Wonderful tone, articulations, and all around musicality of your performance! The best performance of this piece I’ve ever heard! And I’ve been playing and listening to this piece for 70 years!
This is a very fine performance in every way. I must confess that I prefer the piece as written by the composer…that is, without all of the octave displacements. But I understand the player’s desire to show off his high range. This is all reflected in the Davis Shuman edition of the solo part. The original can be downloaded from IMSLP. My preferred recording, due to the general Russian panache and style, can be found on the old EMI/Melodiya LP, later a Chante du Monde CD, of Victor Batashov playing with a Russian military band. We all have our tastes, but that is mine. You may like or dislike Batashov’s sound and style, but he plays the living daylights out of this piece.
Hallo Carsten! Dies Konzert spiele ich am 30.11.18 um 21.00 im Aditorio de Santa Colma de Gramenet (Barcelona). Falls Du da grade in Barcelona bist: Herzliche Einladung!
Absolutely beautiful playing, but I don't agree with the octave jumps. Once or twice is absolutely fine and within the realm of a virtuoso putting their own spin on a concerto; to the extent done here, it just feels a bit disrespectful of the composer's intentions.
In the original score it allows the octave jump if you choose to play it. Korsakov wrote bass octave jump as an option and a lot of the newer editions have it lower on purpose to help students play the piece easier. It’s your choice, but the composer didn’t mind either interpretation as he wrote both options out.
Wonderful tone, articulations, and all around musicality of your performance! The best performance of this piece I’ve ever heard! And I’ve been playing and listening to this piece for 70 years!
This is a very fine performance in every way. I must confess that I prefer the piece as written by the composer…that is, without all of the octave displacements. But I understand the player’s desire to show off his high range. This is all reflected in the Davis Shuman edition of the solo part. The original can be downloaded from IMSLP.
My preferred recording, due to the general Russian panache and style, can be found on the old EMI/Melodiya LP, later a Chante du Monde CD, of Victor Batashov playing with a Russian military band. We all have our tastes, but that is mine. You may like or dislike Batashov’s sound and style, but he plays the living daylights out of this piece.
This guy's tone makes me want to cry!!!!!!!!
Yes, amen.
By far the best trombone solo. Of this piece.
AMAZING VIRTUOSITY !
Finest interpretation of this piece I've EVER heard !
Beautiful composition,particularly for a trombone master!
my favorite perfomance of this piece!
Gyönyörű, korrekt intelligens előadás!!
Great tone on the trombone, great style and interpretation!
0:03 I. Allegro vivace
2:39 II. Andante e cantabile
5:48 III. Allegro
Hej Carsten
Tak for en virkelig smuk udgave af Rimsky Korsakovs trombone koncert. Min dybeste respekt.
An incredible high notes and tone!
Thanks for posting this version..esp the octaves
THAT CADENZA THOUGH!!!!
this is my favorite concerto
my favorite concerto
Awesome version...esp the octave options... **"Respect"**
Lindo som e ritmo primoroso. Virtuose.
Erstmal ein Pils!! Großartige Performance, klingt sehr geil!
tak jemný tón mne totálně dostává!
THIS IS GOOD
the high lip trill leading to the part where the clarinets come in is rather odd.. lol
is this on a tenor trombone?
F attachment tenor trombone I believe
Nah it's a contrabass
@@matt-dw You're wrong!
@@bobboscarato1313 It was a joke!
@@matt-dw: Yes I know!
Hallo Carsten! Dies Konzert spiele ich am 30.11.18 um 21.00 im Aditorio de Santa Colma de Gramenet (Barcelona).
Falls Du da grade in Barcelona bist: Herzliche Einladung!
Who's blowing this?
Someone tell me!!!🥺
Carsten Svanberg is the trombone soloist in this specific recording.
We French horn players are jealous.
Who is player??
Carsten Svanberg
Up the octave😭😭
You dont like???
Алексей Журба it sounds way better lol it’s just really so for him to that good of tone that high up is amazing
트럼본소리 너무나 환상적 입니다!
Интересно кто играет
Carsten Svanberg
Absolutely beautiful playing, but I don't agree with the octave jumps. Once or twice is absolutely fine and within the realm of a virtuoso putting their own spin on a concerto; to the extent done here, it just feels a bit disrespectful of the composer's intentions.
In the original score it allows the octave jump if you choose to play it. Korsakov wrote bass octave jump as an option and a lot of the newer editions have it lower on purpose to help students play the piece easier. It’s your choice, but the composer didn’t mind either interpretation as he wrote both options out.
@@jchomedog2887 ngl playing it in the lower octave is way harder
@@jchomedog2887 especially when doing it avove 130
Классное исполнение , но эти активные переносы звучат глуппо...
First 🐸☕️
Why do I hear so many players adding their own versions to each movement? Leave it ALONE!!!!!
not a fan of interpretation i see.
The original score allows it. Korsakov would approve as he wrote it.
That cadenza ruined the whole thing😣