György Ligeti - Nouvelles Aventures w/ score (for 3 singers and 7 instruments)(1962/1965)
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- čas přidán 25. 09. 2014
- Gertie Charlent, sopran; Marie-Thérèse Cahn, alt; William Pearson, bariton -- Internationales Kammerensemble Darmstadt conducted by Bruno Maderna
Just for promotion.
Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will delete the video immediately. - Hudba
![Ligeti - Kammerkonzert (score) [HD]](http://i.ytimg.com/vi/deSU4r2POdY/mqdefault.jpg)
![Ligeti - Kammerkonzert (score) [HD]](/img/tr.png)
me when i'm trying to slowly remove a bandaid
When she said «bgsjdkalshalpdhfh» i felt that
those are probably the best lyrics ever!
I love this... I hope I never have to perform this
I guess it must be a hell lot of fun to perform this actually, eventhough it's definitely going to be difficult
4:18 *Top 10 rappers Eminem was afraid to diss.*
I remember a BBC Proms performance of this from about 1970. Fascinating. Very fun. I'm not sure there's much to "understand" in a real musical way, but once you let yourself be taken in by the events, it can be very rewarding. I agree tha it's better experienced live, and as a mob event such as the Berlin Opera's in a mall, I think it can be really thrilling.
Das ist eine grosse Reise durch die Geschichte der Musik und des Lebens.... Ähnlichkeiten fallen mir auf... beispielsweise klingt teilweise die Vorgehensweise von FRANK ZAPPA mit... So spannend ist das.... "HELP I´M A ROCK" von Zappa fällt mir ein und auf und ich kann vergleichen... mit meinen Ohren.Denn wir Menschen stehen alle auf den Schultern der Generationen. Auch die Künstler, beziehungsweise gerade die Künstler...., also die Musiker - die Maler - die Komponisten - die Schriftsteller - die Politiker - die Handwerker - die Hausfrauen und Hausmänner. Nicht zu vergessen die Kinder, die Babys, selbst das Ei und der Samen befruchtet sich immer wieder wechselseitig und verändert das Spiel des Lebens. Oh wie schön..., wie schön, das auch erleben zu dürfen... und es auch mitspielen zu können.... MIT den Intrumenten, mit den Farben in Öl und Acryl und den Tonfarben... VEREHRTER MEISTER LIGETI - ICH LIEBE DICH und DEINE INTERPRETEN... und versuche mich auch darin.... Liebe Grüsse vom Maler Knox aus Burghausen.
Everything I have heard by Ligeti is really fascinating
8:43
WERE MAKING IT OUT OF THE 21ST CENTURY INTERNET WITH THIS ONE 🗣🗣🔥🔥🔥🔥🔥🔥🎶🎶🎶🎶💯💯💯💯🎻🎻🎻🎻🎹🎹🎹🎹
As unusual of a piece this is, I thoroughly enjoyed it.
Напоминает советскую коммуналку 50-х, где в одном углу собака дышит, в другом углу происходит философия на кухне, в третьем шорох
Круто!
I love how it uses IPA
i love this for some reason
The difficulty is in deciphering and memorizing the score, not in the performance it self ...
7:38
wow .... love it!
Reminds me of a certain Macabre!
10:00 Best part
so good...
Brilliant.
.
.
This is a delicious morsel of music
yet another video to the UFO transmissions playlist
Unfortunately not even half of the phonetic (IPA) symbols are realised correctly.
Does it matter?
@@davidsanderson5918yes
Oh sh1t! czcams.com/video/bigE1aEhdbQ/video.html here's a STAGED live performance of Nouvelles Aventures in a shopping mall, with the three singers in costume, with wireless mics attached to them, and wandering around in the audience. The singers have memorized EVERYTHING in the score. Never have I had so many satisfying belly laughs!
9:05 REEEEEEEEE
3:02 ❤
I love his use of IPA
Ligeti sometimes uses square noteheads in the vocal parts, what is different between them and the regular note heads?
I guess he wants in those parts more performance than correct singing, because he specifies really the exact character or emotion that each note must have.
3:40
i... w-wha... w-wow... uh... ok...
!!!!!!!!!!!!!!
8:43 - 9:07
I can not understand this :( I love Ligeti´s music... But what is that?
+Gilson González In my opinion, this (and other pieces like it) is more than just music, and can't be really understood from just hearing it, it's very theatrical.
Noslig 03 I only really understood it after reading some of the instructions in the score (I'm german) and seeing an actual performance of the piece. And there are so many (mostly opticly) different performances out there, but all of them express the music with an optical, theatrical support, which is quite interesting...
me pasa esto un compi y me dice q es la representacion d volver a casa en Madrid a las t d la mañana xddd
Musical tourettes ...........................................
Measure 14, that's a tough horn part. Recording doesn't match the score quite exactly....
Here are ALL the notes on that *one* single passage for the horn:
Cadenza: prestissimo possibile, virtuosissimo
pianissimo possibile, non legato, molto leggiero
Über die Töne gleichsam hinweg huschen, stets akzentlos und leise: elegant, keines falls grotesk. Rhythmus: nicht unbedingt regelmässig, mitunter stolpernd -- richtet sich nach den technischen
Möglichkeiten des Horns. Der Sprung zum hohen Register soll "gefährlich" und mit Verve ausgeführt werden. Die Tonhöhen müssen nicht korrigiert werden: Schnelligkeit und Leichtigkeit sind wichtiger als unbedingt saubere Intonation.
Cadenza: as fast as possible, very masterfully,
as soft as possible, not smoothly, very lightly
Scurry across the sounds as it were, always unaccented and soft: elegant, never grotesque. Rhythm: not necessarily regular, sometimes tripping - depends on the technical abilities of the horn. The jump to the high register should be "dangerous" and played with verve. The pitches do not need to be correct: speed and lightness are more important than absolutely clean intonation.
The ensemble intercontemporain played this a while ago. In a rehearsing, Ligeti came to listen. The hornist, Jens McManama, played the solo, known to be extremely hard, flawlessly. Ligeti came from the backseats all alarmed and said "I wrote this to be unplayable ! Please add wrong notes !" And Jens Mcmanama struggled a lot to play with wrong notes. So yes, it is normal what is played doesn't match the score.
@@arielorthmann4061 "Please add wrong notes!" Such a Ligeti thing to say. Incidentally, a similar thing happened to Richard Strauss in old age, when he rehearsed his Don Juan. By then, the average orchestral player's technique had advanced tremendously compared to the standard displayed when Strauss wrote the piece, and so they played the notorious opening passage flawlessly. Strauss chuckled and said something to the effect of, "I made this passage so difficult because I wanted it to sound messy." It makes one wonder how many passages there are whose effect is completely destroyed by the ever-increasing technical skill of the average musician because the composer intended them to be unplayable as written.
Madres que pedo
1:15 literally what the fuck
Угарно
a!
Who is listening at all?!
I just listened to this along with the first Aventures, it was a frightening and odd way to spend 20 minutes. It wasn't bad actually, very avant-garde and different, this one is even better with random bits of orchestral music and a lot more variety.
every cultured individual, you filth.
Me
@@charlesfrederick8567 Lmao.
Put yourself down a bit, bro.
A s m r
y e s
What type of classical is this it’s not like Mozart or bach
it would be kinda boring if everything would be just like Mozart or Bach, wouldn't it? Ligeti lived from 1923 to 2006 so some decades after the commonly called "classical composers", and the style of writing has changed quite a lot into uncountably many directions. To get into Ligeti's music a little more, I recommend you listen to some of the more famous pieces by Ligeti first, like the ones that have been featured in "2001 - A Space Odyssey": Atmospheres, Lux Aeterna, Requiem. Also his early pieces "Musica Ricercata" are quite fun, and even some of his piano etudes are quite accessible for someone without any knowledge of contemporary classical Music, like etudes 2 ("Cordes a vide"), 5 ("Arc en ciel") or 13 ("L'escalier de diable"). I personally also really like his concertos, especially the Piano concerto, Violin Concerto and Hamburg Concerto but those are probably a Little more "far out there" again haha
@@sebastianzaczek Aren't some of the voices we hear in this also what are used in the ending scene in "2001", those alien sounds in the bathroom and hotel room?
@@crepesoftime that’s one of Ligeti’s other compositions of a similar name - simply just ‘Aventures’ I believe was used in A Space Odyssey
Mozart and Bach?
Come on, it's the 21st century.
@@sebastianzaczek Agree.
What do modern composers have against music?
Not all of them, of course. =)
srbshadow what do people have against modern composers?
what do you have against new music?
You don't really understand what music is. It is organized sound. Whether you are narrow minded, is irrelevant
@@ivankaramasovI prefer Prokofiev
This is a horrible rendition of the piece. Everything is off place!
Pretentious nonsense.