Mozart Piano Sonata No.9 Rondo - Analysis

This time a more elobarated analysis on Mozart's cheerfull Rondo from his ninth piano sonata (K.311). I've put a small summary in the comment section to hightlight a few key aspects of this analysis worth remembering.
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[@TimondeNood]

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[@composer7325]

Excellent. thank you.

[@TimondeNood]

Thanks Peter!

[@TimondeNood]

There is a small error in the analysis of the third theme: the IV-chord on measure 5 of theme 3 should be a II 7 (also in subsequent similar passages), my bad.
To conclude and remember:
1) Homorhythmic writing tightens central ideas together in a convincing unified work. (--> The quarter and eight note pattern)
2) The themes are build in a very logically structural fashion. There are nice contrasts and parallels between the different themes.
3) Ornamentations are used abundantly, but in the right way. Over using and placing them at the wrong moments are things to keep track of when writing your own stuff.
4) After the "exposition" Mozart starts using all previous material again, but he connects different ideas and tricks our expectations. Remember, the majority of music is repetition, only the special things can shine when surrounded by the common. Always trying to come up with new ideas without citing the previous material has as a consequence a more poor connection between different parts.

[@kiteoma]

Loving the intro mate! Good voice :D soothing n sexy

[@TimondeNood]

Hahaha i knew you would 🙊

[@urtahaziraj2673]

Can you please tell us what's the structure form of this rondo? Is it ABACABA because there all lots of themes that you mentioned and there is not repetition of the A theme in between the themes.
Thank you

[@TimondeNood]

I'll answer you on the fb ;)

[@burcunazl3025]

@@TimondeNood can I learn the spelling of the form too please

[@TimondeNood]

What do you mean?