Get The Look of 'Squid Game' - Davinci Resolve 17 Color Grading Tutorial

Sdílet
Vložit
  • čas přidán 2. 07. 2024
  • Get the look of Netflix's popular 'Squid Game' in Davinci Resolve.
    ▷ The best music for your videos - bit.ly/3B2yQ0Y
    ➡️ Free Super8 Film Matte Overlay - bit.ly/3AKiYA1
    ▷ follow me on Instagram - / yuvala96
    -------------------------------
    ▷ The gear I use:
    - Nanlite RGB tubes: geni.us/uyBi
    - Panasonic GH5: geni.us/yLDGnp
    - Sigma 18-35mm: geni.us/drQ3TdY
    - Lumix 14-42mm: geni.us/GUSJd
    - Helios 44 (cheap, vintage lens): geni.us/gclAlBy
    - Key light, Nanlite LED: geni.us/wdZVx
    - Godox SL-60W (cheaper option): geni.us/GtxBj9F
    - Softbox (like LightDome): geni.us/DSUvHdX
    - Cheap, small LED light: geni.us/d5Is
    Chapters:
    00:00 Intro
    00:37 Analyze
    02:30 Film Print Emulation
    03:40 Adjusting Tone
    06:15 Saturation adjustment
    07:02 Skin Tones
    10:10 Vignette
    11:15 Final Adjustments
    14:30 Final Result
  • Krátké a kreslené filmy

Komentáře • 18

  • @Edensproject
    @Edensproject Před 2 lety +1

    So underrated and talented

  • @igalkhohlov3057
    @igalkhohlov3057 Před 2 lety

    Great job Yuval!
    Proud to see how far you've come with your work and your channel!
    May you always grow and enjoy what you're doing :)

    • @YuvalAloni
      @YuvalAloni  Před 2 lety +1

      Thank you Igal, my man ❤️
      Hope you're doing well and working hard on your dreams, as I'm sure you do!

  • @keziajennie676
    @keziajennie676 Před 2 lety

    Keep going ! you're gonna be big

    • @YuvalAloni
      @YuvalAloni  Před 2 lety

      Thanks for the love! ❤️
      Needed this

  • @TwaynePereira
    @TwaynePereira Před 2 lety +1

    Interesting tutorial. I think for the most part you achieved a good match to the reference. It's interesting that you used the FPE without a CST node. The built in film looks in resolve tell you what colour space is expected prior to applying the LUT. The 2383 you used expects a 709 colour space, but in Cineon Log form. Looking at the image, I'm assuming it was captured in a wider colour space than 709 and likely not Cineon log. So your output post FPE Lut isn't a true emulation of the FPE LUT. Though, if you achieved your goal with your final image, then perhaps this can work for you. Mathematically, there's so much under the hood of a LUT and in some cases if a certain order of operations isn't followed it can lead to strange artifacts.

    • @YuvalAloni
      @YuvalAloni  Před 2 lety +1

      Great comment.
      While this FPE method I did might not be the most technically "correct", it's what I found to be working eventually. I even tried CST to get Cineon Log but it didn't really look right.. even when I color real 16mm film for example, the FPE LUTs don't just work right off the bat since every lab scans a little differently so there's no real consistency or accuracy there.
      At the end of the day it's all about the final product :)

  • @imonnick
    @imonnick Před 2 lety

    Nice!!

    • @YuvalAloni
      @YuvalAloni  Před 2 lety

      Thanks Itai !
      Always nice seeing you watching my videos 😛

  • @henrique21890
    @henrique21890 Před 2 lety

    Can you make a tutorial with the look from "The King's Man". When they fight against Rasputin, that wellow tone is beautiful.

  • @faticabello
    @faticabello Před 2 lety

    Very clean!! I would be interested in which monitor you are using for that? and do you really need an extra device for color calibration to get this look?

    • @YuvalAloni
      @YuvalAloni  Před 2 lety +1

      Hey, thanks for watching! :)
      I use a BenQ EW3270U which is a decent monitor, I calibrated it which is really important if you're doing professional color work but that's not 100% necessarily to achieve any particular look. It just makes sure what you're seeing on your own monitor is actually accurate.

  • @TristanKeener
    @TristanKeener Před 2 lety

    What was the original gamma and color space for the footage you graded?

    • @YuvalAloni
      @YuvalAloni  Před 2 lety +1

      It was shot on the Red Helium, RedLogFilm I believe

    • @TristanKeener
      @TristanKeener Před 2 lety

      @@YuvalAloni so I assume color space would be REDWideGamut

    • @YuvalAloni
      @YuvalAloni  Před 2 lety +1

      @@TristanKeener Yes. I downloaded this from Artgrid and the only info provided was camera type (not a RAW file)