to tears. Magnificent poetry. This song really is a masterpiece on all levels. It's hard to believe that Pete Townsend could write this, and that there exist four musicians who could do it justice.
The Who was truly a miracle of a band. The fact that 4 men who were so volatile and individualistic could somehow keep it together for 15 years up until Keith Moon's death is unreal. On stage, they almost played against each other more than they played together, yet they were all such gifted and unique talents that it worked. Of course, none of that would matter if the songs weren't great, and thankfully Pete Townshend was more than up to the task in that regard.
that's in my opinion one of the reasons for the longevity of the music, and for Pete and Roger professionally: rock music with lyrics that go deep, high, and wide!
I was moved by this post! We used Love Rain O'er Me as the recessional for my son's memorial service. He was a huge fan and considered Quadrophenia to be the Who's greatest album.
Erik, so sorry you lost your son. Playing The Who at his memorial was a classy move and nice way to honor what he loved. You are a fine dad. Be well.
@@jacquiwinter6282 Thanks, Jacqui he passed away two years ago next week.
Sorry for your loss Erik.
This may sound strange, but Iâm a bit jealous because Iâm not sure my dad would have a clue what my favorite band or song was.
Anyway, that was very cool of you. Hope you find peace.
Wow Erik, that was an amazing thing to do for your son! Sorry for your loss...I'm sure Mr. Townshend would be moved and honored by what you did.
@@bencurti7693 ~ I know I am !
Rick could do an episode of What Makes This Song Great for every song on this album.
I saw The Who in September 2019. I pretty much know many of their hits but not a lot from Quadrophenia. When they played The Rock (right before Reign Oâer Me), with the orchestra, I was transcended. It was so good it was ethereal.
Quadrophenia is one of the true under-the-radar concept albums in Rock. Many people know Tommy or even Jesus Christ Superstar as rock operas, but Quadrophenia somehow is forgotten in that category. IMHO - it is better than Tommy, both musically and conceptually. Every single song is incredible. Put them all together and you have one of the best albums in Rock History.
@@johnheer69 Right there with 'ya on this being better than Tommy. Quadrophenia is a masterpiece.
Agreed, just look at how many famous rock artists have stated that Quadrophenia was their most influential album in developing their own music brand.
To me, this is the greatest rock and roll album ever made. The premise for the album (in case you didn't know) was each album side represented the personality of each band member. I still listen to it. It never gets played out for me.
I saw The Who in 2019. At age 75 Roger could still sing this song. He got a standing ovation!
And he's going to be the big 8-0 next March.
@@sralyn I saw them perform it in June 2023. Still amazingly powerful
From the greatest rock album of all time.
This entire album is one Pete Townshend stroke of genius after another..
The entire history of The Who is one Pete Townshend stroke of genius after another.
By far my favourite album from them. The 2011 deluxe edition that includes more Pete demos from that period has some great material that never made the album.
Start to finish. Astonishing masterpiece.
For me it is far superior to Tommy, which unfortunately took a lot of the spotlight away from Quadrophenia. 1973 was THE greatest year for rock albums - it was a very crowded field that year, and maybe Quadrophenia didn't get the attention it deserved.
@@davearonow65 I agree
Wow, Rick - you didnât just pick one of The Whoâs best songs - you picked one of the greatest songs of all time!
What makes this song great?
Pulling Muscles(from the Shell) by Squeeze
@@untappedpotential2761 So true its untrue....
What nakes Rick Beato great ??? Eposode 97
Hello, EXACTLY!!!
@mbwfreedom you nailed it. in fact, those words,.. "a fiery mix of love, anger, desperation and masculinity all in one" pretty much explains the band, which is why live they were quite possibly unmatched to this day. At the height of their powers they just blew us away.
God I miss Keith Moon and John Entwistle. The world was decreased on the day each of them died. Great video as always, Rick.
My best friend in high school, who was also my best man when I married the first time, was an alcoholic from the time he was 15. He was a Who fan, big time. I can remember him singing with this song, and when it got to the line, "oh God I need a drink, of cool, cool rain....", the emotion on his face betrayed the hopelessness of his dependency. He died in his early 40's. I played Heart of Gold, on guitar, at his funeral.
my condolences, respect to you for playing that at his funeral
Unfortunately, that is how we alcoholics think and feel ... and why so much of The Who's lyrics speak to me -- even in sobriety. So sorry to hear about your friend.
So sorry for your loss. I'm alcoholic as well...but sober for 26 yrs. This song moved me in the same way...still does
Another sober alcoholic here, 25 years. Alcoholism absolutely took me to a place of hopelessness. I'm sorry your friend couldn't escape it.
I still love this song, and I love knowing I will wake up in the morning knowing where I am and what I did last night!
sorry for your loss...it is testimonial of your love for him you performed...kudos and RIP, "can you see the real me?"
Quadrophenia is, for me, the greatest concept album of all time. All 4 members at their absolute best
Itâs so good. There are musical aspects of Tommy I like more, but Quadrophenia is a more consistent and mature work.
i will take hemispheres or 2112
Carlo Von Sexron Whoâs Next has some of their best songs, but I personally think itâs a bit weak on the back end. Tommy and Quadrophenia are stronger imo just because they are finished, fully realized projects.
Same thoughts, it's the album of my teenage years
Quadrophenia is complete. By the time we get to this song, it hits so much harder.
Quadrophenia is The Who's greatest work. Hugely underrated.
i agree drums are awesome but petes brilliance was never matched after this , i think this album burnt him out
Yep... and this is the band that did Whoâs Next.
I agree. I saw them perform Tommy in 1970 at the Metropolitan Opera House in NYC and I never thought they would top that, but in 1973 when Quad came out, I knew they did. Amazing.
@@wburke121 I love all the Tommy sound tracks and never got to see moonie due to being in my 50s but still nothing musically by the Who ever matched the genius and vibe and overall sound more than Quad .Music of my youth
@@blakegilliam8223 yes great album some great songs for sure Hand or Face and Success story are my favorite on the album.The thing about Quad is the music was actually so brilliantly written And orchestrated .Its without any doubt moons best drumming ever .Its the most unorthodox drumming I ever heard so bizarre and unlike any drummer even by today's standard. He vwas truely nutz and yet played so brilliant. I am thinking and even heard Daltrey say moonie may of had Autistic tendencys.The other thing is everyone especially The Ox were on their game .Johns bass work was off the charts as well as Rogers vocals but Pete really shined the most the guitar work was stellar ,he did all the keyboards or most ,the synthesizer emulating strings ,horns ,even entire brass sections well for the time to achieve those sounds took a lot of work unlike today where you twist a couple nobs on a synth or have programs built in your computer to make any sound possible.The Who in that moment were as awesome as ELP or some of those other Prog bands. THEY went way out of thier comfort zone and the Box .Then there's the whole concept of the album, mods and rockers and documentary of what was truely going on in Englands culture at the time .The album only got better with time to me .
As an avid listener of The Who, itâs really interesting to see someone who really knows what theyâre taking about to break down a masterpiece such as this
same! and I'm delighted to hear Rick speak about THE WHO because he rarely does (unless I missed it);
Rick's passion on this song is soooo infectious. I will never hear this song the same way again. Rick has transformed it from a great song to an anthem.
If you score a Pete or Roger interview you will be my hero forever
If you score a Keith interview I will wash your car for life!
@@marcg1001 If he scores a Keith interview then I will give up a lifetime's atheism and believe in God!
I did get to meet Roger a few years ago, talked a bit and he signed my copy of Quadrophenia....
One of the most surreal moments of my life.
Iâve met Roger a couple of times, heâs a real sweetheart!
And very patient and polite with the fans.
As a non-musician, whenever I watch Rick's videos I feel like I have sneaked into the back of a music class I'm not enrolled in.
Sneaked? Snuck?
@@Soxruleyanksdrool I think you are right here... "have snuck" would have been a better choice.
Or perhaps you are right and snuck is incorrect. I'm not a grammer expert.
@@Soxruleyanksdrool there is this video where Jennifer Garner tries to correct Conan's grammar with the same thingđ
Snuck is correct
Agreed, I am constantly amazed at how much Iâve been missing in the music I listen to just because I didnât really know what to listen for. Thanks Rick.
The talent overflowing in The Who is demonstrated by this thorough breakdown, without a single mention of John Entwistle, arguably the best rock bassist of all time. There barely was room for him to distinguish himself, with Townshend and his writing and playing, and Daltrey and Moon all knocking this song out of the park.
Pete Townshend is a truly amazing artist. He shall go down in history as one of the greats. Even some of the simplest of tunes from The Who prove this. Thanks for this Rick.
well said!
No mention of Entwistle who is playing what is needed perfectly.
One those overlooked musicians that just deliver what need to be delivered without any fuss. Brilliant bass player :)
The whole band brought their game to this recording session. Keith's best drumming IMHO, all of them, just a stunning album.
Probably saving that for "The Real Me".
Entwhistle was remarkably restrained on this song. One of the few pieces where he e wasn't playing "lead bass." He really shows his ability to play exactly what the song needs here, as he does on something like The Real Me.
@@HueyRocks23 A Quick One or Water would be good examples too. Actually, Water from the Live from Tanglewood set is in my opinion the greatest Who song that doesnt include a pre-recorded part.
Couldnât stop smiling at his love for the music. Especially the vocals
It is quite possible this is the greatest song ever recorded.
Best Composer
Best Vocals
Best Drums
Best Bass
Best Song that completely destroys me everytime.
This is just one of MANY great songs written by Pete Townsend. What surprises me is that he comes in 29th of the all time greatest song writers according to Rolling Stone Magazine. 11 higher than Prince? For gosh sake, Townsend wrote rock operas, and Prince wrote Red Corvette. I wonder who Townsend pissed off on the voting committee? Townsend is top 3
Prince deserves to be there too. But those polls mean very little at the end of the day.
@@heftosprod For what it's worth, Townsend also comes in 9 behind Lou Reid. Lou Reid???? You're killing me Rolling Stone Magazine!
I think he's top 5 I guess, but he also goes over a lot of people's heads.
@@eak185 Reid was important though
Yeah, Prince "only" wrote Little Red Corvette. And a little ditty called, oh idk, Purple fucking Rain
What amazes me the most about these WMTSG episodes is that you can take a song I've been hearing for 40+ years and open my ears up to hearing things I never heard before. In essence making an old song new again. Awesome. Thank-you!
Agreed. Every time I hear a WMTSG song that I know, in the car, I'm saying to my 12 yr.old... Okay listen to this fill... Or did you hear that bass slide... Or can you tell what the key signature is...etc. I've even pointed out double tracked vocals, which I never knew were a thing. Thx Rick, and my girl thx you.
Yes, I agree, shame on us for hearing these songs when we should have been listening...
Completely agree. Since Iâve started watching these videos Iâve begun listening to all of the parts of the songs with more attention. Not just the song but it is really made of. Thanks Rick
Bingo.
Me as well. Iâve had so much fun with these.
"On the dry and dusty road
The nights we spend apart alone
I need to get back home to cool, cool rain
I can't sleep and I lay and I think
The night is hot and black as ink
Oh God, I need a drink of cool, cool rain"
Pete Townshend is simply one of the greatest lyricists ever.
Thatâs actually one of my favorite lyrics by Townshend and any song writer period
Makes perfect sense when you think of a Brit, on tour in the US, missing his home & loved ones back in rainy Blighty, counting the days till he can get back again.
@@jackbroughton1431 Mine too.
It's impossible for me to listen to this part of the song and not get chills. Beautiful stuff.
agree, he's up there. In Tommy, you can look at his lyrics and imagine them just being spoken, naturally, not at all scripted or parsed. No "poetic license" required.
The Who greatest live band. Townshend and Paul Mc are two of the greatest singer/songwriters, musicians, performers ever. They can play any instrument well. Best all around musicians.
The main descending guitar riff is a PERFECT example of why The Edge once told me (interview in 1982) that Pete Townshend -- as a COMPOSER on the guitar -- was one of the most powerful influences on U2, from Day 1.
Yes, obvious. Even the great Peter Gabriel was hugely influenced by Townshend. I remember an interview where he says he was "trying to persuade Rutherford to play guitar like Townshend."
Genius. Bob Heil is a friend. He told me one day he got a call from Pete asking him to come over. Bob flew to London. Pete asked him if he could make Roger's vocal bounce to the 4 corners of the concert hall. Bob said yes, I can build a board for that. Pete said you build it, I'll write it. Quadrophenia. That board is in the Rock Hall. FYI: Bob is also the guy behind the Talk Box that Frampton and Walsh helped make famous. Talking with that guy is like a master's course in whatever he has on his mind.
Bob Heil is one amazing guy. His stories on the early years of Rock is great.
Don, great to see youâre a fan of Rickâs as well. I enjoy your work on Ham Nation and Newsline quite a bit. 73, Steve, W1SDR
@@sdritzi Thanks Steve! 73 de AE5DW.
Wasent the talk box developed by Dottie Westâs husband?
@@johnmorone4588 There were many versions of the talk box, but Bob created the high power version that was reliable and was more of a production model than the one-off's made by others, including Bill West.
Whenever I get the question: "what's your favorite band, the Beatles or the Stones?" I say, "The Who."
1. Beatles
2. Who
3. Stones
Mitchell Hughes The Who, Grateful Dead, Marley
@@mitchellhughes5180 What? No Zep?
To me, they all have their own independent brilliance:)
Same here.
Intensity decided to form a band, and it was called The Who.
Keith Moon was the antithesis of the modern tack beat. Rock In Perpetuity, Moon The Loon!
I seen the Who @ Pontiac Silverdome in 1975 w/ Moon of course. My buddies and I stood outside in frigid December temperatures for 10hrs to land up front (2nd row) seating. 97k people pushing toward the front made it extremely difficult to endure, even for a teenager, but what an incredible experience! Moon with his speed and antics was captivating making it nearly impossible to take your eyes away from him. I remember also being blown away by Entwistle fingers so fast, that they were literally a blur. Not exaggerating... I had never seen anything like that before or since. Pete and Roger were also nothing short of incredible as well. Scaffolds stacked 6-7 tall lined both sides of the stage and were filled with Marshall amps. A big marquee above them was flashing. "Welcome to the World's largest sound system. ever" & "Welcome to the Worlds largest indoor concert ever." To be honest, it was survival of the fittest because of general admission seating. When the gates opened to let the public in, security immediately cleared out of the way not even attempting to collect tickets. I still have my original ticket fully intact. I've seen the Who twice since then with Kenny on drums and the Ox on bass sometime in the 80s. I then seen them several years ago with Pete's brother and Ringo's son playing drums. Both shows were great, but not in comparison to the 1975 show.
The whole album, Quadrophenia, Is a masterpiece. In my opinion the best rock album ever.
Agreed, and how well the first scene of this opera is set!
All day long jonas
One of my favorites. I wish I could label one album the Best ever, but there is an undefined and changing group of albums that keep stealing that title each time I listen to any one. There was so much extraordinary talent that managed to run free and unhindered over the years. But I will say the Who have always been my favorite band.
I totally agree this album saved my life.
My favorite album of all time
The strings were an ARP synthesizer. Pretty sure the main ostinato was a programmed sequence. Pete also gets overlooked as a pioneering electronic musician!
Agreed!
TRUTH
Pete was quoted as saying he programmed in Meher Babaâs ânumbersâ into his sequencer to come up with the keyboard for the song. He is a very esoteric dude. Just finished âWho I Amâ, great, but like every other Rock book, would like to read more about the music, and less about the âBirdsâ and lifestyle excesses. Itâs the music that made him famous.
@@davefiano4172 Yep, that was for Baba O'Riley. His original sequence went on for quite a long time & they had to edit it down for the song. You can hear Pete's original demo on his "Who Came First" album. That was not an uncommon occurrence with Pete... for "Who Are You" the middle section went on for much longer than we hear on the final song; Pete left it to the production team to decide what bits to actually use in the song!
@@brianostube I was saying the same thing as Rick was talking about Pete's synthesizer work. I said: "Yep, that's Pete's ARP that he loved dearly!"
The Who didnât write just songs. They were complex compositions. One of the greatest bands to stand the test of time.
JerrG
Rick knows what is great R n R and I love going back in time with him. It was the best of times. Thanks for doing what u do Rick!!! JG
@@jerrygora4307 00
Not to quivel but its my understanding that it wasnt actually The Who that wrote songs but actually just Pete? Correct me if Im wrong. But I personally feel that Pete Townshend is maybe one of the most under recognized forces in rock music⊠words, music, arrangement, vision and guitar playing.
â@@danquinnell3502 yes. Just Pete. With the odds song here and there by John Entwistle. Pete actually wanted the other band members to take more of a role, but they were more than happy having him do the heavy lifting
Most great rock groups have a suburb rhythm section. The Who had an assault team. You essentially have four leads in the same group and somehow they hold it all together. Organized chaos that transcends the sum of its parts.
This song is one of the greatest songs of all time. Pete is a genius. Quadrophenia is one of the top ten rock albums. Thank you Rick!!!!!!!!!!!!!!
I had a music teacher in high school who was an amazing jazz pianist. One day I came to school with my "Best of the who" song book. He saw me looking through it, and grabbed it from me. He went over to the piano, and within 20 seconds he said, "This guy uses alot of suspended chords doesn't he". Rick saying that brought me back to that moment. Thanks Rick!
[A drummer writes] There are so many crazy stories about Moon the Loon - it detracts from the fact that he was an astonishingly creative and brilliant drummer.
His fill in Baba O'Riley (at 2:20) is the greatest drum fill in rock. Don't @ me
Moon called it "Painting with the drum kit"..a great description.
He was also a huge Beach Boysâ fan, which was totally â uncoolâ at that time. Dennis Wilson was Keith Moon âliteâ, but he was the heart and soul sex symbol of the RocknRoll Beach Boys era.
I don't think there's any question - Moon was a trainwreck - and quite probably the greatest drummer that has ever existed ..
Moon was the most insane drummer of his time nobody could touch his fills and yes he was the best at that time
Not enough people explore the lyrics of this great lyricist. Pete Townsend wrote some of the most plaintive and heart-rending and soul searching lyrics ever produced. And of course, Roger Daltry brings a powerful and insistent vocal, like a preacher reaching deep into the soul and wrenching out the truth of human experience. Wow. There are few songs that I can lose myself in, and this is one of them. Every time I hear it, I feel the humanity of love, loss, and of painful need. Thanks, Rick! Now I know why I get crazy when I listen to truly moving music.
Correct to DALTREY & TOWNSHEND please. I understand mistakes happen, but please spell the band's names correctly, regardless of device, language, etc... Capisce? That is so disrespectful, and will not be tolerated by any Who down in Whoville, least of all me. I demand perfection. I take spelling and factual errors very seriously, and will correct people when needed.
I'm so glad he spent time highlighting Roger's vocal performance--there's so much more to it than screaming and posturing (there always is with Roger). There are all sorts of textures and colors in there: breaths, hoots, pauses, shouts, little moments of falsetto, and a gamut of emotions. The album as a whole contains some of his best recorded singing. A unique vocalist and a hugely moving performance in this song especially. Thanks, Rick!
Hear, hear.
And Daltrey never won a Grammy for best rock vocal.
This song is why I say Pete Townshend is a musical genius and why I say Roger Daltrey is unequaled as a singer.
Two true statements.
The Who was the first and only band with a lead singer, a lead guitarist, a lead bassist and a lead drummer.
@@andynator501 So very true. Its what set them apart from everyone else. Its also why they just aren't the same band anymore, BUT their latest album is still very good.
@@andynator501 only? What about Led Zeppelin?
@@doctorr2 Absolutely love Led Zep, but my feel for their albums is that individually, they will intentionally hold back to support the lead parts. The Who always sound to me like they're each trying to outplay each other in levels of intensity, and leave it up to the engineers to mix it down. It's just...different. Zep is a more cohesive band. The Who is just...The Who.
âThatâs one of the greatest notes ever in rock and rollâ. Peak Beato.
I could not agree more though!
Time stamp for this comment?
A note pure and easy.
Second only to the one near the end of Won't get fooled again.
My favorite artist, my favorite album, and my favorite song. Came out when I was a moody teenager and it captured everything I was going through. To this day one of the only songs that will actually bring tears to my eyes. For over twenty years (before marriage and kids) I kept a second electric guitar, tuned down one half step, just to play this song. When Pearl Jam performed for the VH1 special I was transfixed and almost incapacitated. My wife and my son simply do not understand why I love this song so much, and I will never be able to explain it to them. Even Pete has been quoted as saying he never wrote another album as good as this one.
You are correct when you lament Pete's underestimated guitar work. Some say he is a rhythm guitarist, or just played power cords, or fills. You only have to hear him play banjo to know he is capable of amazing works. But his music is not an excuse to solo, or about any one instrument, it is about expressing his stories in music. His guitar serves the needs of the song, not the other way around. I am not putting down those who play a thousand notes a measure in long solo over three cords, I am just saying there are many ways to be great on guitar, and Pete seems less flashy, but actually places the perfect notes where they need to be.
You said nothing, however, about John Entwistle, and as a bassist, I find it hard to forgive you. However, here John restrains himself in service of the song. (Although, I think he said he produced the orchestral parts.)
This song, Dr. Jimmy and 5:15 make this the Who's greatest album. Even the album cover is cool.
You said âPete serves the need of the song and not vice versa.â Very true. As a true artist Pete understands the song is bigger than him.
Saw The Who in Tahoe, August 2017 and they did this song. Haven't heard them do it since I saw their Cow Palace performance of Quadrophenia in 1973. Daltry's vocals were unbelievable especially for his age. Rick is right...truly an underrated song, band and composition! One of my favorites of all time! The lyrics are some of the best also!
Rick provides an outstanding dissection and analysis of this gem of a song.
He truly explains and helps me re-appreciate how great the song is.
Quadrophenia the entire album is a masterpiece, with this song being its crowning glory.
Was that the show where Moon took the elephant tranquilizer?
Roger Daltreyâs vocals in this song represent one of those musical moments that bring chills. Thanks Rick for commemorating that in your video.
AMEN! I still get chills all over my body when I hear it; sometimes I tear-up from the emotional power of his vocals and the lyrics
@@LechDharma
Everything about it dude. I got chills as soon as the intro was done, and I havenât heard this in a good 5-10 years; Chills all over again! And cutting off the intro kinda ruins it a little bit-much better in-album than radio...
Multiple Whogasms
Every person has that ONE album in their life and for me, that album was Quadrophenia. This song has all the things that make The Who great, but Daltrey's performance is just superstar. When you think of a "perfect" song, it's hard to argue against this masterpiece.
Mine too.
Daltrey is unique in that he loses little power the higher he sings. In the bridge, the way he adds a little tail at the end of "reign", going higher with the note but with even more power, is a favorite Daltrey moment of mine.
There is nothing that could've made me love this song any more than I did growing up with it, watching them perform it live, until I watched this video. . .Thank You Rick Beato. ..
I saw the Who live in Buffalo, NY at Rich Stadium and it started to rain during this song. Pete quipped "Let's see the Rolling Stones do *that*".
ok...the stones maybe they couldnt do this one song. But--THE BEATLES? Could've done it better! (Runs out of the room to curley joe going, "WOOB! WOOB! WOOB!"}
Epic quip, eh? đ
@@m1ster3d He must've meant, the Stones couldn't make it rain to go with lyrics of the song.
@@geruto17760 of course that's what Zonker meant. đ I'm still trying to figure out what misterEd thought it was about. đ€đđ€Ș
I saw The Who in '89 in Buffalo.
This's gotta be one of the greatest songs ever recorded in the history of music. Daltrey's performance on this one is just unbelievable. I saw The Who on Rock in Rio 2017 and he just NAILED the vocals when they played it. A truly remarkable singer.
It's a flawless song in every respect. Also one of the most intense and unbearably beautiful love songs.
In my opinion heâs the greatest rock vocalist, just amazing.
Daltrey nailed it in 2019 In Indy too it was an amazing show!
I saw them nail it in Atlanta! Fucking amazing!
Daltrey lost his voice 20 years ago. And after entwhistle died the band is a shell of its former self. Their great run ended with moon and the band was done once john died.
Roger's vocals are legendary for sure. With distinctive and unique tone, great range, unbridled POWER and massive control. IMO, his performances will never be matched. Rick you really help me fall in love all over again with the music I already love. You have mad skills with your trained ear. Impressive barely describes this gift of yours.
The Who were so incredible live that it was hard to record properly. I think Pete was always trying to strive to get there. He was an honest to god maestro. Pete was a true innovator.
Exactly how many times Is Rick going to introduce us to a song we've heard a million times and you listen as if it's the first, Mr Beato cannot be praised enough !
This is Roger's OPUS. The sea, the piano and the soaring guitar.... Entwistle and Moon were just amazing on this one. One of Townshend's best written and composed tunes of his entire catalog of songs.
One of the greatest performances by one of the greatest bands ever. Townshend is a genius. My 1st guitar hero. Dude still scares the hell out of me.
I saw them in concert a month or so ago and even at 78 Roger can absolutely still crush this song, especially the rock scream part in the middle. Unbelievably impressive
What I love in these series of "What Makes This Song Great" is that Rick Beato passionaly loves the songs as real fan, but unlike the majority of them, he also knows perfectly why, and explains and plays them for us.
I am a Rick Beato fan! (from Brazil).
Itâs a great gift.
One that he has and also a gift for everyone who loves music and these great Rock n Roll songs.
so much better than Phil from Pegasus ...
I really like the explanations
Me too Marcelo! (from U.S.A.)
My musician buddies used to be in awe of the way that I could dissect a song. Then, I turned them onto Rick. Now, they recognize me for the amateur that I really am. Tip of the cap to Rick. đ©
Rick was so into it, I thought he was gonna smash his guitar!
đ€Łđ€Łđ€Ł
What a great idea! Get a beat up copy and get really into another Who song and destroy it. Epic.
Pete Townshend eventually quit smashing guitars in the later years. It was hurting his wallet too much. Seems like the perfect thing to do with some Chibsons or shitty Glarry guitars. Hehe
LOL! Well, it would fit the theme.
"It breaks my heart to see those stars / smashing a perfectly good guitar / I don't know who they think they are / smashing a perfectly good guitar." - John Hiatt
Roger Daltrey for the win. This song was the perfect vehicle for his voice at this stage of The Who's development.....
Who else watches these and just wants to hang out with Rick and jam out to records? đ€Ł
I'd give a kidney to hang w Rick once a week and talk music.
Are you kidding? I want to live next door to Rick!
Everybody
me!
I feel special just living in the same city!
Even by itself, this song is an absolute masterpiece...but then when you listen to it after listening to the whole album....I feel like everyone should listen to this album at least once during lifetime...All the emotions the album makes you go through...
Well said. It stands alone as this video shows. But when it completes the double album....wow! Such an amazing ending to a phenomenal concept album.
Love, love, love this song. My favorite Who song.
And it works perfectly with the final scene of the movie.
Like so many Who efforts, Quadrophenia is not just an album, itâs an emotional thrill ride.
100 %
Mike Gervasi I agree there are so many great albums that if you listen to them as a whole are so much greater than the sum of their parts. And their parts are great in and of themselves.
Tommy was always considered âTHEâ rock opera. But this was pure brilliance. Tommy was just a practice run. đ
YUP!
Tommy is mostly dreck
fewwiggle define âdreck.â
@@christopherchild4022 Tommy
fewwiggle Edgy.
Wow, this is the first time Iâve ever heard this song by them and I am floored. This might be one of the best songs Iâve ever heard. The melody during the chorus hits just right.
This might draw some fire, but I don't even think it's the best song on Quadrophenia! Though they are all so brilliant it's hard to choose just one anyway.
I envy you, and am so thrilled for you! I sobbed the first time l heard this song.
Little late to this post but I saw the who play this last night with a full orchestra behind them, and it was honestly the best song they played all night! It was just a huge, moving experience, with Rogerâs vocals slicing through the mix like Iâve never heard before. The orchestra really made those string parts come through beautiful. I have to say it was a perfect performance!
Roger helped me out in an Irish pub once. A great band was playing and no friends could make it, so I went alone. was a huge crowd of guys at the bar and I couldn't get close to put in my order. And there he is, he comes up (was so loud we had to yell) and asks if I was trying to order, (yes, but this crowd...) he asks what I would like (Guiness) he flashes his huge smile and nods his head and goes to the bar... the crowd parts like the Red Sea! He got me my Guiness (and wouldn't let me pay him for it) Great guy!đ He always had been one of my favorites, more so after that interaction!
That is an awesome story - thanks for sharing :)
Guiness Dark by any chance? That's my fave.
Damn! That's how you order a pint. Like a boss! ;) Certainly much better as a true and personal story but... this could have also been a great commercial :))))
@@DarkSideofSynth that would make a great commercial! Lol
@@rkb2092 that's right, mine too! Took him by surprise, Lol
Such a great song in all respects. Daltrey's vocals are so epic and emotional.
Ur comment was 14 hours ago the videos out for 4 mins đ€ . R u a time traveler?
@@clear_gray_sky539 I imagine people in the Beato Club get the vids early
@@clear_gray_sky539 it was included in the playlist last night but unlisted.
In the early days of classic R&R, the Who were THE premiere pioneers of Apocalytic Rock. And each member of the band contributed mightily to the proverbial "whole that's greater than the sum of its [outstanding] parts."
Every time I watch one of these, I'm reminded of the scene in The Big Chill where William Hurt's character says to Kevin Kline's character, "You're SO analytical. Sometimes, you just have to let art flow over you."
I have no idea what Rick's talking about, but I know a great song when I hear it.
Bravo Rick. One of the greatest rock songs of all time. I was in tears by the end. Always great to hear your technical take on something so intuitively great.
I'm so happy Rick chose this of all of The Who's back catalogue, what an incredible piece of music!
Quadrophenia is probably my favorite album of all time. This is The Who at their absolute best with powerful vocals from Roger, John being a badass bass player as always, especially in The Real Me, Keith at the height of his playing, and genius lyrics and great guitar work by Pete. This is definitely a must for musicians and rock fans.
I always turn up the volume for the opening of "5:15" :)
Yessir! The album kicks ass from start to finish. There's not a weak moment.
greg f 515 is one of my top 5 favorite Who songs. When they played it live and John does his bass solo, particularly during the 1996 Quadrophenia tour, it would be so amazing.
Agreed - when I was a college DJ in the mid 70s, I'd usually start my show with "Dr. Jimmy."
Once again, Pete Townsend was the best composer of the super bands of that era. He changed pop or rock music.
I am so glad you did this one. I was 13 years old and had a babysitting gig one night. The very next day I took that money and bought The Who Live At Leeds album. I still have it! The Who got better and better...just amazing musicianship. I finally got to see them live many years later. The Clash opened for them!
Wow! Clash and The Who in one ticket only!
I seen that show at the Pontiac Silverdome. It was their first final farewell tour!
I too saw them with the Clash! A week later I bought my first bass guitar, now I play six-string guitar and Iâve played in quite a few bands over the course of many years. John Entwhistle and The Who in general, were one of the main reasons I started played.
What a concert! I actually hope the Who fans appreciated The Clash! Sometimes these "big rock fans" have small minds... like when Stones fans slagged Prince when he and the band tried to open for them at Mick's invitation. Let me know.
Sheer brilliance from one of the greatest bands ever... arguably the greatest bassist of all, playing with one of the greatest drummers, and one of the greatest/ smartest guitarists ever, AND a great singer. Raised my daughters on classic rock, and to this day, my youngest , (28 years old), daughterâs favorite band is The Who... Dad is proud!
There is nothing like this being made today. Pure artisan-ship, craftsmanship and musicianship bundled beautifully. Thanks to The Who, Glynn Johns and Rick Beato for making and keeping this music alive.
Barf
Both the Stones and Zeplin interpreted the blues in their own unique ways to create powerful and enduring rock classics... but Pete... he created something altogether new and different in almost every song he wrote - never more evident than here on 'Love Reign O'er Me' ...and Roger, well, he sang this one like his life depended on it. The rhythm section was merely great on this one. Thanks Rick for shining a light on one of Rock's greatest songs.
So otherwordly and haunting. To me along with Nights in White Satin. One if the most haunting songs from the 70's. Love music like this.
Rick, I'm so glad that you gave this album some love.
It's impressionism. The beginning, the rain, thunder. Very memorable.
Yes, totally agree! It's a work of art. Even if he didn't add the rain sound effects you 'd know that "raining" was what he was expressing. Or maybe, it's a double entendre '. He is saying LOVE REIGN OVER ME....Something to think about.
Alternative title: *Rick goes full fanboy for 13 minutes straight*
What good is music if you can't enjoy the heck out of it?
Yeah, I thought the same. But wasn't it so much fun to watch?! He is like a 14 year-old kid-so sweet...
@@handebarlas6248 I was far from hating on Rick for it haha I love how passionate he is about the musicianship, I think it's the most lively I've ever seen him on one of his reviews. I'm all here for it.
@@AlDunbar Wasn't hating on him, he looks so happy. I was just commenting on how excited he was
That's what makes these videos so great.
Amazing song. Definitely my favourite from the Who. At the top of their game. What a voice Roger has !
Now THAT is songwriting!!! The emotion in the vocals AND the lyrics, as well as the dynamics and musicianship of the players....It's hair raising. I wish you would've isolated the strings starting at 11:57.
At any rate, compare this song to any of the "songs" in your Spotify Top Ten video.
I got to see The Who with my sister in 1979 (I was 13). We had 3rd row on the floor seats at the Forum in L.A. Roger Daltrey had the audience in the palm of his hand during this song. His powerful, towering vocal I have never forgotten. Thank you for this episode, Rick!
I can only listen to Quadrophenia maybe, 2x a year-front to back. When itâs over, I have to sleep for a few hours because Iâm totally wrung out-which seems appropriate, considering the albumâs underlying water themes. I would have to say that âDrownedâ is my be all, end all fave from this album! âBellboyâ is a close second, because you can really hear the fatigue and despair in Keithâs voice when he sings âyou know how I feel, always running at somebodyâs heel.â
Ahhh, someone else who loves Drowned. I feel human!
Quadrophenia is played in my car on long trips. The miles just roll away!
@@joro8604 Drowned is awesome....the whole album is, I remember hearing all the classic Who tunes on radio, then I heard Quadrophenia and thought this is their masterpiece!
Read Daltreyâs autobiography... what an amazing guy... humble... like Pete, John and Keith, he developed his own gift, with no lessons, or musical schooling, just passion, experience, on stage and in the studio... it comes through his singing ... almost like a Broadway or opera singer ... because Peteâs music is so theatrical
Amazingly, Daltrey disliked his own voice!!
Now, that's humble.
It's rare when you hear Keith Moon play straight anything ...talented monster, he was
Daltry at his finest. Some of the best power singing ever.
god I'm so glad there weren't just a couple of good power singers. Daltry has the most masculine power voice of the 70's. I love King Crimson's vocals, Plant and Gillan's power screams and head voice, but Paltry had a real cut in his voice. Quadrophenia is his best work as well as Townshend,Moon, and gosh maybe even Entwistle if you consider "The Real Me' is sort of the stairway to heaven of bass performances
@@connorclarke1218 DALTREY. Correct the spelling stat!
Pound for pound, The Who are the greatest ROCK band of all time.
For strict rock, you may be right, Pete never gave Led Zep much credit too.
James P Totally
And you win the master of elitist pontification award. Aka "you're a cork sniffer"
âŠmy favourite track from QuadropheniaâŠhere is love and yearning tearing apart a teenager with no clear identityâŠhow can you really convey that crisis musically? Rain, drama, chaotic drums, swelling ostinato, falling guitar riffs, and Rogerâs bloody perfect vocals. Oh, god I need a drink of cool cool rainâŠ
Itâs a synthesizer!!Peter Townshend has said many times â I have synthesizitis. Tommy 1969 was the last album by The Who not to have synthesizers. In 1968 Peter Townshend started planning plotting writing and then recording Tommy which was released in 1969. Then Whos Next in 1971 and lastly Quadrophenia in 1973. Any band in RocknRoll history ever release three what I would call epic albums over a 4 to 5 year period. Glyn Johns was an incredible sound engineer/producer. Kit Lambert The Whoâs manager wasnât quite in the same league as Glyn Johns. It would be interesting as great as Tommy was what it might have sounded like had Glyn Johns been the SE on it like Whoâs Next. As usual an incredible job by Rick breaking down all the intricate pieces that make Love ReignâŠâŠ. A Masterpiece!!!!
BTW - this is my favorite Who album, even over Tommy. I think there is more rock in this opera than in Tommy. The Real Me still makes me want to be a bass player.
It's why I play bass now!
The Real Me has to be one of the greatest rock bass performance of all time - I've been waiting for it to appear in one of Rick's list but not so far.
I wanted to play drums like my hero, Keith Moon, but dad wouldn't buy me a drum kit so my mom bought me a green sunburst Rick copy, because she figured I liked John Entwistle, too. Forty five years later, still playing the bass, still wish I could play as well as Entwistle. I can play "The Real Me," but it took a minute or two to learn how to play it.
@@aprilkurtz1589 Hey...it is never too late to pick up some drumsticks!! I started playing the guitar at 51!
Oh man....I was in an amateur band a few years back, but we had a semi-retired pro bass player who OWNED that song. (I picked it for him but I ended up loving singing that song - anything Daltrey FTM. ) It was always my favorite song in our lineup just because the guy was so tight. Any given time we could just jam on that song and let it keep going. We only practiced less than an our a week, had a small set list, good little amateur band - but any time we'd crank that song out any crowd was like WTF just happened? God I miss that group.
This song never fails to bring me to tears. It taps in to that moment of shear heartbreak we have all experienced at some point in our lives. It is true art at its best - depicting life at the most dramatic of moments. Genius!
It is heartening for me to know that this album, this song, which were anthems of life for me in my teens, is understood by so many others. And that so many others appreciate its greatness. :)
To have even written one song like this in a career would have been such an achievement. Quadrophenia is the Mona Lisa of rock.
Incredible. Keith Moon REALLY followed Roger's singing and Roger drew his energy from Keith's playing. Such a powerful song on an truly powerful album. Thanks, Rick!
Entwistle always drew energy from Moon too
9:10 The reason Keith Moon plays straight beats during that section is because Roger Daltrey is singing in a fairly strict metre -- Keith played drums to Roger's vocals. Listen to 'Pinball Wizard', 'Won't Get Fooled Again', "I Can See For Miles'... so many songs. Keith always reacted to the rhythm of the vocal rather than keeping an actual beat. That's why he's such a unique drummer. He doesn't have a groove like Bonham, he's playing to what's going on rather than laying it down from the bottom up.
Agreed. Ive always maintained that as a drummer that's both one of Moon's greatest strengths and weaknesses as a drummer. He has very few equivalents because his style is as such. He'll add a fill to a part just for the sake of flourish, but he makes it sound good too. I'm not convinced he'd be a great drummer for too many bands out there at least with the style he's known for, but as the drummer for The Who he fit perfectly with them and is unmistakable. Absolutely one of rock's most distinct and energetic out there.
I can't imagine another drummer playing "Happy Jack", "I Can See For Miles" and "Behind Blue Eyes". He owned those songs. The loss of Moon's support of the vocals is why Daltrey had such a hard time adjusting to Kenny Jones. Jones is a great drummer but he's more of a straight time playing guy. Daltrey no longer had that fireball pushing him forward. God I miss Keith Moon!
@@bmac4 Moonâs playing was/is sensational! He was so unorthodox, that that is what truly made him a drumming genius. I donât think he ever received his credit for helping âcreateâ The Whoâs sound. And has been mentioned before, he played to Daltry, as opposed to creating a groove, ala Bonham. By doing so, he made Entwistle a better player, which made Townsend play better, which made Daltry sing better. The playing of Moon created a âcircularâ effect on the whole band. When Jones joined the band, their whole musicianship changed. And thatâs not a knock on Kenny Jones. Itâs just that Moon had that much effect on The Who. When the discussion of âStones or Beatles?â comes up, it should really be, âStones or The Who?â
I think you may be right. I think having an incredibly solid bass player in Entwhistle to hold down the groove (and riff on it too), teh band coudl play to the bass, and Moon could play to everyone else.
I think this was Glyn Johns making Keith wear headphones with a click track. Keith was not good at keeping straight time.
I grew up with the song on the radio all of the time and never really liked it ... until I finally listened to it in the context of the whole album, which was only a couple of years ago. The whole album hints at and points to this song and when it hits, it's massive. I can only imagine what the first listeners thought - it must have knocked their socks off.
I had to relisten to the majesty of this performance. When I was 10 & 11 years old, my boarding school Principle took me to fish with Roger Daltry on his "pond". Roger did all the fatherly things and showed me how and where to cast. The problem was, I didn't know who Roger Daltry was! My god!! Now, as a 50-something year old guy I cannot believe that I was actually interfacing with one of the World's top rock legends without even knowing it!