Things Got Lost In Time || Cruinn | Neoni | Ghost | Arbhar

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This track is available on Opus VI - omricohencomposer.bandcamp.co...
Here are some patch notes:
The first voice is coming from the Instruo Cruinn. It's going through the endorphins Ghost, which is set with delay and reverb that goes through distortion. I chose to use an external stereo filter (Freak from Vult).
This voice is sequenced by the Arturia Keystep Pro and I'm sending a copy of the pitch sequence to the filter as well so it will open more with higher notes.
The second voice is coming from the Make Noise STO. I'm sending the Shape output to another filter and I have the Instruo Cnoc set as a looping function, and it goes through a VCA that I can control to the shape CV input so I can bring the modulation in and out and control the modulation rate.
I'm sending the mono output of Cruinn to the After Later Audio Flip (Bernoulli Gate) and from there to the FM input of the STO so I can change the timbre over time.
The STO is also sequenced by the Keystep Pro
The third voice is coming from the Instruo Neoni. I'm mixing the fold and saw outputs, and sending them to another Freak filter. I also have modulation recorded on the 1U CV recorder (Flame) that is modulating the fold amount.
I'm sending the square output of Neoni to the 1U comparator from Ritual Electronics and from there, to the cutoff input of the filter. I add this modulation at the end of the effects to create weird effects.
Neoni is also being sequenced by the Keystep Pro.
The fourth voice is coming from the Instruo Arbhar. I have a kalimba recorded into it and I'm using the Keystep Pro to play this recording while granulizing it with Arbhar.
Another voice is coming from the Instruo Saich. I set a few notes on the Voltage Block and I play these notes manually. The notes are going first through another Cnoc for adding glide (portamento).
Another copy of the signal from the 1U Flip is going to the FM input of Saich so also here, I can change the timbre over time.
At the end of the piece, I activate a clock signal coming from the Instruo TsL that runs the Voltage Block with a 7-step sequence. This clock is modulated by the Instruo Ochd.
The last voice is coming from the Instruo Lubadh. I recorded a bit of the sequence with Saich and I have Ochd modulating the lengths and starting points of two decks while fading between them via the Aux CV input.
Everything goes to Bitwig via the Expert Sleepers ES9 for multi-track recording and reverbs.
Want to learn Modular Synthesis? have a look here - bit.ly/learnmodular
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Patching techniques and ideas document - bit.ly/3o1Q3Sg
Here are some of the instruments I'm using - redir.love/thocf/n78qmvw2lm
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#modularsynth #modularmusic #electronicmusic

[@craigjcousins6648]

Thank you for sharing this wonderful music. I’m far richer for having experienced your well-crafted sounds. Peace. 🙏🌱

[@axelschaefer123]

The Fungi strikes back ... nice work

[@MyModularMusic]

Thanks!

[@kindreadproject]

your modular system is great, love your style, your sequeces are always deep, trippy, a bit of cinematic and dark touch! your new fan here, ciao

[@MyModularMusic]

I appreciate it, thank you!

[@briangardner5053]

Really good ❤

[@MyModularMusic]

Thanks!

[@Probbie]

Oh my; so good 👍

[@MyModularMusic]

Thanks!

[@willswitchcraft]

meaty and trippy as well..............

[@MyModularMusic]

Cheers!

[@BrokenSines]

Man this is a good one! I love how smooth the voices all blend and transition in and out, such nice layers and depth.

[@MyModularMusic]

Thanks so much 🙂

[@IceLocus]

Beautiful!!! I love the low drone! 👏👏👏

[@MyModularMusic]

Thanks so much!

[@Hessencemusic]

awesome !! beautiful patch and video! thanks for sharing all your patch notes! 🖤🖤🖤

[@MyModularMusic]

Glad you enjoyed!

[@vasil3089]

oscilloscopes go a long way

[@alchemist.D]

love it , beautiful patch

[@MyModularMusic]

Thanks!

[@organicfrequencies]

Amazing spacey arp 🤯

[@MyModularMusic]

Cheers!