Porter Robinson - Cheerleader (Official Music Video)
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- čas přidán 19. 03. 2024
- Porter Robinson - Cheerleader (Official Music Video)
Stream Cheerleader: porterrobinson.com
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PRODUCTION
Production Company: Riff Raff
Director: Hugh Mulhern
EP/Producer: Precious Mahaga
EP: Natalie Arnett
Director's Representation: Hands
Executive Producer: Porter Robinson
Executive Producer: Slush Management (Aaron Greene, Neal O'Connor, Amar Pathak, Samuel Luria, Valerie Maybaum, Ryan Glatt)
Creative Director: Pablo Jones Soler
BTS/DIGITAL
Paul Mauer
SERVICE COMPANY
Solent Film MD: Alex Momchev
Solent Film MP: Magdalena Staneva
Solent Film Service Producer: Tihomira Temelkova
Assistant Producer: Elena Doroshenko
Production Manager: Mitko Milushev
Production Coordinator: Teodora Naydenova
Production Assistants: Eva Taneva, Simona Atanasova, Serafima Deyanova, Dimitar Borisov
CASTING DIRECTOR
Veselina Georgieva
AD'S
1st AD: Antony Tanev
2nd AD: Margarita Aneva
3rd AD: Damyan Tanev
CAMERA
DOP: Nikita Popkov
1st AC: Vladislav Mateev
2nd AC A camera: Ivaylo Yovchev
2nd AC B camera: Luciano Ivanov
Video Control: Borislav Stoyanov
Drone Operator: Nikolay Georgiev - Tanera
Data Manager: Delyan Kaloyanov
LIGHTING
Gaffer: Alexander Trenev
Electricians: Vasil Vasilev, Georgi Tsanev, Dimitar Yanev, Boris Vasilev
Dimmer Board Operator: Philip Georgiev
GRIP
Key Grip: Tsvetan Kostov
Grips: Albert Nikolinski, Dimitar Dimitrov, Yulian Gotchev, Mihail Gotsov, Emil Ivelinov
Head Technician: Borislav Tanev
Crane Technician: Stanimir Vatsov
SOUND
Playback: Kostadin Separevski
ART
Production Designer: Elena Isolini
Production Designer Assistant: Theresa Bates
Art Directors: Momchil Tasev, Aleksandar Yanev
Construction Manager: Minko Krustev
Props Master: Ada Paunova
On-Set Dressers: Nedelcho Hazarbasanov, Yavor Milanov
Set Dressers: Kostadin Dervenski, Evtim Evtimov
LOCATION
Location Manager: Anita Miletieva
Assistants: Elena Karadusheva, Lidiya Aleksandrova
STUNTS
Stunt Coordinator: Ivan Vodenicharov
Stunt Dept. Coordinator: Aneta Ivanova
Stunts: Marina Yordanova, Desislava Slavova, Tea Markova, Mariela Kostadinova, Ventsislav Hristov
CHOREOGRAPHY
Kosta Karakashyan
SFX
Supervisor: Nikolay Fartunkov
Senior Technician: Ivan Kazakov
Technicians: Vladimir Mitov, Blagoslav Zhenkov
HAIR/MAKE-UP
Hair Cut & Color: Miyuki Goto
Artist's Hair & Make-up Artist: Yesol Choi
Artist's Hair & Make-up Artist Assistant: Gohun Kim
Head of Make Up: Gergana Batanova
Head of Hair: Veselka Tsekina
Hair Stylists: Bilyana Borisova, Gergana Ivanova, Nataliya Kamenova, Gratziela Dimitrova
COSTUME
Artist's Stylist: Luca Wowczyna
Luca's Assistant: Elliott Lane
Assistant Stylists: Maria Petrova, Teodora Marinova, Nadya Dobrikova, Yoana Kusheva, Emiliyan Bonev
Tailor: Marieta Duncheva
Mask Design: Audrey Mai
ORGANIZATION
Set Manager: Georgi Asenov
PAs: Lyubomir Tabakov, Ivaylo Tabakov, Vulcho Monkov
STOP MOTION: THE JUNKS
Stop Motion Supervisor: Zlatin Radev
Animator: Boris Wolf
Assistant Animator / Puppet Doctor: Diliana Valcheva
Rigger / Assistant Animator: Teodor Ralev
Set Dressers: Alex Suninski, Marin Nalbantov
EDITING: TRIM EDITING
Editor: Joseph Taylor
Edit Assistant: Anders Mills
Producer: Noreen Khan
POST PRODUCTION
VFX Supervisor: Vasil Galabov
VFX: The Mill
EP: Saskia Delius
Producer: Sam Ashby
2D Lead: Ben Gallagher
2D Assists: Henry Claud N’guetta, Jane Williams, Muhaddissa Hasham
Associate Producer: Rushikesh Shelar
Production Coordinator: Karishma Verma
Compositor Supervisor: Nanda P V
Compositor Lead: Ragesh Ramachandran
Rotoscoping Supervisor: Kunal Bendke
Prep Lead: Jalander Madishetty
GABHA Studios: Dafydd Upsdell, Daniel Morris
Grade: Andrew Francis
Add’l Post Production: Andrzej, Nina Muro, Nick Lane
CGI: Alex (chippy) Futtersak, Dom Harwood
VFX Artists: David Ochoa
TRANSPORT
Coordinator: Vladimir Mashinata Blagoev
Prod Vans: Svetoslav Yordanov, Ivo Radkov, Iliya Iliev, Georgi Evstatiev
CATERING
Cherry Craft & Catering Manager: Mariela Manolova
Cherry Craft & Catering: Petya Kovacheva, Ivan Nalbatski, Borislav Parvanov
SUNWEAVER CREATIVE
Shawn Chapman: Producer - Creative
Jacqueline Adorni: Producer
Garrett Robles: 3D / Previs
Lauren Sperling: Project Coordinator
Matthew Hunt: Production Assistant
WARDROBE / COSTUME: VENIA
Christine Ko: Key Costumer
Keeter Ly: Key Costumer
WARDROBE / COSTUME: SUNWEAVER
Cybal Hall: Costume Supervisor
Annabelle Gerke: Key Costumer
Christopher Hall: Costumer (Silkscreening)
Daniel Rose: Lead Wig Designer
Kieran Smith: Wig Stylist
Samantha Michael: Wig Stylist
ART DEPARTMENT
Kigarumi Sensei
Taiki Nishikawa: Key Artist
Paul Nishikawa: Artist
Creative Character Engineering
Andrew Clement: Lead Artist
Lesley Becerra: Head of Production
Brad Palmer: Sr. Project Manager
Cory Fisher: 3D print/fabrication
Alex Dill: Fabrication
Mike Ross: Fabrication
Special Thanks - Venia
#porterrobinson
#cheerleader - Hudba
i fuckin love my chemical robinson
lmfao
Porter Way
I…I don’t know if I will ever recover from reading this
HAHAHA YESSSSS
LMAO
I love how each Porter Robinson project is so distinct from one another, yet still so distinctly Porter Robinson
IKR how does he do that
I think Muse does this well too
Exactly
@@erikosterlund1997 Meeting new people, new worlds, and many ideas can really change a person's view in life. Especially when it's something that interests them like nothing they used to do.
THIS
My girlfriend is an English major and loves deciphering the meaning behind videos/songs like these: she says the deduction is that the artist gains from the fan just as much as the fan gains from the artist. He utilizes masks and other forms of performance & disassociation to exemplify that the relationship between the two is one where both parties gain something, but they aren't able to work together cohesively because there is ultimately a disconnect between both worlds. Even though the "cheerleader" is inserted into his world, it is all artificially done and neither the real artist nor the fan are ever able to coexist together. She eats the candy that looks like Porter at the beginning, then he eats her, then at the end she eats the candy resembling him again. It's a cycle of consuming each others' content. She consumes his art, and he consumes her validation and/or praise. Porter went pretty deep with this one.
Well put, ty for sharing :)
would you say this is a song about parasocial relationships or do you think this goes beyond that? 100% the influence can be focused on that parasocial relationship with the fan just like fans can be with the influencer
This type of reciprocal relationship is key to the best artists' live performances. It elevates the experience for both the audience and the artist and creates the atmosphere most people desire from live performances.
thinking about the fan doll version that got stepped on
@@zachi2fox246 Probably has themes like that too, first thing that came to my mind as well
Porter Robinson is the type of artist where I keep coming back to his songs everytime and the melody suddenly gives me goosebumps.
Greetings from Germany
DEPRESSION IS CANCELLED
I want to die after seeing this.
@@keip4568bro the video hadnt even premiered when you commented this pack it up
FACTS
Lezzzgooo
IM CURED
Thank you for letting us be a part of this! It was a absolute joy to make the Kigurumi masks for you.
great work!!!
AMAZING WORK!!!!!!!!!!!!
Really nice work! How many did you produce for the shoot? 😃
Would be cool to see the making of the mask or some other bts footage!
Woah that’s sick, congrats!!
Major underscores vibes love it so much. That synth loop is hypnotic
What? I thought it was Jane Remover.
You know what? Both.
@@Kalitayy You're totally right now that I think of it! c:
and now underscores will tour with porter on the european dates
everytime I see a track with this man's name on it I know I have to listen to it for days.
the musical range that this man holds is INSANE. i'm excited for this next era :D
never knew tapl was a porter fan
minecraf
tapl based porter listener
@TapL bro i think you should upload a new video
:L
He went from anime edm to escaping depression to 2002
I love this man
Escaping his depression via 2002
you have to go backwards to go forwards @@ShelterdOfficial
Don’t forget Virtual Self
@@luislinares9187too late :/
@@ShelterdOfficial when we were cringe, but free
なんかもう全てが良すぎて何と感想を残したらいいか分かりません……
This isn't a stretch when I say this is my favourite song of the year so far.
felt
DJ NOT PORTER ROBINSON MUST BE CRYING RIGHT NOW
His been real quite since this drop
aswell virtual self
For all the artists who do a lot of unnecessary remakes/reworks and covers, Porter Robinson is definitely a real artist.
Porter Weabinson
Ayo where's air to earth "up" too :p
Absolutely worth the wait, it's so good
fr , shit is fire
also just realized who u are lol hello mr game
RTGAME POG?!
Oh thank god he has good taste
DRIFT KING
Damn, is this the same guy that made many of us cry with every track in Worlds back in 2014??? It's so weird seeing him this energetic but you know what. I dig this. I dig this a lot
めっちゃくちゃ世界観が可愛いし曲も素敵
When I watch this music video I see a Porter Robinson that is fully confident in himself, looking directly into a camera and singing. We are truly in a new era of Porter Robinson.
i totally agree!!!
My theory is he's calling the viewer his cheerleader when he looks into the camera. Seems to me this is a love song about his fans
I little too confident homie pleasure himself himself and I feel unsettled
@@Thundaga5It seems a little darker than that to me. I think the song is a little more about parasociality and the way people project very strong emotions onto him. He uses words like "addicted" and phrases like " don't know where to draw the line" and "If you're not mine I'd rather see you burned alive." I read it as touching on the way that his fans take his music, which is by nature very personal, and develop an air of possessiveness about it and him by extension. He does love and appreciate his fans and I do think that comes through in the song, but I also think he's touching on a more nuanced aspect of the artist-fan relationship.
@@scaw-jI think it also applies to a lot of online stuff in general, not just himself. The way people develop para-social relationships with streamers, content creators, celebs and OF models etc.
any other long term fans sobbing right now? I remember porter didn't really want his own voice on his tracks without editing and correct me if I'm wrong but I think he dealt with self image struggles. to see him like this is so jarring in the absolute best way. from Language to this is an insane life arc. I'm so proud of him.
Spot on, even on Nurture he admitted on songs like Blossom why he used the filters and turned it off when saying "I love you" to his now wife. To hear him so confidently and unfiltered-ly singing is joy beyond words.
I was damn near a day one fan of Porter early 2011 saw him with Zedd and Skrillex on the Scary Monsters tour and was blown away. Saw him a few more times and then the style changed. I respect his art and talent but I just can't get into what he has done the last like 7-8 years tbh. I got to see a show of his where it was full of the Language album that never got to come out and got erased and I wish we had gotten full releases of that. All that being said I will continue to follow him, listen when new music drops, but I won't be going to any shows anymore unless I happen to be close to one of his rare DJ sets these days.
Sounds like good self growth :) Though, to play devil's advocate, I'm 99% sure there is autotune and such used here as well as who knows what else in terms of plug-ins etc. Not that that is bad or anything of course! :3 I'm glad he's utilizing his voice more often. The effects he puts on his voice in order to sound like a girlbot is super cool.
YEAH im so unbelievably happy for him n proud of how far he's come
it makes me so happy to know he is happy.
Today my world is forever changed because I learned that Porter Robinson is both a punk rocker and a weeb.
What about this is punk? Def more emo and pop than anything
This is the kinda thing most emo bands wish they had made
I agree about the emo elements but this is also very fitting for a pop punk sound :)
@@yeidisworld I guess yeah the more I listen the more I hear it. It’s quite the mish mash of genre stuff tbh.
Never heard a synth rip through a pop punk style tune like this
@@krusher181 I don’t think I have either! It’s nostalgic but also very fresh 🫶🏼
love the little amen break samples as a nod to his harder stuff
“I want stop motion! And karaoke! Anime masks! Scott Pilgrim vibes, gotta have 2000s pop-punk! Godzilla! Vore! Choreographed mass dance numbers!”
“I dunno Porter, I’m not sure you can fit all those concepts into a single album-“
“PUT IT IN THE FIRST SINGLE OR YOU’RE FIRED”
possibly the greatest thing i've read today
I heard this in Benson's voice for some reason
ME TOO
You know this music video has a director and an entire, dedicated creative team behind it, right? It's not all Porter's ideas most certainly. I think most of these ideas were first pitched to Porter if anything.
@@Healibordjust a joke homie
Porter moving from introspective songs about musical insecurity into a maximalist song about obsessive fan-musician parasocial relationships goes so hard dude. This might be his best song I love it so much
He went from aggressive EDM to beautiful and nostalgic music style, then now passed on from that to becoming some pop-ish artist I guess lol.
@@jamieagnad1918 I feel like that last part might be a bit oversimplifying this. Listening to this, I'm getting elements of Get Your Wish, Language and even stuff like Everything Goes On, it's definitely very signature Porter (especially that ending) with a pop-punk filter put over it. Making a throwback pop song about mentally reckoning with the obsessive nature of some of his audience in the internet age makes so much sense and still feels v authentic to him.
@@jamieagnad1918 From Spitfire to Sad Machine and now this, gotta love the guy.
I feel like many artists get caught in a trap of never feeling free to experiment.
It's pretty clear that Porter is not one of them, having multiple aliases under which he makes different types of must, and even Porter himself, where his albums are so diverse...
I think this is a good thing, even if sometimes new things don't "land" the same way you remember.
@@TheCarbastard
We went from a melancholy 'robot girl fell in love with the dude' to now about a fan's unhealthy amount of obsession. lol.
急におすすめに出てきて早2週間。ハマって過去の曲も聴いてます。cool！
I love the pop punk vibe. Cant get enough of that lead either. More like this pls pls pls!
Porter’s next era of music is like a digital artist’s equivalent of freedom. He is no longer bound by any rules.
genreless
He hasn't been since the Spitfire EP. That was the entire point of his break and rebrand. He's one of the few artists who consistently reinvents his style with every major release. Worlds, Nurture, and Virtual Self are all very distinct from one another & I'm sure the next album will be the same way. It's part of what makes coming back to him again and again so exciting.
What “rules” is he breaking here, dont get me wrong i love it but its not some mind bending composition its just good fucking music
@@wispy893 well people want him to stay one genre, virtual self, spit fire, or worlds
I think its more like, he can release pretty much anything and he'd still have people to listen, just because of how many times he's switched his style ig, and thats very freeing for an artist@@wispy893
Worlds and Nurture had a child together that is somewhat angsty and rebelious with a touch of hyperpop element.
literally perfect description what
PERFECT
lmao spot on 💀
Dude. That is the most accurate description I have ever seen lol
Dude, just as I was hearing I thought "This sounds kinda hyperpop"
一週間前にたまたまこの曲を知って、それから毎日ずっと聴いてる
音と歌詞がすごく刺さるし、映像もかわいい
どうしてこんなにハマったのか自分でもわからない笑
This song got me spinning and dancing in my room bruh hyped for the album man!
I can't express how grateful I am to be alive at the same time as Porter Robinson.
FACTS ❤
SAME
a once in a generation artist
FACTSSSSSSS
The most insane thing is that he's only 31. The amount of content he has released, and how much he has evolved, in such a short amount of time is staggering. Just think we have DECADES more musical content to look forward to from this man 🤯
Tears man, he evolved his sound so much that he sounds like a prime 2000s pop-rock band😭
Yep but still has an electronic music influence.
Wdym? This video isnt out yet
@@TheBorre Leaked version online
Why do people keep saying this? Is sounds specifically like Two Door Cinema Club, nothing else 😜 not a bad thing just saying it’s not generically “pop-rock”, it’s specifically influenced by one band
@@stevengoldit’s indie electronic music
I cannot tell you the insurmountable amounts of joy this song has brought me today. Several long days dealing with people yelling at me and bossing me around, this song has brought me such a moment of happiness that I feel like I can go on! Keep on cheering us on! We love you for it!!❤
NGL This song has lived rent free since it dropped, can't wait for more
how does every Porter Robinson project sound so different from one another and it still has that Porter Robinson vibe
Bro just goes through a whole artistic evolution every other song ever since Fellow Feeling released
The Porter spice is real
He really takes his time between projects 😊
And how does every single one sound so good
He doea the classic G-A-G slide in many places (ref. 2:48 *hea-a-arts* ). You can hear this signature in his other songs like
shelter( *a-a-lone,* you'll be *wa-a-tching* over us),
lifelike (F C D *F-G-F* ),
get your wish ( did you get *yo-u-r* wiish),
Sad machine ( *she-e-de* pends on you)
Fun fact, he has talked about this in one of his piano streams during nurture release. It is like a filter through which he creates music.
I FEEL ALIVE
ETHOBOT JUMPSCARE 😱
Only 1 comment
3rd
omg Ethobot
Dont put the like to the devil number👀🧐
Been a fan since 2010, and I feel called out 😭 Being a young fangirl really was a time for me, latching onto the artists I liked to deal with life’s problems, I didn’t think at the time how being so obsessive would affect the artist, and I won’t lie, when Porter got more popular I definitely gatekept and felt a little upset for reasons I couldn’t put my finger on. The internet was a wild place in 2010, but as everything progressed, and as I grew up it was nice to hear the music change too. The fans that have stuck around have grown up now and appreciate the new sound and every new project and hopefully like me have learned boundaries between fan and artist
he doesnt know u lil vro
@@Difixed I know, that’s literally the point of my comment ? Im just sharing my experience being a fan on a song that I like
@@tyanamartinez2686 nobody asked tho
@@Difixed alr buddy
I love how goofy the music vids for porters songs are but how meaningful and ABSOLUTELY FUCKING AMAZING his songs are
I have a two year old daughter. Since she came home from the hospital, I have played Porter Robinson in the background. She always wants to "Dance daddy come here!" And dance all day to these songs. She is napping now, but I cannot wait to show her this song. We play Musician daily so this may be the new daily song!
I have a four month old son I sing Blossom to nightly as I rock him to sleep. We were down between Jackson and Porter for his name. [I voted Porter haha].
None of this would have happened without your music. I was going to attempt suicide years ago, I was seconds from acting... but I atopped. I was a wreck and I turned to your music. I got help, saw a therapist, and now here I am. I am too blessed. I have a great career, I am set to graduate with my masters degree this fall and returning for my phD after, have a supportive spouse, and I couldn't ask for more. My life is truly special now. My class ring I have engraved "Oh I'll dream of you" reference to Wind Tempos, those words always have stuck with me after my daughter was born.
I was able to play an extra in a movie on Amazon Prime called A State of Mind. I am a doctor in the movie and the smallest role, but to be able to get through my mental health issues and be a part of a movie based on mental health issues...wow. Humbling and I could not believe it.
Thank you for all you do with your music, Porter, if you are ever touring Cleveland again or around it, my daughter and I would be honored to meet you. Dinner is on us in our home, would love to show you the beautiful life your music created ❤️
You saved my life, Porter, and because of this two beautiful children are in this world. They're here thanks to you. Thank you, always.
I uploaded a video of my two year old asking to watch Porter Robinson for your viewing pleasure 😊
I'm glad you chose to stick around ❤
@@CruzMonrreal reading that comment got me all in the feels and tearing up here. Thank you. For anyone reading...when life seems over...please see help like I did.
Bro's living life worthy
This is so special. Thank you for saving yourself ❤ You sound like a great parent, and your children must love and appreciate you so much
actually so awesome man.
This chorus is giving 25 year-old me the same feelings as finding new songs on CZcams and making them my personality at age 9 so thank you 💖
holy shit this couldn't be more true LOL
thisis it@@ItsUzou
THAT. SYNTH.
Desde que salió el single no paro de escucharlo, esto es magnifico, ¡¡lo amo!!🔥❤
I remember when bro was a teenager making electro house songs that I would play out in DJ sets. Soon as I heard Language for the first time, I thought, 'This kid is becoming an artist.' Every project since has been a gift to himself of more musical freedom. Glad he's doing what he loves because he's really good at it. Don't know if this song is for me, but it's really well produced and is both fresh and uniquely Porter Robinson.
Jus keep listening, i will be come more and more adicted song
Porter Robinsons songs tend to be better every time you listen to them and understand the meaning behind them
It makes sense too, he's always focused on vocal melody, VERY important in pop-punk, but pop punk wasn't trending as much as EDM when he started, so he's revisiting his earlier inspo!
Truly one of porter robinson's of all time
There is genuinely not even a joke written here.
Same
True
Truly a
such creative passion in this mv, song and porters whole album rollout in general. Can’t wait for the album… 💕💕💕💕💕💕
Porter's transformations and growth from one album to the next only gets better! I remember when he had to do vocals for the first time on Divinity and he said he had to have a beer or two before he could even attempt it.
His music has saved my life and seeing where he is now, I know I will be okay too.
Thank you Porter for inventing music
HAHAHAHAHAHAHAHAHAHAHAHAHA
??
Jaajajajajajajaja
Lmao 😂
Fucking hell 😂😂😂😂
Musically, this has written MGMT, Passion Pit, Crystal Castles, Crystal Fighters , Fenech-Soler, Phoenix, Two Door Cinema Club, The Naked and the Famous, and all those other late 2000s-early 2010s indietronica bands all over it. and a sprinkle of Perfume / Yasutaka Nakata. and maybe underscores and anamanaguchi. and for all that... i am all here for! can't wait for the album.
Anaguci definotely
I hear Hellogoodbye, bloc party, instupendo and James Ivy...
ooh definitely an Anamanaguchi influence
anamanaguchi + BMTH
The naked anda famous❤
I’m so glad I found your music
I have a unhealthy addiction to this song ❤️
🎶 ITS NOTTT FAIRRRRRRRRRRR 🎶
CAUSE I KNOW YOU LIKE THE BACK OF MY HANDS
BUT DONT YOU CAAAAAAAARE
I GAVE YOU EVERYTHING
NOW I FEEL YOU EVEN WHEN YOU'RE NOT THERE (so real)
It's kinda sad how...
Is not your fault you're living in a madhouse...
I can't back down
Aren't you tired of blending into the background
(9 hours before release 👀)
So gooooood!!!! ❤❤
Tentacle-sama would love this song too
Bruh!!!! Yessssssssss!
Hell yeah!! It’s such a vibe and I love Porter’s outfit and design❤
Hey Aki! Was looking for your obligatory comment!
Love your videos!
It is actually not fair that his song is always so good that it gives me goosebump everytime.
Your work never ceases to amaze me, ever since I heard "Sad Machine" back when I was 18... Now I'm 27, and I still appreciate your work the same way I always did, plus your growth as a person and musician. Cheers, Porter
Im happy to announce the sequel, Porter Robinson 2
Oh hey Danny
It's not porter 2 it has been like 5+ now 😂
@@UrMom-qf6db Porter 69 then?
@@Aerith17 Ey girl!
New Life Goal: I absolutely MUST go to a concert and hear this and scream "IT'S NOT FAAAAAAAAIR!" with the crowd!
Second Sky's gonna shake the ground in Oakland.
I really hope he does another Second Sky ❤😭
@@Jazmin_Tea have faith, brother
SOON!!!!
Almost 12 years to the day that I heard Language and was hooked on Porter and now this is a whole new vibe, loving it and looking forward to what's to come!
I found out about this song from an ad I got that showed the music video, and I've been obsessed ever since. I need to listen to porter's other albums
This is pure serotonin for all the best reasons. It's poppy, it's catchy, and you just know this is going to absolutely SLAY live. Definitely going to be a summer repeat song.
Will listen to this 100s of times and still not be tired of it
100% agree.
Something tells me this is going to be one of my most played songs this year on my wrapped
Me too he'll be a top artist a second time
it already is hehe its sooo good
REAL.
What's the deal with wrapped? I don't get the hype or excitement from listening to a song so much?
according to my stats. blossom is the most played song on my spotify all time
Instant Classic
Known you since highschool when my friend introduced me to you, you're so incredibly inspired and talented and it shows. You deserve all the praise you get
I think this song is about parasocial relationships. Cheerleader being used as another word for fangirl/fanboy/stan/etc. the first verse having lines such as “she’s addicted. obsessed like “i know i can fix him”” and “she draws me kissing other guys” are the type of things an obsessive fan would do
"she draws me kissing other guys" is such a raw line, i feel like a lot of girls just got called out for that one
Also makes sense given most of the video. Having a bunch of posters of Porter on the wall, there being multiple cheerleaders who chase him around, him crowdsurfing at one point like you would at a show.
@@PhysicsBella yea exactly. i’d be really surprised if it wasn’t at least somewhat about it
I tried to talk about the "burned" line, and yt censored it in less than 0.001 seconds.
Isn't there already a yt kids app? 🙄
@@ab.6223it’s a very queer moment and I’m just gonna let it be queer and not about an obsessive fan 🤪
i think this song is about the obsessive nature of internet fandoms, and the "cheerleader" character is the embodiment of all of this "internet love".
He used to find it strange, and he felt like the online world "needed" him. But during the hiatus between Worlds and Nurture, he realised he actually depended on the internet for validation and love. Porter thought the fans needed him, but he came to realise he was the one that needed them. "I thought she needed me, but I need her."
That's my interpretation. Such a banger.
That's what i think. Porter wouldnt write such a cliche song without deeper meaning
idk if it's cliche. it's definitely got some clear pop sensibilities but it's extremely hard to make something so compelling without any pretense and with so much honesty@@carlvargas7911
@@k_nito7954 that's an entirely different era and genre of music....
I guess what i saw in the trailer is porter got sick and tired of these porter robinson ripoff songs and leaks particually against worlds song idk
I think its a juxtaposition, both about the toxic overbearing sides of it, but also how he needs their support. He is definitely not promoting the obsession but realises he is nothing without his fanbase and their healthy form of support.
Porter Robinson , the man who released a song that changed me and now I'm watching him through his new songs and I cannot deny I just love it , it brings me so much happiness to see the clip , the artstyle, the vibes. EVERYTHING is on top , and it will never stop to bring me so much jovial vibes. I love this song just like the others!!
見ていて聞いていて楽しかった！！！ありがとう
I remember meeting you in 2014, you were too shy to even look me in the eye when I told you how much your music meant to me, still have the picture of you blushing when I was throwing compliment after compliment. I cannot believe that same man is who I see in this video right now, all of your eras are so different and honestly I’m so happy for it. Like I told you before, sure its electronic music, but you’re in your own genre and always will be
this is so special omg
Owl city was the same
He was a turtle for quite a while. He looks really confident in his newer videos
aw
ur gay
your interaction is literally a major aspect of the song. incredible.
Porterを好きになった頃は日本語のコメントなんかなくて、一人ぼっちのような気分だったけど最近はちらほら日本語のコメントもあって嬉しい。
ハワイからこんにちは。
この曲でもっとポーターファンが増えると思います。❤❤❤
日本人です!!!
「ブロソム」大好きだよう❤️
わかる！
な
俺は,try to feel alive と, get your wishが激推し！！！
that sad happiness it gives is refreshing
I will come back in 10 years and this will hit me like a brick, just like when i listened back Sad Machine after almost 4 years since the last time
Porter finally made his own "Stan" song lets fucking go
Like clockwork, Porter releases new music when I am on the edge of a mental health crisis and need him most. 😌
I was gonna say 😭 same thing here
this ain't even a joke, it literally do be like that
@@lusolf7509 HOW DOES HE KNOW ANS WHY WE ALL HAVING A CRISIS AT THE SAME TIME 💀
@@rubedo2381 don’t question our lord and savior, Porter Weston Robinson 🙏🙏🙏
Same here!
Incredible. I watched your Fantano interview and I remember you saying Musician was your favorite in Nurture (mine too) and that you wanted to be in that invulnerable place more often while making music. I can't help but feel like this is exactly what you meant. I have liked all the music you have made but I think you have reached a totally new level.
im SO hyped for this new album
Lyric breakdown from genius (RachaelPalmer): "After the final bridge, the chorus takes on a different meaning. While the first few iterations of the chorus were implied to be spoken by the cheerleader/fans, this final chorus is being spoken from the perspective of the artist/Porter. Flipping the meaning of the song on its head, the final chorus is about the artist’s love for their fans - how much they mean to the artist, and how they have dedicated their life to their fans."
So good
Its like a lyrical ambigram, so nuts!
no thanks!
2:35 That soft guitar bridge though😩😩
Easily thr best part. I hope he releases an acoustic version like Blossom
yess🥺💖
I CANNOT STOP LISTENING TO THIS SONG WTF
Holy shit, I remember listening to goodbye to a world on repeat during elementary-middle school.. Despite being my breakdown song, it got me through some really tough times. Immediately seeing a new song by Porter Robinson, all those memories flooded back but this made me look back on those times and smile, seeing how much I've changed since then, and how he has changed since that time too. This song made me realize that things get better.
LETS GOOOOO
Yeahhhhhhhhh
Xd, que random verte aqui
aparte de hacer buenas conexiones tienes buenos gustos
I can’t describe this feeling like it’s like I’m back in high school watching these types of music videos with creative freedom
This makes me feel like I'm back in 2006 it's wild
So excited to scream this at the concert
好き🔥
Friday, October 17th, 2014 at the House of Blues in Orlando: I randomly picked up a flyer on the UCF parking garage floor that said “Porter Robinson: WORLDS”. To even begin to try to explain how my life has changed since that night… it’s not possible. Here YOU are, Porter Robinson. Holy crap. Worlds changed my life and allowed me to have a brighter look on life right after leaving all of my friends in California to start college. I carpooled random strangers to your show in orlando in 2014, and have seen you 32/33 times now. This song is by far your best and proudest work. Your fan base loves the shxt out of you, as you express in this song. Thank you for giving us everything you have while maintaining your light. You are a pure, genuine artist. I am so thankful to have found that flyer on the floor that one lonely evening. Thank you Porter.
seeing Worlds live was truly like being in another world. you can’t even explain it. idk about you, but I was lucky enough to see it outdoors. so happy to see that his music changed your life for the better!! 💙
Worlds was such a great album. I listen to it to this day all the time.
aww
I was at that show at the House of Blues. It was my first electronic music show and one of my first live music shows ever. I had no idea what I was walking into other than I was obsessed with Worlds and I knew the show was entirely his music. That night completely changed my opinion of live electronic music and what it could be.
edm, pop punk, I swear this man can make anything
eeyup
@@SunIsLostthe last thing i expected to see as a reply was a bigmac reference
Uhm, "pop punk"? What did he do that would be considered pop punk?
I'm so glad you get to express yourself with every song! I was here on your Bataclan concert in Paris and I feel like you are really livin' your life the way you want, and I love what you do on a deep level! thx
Props to Porter Robinson for always having the best music videos
This is exactly how music videos should've stayed since 2010.
I love the old pixelated images, the hints to the old music videos era and... HOW YOU'RE NOW SINGING WITH YOUR UNSMAKED VOICE 😭😭
Porter Robinson truly said "Fuck it" and I'm happy for him
Been a while since I've had a song on repeat for days. Can't wait to hear the rest of the album, this is going to be amazing!
I got emotional watching this. I feel like I can relate too, in the sense that when nurture came out I was very much in the same headspace as those songs and I’ve come out of that now and I feel like mentally I’m moving on and becoming more confident. I’m so freakin happy to see Porters confidence and creativity shining
I was having a REALLY BAD DAY. Then i opened CZcams and saw this. I put my headphones on, then when ''its not fair'' rocked up, i really started crying. Thank you, Porter.
gay
@@nevaehlorene-5753 ❤👉👈❤
@@nevaehlorene-5753Fellas is it gay to enjoy and connect with a song?
@@aramkimodoIf it is, then I don't want to be a cis straight guy anymore. It's rad to enjoy being human.
@@nevaehlorene-5753 wank in the corner loner
Portermanaguchi is the friggin SPEED
LMFAOOOO OH GOD
Holy shit that's what it reminded me of
@@HakureiReimuOfficial YES it's such a perfect mixture of BitRock and Porter Magic...I'm obsessed.
my thoughts exactly lmao
I have a feeling Porter and the crowds are really gonna enjoy jamming to this song at concerts ^^
That lead in the drop is so addicting
Funny to see how Porter's music is moving towards late-2000 music era and yet it's still super fresh and amazing 🤯
すごいよほんと
次絶対ライブ行くからまた日本きてね
I hope he sings in Japan for you.
ビビビ日ボボボボボビビビビビ
ワールドツアー決まりましたね！㊗️
this feels like it could be a huge mainstream sleeper hit this coming summer. i have been wrong about songs like this in the past but i could see this song blowing up all over top 40 by june\july and being one of those songs you hear everywhere you go. not saying thats a good or bad thing just saying that is my gut feeling :P
THIS IS RAD!!! That last minute especially is just unreal ✨⚡️
He really went full "anime boy" for this one. And I'm loving it!
This is something MTV would have broadcast in 2000
fr!
Now we’ll be lucky if this amazing single even makes a blip in the mainstream.
"How many times have to listened to this song"
"Yes"