about the covering, it is because Domingo relies on head voice for notes A and above, but Te Kanawa still has chest voice left for her A! so naturally she will have more available force to produce the note with. but good observation! and yes, this really was divine
Thank you for this beautiful Mimi when Kiri had done so many performances at the Paris Opera including Don Giovanni (there was a telecast from her 1975 performance but this has been lost!!!), Cosi, Boccanegra, Pamina. Wonderful!!!
En esos años jóvenes hacia un Rodolfo muy bueno...transmitía mucho y a nivel escénico buenísimo...solo el aria suya del primer acto siempre al límite en el agudo y bajada medio tono....lo demás para mi muy bien.
I could listen to Dame Kiri everyday for the rest of my life. She gives me chills everytime. What a voice!
Divine! Te Kanawa covered Domingo big time in the A's but still amazing! Kiri's high C at the end is superb! Bravi!
those clear high notes with feeling.I could not ask for better.
estupenda pareja!
They were wonderful togetther!
about the covering, it is because Domingo relies on head voice for notes A and above, but Te Kanawa still has chest voice left for her A! so naturally she will have more available force to produce the note with.
but good observation! and yes, this really was divine
Thank you for this beautiful Mimi when Kiri had done so many performances at the Paris Opera including Don Giovanni (there was a telecast from her 1975 performance but this has been lost!!!), Cosi, Boccanegra, Pamina. Wonderful!!!
En esos años jóvenes hacia un Rodolfo muy bueno...transmitía mucho y a nivel escénico buenísimo...solo el aria suya del primer acto siempre al límite en el agudo y bajada medio tono....lo demás para mi muy bien.
El Maestro está excelente en todo, José Enrique.
?Medio tono bajo? ?Dónde?