Beethoven - Piano sonata n°11 op.22 - Richter London 1968

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  • čas přidán 7. 08. 2024
  • Ludwig van Beethoven
    Piano sonata n°11 op.22
    I. Allegro con brio 0:00
    II. Adagio con molta espressione 7:40
    III. Menuetto 16:20
    IV. Rondo. Allegretto 19:46
    Sviatoslav Richter
    Live recording, London, 20.X.1968
  • Hudba

Komentáře • 25

  • @sofijavukic9126
    @sofijavukic9126 Před 3 lety +7

    Such a wonderful sonata. Deserves more attention.

  • @michaelnancyamsden7410
    @michaelnancyamsden7410 Před 4 lety +10

    Richter was awesome.. Check out his concertos.

  • @notaire2
    @notaire2 Před 5 lety +5

    Lebhafte live Aufführung dieser fein komponierten Klaviersonate im rhythmischen Tempo mit klarem Anschlag und gut artikulierter Dynamik. Einfach wunderschön!

  • @jamesnickoloff6692
    @jamesnickoloff6692 Před rokem +9

    Richter gave his best in London. No wait, it was in Moscow. No, in Leningrad. In New York. In Budapest. In Prague. In Munich. Throughout Italy. In France. In Japan. And in tiny villages in the Soviet Union, nearly forgotten places. Who can say? Every performance is a miracle. How fortunate the people who heard him LIVE. And how fortunate are we that technology brings him to us--from the grave!--today. Thank you, Sviatoslav!

    • @danal81
      @danal81 Před 9 měsíci

      Not every performance of his is a miracle. Some are riddled with mistakes.

    • @jamesnickoloff6692
      @jamesnickoloff6692 Před 9 měsíci +3

      @@danal81 OK, you're right. But the number of his truly miraculous performances--over a period of five decades--is astonishing. And it is also amazing that so many of these were recorded. Of course there are mistakes in live performances, but in my opinion there is also more Life in the live ones than in the studio recordings.

    • @danal81
      @danal81 Před 9 měsíci

      Agreed. And when he's good, he's REALLY good, a truly unique talent.@@jamesnickoloff6692

    • @asaluk3149
      @asaluk3149 Před 2 měsíci

      I had the great pleasure of hearing Richter perform live twice, once in Chicago and once in Washington, D.C. Both were tremendous experiences.

    • @jamesnickoloff6692
      @jamesnickoloff6692 Před 2 měsíci

      @@asaluk3149 How fortunate you are!

  • @whitecatinchopin
    @whitecatinchopin Před 5 lety +10

    i think,this's best beethoven.

  • @vivienmerchant
    @vivienmerchant Před 6 lety +17

    This is just extraordinarily wonderful. The slow movement has to be one of Beethoven's finest achievements and it is played here with such intensity, unbelievable control of all the layers and indescribably beautiful tone. This is both perfomer and composer at their best; a meeting of heart and mind in complete balance. Thank you so very much for posting this marvel.

  • @jennyjang5894
    @jennyjang5894 Před 5 lety +10

    Unbelievably brilliant ~

  • @falamimire
    @falamimire Před 8 lety +6

    This was first issued on an awful ASDISC label.
    Thanks for the perfect upload!!!

  • @tiromancino_tt
    @tiromancino_tt Před rokem +3

    grande interpretazione

  • @ljiljanastanic9076
    @ljiljanastanic9076 Před 4 lety +4

    Maestro...!!!

  • @MrGer2295
    @MrGer2295 Před 7 lety +9

    Beautiful piano playing ! Thank you for posting :)

  • @mike8015
    @mike8015 Před 7 lety +11

    Jesus Christ, this is perfect!

  • @paul7606
    @paul7606 Před 6 měsíci +2

    He was able to create such sound with his large hands.

  • @ihatesherbetland88
    @ihatesherbetland88 Před 8 lety +6

    Whoa! Holy crap!

  • @fredericpelassy527
    @fredericpelassy527 Před 3 měsíci

    Pour moi, même au-dessus de Michelangeli...quel génie.

  • @wolfgangklofat594
    @wolfgangklofat594 Před 2 lety +2

    Dieser Russe deutscher Abstammung sticht bei diesem Beethoven alle aus, mögen sie nun Schnabel, Gulda, Levit heißen. Auch einem Emil Gilels gelingt nicht diese intuitive Erfassung der Sonate wie sie Sviatoslav Richter auch kongenial auszuspielen in der Lage ist (vor 53 Jahren war). In der B-Dur op. 22 zeigt sich die Überlegenheit seiner "hypnotischen"* Klavierkunst am deutlichsten, - ist in etwa jedoch auch in den opus 26 (Trauermarsch), 31/2 (Sturm) und in der Appassionata op. 57 nicht zu verkennen. - *: So das Wort von Nikolai Lugansky, dem prädestinierten Nachfolger(?!), als er nach seinen pianistischen "Vorbildern" gefragt wurde.

  • @volodyashestakov
    @volodyashestakov Před 3 lety +1

    Сволочи! Уберите поганую рекламу из Рихтера!