Roland D-50 vs Korg M1 Synthesizers: Battle of the Famous Sounds Presets
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- čas přidán 5. 03. 2024
- The two kings of the late 80's were the Roland D-50 and Korg M1 synthesizers! In tonight's livestream we'll be checking out both of them and comparing the famous patches, and you guys can decide which of the two sounds better in a modern context. Cheers!
►ROLAND D-50 PATCH LIBRARY: vultureculture.live/products/...
►M1 ORGAN 2 BASS SAMPLES: vultureculture.live/products/...
►My Chorus / Reverb Plugin (free for a limited time!): vultureculture.live/pages/ink...
►VINTAGE DRUM SAMPLES: vultureculture.live/products/...
►SYNTH PLAYLIST: • SYNTHESIZERS - Vintage...
#vst #vstplugins #synth #synths #vintagesynth #synthesizer #analogsynth #musicproduction #sounddesign #sequencer #keyboardsounds #vintagesynthesizer #analogsynthesizer #synthwave #electronicmusic #80ssynth #freesynthplugin #musictechnology #retrosound #freepresets
#korg #m1 #korgm1 #roland #d50 #rolandd50 - Jak na to + styl
1:49 - Bell Pads
5:55 - Organs
10:10 - Pads
16:38 - Slap Bass
19:33 - Ooh/Aah
23:05 - Choir Keys
25:51 - Shakuhachi/Panflute
28:46 - Strings
32:40 - Bottle Bell/Calliope
38:33 - Soundtrack/Zephr
49:00 - Hypersynth HCard-101
50:33 - PS1 Sound (Spacious Sweep)/Dreampad
55:48 - Nimbus/Glass Voices
59:03 - Pizzicatto/Lore
1:10:36 - Choir Pads
1:16:12 - Acoustic Guitar
1:21:56 - M1 Drums
1:22:03 - Trumpet/Trombone
1:23:34 - Stream Ends
You're welcome. :^)
You're my hero Eugene! 🖤✨
My D-50 Patch Library Neon Chronicles: vultureculture.live/products/neon-chronicles
M1 Organ 2 Bass Samples: vultureculture.live/products/organ2-iconic-house-bass-sample-pack
great Vid! 2 synths with really awesome sounds💪
I really enjoy in yours videos! You are super guy! I must buy M1 and D50! Best regards from Serbia!
Cheers and thank you very much 🇷🇸🇷🇸🇷🇸
Ohh... back in 1987 I had a JX8P and totally lusted after the D50. I remember a friend getting one a few months after it was released and could not believe the Soundtrack, Digital Native Dance and other sounds. The year after I went to A1 music in Manchester and checked out the M1 and DX7II and again I was knocked out... to be able to play a sound that actually sounded like a piano was a big deal...
Within a few years every band in the area had them and I think they added so much to a bands sound compared to the string synths and organs they had before.
That Robin S sound still holds up to this day... an absolute classic...
Feel free to pick up the Robin S sound from my store for $1: vultureculture.live/products/organ2-iconic-house-bass-sample-pack
Love this channel. Should have way more views!!!
I appreciate that Calvin
I picked up a D550 for AU$40 (about $25 US) at an auction. Nobody there knew what it was. All I need now is to find a PG 1000 for $40 and I’ll be the happiest guy in synth world. 😂
I picked up a DW8000 for 70 bucks. They asked 350 but when I got there it had nothing but random sounds. It appeared the battery was dead and it had lost its memory. I told the guy: not gonna take chances here as it may be something else and if I pay so much I am screwed. In the end he let it for only 70 bucks. I got home, ordered battery holders and got a couple of CR2032's. Sadly I had to dismantle half the bloody synth because some genius at KORG decided it would be really smart to solder that battery on the board! But I managed and loaded in the sounds again by connecting my computer's headphone outlet into the DW800 Tape input and played back the signal I found somewhere on google. And the DW9k works like a sharm. it's amazing how good those old buckets sound.
That is sick!!
That's awesome and good on you for opening it up and fixing it!
Awesome stuff as usual. I never owned an M1 or D-50, but I do have a Wavestation and a JD-800.
You actually have the suped up versions of both then 😂
@@VultureCulture Exactly!
That M1 Universe sound is still bloody awesome. That sound alone probably sold a lot of units.
It sold me on it!
@@VultureCulture Yeah I'm quite sure that's the reason they put that sound as the very first patch! 😀
That's what was awesome in that era: those sounds were completely new. You actually heard something no living creature had ever heard before. I have the Korg collection and thus the virtual M1 but a buddy of mine had a real M1 20 years ago. I loved that thing. They go pretty cheap nowadays tbh.
I have both. Only because they were both so iconic. They overlap in some areas, but each has it's strengths and weaknesses. Both, however, were ground breakers. Still warming up to digital. Always kinda thought a synth should sound like a synth, not something realistic.
The D-50 always has that synthetic sound, whereas the M1 really chased realism on some of it's patches
Cool thing about the Korg M1 and Wavestation VST plugins is, that they can handle polyphonic aftertouch.
That's a very valid point!
I like that the M1 VST includes all of the samples and presets from the M and T series, as well as 2 effect processors for each of the 8 patches in a multi. That last feature may not be as important when we have so many effect options in our DAWs, but it's great when doing layered patches. The VST's filters also have resonance, which the hardware didn't.
Very cool! I have the D-05 and for such a small box, it's sound phenomenal! I also have the M1 as plugin, and that works just fine for me! Great video! Celebrating cool synths is always awesome!
D-05 is an awesome and very authentic sounding recreation
@@VultureCulture Yes! I thought about selling it a couple of times, but I can't. It's too nice and too nostalgic. Although in productions I use the VST, but still...
I hope Roland will release a full keyboard synthesizer with LA Synthesis in the future. It is still so beautiful that there is a market for.
To a certain extent their new Jupiter X and Juno X synths are that, wrapped up in a vintage analog body. Check out my friend Jim Danekar's video on the subject: czcams.com/video/ZMHUmOaEVuA/video.htmlsi=2VCGTTCZgcBmAxbR
You played strings pads beautifully!!!
Thank you!
M1 vs D50 - what a tough battle. I don't think I could pick a winner with this one! I'm curious what Eric Persing could do with an M1, haha.
My Ensoniq Mirage came with a disk of D50 sounds. Thankfully Native Dance was one of them. The Mirage has an OS for it called SoundProcess which effectively turns it into a D50 where you can use your Mirage samples along with single cycle waves. It is a pain in the butt but very cool.
Also - love the Grim Beard shirt!
That SoundProcess OS sounds so cool! Editing on the Mirage was no fun though.
I am a huge fan of Grim's channel! The nostalgia! 🌑
@@VultureCulture For me the difficult part was just remembering all the parameter numbers. Always had the manual open when I was programming on it. Soundprocess also gave you multiple algorithms for your samples and waves, one of them included "timed loops" so you could effectively arpeggiate your samples. Good stuff.
Yes!! Gotta love the in depth nostalgic gaming videos!
Just got your patches for the D50. Time to blow in some new life into that old bucket 😀
I really appreciate it Harvey! 🙏🙏🙏
I bought a D-50 when Roland lowered the price right after the M1 came out. I remember getting a postcard in the mail from Roland (I was a subscriber to Keyboard Magazine and some how this Roland postcard showed up in the mail!). I really wanted the M1 but they were sky high at the time. I no longer have the D-50 keyboard but I have a D-50 card for my V-Synth XT.
Nice! Have you tried my preset pack with the V-Synth XT? I don't know if anyone's tried them yet.
55:48 about M1's Nimbus, actually Roland has a patch that sounds almost the same with Nimbus called "Ice Rain". But this patch can only be found on D-50's brothers, Roland D-20/D-10/D-5 and the module version D-110. Ice Rain patch is also available in Roland MT-32. Roland inherit this D-20 patch as a part of GM Standards in Sound Canvas series.
Thank you for letting me know!
I wonder if the D-50 patches are still used in today's music. DX7 and M1 patches still are.
Great show thank you!
Fantasia is eternal.
Nothing like the D-50 “Fantasia” pad
That and Soundtrack are 2 of the greatest patches of all time.
I was gonna mention this last night on the stream, but kinda missed what you were doing. one of the rainstick patches, was in the beginning of the new kids on the block song funny feeling, it's at the very beginning of the song.
actually, it was the watery drum loop sound that they used. not sure if that's korg m1 or roland d-50
Nice!
Roland has a more high quality sounds but the Korg has more sounds you can use.There both great synths so I have to get both ( luckily we have vst synths now days so it’s easier to do !).Personally I own the Fantom 7 and have the Korg legacy collection which works fine. .For me a good hardware synths has at least 73 keys and no menu diving . lol
Dude. I finally got round to exploring the Multis on my Kurzweil K2700 and the shakuhachi is still representin'! Cheers Roland! This round of post-Passover Dempsey's is on you! 😀
Fuck yeah!
I have both but my favorite is the D-50 , because the virtual analog synth part is more use full and M1 is clearly a ROMpler than a true synth , but some sounds can't made in other synth than M1, that why I style have a M1 in my set up
Agreed!
The U20 compliments the D50 and falls somewhere between the M1 and the Proteus, and then we have the D70 :)
I think part of that M1 Organ sound is a percussive sound at the attack... on actually organs there's usual a switch called "percussive" which is definitely switched "on" on that M1 patch.
Maybe if you could find a partial on the D50 to simulate this, it would improve the patch.
There's actually a combi with the percussive layer on it on the M1
@@VultureCulture M1 typically has (very) percussive attack in PCM samples, and Organ Program is no different. That said, I've tried layering Karimba to Organ in Combi mode to add 'woody' flavor to attack.
@@fochtyu2694 That's very Roland U20 to do!
Wow! I just heard this 21:45 and instantly heard track Apollo made by Mystical Sun around 1994 :D
What a beautiful track! Hadn't heard it before
@@VultureCulture You welcome :) I don't remember when exactly but I think I was listening to that record as teenager in late 90's ;) So if this is something new for You then I'm glad I made that comment and brought back piece of past from oblivion 😁
@Interdimensions awesome
My trinity is JD800, M1Rex ant TX81z!
That really is a stacked trinity!
Do you have timestamps for the patch comparisons you did? I want to find them on my D-50 and M1 and have a little comparison of my own if you catch my drift
I'm sorry I haven't added timestamps yet! CZcams edits take forever to process and I had to wait for that to finish or else the timecode would be fucked up
The M1 Universe has a bit of the IceRain preset that showed up in the Roland E-series, SoundCanvas/GE/GS ... where did it come from?
I think Universe was the first example of this type of sample based pad sound.
Is there, or was there a Roland Boutique like synth of the M1 release from Korg? If not, that would be amazing.
Not really unfortunately.
Wow just stunned in this. Love those sounds! Do you know of any small synths (volca size) that comes close to these sounds? I’m just a noodler otherwise I’d probably get the wave station.
Korg Volca FM 2 really shines as a replacement for the DX7, the third of the holy Trinity of 80's synths.
@@VultureCulture damn that totally slipped my mind. Any opinions on the Behringer Pro VS mini? I was a hard pass and then I saw people were making Patches that sounded cool.
I don't think it sounds like a Prophet VS but it's a pretty cool piece of gear at that price!
I'm in france, i'de like to catch ythe show live, it's on wednesdays right? i dont think i get announcements for the lives.
Yeah the stream is 2:00 AM Thursday morning, Central European Time.
@@VultureCultureperfect, thx man, allthough just to say, france is rather in western europe, but i'll catch you. my mom is in louisiana, i should be able to recount that just in case...
Which is the King? That's an impossible question bro. In theory the M1 is the king but the D50 is so iconic.... I'll call the M1 the king and the D50 the queen. Now let them have babies.
good video, enjoyed the sounds and synth history. I prefer the Roland but D-50 is not actually a virtual analog synth. Both are sample based PCM synths. The first VA synths were called physical modelling in 1995. Korg Prophecy and Nord Lead. JP-8000 was Roland's first analog modeling synth in 1996.
While I agree the D-50 isn't a virtual analog (because it's more or less a marketing term invented by Nord to sell their synths) the D-50 is not only sample-based. Half the engine is true analog-style subtractive synthesis (PWM and everything not possible in the JD-800)
How can the D50 do analog subtractive without a filter? I'm confused! 😕
It has a resonant filter!
@@VultureCulture Mind Blown! Stupid people on the internets said it had no filter! I guess that means it's in that PPG Wave, Korg DW-6000/8000, Prophet VS family of wavetable-ish synthesizers with resonant filters.
I guess the Roland D50 is a little different though, it has those partial samples (short initial attack portion) and that 4 tone mixing thing that Roland was into.
Those earlier synths didn't really have partials, did they? It was more a collection of interesting single cycle (of even half-cycle) waveforms.
The D50 simulates a "filter" by rendering its "S" synth partials as a saw wave that sounds filtered using filter tables, and in that process can also output that saw wave as a square wave. So, it doesn't have a discrete filter as a separate process in series, but still produces the sound of one (resonant, at that). As such, it cannot "filter" its "P" PCM partial sampled waveforms. The M1 actually filters its PCM via two custom filter chips, but without resonance. Roland introduced resonant PCM filters later in 1988 on its 12-bit S-330 and S-550 samplers (within months of M1 debut).
M1 was the king of the early workstations. D-50 was the king of sound… so much so that the M1 "sound" (as much as it survives at all) is the continual evolving into today's Korg synths (which, IMHO, have always suffered sonically, though their specs have always been relatively good) whereas not recognising Digital Native Dance (which my Dad, properly, characterised as a marketing tool and yet which survived far beyond its intended purpose!) is to not have any association with the '80s or '90s (as one example!). The D-50 was (arguably) the _last_ of the "warm"-sounding digital synths before manufacturers turned full cold-turkey (HA!) and started producing such synths _en masse_ (e.g Waldorf, Alesis, Kurzweil, Korg, Yamaha, &c)!
Okay, re: "realism", I agree the M1 did a better job of realism _as a workstation_ (though, for a couple of chintzy examples, 1) I don't believe any plebe _ever_ thought the Seinfeld bass was "real" (in fact, I thought it was a processed D-50 bass, myself!)) but 2) the important thing for the M1 was being a) truly one of the first true workstation synths and b) having independent FX that an entire sequence could run through. I _clearly_ remember the M1 saving my college bacon because the global effects allowed me to sound like an ensemble. Again, I'm left with: for sheer general sound design superiority, the D-50 wins hands-down. But for being a) arguably the first commercial "workstation" synth _with_ a D-50-like sample-set that Korg would go on to make great use of through and until the Nautilus… FFS, _you_ tell _me_ who wins that bloody contest?!
Totally agree with this comment!
On D-50 it takes 4 tones to make a vibraphone, organ, piano, and choir, etc. Yet none of them are as good as M1's with 1 single tone. Ain't that ridiculous?
Greets, nice show and M1 for me pls, :-).
I'll be releasing some sample packs from it soon!
D-05 over the 50!
Hot take! What do you prefer about the 05?
I'm sorry, but the peacock feathers are tickling me in a way I ought not to elucidate in polite company. 😇
…and your coat, @VultureCulture, is causing a puckering sensation which Gentlemen Do Not Talk About outside of certain circumstances where we would _never_ find out relative selves!
I tried VST of both them 'classics'. M1 is not bad, some sounds are useful, while D-50 is downright cheesy. Nativedance patch is good, but you'll be stupid to use it.
I' Wil never part with my D50 As it contineus to amaze me. I had a Korg M1 last year but sold it, now i regret it haaha. For me, for your instrument emulations, choir sounds and short sampled sounds, the Korg M1 clearly wins for its clarity. But for pads, strings etc, the D50 clearly wins imo. Its gritty lofi synth engine is mindblowing even to this day. A unique character even my Roland Romplers and dare i say, Jupiter X cannot emulate. I love my Jupiter X, but some of its D50 emulations are significantly off, specifically the soundtrack patch.
Yeah, Roland really nailed it with this one and there's no comparison. It is shocking how far off their newer stuff can be.
@@VultureCulture exactly, couldnt possibly agree more.. say, i am considering becoming a member but i live in the Netherlands so i unfortunatly wont be awake during the live streams.
My question being, are there any other benefits of becoming a member?
I have watched alot of your videos and you are one of the very few people who completely goes into depth in every detail with the vintage ones. And you do it interesting as well and i really apprechiate your passion, keep it up!
@playlistschannel2643 they are! You get my vintage drum samples, vintage chorus / reverb plugin and M1 Organ2 bass samples for free! And 50% off Neon Chronicles
@@VultureCulture that sounds like gold to my ears, honestly... Ill will join with my other account which carries my real name, or well, most of it hehe.
That being said, i already bought the Neon Chronicles bank a month or 2 ago becouse i just had to have that pack, haha! But i will definetly join for the rest of the stuff!
@playlistschannel2643 I really appreciate it 🙏🙏🙏
Doesn't really seem fair. Check out 23:05. I've never heard an M1 sound anything but generic and kinda bland, and that's coming from a massive Korg fanboy. D-50 all the way for me, I'm afraid.
The D-50 certainly shines at what it does well.
For me the M1 is a cheat because everything sounds good with it, you do not need to do any final mix. Sounds awesome. I have the D50 and I love it, is low-fi but very inspiring. And I like that type of sound where you have to make it happen. My problem with the M1 is the enclosure, too big and too much plastic, very delicate and bulky. That is something I never liked about Korgs.
Yeah they really created the big black impenetrable box aesthetic. Even the DX7 has a little color