Solarpunk and How We Escape Dystopia with
Vložit
- čas přidán 8. 09. 2024
- In this episode we explore a relatively new subgenre of science fiction called Solarpunk, which aims to imagine better, more ecologically harmonious, futures on earth. In many ways Solarpunk is a reaction to both the real-world climate crisis and to the many apocalyptic visions of collapse filling our screens. Andrew Sage from the CZcams channel @Andrewism joins host Jonathan McIntosh and friend of the show Carl Williams for this conversation.
FOLLOW OUR PODCAST
Spotify: open.spotify.c...
Apple Podcasts: podcasts.apple...
Google Podcasts: podcasts.googl...
Our website: popculturedete...
PATREON
/ popdetective
PAYPAL
www.paypal.me/...
WISHLIST
www.amazon.com...
LINKS & REFERENCES
• The Andrewism CZcams Channel
/ andrewism
• Walkaway by Cory Doctorow
craphound.com/...
• Ecotopia by Ernest Callenbach
www.penguinran...
• Sunvault: Stories of Solarpunk and Eco-Speculation
upperrubberboo...
• Fighting for the Future edited by Phoebe Wagner
www.kickstarte...
• Parable of the Sower by Octavia Butler
en.wikipedia.o...)
• Princess Mononoke from Studio Ghibli
letterboxd.com...
• The Ones Who Walk Away from Omelas by Ursula K. Le Guin
en.wikipedia.o...
• Emergency Skin by N. K. Jemisin
en.wikipedia.o...
• Monk and Robot book series by Becky Chambers
us.macmillan.c...
• Disney’s Strange Solarpunk World
• In Defense of Disney’s...
• Dear Alice from THE LINE
• Dear Alice
• Dear Alice’ Decommodified Edition by Waffle To The Left
• 'Dear Alice' Decommodi...
• Our History Is the Future by Nick Estes
www.versobooks...
• 3000-Year-Old Solutions to Modern Problems by Lyla June
• 3000-year-old solution...
• Capitalist Realism by Mark Fisher
en.wikipedia.o...
* Background image is the cover of the first book in the Monk and Robot series entitled "Psalm for the Wild-Built."
FAIR USE
All multimedia clips included in this podcast constitute a ‘fair use’ of any copyrighted material as provided for in Section 107 of U.S. Copyright law, which allows for criticism, comment and scholarship. Learn more about fair use via New Media Rights!
CREDITS
Audio production: Jonathan McIntosh
Intro music: Simon Stålenhag
Outro music: Rick Lopez