UDE GARAMI FIVE VERY DIFFERENT APPLICATIONS

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  • čas přidán 20. 10. 2018
  • Ude Garami (Arm Entanglement) is one of the most effective and versatile submission techniques ever invented. In this video, we show five applications, all coming from different positions, to show how effective and efficient this move is. There are many other applications and variations, but the five shown on this video provide an insight as to the effectiveness of Ude Garami.
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Komentáře • 22

  • @haroldbryant3105
    @haroldbryant3105 Před 5 lety +2

    Real good stuff.

  • @bundy4prez462
    @bundy4prez462 Před 5 lety +4

    That omoplata lock in judo is called Ashi-sankaku-garami. Loved the information as always.

    • @welcomematstevescott
      @welcomematstevescott  Před 5 lety

      You're right. I have always preferred to use the "Kickover" term to make it more specific.

    • @jimmyalderson1639
      @jimmyalderson1639 Před 5 lety +1

      welcomematstevescott to my understanding this is one of the techniques that's named colloquially. I've seen it be called sangaku garami, as well as merely hiza gatame. So idk if there is an official term for it. You get this with a few newaza type stuff. Things like guards, sweeps and some more complicated submission entries don't have officially documented names or, in many cases, are simply umbrella termed. For example, there are many variations of hadaka jime, but in BJJ (whose names are more widely known) they have names for each of them. Especially with chokes, for example we would call the bow and arrow, the sliding collar and all other similar chokes 'okuri eri jime', but as demonstrated they have specific names for each variation. I think because the judo terms are more umbrella like in that they identify techniques based not on how they look but the principles that govern their application it is both more useful but also detrimental in that more complicated techniques have no universal terminology (hence why 'jigoku jime' refers not to one specific technique, jigoku jime to one instructor is completely different to jigoku jime to another).
      It works both ways too, it can be more useful. For example seoi nage and seoi otoshi look very similar. In BJJ no instructor will know the difference between seoi nage and seoi otoshi, and similarly won't know the difference between uki goshi or ogoshi (in fact my instructor calls koshiguruma 'ogoshi with the hand round the head' even after i said what it was called in english and japanese) because they look the same. Whereas a judoka will understand when he should do seoinage, when he should do seoi otoshi; what footwork constitutes ogoshi, uki goshi or koshi guruma. So it's a double edged sword, the lack of standardisation of complex newaza maneuvres

    • @welcomematstevescott
      @welcomematstevescott  Před 5 lety

      Jimmy makes solid points in this comment-thanks for posting it.

  • @haroldbryant3105
    @haroldbryant3105 Před rokem

    Good stuff like always.

  • @malachiarmenta6118
    @malachiarmenta6118 Před rokem

    Do you have a video where there is a nogi option?

  • @j-fit677
    @j-fit677 Před 5 lety +1

    I gotta say you guys are awesome. Great demonstrations, explanations and variations.
    Thank you!

  • @stephenlutton888
    @stephenlutton888 Před 4 lety +1

    Can you recommend some good books on Ude Garami
    Thank you.

  • @pasdechancegreek8653
    @pasdechancegreek8653 Před 4 lety +1

    I didn't know Sean connery practice judo

  • @MaximusWolfe
    @MaximusWolfe Před 5 lety +1

    The old knuckle brush technique. Haha. That's the kind of imagery I tend to remember though. Grazie!

    • @welcomematstevescott
      @welcomematstevescott  Před 5 lety +1

      Glad you like it Maximus. You're right, just about everyone uses that term!

  • @jimmyalderson1639
    @jimmyalderson1639 Před 5 lety +1

    Can you do a video on some basic applications of te gatame and kata te jime? Because i see some chokes which may constitute for katate jime, but the katate jime i see in my textbooks i can't understand. Similarly with te gatame, i know the application where you bend their arm behind their back, but there are some other te gatames that i see in old manuals that i don't understand how to apply

    • @welcomematstevescott
      @welcomematstevescott  Před 5 lety

      Will do-but when you call it "Te Gatame" are you referring to a wrist lock?

    • @welcomematstevescott
      @welcomematstevescott  Před 5 lety

      We have a video on our channel titled "Ebi Jime and Katate Jime." That might be helpful to you.

    • @jimmyalderson1639
      @jimmyalderson1639 Před 5 lety

      welcomematstevescott ah okay thank you. When i say 'te gatame' i don't specifically mean a wrist lock, though it may be a wrist lock which i am misinterpreting as being an armlock. I always thought they were armlocks in which only one arm is used to apply the pressure, as in the classic police style arm round the back, or where your opponent is flat on their front, you put kne knee about their elbow and lift the wrist with one hand. But given the knowledge that a wristlock may also be called 'te gatame' the technique i envision, which is the model in my textbooks, makes a lot more sense. Originally it appeared to be a technique where your arm applies pressure to the elbow, but it may be a wristlock. I'll see if i can find a video of it, since i'm sure i found one but it didn't really explain what makes the technique function

    • @welcomematstevescott
      @welcomematstevescott  Před 5 lety

      Thanks for the response. On the subject of Katate Jime, I checked to see what else I have that might be helpful to you and we will have a video on a rolling application of Katate Jime and Jigoku Jime on our channel available for viewing on Nov. 14, 2018.

    • @jimmyalderson1639
      @jimmyalderson1639 Před 5 lety

      welcomematstevescott ok thank you very much!
      czcams.com/video/5D-W1SVIK4A/video.html
      This is the video, i believe supervised by the Kodokan, which shows te gatame. The standing variation is the most confusing one, i understanding the sutemi, but imm not sure exactly what is applying the lock once the sutemi is applied. It may be a wristlock, it may be the arm of the hand holding the lapel, or it may be the twisting motion of the arm.
      The other variations i think i understand. The behind the back variation is simple enough, although i'd be curious as to whether the pressure is most efficiently applied by pushing the arm towards the head, or twisting it outwards. I think i understand the variation from the belt lift (the same belt lift used in ebi jime), and the final variation shown. I think the knee variation, and final variation they showed work on similar principles to ude garami except with one arm. It's primarily the first application i can't understand