I really enjoyed this video and conversation, Chelsea. I'd love to see/hear more interviews and discussions about how 2 paintings differ. Critiques of a painting have always been one of the best ways for me to learn.
What a delightful video! I'm fascinated by the artistic process, and this was a wonderful conversation about it. Enjoyed being introduced to Kyle' Ma's work. I'm a fan of (and subscriber to) your channel, and love your insights and beautiful paintings. I hope you might make more conversation pieces like this in the future. Thank you for sharing this one with us.
Kyle's art is very interesting. He understands the 3D space he works in. He gave the light a side direction. He put a very light point to a very dark point at a known focal point. Then even placed some type of powerline or tree right on top of it. Then he broke up the bushes into different sizes to make it seem like they are moving away from us. He shortened/hid the grass area that we can see so we can assume that the trees/bushes are just continuing to move down towards the mountain. Then he put some clouds/fog around the mountain to make it look larger and further back. I read it as the mountain continuing up passed the painting frame. The edges of the mountain were way too sharp in the reference. I really hated that part of the mountain in the reference that touches the edge of the picture and comes back down ever so slightly to show sky. Obviously actually being there also gives some insight to what was felt looking at it and what drew one's attention to it. My skills are nowhere near that. I still have to experiment and fail to see what works and doesn't. It's one thing to know something, it's another to practice it.
Yesss... collecting images on Pinterest wasn't ludicrus... thank you...already seeing why.... finally realize to what I am mostly drawn...giving me at last a wonderful peace of mind for creating by understanding why and which a certain type of détails wakes me up... therefore staying focus on rending those sparks... ouf!thank you...
Chelsea, I always love your videos but I felt a disconnect with Kyle. While he was describing his Grand Canyon painting you were painting a pond.. I felt a bit lost!..trying to concentrate on your visual while listening to him describe his painting was confusing!! Think this duo collaboration would work if you were both talking about and working on the same painting!!
I really enjoyed this video and conversation, Chelsea. I'd love to see/hear more interviews and discussions about how 2 paintings differ. Critiques of a painting have always been one of the best ways for me to learn.
Brilliant! I absolutely loved this conversation. This is a brilliant way to learn! I hope you are doing more of this. Thank you very much 🙏💗💚💚💚
What a delightful video! I'm fascinated by the artistic process, and this was a wonderful conversation about it. Enjoyed being introduced to Kyle' Ma's work. I'm a fan of (and subscriber to) your channel, and love your insights and beautiful paintings. I hope you might make more conversation pieces like this in the future. Thank you for sharing this one with us.
Loved this video Chelsea. Lovely to hear 2 wonderful artists discussing some of the subtleties of painting. Thank you
Beautiful Landscape. . I like nature.
You are both so talented. Thanks for inspiration and instruction.
Kyle's art is very interesting. He understands the 3D space he works in. He gave the light a side direction. He put a very light point to a very dark point at a known focal point. Then even placed some type of powerline or tree right on top of it. Then he broke up the bushes into different sizes to make it seem like they are moving away from us. He shortened/hid the grass area that we can see so we can assume that the trees/bushes are just continuing to move down towards the mountain. Then he put some clouds/fog around the mountain to make it look larger and further back. I read it as the mountain continuing up passed the painting frame. The edges of the mountain were way too sharp in the reference. I really hated that part of the mountain in the reference that touches the edge of the picture and comes back down ever so slightly to show sky. Obviously actually being there also gives some insight to what was felt looking at it and what drew one's attention to it.
My skills are nowhere near that. I still have to experiment and fail to see what works and doesn't. It's one thing to know something, it's another to practice it.
Awesome video, thanks for sharing
I like the warmth of your painting chelsea, whereas Kyle did a much cooler, more somber painting but with a strong composition!
honest conversation about the process how appaciating and rare !
Very informative and beautiful work!
Beautiful painting! Can I ask what medium you use to thin out the paint in the first layers? Is it just mineral spirits?
Excellent discussion. Thanks.
love this! kindly share the color shades names, thanks
Yesss... collecting images on Pinterest wasn't ludicrus... thank you...already seeing why.... finally realize to what I am mostly drawn...giving me at last a wonderful peace of mind for creating by understanding why and which a certain type of détails wakes me up... therefore staying focus on rending those sparks... ouf!thank you...
❤❤❤
👏🖤
Very interesting talk.
Chelsea, I always love your videos but I felt a disconnect with Kyle. While he was describing his Grand Canyon painting you were painting a pond.. I felt a bit lost!..trying to concentrate on your visual while listening to him describe his painting was confusing!!
Think this duo collaboration would work if you were both talking about and working on the same painting!!
Love Love This🥰