Hello sammy This was definitely the best way to motivate any rudiment. I only have one question: Should this exercise be practiced on a pad? It looks like you are running the moves without hitting a surface. Thank you very much for sharing your knowledge. My name is Marcos Paris from Carapicuíba / São Paulo / Brazil
Oi Marcos, :) Yes, majority of initial practice time on practice pad to learn they feel of rebound. Part of practice on surfaces that have little to no rebound to learn that feel too. I was hitting the floor in this video because my intended audience was for general music teachers who teach a lot of kids at once and can't afford practice pads or more ideal set ups. Thanks for the comment and kind words! I have several friends in Sao Paulo and plan on going there one day. Where I live, I play in one of the largest Samba Schools in North America. So I'm a fan of Brazil. :)
This is only one exercise of many. I didn't want to overwhelm beginner students by having too many patterns. I have different exercises to work on groups of two. Yes, RRL, RLL, LLR & LRR can also be used if you want to build your double strokes.
How many repetitions of this whole set and how often do you recommend? Like, for example, 10 minutes every day? 20 minutes every other day? I'm a beginner so would appreciate if anyone could weigh in with some guidance in that way.
In response to google's translation of "Very cool, I'm going to use this form for my classes, lol, if I may. Sensational! Congratulations." Yay! thanks for the kind words. I'm glad to hear it's beneficial to you and your class. "Yay! Obrigado pelas palavras amáveis. Fico feliz em ouvir que é benéfico para você e sua classe."
I don't know. This is only triplets right? It's a kinda incomplete exercise just by itself. I would mix several measures and a little syncopation. Cheers
They're not really triplets but they are grouped into threes. Yes, you're right this is only 1 exercise of many that can be used to develop stick control. Thanks for the comment.
16th triples with a 16th rest, it's a decent exercise as is, iterate the rests and time signature, and order of the patterns, and it'll get fairly complex quick. If you can't count it there's no way you're ready for syncopation that's not there already.
am i the only one who is shocked because of the way he actually holds his drumsticks? i mean this supposed to be about learning stick control not coordination.. so why you grib your sticks like a hammer?xD
I agree it's beneficial to play many types of grips. There are many amazing drummers playing lots of different techniques/grips. German and American grips are great for teaching a wide range of learners.
entertaining, BUT...demonstrating sitting Indian position is not a good model...you should spend less time on entertaining and more on functional practice demonstration...this will mislead younger students. demo on a pad showing proper stick dynamics, and discuss the three core stick positions; full, 1/2, 1/4
Thanks for your feedback. I agree with you that playing with different body positions, on different surfaces, and different stick dynamics is important. Practice while standing-up, sitting in a low, medium and high throne, then practice on a pillow, phone book, the floor, a practice pad, many different size drums that have different tensions, a counter, cymbals. Then Practice at different heights as well to increase your dynamic range: Full stroke, half way, as low as you can. Practice also at different tempos, etc... It's easy to overwhelm students with too much information, this video was focusing on sticking patterns so I kept it to that. Glad you found it entertaining too!
your humor and enthusiasm is a welcome addition to this instruction.
Thanks +Jonny15227 ! :)
I am able to develop my control on stick! THANKS FOR THIS 👍🏻👍🏻
You are the one who made my drum lesson very funny. The one and the best☝️ keep up🤘
I love these videos. I am using them for a Bucket Drumming group I'm doing with my elementary students. THANK YOU!
hahahaha good tutorials with humor , I like that !
HAHAHAHA I LOVE THE WAY YOU TEACH THANK YOU!
Hey Yanni, thanks for your kind words!
Level insanity yes surr!
*Stick Control Exercises with Matthew McConaughey*
Yes mate this the sheet right here, thanks for the chops inspire xx
You're welcome. Thanks for the kind words.
Dude this is amazing! This good explanation with humor in it makes me understand it so good!
Thanks Touche for the clear feedback. I'm glad you enjoy it.
Thank you
Amazing sir 👍
that bass is pretty groovy i wonder if theres a video of just it
Sammy, what is the background music for the beat?
Hello sammy
This was definitely the best way to motivate any rudiment.
I only have one question:
Should this exercise be practiced on a pad?
It looks like you are running the moves without hitting a surface.
Thank you very much for sharing your knowledge.
My name is Marcos Paris from Carapicuíba / São Paulo / Brazil
Oi Marcos, :)
Yes, majority of initial practice time on practice pad to learn they feel of rebound.
Part of practice on surfaces that have little to no rebound to learn that feel too.
I was hitting the floor in this video because my intended audience was for general music teachers who teach a lot of kids at once and can't afford practice pads or more ideal set ups.
Thanks for the comment and kind words!
I have several friends in Sao Paulo and plan on going there one day. Where I live, I play in one of the largest Samba Schools in North America. So I'm a fan of Brazil. :)
This is so funny!
:) Thanks Daniel!
Like your vids, thanks. How have you chosen 4 out of 8 sticking combinations existing? Why omitting groups of two?
This is only one exercise of many. I didn't want to overwhelm beginner students by having too many patterns. I have different exercises to work on groups of two. Yes, RRL, RLL, LLR & LRR can also be used if you want to build your double strokes.
Lovely sir♥️😍
Exercise continue time?
How long to practice on one tempo?
Well done
Thanks will!
@@TheSammyFoster no prob bob
How many repetitions of this whole set and how often do you recommend? Like, for example, 10 minutes every day? 20 minutes every other day? I'm a beginner so would appreciate if anyone could weigh in with some guidance in that way.
Muito legal, vou usar essa forma pra da minhas aulas rsrs se me permite. Sensacional! Parabéns.
In response to google's translation of "Very cool, I'm going to use this form for my classes, lol, if I may. Sensational! Congratulations."
Yay! thanks for the kind words. I'm glad to hear it's beneficial to you and your class.
"Yay! Obrigado pelas palavras amáveis. Fico feliz em ouvir que é benéfico para você e sua classe."
охуительно, спасибо:-)
пожалуйста!
ez
hi, can you give the pdf? site doesnt work :(
Are these real rudiments?? I've seen so many videos I don't know what's real and fake!
I don't know. This is only triplets right? It's a kinda incomplete exercise just by itself. I would mix several measures and a little syncopation. Cheers
They're not really triplets but they are grouped into threes. Yes, you're right this is only 1 exercise of many that can be used to develop stick control. Thanks for the comment.
Maybe you could do a series with several ones. I mean, than video's quality is good. I think it could work.
Thanks for the kind words and suggestion!
16th triples with a 16th rest, it's a decent exercise as is, iterate the rests and time signature, and order of the patterns, and it'll get fairly complex quick. If you can't count it there's no way you're ready for syncopation that's not there already.
I just discovered I have dandruff
Thanks for sharing. How do you feel about your new discovery?
Is Jon Foster your brother?
am i the only one who is shocked because of the way he actually holds his drumsticks? i mean this supposed to be about learning stick control not coordination.. so why you grib your sticks like a hammer?xD
If you want real stick control then don't play strictly German grip...
I agree it's beneficial to play many types of grips. There are many amazing drummers playing lots of different techniques/grips. German and American grips are great for teaching a wide range of learners.
entertaining, BUT...demonstrating sitting Indian position is not a good model...you should spend less time on entertaining and more on functional practice demonstration...this will mislead younger students. demo on a pad showing proper stick dynamics, and discuss the three core stick positions; full, 1/2, 1/4
Thanks for your feedback. I agree with you that playing with different body positions, on different surfaces, and different stick dynamics is important. Practice while standing-up, sitting in a low, medium and high throne, then practice on a pillow, phone book, the floor, a practice pad, many different size drums that have different tensions, a counter, cymbals. Then Practice at different heights as well to increase your dynamic range: Full stroke, half way, as low as you can. Practice also at different tempos, etc... It's easy to overwhelm students with too much information, this video was focusing on sticking patterns so I kept it to that. Glad you found it entertaining too!