My new Web site is: www.lelandskla.... The new book is there and lots of goodies in the works... Here are the directions to my new club house if you want to come and hang. flatfiv.co/pag...
There was no click in those days. Was only used in film. Billy did a press roll, a downbeat and we were off. Took a couple of beats to lock in for we had no count off.
That was Billy Cobhams' best album. Why didn't the same musicians stay together for more of his music? What is the model and brand of the bass you used please?
All I can say is Thank You for being a part of something so special!!! The album "Spectrum" and especially hearing the tune "Stratus" in 1973 for the first time changed my life forever and that's no exaggeration, no lie. I believe "Stratus" to be one of the most incredible recordings to have ever been put on vinyl for mere mortals to hear. It is an immortal recording that at 50 years old will still be significant and relevant for decades to come. Well done, Sir!!!
It's a perfect groove because Leland knows this song is not about him. It's BECAUSE he doesn't do a fill that everyone else in the band is free to be themselves and do what they do. He's showing off by clearing the road for Billy. That's why everyone else wants him in their band. Play less, stay out of the way for the others. He's a model for how to play bass in a band. Amazing mindset and power of spirit.
You are not alone in that line of thinking. It's like The Leland Sklars show it's as exciting as the sing along with Mitch show back way back when I was a kid. I don't know about you but I am learning a thing or two.. Thank you Leland for sharing your time with us.
was one of my first jazz-fusion albums in the mid-seventies - absolutely classic and classic pioneering era of jazz-fusion. Had no idea - since the actual record is buried in the attic - that that was you on bass. WOW. Im more deeply enamored and appreciative of both your talent and your career. Thanks illuminating the hisory of those truly classic moments and times. Wow.
Was such a great experience and pleasure to tour the Spectrum 30 with you! What a pleasure to hear this interview and to get to see “that” bass! Iconic! Stay well dear maestro Lee!
Gary Husband - I'm one of the many rockers whose switched was flipped by Spectrum. I saw the 5 piece Mahavishnu Orchestra in Baltimore, MD in April 1973. Little did I know that two weeks later Billy would record this record on a couple of off days from opening for Zappa. I saw you with Holdsworth in 1979 at Oddfellows Hall in Towson, MD. I saw the 30 year reunion tour at the Ram's Head, Annapolis, MD with you and Lee. I'll admit - I was disappointed that Jan Hammer wasn't on the gig. Until I heard you start playing. I knew you played keys too, but...oh wow...and you had a sore tooth to boot! Much respect!!!
Bassline looks easy but is quite hard stay on that path of 16th. This attitude of not overplaying but serving the song as a whole is just so great and humble. We need that attitude in this world! The spirit of Dumbledore, I mean Lee Sklar! 😊
Perhaps Lee didn't overplay because he couldn't hear himself. @19:18 "Had I had a better mix I could have dug deeper into the pocket." Maybe that was Billy's devious plan. Did he choose Lee because he just wanted a rock solid guy who would help him hold it the F down, while Jan and and Tommy took flight?
Wow...a trip down memory lane. I saw Zephyr on TV (Dick Clark maybe), and followed Tommy Bolin's career through the James Gang, Deep Purple, this album, his solo albums, and I had tickets to see him the day he died. He played his last gig in Miami, opening for Jeff Beck, playing in Tampa the next night. I had tickets for the Tampa show, but he OD'd. I truly appreciate the memories.
Thank you for your kind words for Tommy. He lives on in our hearts, and by your wonderful thoughts. He was lucky to have such a solid rock to fly from on this amazing album.
Had to pull out my copy of Spectrum and dive in. Such creativity! Man, Tommy Bolin was a master. Super playing by everybody of course, and Ron Carter fit so well. Thanks for the reminder of this great record.
Mr. Sklar, I just need to say that is such a massive privilege being able to watch how you cover your own hyper-iconic basslines and hear all the stories you are up to share with us!! Thanks, thanks and thanks a lot for doing this.
When I played this record in the bar I worked at in the 70's I couldn't have dreamed that all these years later I would see Mr. Sklar playing this on a video. I'm absolutely made up with this, thank you very much sir, you are a wonder!
You are so right Lee... That groove being constantly there drives the entire song. It is the foundation which enables Tommy and Jan to be able to build those fantastic solos upon. Without the constant drive, the song is lost. Thank you so much Lee.!...
Leland, it was sept 1976 and you were on SNL with James Taylor. so my 2 best buddies were at an Indian restaurant having dinner before the show, and i was in the studio audience. my buddies spied you having dinner there. so they approach you to say hi, and you kindly invited them to dine with you. what a great guy you must be. thank you for being you, on and off stage.
I bought "Spectrum" when it was first released, what an album. I'm 65 now, and I have played both the album and especially "Stratus" countless times. It always takes me back to when I first bought it, and it still encourages my inner youth to come out to play. Like all great music, it never grows old. That bass line is the best driver of any tune I have heard. Many Thanks, Leland. Wonderful.
Thank you Mr. Sklar! It was a great emotion to be able to see this song played live with the original Fender Jazz of the 1973 recording! I was born in 1979 and I tell you the love story with Stratus. As a child my father made me listen to this song, always saying to me: "listen, hear well, hear the bass, concentrate on that". So I grew up with that stubborn bass line always in the head, and with the groove of Billy and Tommy and Jan's solos. Now seeing this again thanks to you was really exciting, a great gift! Thanks again! I admire you very much, a great Master! 🙏🏻
This LP was so intensly satisfying , the pinnacle of higher conciousness musically , you’re recap as well as the track took me back to Tommy’s genius !RIP Tommy and jeff beck. Thank you leland
Loved that album, still listen to it and share with younger generations. So you are the one on bass. Just driving and make the speakers move. I worked at a hospital during that time. I lost some of my co-workers.
Thanks for the memory, Lee. I met Lee when I was the tour manager for the Spectrum 30th anniversary tour that Lee speaks about. Truly an amazing group of musicians. Lee was so much fun on the road. He kept volunteering to drive if I got tired. I still have to remind myself that it really happened and I was actually a part of it. Thank you, Leland, Billy, Dean and Gary.
I love the way he alternates the E string note between fingered and there is no change in the groove which is just flawless and effortless (for him that is). 😁😁😁😁👍
Thank You Leland for the Tune and the History! Nothing Better than the Sharing of your Time on the Road, in the Studio, Tommy Bolin and All the other Musicians as well! Truly an Enjoyable Experience just to Listen 🎶🎸😀⚘
Mr Sklar you’re a beast! This drummer appreciates you. As I get older, I’m seeing the intense value of ego-less, repetitious grooving and just committing to a pattern. Love that bass, by the way!
Yes!!!!!! Thank you thank you thank you ! What you,and Tommy, Billy, and Jan, did together on Spectrum is my personal favorite of your career. I so wish that Tommy would have lived to produce more of his art. You are one of the all time greats!
I used to think that the musician I've seen the most was James Taylor but after reading the list of musicians that Leland has toured with I realize he's the musician I've seen more than anyone else.
your right my friend..he's been all over the place ,and that means everywhere on earth, and with so many musicians and bands with so many different styles of music. high intelligence and a gift from above has made him the goat of all bass players along with Mr Jameson
A couple weeks ago when I spoke about you playing on Spectrum with Tommy, I kept wishing you’d play something off of that album. Thank you so much for talking about Tommy because that Man’s guitar work in the world of music especially Fusion was so pivotal.
I don't often buy things on a whim but I went and bought this record immediately after hearing this belter! Great way to discover new music (well, new to me at any rate)!
Fun fact: i watched this video just a few minutes after it was posted. While watching i noticed, that i was just wearing a Tommy Bolin shirt that day 😄👍 Thank you for sharing your memories with us, i really appreciate that!
Who the hell gives this a thumbs down? Seriously - Lee is a national treasure and this bass line is about as true to the role as it gets. Solid, unflinching, and incessant - holding it DOWN. Brilliant, mate - thank you so much for doing these!
Thank you so much. Both for the play through but even more for the back story. Spectrum -- that album changed my brain. I was 14 when that came out and I played my copy until it was unplayable. Hammer, Bolin, Cobham -- and you. I still have that unplayable LP. I keep it as a talisman from my youth. Thank you so much for taking the time to make these videos during this difficult period. Hopefully you have some idea of the good you are doing for so many of us -- especially people like me who've been listening to you for decades. All the best to you and thanks again.
MyFavorite Flutes yep...I was a little younger. Got my copy at 12 yrs old... have dug on this for 40+ years... Billy was the man. He surrounded himself with the best.
This is why you're the king! That focus while everyone else jams...wow every bass player ive played with would have improvised like a muppet. Thanks for making these videos.
Gotta add, in 1975 at the Arie Crown Theater in Chicago when Jeff Beck was playing his new works, like "Blow by Blow", Mahavishnu Orchestra opened up for him (that's crazy). Jeff told the crowd (us) to not expect him to play his old works. This new work was of course very influenced by Tommy Bolin and jazz fusion in general. Fantastic show! When I saw John McLaughlin open up at that show I almost didn't know what I was looking at. Mind blowing...
OMG, it's been ages since I heard that album - and now, there you are, sir, playing it, as enthusiastically as 50+ yrs before! Love and respect from Germany!
@@pillepalle3614 yep keeping lines like that together is a challenge .need to focus hard . there were a few spots he fell out ,some drum fills seem to throw him off probably a volume thing like he said . but still kicking my ass
plays for 4 minutes, talks for 20 minutes and i enjoyed every single second of it! :) grandmaster lee's got more stories than the books at the library. looking forward to the next video
Mum bought me Spectrum in 1976 as I was a budding young drummer and she asked the record store attendant,”Do you have any drumming albums?”lol. God bless the 70’s ,your bass line in Stratus,had me dancing in the room and Billy’s incredible drumming,what a lineup. Hammer and Bolin,a perfect chemistry for a perfect fusion album,I rate this the best fusion album of all time!
I'd been listening to Lee, Billy, Jan & Tommy for a couple of years already when Spectrum came out and I thought I died & went to heaven to have them all playing together on the same album. SInce its release there haven't been many months, maybe even weeks, when I didn't give it a listen and enjoyed it again as one of my favorite musical encounters. Thank you so much, Mr. Sklar, for the years of enjoyment this has brought to me, and for the chance to hear you tell about how it happened. Amazing music, absolutely masterful!
I bought Spectrum at release, and that album was part of what turned me on to a whole new universe of music at the time (and to this day). I didn't realize that was YOU. You are one rock solid guy, Leland. Thanks.
Wow, you didn't know about Mahavishnu prior to hearing Spectrum? What a shame.. I wish I had gotten turned on to Mahavishnu 2 years prior, but I was able to catch their last concert in my area just before they split up and reformed..
It was Birds of Fire that made me buy Spectrum. After hearing that I went out and bought all the albums by the members of Mahavishnu (thus Spectrum), and then all the albums from the members of all THOSE bands, etc. I never did catch Mahavishnu, though I saw John McLaughlin play. Lucky you!
I love these videos. I love the stories. Thank you. A quick story. One perfect spring day in high school, many moons ago, me and a buddy cut school and went walking through Central Park. Walking through the Promenade toward the Bandshell we heard the faint sound of electric guitars. "That sounds like Carlos Santana," I said. "No," said my friend, "it's John McGlaughlin." We went back and forth like this. When we got to the Bandshell it was Carlos Santana and John McGlaughlin, just the two of them, no one else, two guitars, seated on stools opposite one another. There weren't a lot of people watching either. The whole thing was so low key. it was transcendental. I've been looking for recordings of some of the tunes I heard them play. Wow.
Thank you for sharing your stories! As someone who always wanted to be a pro musician, I love hearing about the nitty gritty details. You are a wonderful storyteller and a great example for aspiring artists!
What a treat to get to see you repeat a cool, *seemingly* simple line. There's a lot to learn from your playing here. How to stay focused in the groove, having a right hand pattern that's engaging, being aware of where everyone else is in the song... Thanks!
Hey Leland just recently found your youtube channel thanks to Rick Beato, Spectrum is on of my all time favorite albums!! Would love to see more play throughs of songs on that album and any other stories you have from around then, especially any stories involving Tommy Bolin (I don't think he gets brought up enough, he was a fantastic guitarist)!! Thanks for the great videos!
From the age of 16-20 I was immersed deeply in BILLY, Billy is one of my Hero's. Leland thanks for making one of the best drum albums in History. I saw Billy do a show last night and he sounded Great.Musicians that are still sounding great in their late 70's RULE.
I'm not a bass player but I really enjoy your in-depth chat regarding how you put your thing together. Not only that, your interesting experiences with fellow musicians are fabulous to listen to. I'm gonna keep listening Leland. Much love and appreciation from locked down England.
I worked in a little independent record store on Saturdays while studying at art school. The week I heard Massive Attack's Safe From Harm I knew immediately what I would spend my credit note on come the weekend. At the end of the day I walked up to the counter, record in hand, beaming. My boss smiled back, came around front and pulled a copy of Spectrum down off the wall, he placed the disc on the turntable made available for customers to listen to stock and played me this track. Suffice to say I left that day with no cash wages but two very cool records. Thank you so, so much.
Simply fantastic. best. fusion.record.ever. The back-story you relate makes this video even better. When Spectrum came out in 1973, I'd already been a big fan of Billy Cobham and Jan Hammer from the Mahavishnu Orchestra (etc), along with Tommy Bolin from Zephyr and Energy...and then listed in the liner notes there's this bass player that had played with Carole King and James Taylor, and I go...Hmmmm....this guy's got some chops!! Been a fan ever since. Thanks. Be safe out there.
I first heard and fell in love with this bass line on Massive Attack's Safe From Harm (which I adore). One of the great challenges for me was to play the bass line all the way through without fumbling or my fingers cramping! It took a while, but I got there (although nothing like as tight or precise as Lee obviously). I only found out the genesis of Safe From Harm when I heard Jeff Beck "covering" it. I then searched and found the original track, by Cobham et al. Stunning work.
Oh Mister Sklar,you are really creating the kind of flying Carpet a Musician can relax on!😀What a Groove!Thank you for all the great Music you gave us!😀🙏👍✌
I had never heard this track before...now I get our local barlady to play it in the pub...only when I feel the moment is there...and everyone always says "What is that?..It's brilliant!"...thank you Lee for sharing that😀
One of my all time favourites - great !! Spectrum was one of the greatest albums ever made. The git/key/drums solos are absolutely fantastic and stands out of time. Your bassline has a driving, holding-it-all-together, almost meditative character - I could listen to it for hours. As a bass player I have played it many times with my bands. You are a great inspiration to me.
Gracias, Lee Sklar, por Spectrum !!!! Nunca pensé que iba a poder decirle tantos años después (yo tenía 18 y recién empezaba a tocar Bass) que sus líneas demoledoras en ese disco iban a ser decisivas para entender "de qué se trata todo".... Y el pensamiento "quién será Lee Sklar, qué espectacular, cómo habrán elegido a éste músico capaz de seguir a Billy y su increíble forma de tocar batería ??" Por fin puedo agradecerte, Lee, tu música, cómo lo he disfrutado....Stratus es el golpe de batería más famoso de la historia, me parece....y esa patada al estómago cuando entrás con el Bass, wowwwwwwwwww !!!! Gracias, ídolo !!! Tu inmensa carrera deja en silencio a cualquiera !!!! Desde Argentina, Gustavo te ama, amigo !!!!
How wonderful to hear you play that mesmerizing bass part, and so intriguing to hear the story of the session. One of my all time favourite "fusion" albums. So kind of you to share these personal stories with us. Cheers from Vancouver. Geoffrey
Wow, talk about timing!...Spectrum's been in my car's CD player for the last month or so (I do that with my fave albums), and I was just listening to it while looking at the (legally unrideable) surf this afternoon. Spectrum's been a milestone album for me since it was released, and as a player, the immediacy of the session was palpable by the 1st tune...I've always thought it was all live...you can hear it, and you can feel it. Thank you sir for sharing the story behind one of my all-time favorite albums, one that I see as a perfect storm of the right material, chemistry and timing of some of my favorite players.
It's been a long time since I've been brain pierced by a straight ahead bass groove like that. I can still feel the dent in my forehead! Well done sir! Thank you for the daily rides on the wayback machine which helps me maintain my sanity durin these trying times. Stay safe and carry on jus' like you're doin' and thanks again.
Yes!!! Your bassline here is perfect, its simplicity totally serves the composition. I have always loved how tense and yet relaxed the tune is. It is great to see you explaining it and telling stories from the road. Thank you very much!
Great work Leland. To my shame, I only just discovered this track in its original form . That killer bass line I heard was on the Massive attack track that was sampled from Stratus. you have a great groove on you and that bass your playing has one of the nicest tones I've ever heard. God bless and stay safe
I was gonna bring this up also in a comment to Lee. He must know that he’s been sampled by the great Massive Attack. As a teen in high school I listened to the original BC album, and then years later I was exposed to the trip hop of Massive. It’s all great stuff.
I saw Billy Cobham in Germany while touring with Wolfang Schmid, Peter Wölpl, Rick Keller and Nippy Noya. That was Wolfgang's "Jubilee" tour around 1990. (I still have the live album on vinyl, although I haven't had a record player for the last 25 years or so.) That was when I was seriously infected by the drumming virus by virtue of Pete York's "Supper Drumming" series in German television. Ah, those were the days! I always liked this song and actually got myself "Spectrum" around that time. I got to "know" you via Phil Collins (remember that legendary "Seriously Live" Show in the Waldbühne in Berlin?). Anyway, I never knew that you played the legendary bass line on "Stratus" until I saw this video here. What a revelation! I couldn't wrap my head around that fact first. What a gift you and all these talented and true musicians are to all of us!
Thanks for a great example of what it means to serve the song. That groove is such a solid foundation for rest of the band to rock on. Wow! Love it! And thanks for bringing out that bass, too. Stay home...stay safe...save lives!
I bought this when it came out, as a college student. Still sounds as fresh today. Just sitting here watching your fingers do their dance put a real smile on my face. Thank you.
Amazing, Lee this record changed my life, as a bass player, stratus, Red Baron, all learning material........great stories as well.....I'm old school, #59 born ....I understand the story, peace and love, stay healthy. Dave
There was no click in those days. Was only used in film. Billy did a press roll, a downbeat and we were off. Took a couple of beats to lock in for we had no count off.
The Click was the Dead from Musicfeeling!Without Click is "living".
Thanks for your answer. Stay safe.
Awesome and then some Lee iconic bass line.
Tommy has been sorely missed since 1976!
That was Billy Cobhams' best album. Why didn't the same musicians stay together for more of his music?
What is the model and brand of the bass you used please?
Tommy Bolin Nailed It........!
Blessed his Soul...........!
All I can say is Thank You for being a part of something so special!!!
The album "Spectrum" and especially hearing the tune "Stratus" in 1973 for the first time changed my life forever and that's no exaggeration, no lie.
I believe "Stratus" to be one of the most incredible recordings to have ever been put on vinyl for mere mortals to hear. It is an immortal recording that at 50 years old will still be significant and relevant for decades to come.
Well done, Sir!!!
Spectrum opened so many minds!.. Thank you.
One of my favorite albums growing up in South Pasadena in the early 1970s. We saw him live at the Roxy, I think in 74 or 75. Great show!
Zen and the art of the groove... Seriously, try to play a groove for 6 min without a fill. Thank you Mr. Sklar for showing how its done
He pretty much boring as fuck
@@markspark3360 ...says the guy who listens to the theme from Rocky at the gym & watches crocs attacking zebras...
@@markspark3360 Projection on your part.
This is brilliant
It's a perfect groove because Leland knows this song is not about him. It's BECAUSE he doesn't do a fill that everyone else in the band is free to be themselves and do what they do. He's showing off by clearing the road for Billy. That's why everyone else wants him in their band. Play less, stay out of the way for the others. He's a model for how to play bass in a band. Amazing mindset and power of spirit.
I can't believe how much I look forward to these every day.
You are not alone in that line of thinking. It's like The Leland Sklars show it's as exciting as the sing along with Mitch show back way back when I was a kid. I don't know about you but I am learning a thing or two.. Thank you Leland for sharing your time with us.
Same here! I'm so glad he's doing these on CZcams, since I wisely abandoned FB more than a year ago.
Gordon Abbott for real.
was one of my first jazz-fusion albums in the mid-seventies - absolutely classic and classic pioneering era of jazz-fusion. Had no idea - since the actual record is buried in the attic - that that was you on bass. WOW. Im more deeply enamored and appreciative of both your talent and your career. Thanks illuminating the hisory of those truly classic moments and times. Wow.
Was such a great experience and pleasure to tour the Spectrum 30 with you! What a pleasure to hear this interview and to get to see “that” bass! Iconic! Stay well dear maestro Lee!
Gary Husband - I'm one of the many rockers whose switched was flipped by Spectrum. I saw the 5 piece Mahavishnu Orchestra in Baltimore, MD in April 1973. Little did I know that two weeks later Billy would record this record on a couple of off days from opening for Zappa. I saw you with Holdsworth in 1979 at Oddfellows Hall in Towson, MD.
I saw the 30 year reunion tour at the Ram's Head, Annapolis, MD with you and Lee. I'll admit - I was disappointed that Jan Hammer wasn't on the gig. Until I heard you start playing. I knew you played keys too, but...oh wow...and you had a sore tooth to boot! Much respect!!!
Wow! One legend salutes another! You guys must have had a blast channeling Jan Hammer and the great Tommy Bolin.
Bassline looks easy but is quite hard stay on that path of 16th.
This attitude of not overplaying but serving the song as a whole is just so great and humble. We need that attitude in this world! The spirit of Dumbledore, I mean Lee Sklar! 😊
Perhaps Lee didn't overplay because he couldn't hear himself. @19:18 "Had I had a better mix I could have dug deeper into the pocket." Maybe that was Billy's devious plan. Did he choose Lee because he just wanted a rock solid guy who would help him hold it the F down, while Jan and and Tommy took flight?
Dumbledore is nothing but a Leland Sklar imitator.
I jam to this track almost every day. Thanks for making such great music!
Just watched Immediate Family for the second time...wonderful documentary. Fans should all check it out.
Stratus is the song I always listened to if I needed a kick on inspiration. Been a life long fan of the late Tommy Bolin.
Wow...a trip down memory lane. I saw Zephyr on TV (Dick Clark maybe), and followed Tommy Bolin's career through the James Gang, Deep Purple, this album, his solo albums, and I had tickets to see him the day he died. He played his last gig in Miami, opening for Jeff Beck, playing in Tampa the next night. I had tickets for the Tampa show, but he OD'd. I truly appreciate the memories.
Thank you for your kind words for Tommy. He lives on in our hearts, and by your wonderful thoughts. He was lucky to have such a solid rock to fly from on this amazing album.
I can't stop watching today Lee!
Had to pull out my copy of Spectrum and dive in. Such creativity! Man, Tommy Bolin was a master. Super playing by everybody of course, and Ron Carter fit so well. Thanks for the reminder of this great record.
Mr. Sklar, I just need to say that is such a massive privilege being able to watch how you cover your own hyper-iconic basslines and hear all the stories you are up to share with us!! Thanks, thanks and thanks a lot for doing this.
When I played this record in the bar I worked at in the 70's I couldn't have dreamed that all these years later I would see Mr. Sklar playing this on a video. I'm absolutely made up with this, thank you very much sir, you are a wonder!
Massive Attack are still thanking for this amazing groove!
Massive Attack - Safe From Harm
Indeed. Exactly my thoughts.
Also Björk in her "Army of Me" heavily influenced from Massive Attack's Safe from Harm and indirectly from this one.
You are so right Lee... That groove being constantly there drives the entire song. It is the foundation which enables Tommy and Jan to be able to build those fantastic solos upon. Without the constant drive, the song is lost. Thank you so much Lee.!...
Leland, it was sept 1976 and you were on SNL with James Taylor. so my 2 best buddies were at an Indian restaurant having dinner before the show, and i was in the studio audience. my buddies spied you having dinner there. so they approach you to say hi, and you kindly invited them to dine with you. what a great guy you must be. thank you for being you, on and off stage.
I was hoping they would pick up the tab!!!!!😵💫😵
@@lelandsklar6363 man, you are a trip. a good one.
I bought "Spectrum" when it was first released, what an album. I'm 65 now, and I have played both the album and especially "Stratus" countless times. It always takes me back to when I first bought it, and it still encourages my inner youth to come out to play. Like all great music, it never grows old. That bass line is the best driver of any tune I have heard.
Many Thanks, Leland. Wonderful.
ich war teenager, als ich diese fantastische platte gekauft hatte. auch die abmischung und dass fibes drum . ganz grosses kino.
Thank you Mr. Sklar! It was a great emotion to be able to see this song played live with the original Fender Jazz of the 1973 recording! I was born in 1979 and I tell you the love story with Stratus. As a child my father made me listen to this song, always saying to me: "listen, hear well, hear the bass, concentrate on that". So I grew up with that stubborn bass line always in the head, and with the groove of Billy and Tommy and Jan's solos. Now seeing this again thanks to you was really exciting, a great gift! Thanks again! I admire you very much, a great Master! 🙏🏻
This LP was so intensly satisfying , the pinnacle of higher conciousness musically , you’re recap as well as the track took me back to Tommy’s genius !RIP Tommy and jeff beck. Thank you leland
There will never be another album like this! The capabilities of the musicians are extraordinary
That was absolutely outstanding Mr.Sklar. My condolences to your fingertips.
Loved that album, still listen to it and share with younger generations. So you are the one on bass. Just driving and make the speakers move. I worked at a hospital during that time. I lost some of my co-workers.
Thank you thank you thank you a thousand times THANK YOU
Thanks for the memory, Lee. I met Lee when I was the tour manager for the Spectrum 30th anniversary tour that Lee speaks about. Truly an amazing group of musicians. Lee was so much fun on the road. He kept volunteering to drive if I got tired. I still have to remind myself that it really happened and I was actually a part of it. Thank you, Leland, Billy, Dean and Gary.
Loved being on the road with you..
I love the way he alternates the E string note between fingered and there is no change in the groove which is just flawless and effortless (for him that is). 😁😁😁😁👍
The nod of the head JUST before he plays the best groove in bass history, shows why real music is about FEELING and cannot be replicated in any way.
Thank You Leland for the Tune and the History! Nothing Better than the Sharing of your Time on the Road, in the Studio, Tommy Bolin and All the other Musicians as well! Truly an Enjoyable Experience just to Listen 🎶🎸😀⚘
Mr Sklar you’re a beast! This drummer appreciates you. As I get older, I’m seeing the intense value of ego-less, repetitious grooving and just committing to a pattern. Love that bass, by the way!
Watching this again. I saw that tour in Philly. Keswick Theatre. Met all ya'll after. Stunning. One of my top fav ever.
Yes!!!!!! Thank you thank you thank you ! What you,and Tommy, Billy, and Jan, did together on Spectrum is my personal favorite of your career. I so wish that Tommy would have lived to produce more of his art. You are one of the all time greats!
I used to think that the musician I've seen the most was James Taylor but after reading the list of musicians that Leland has toured with I realize he's the musician I've seen more than anyone else.
your right my friend..he's been all over the place ,and that means everywhere on earth, and with so many musicians and bands with so many different styles of music. high intelligence and a gift from above has made him the goat of all bass players along with Mr Jameson
A couple weeks ago when I spoke about you playing on Spectrum with Tommy, I kept wishing you’d play something off of that album. Thank you so much for talking about Tommy because that Man’s guitar work in the world of music especially Fusion was so pivotal.
I don't often buy things on a whim but I went and bought this record immediately after hearing this belter! Great way to discover new music (well, new to me at any rate)!
Best part about new-to-me music.
it could be fifty sixty years old you discover it and you get into it and you can become a fan later in life.
Fun fact: i watched this video just a few minutes after it was posted. While watching i noticed, that i was just wearing a Tommy Bolin shirt that day 😄👍
Thank you for sharing your memories with us, i really appreciate that!
I remember Tommy Bolin and Zephyr from the old 'Boulder' days...Tulagi's
This guy can play any genre. Outstanding
Who the hell gives this a thumbs down? Seriously - Lee is a national treasure and this bass line is about as true to the role as it gets. Solid, unflinching, and incessant - holding it DOWN. Brilliant, mate - thank you so much for doing these!
Thank you so much. Both for the play through but even more for the back story.
Spectrum -- that album changed my brain. I was 14 when that came out and I played my copy until it was unplayable. Hammer, Bolin, Cobham -- and you. I still have that unplayable LP. I keep it as a talisman from my youth.
Thank you so much for taking the time to make these videos during this difficult period. Hopefully you have some idea of the good you are doing for so many of us -- especially people like me who've been listening to you for decades. All the best to you and thanks again.
MyFavorite Flutes yep...I was a little younger. Got my copy at 12 yrs old... have dug on this for 40+ years... Billy was the man. He surrounded himself with the best.
I was 15 in 73 and got turned on to Billy . It stuck . Jazz fusion is where it's at.
Such an amazing career you've had. Documenting it with these videos and sharing your personal experiences is a true gift for anyone viewing.
This is why you're the king! That focus while everyone else jams...wow every bass player ive played with would have improvised like a muppet. Thanks for making these videos.
Could you really improvise that bass groove though?! Somehow I think not.
Gotta add, in 1975 at the Arie Crown Theater in Chicago when Jeff Beck was playing his new works, like "Blow by Blow", Mahavishnu Orchestra opened up for him (that's crazy). Jeff told the crowd (us) to not expect him to play his old works. This new work was of course very influenced by Tommy Bolin and jazz fusion in general. Fantastic show! When I saw John McLaughlin open up at that show I almost didn't know what I was looking at. Mind blowing...
OMG, it's been ages since I heard that album - and now, there you are, sir, playing it, as enthusiastically as 50+ yrs before! Love and respect from Germany!
Not just in a pocket, its like a pocket inside a pocket. You are the best Lee!
5chevin5 no it wasn‘t. Try to play in the pocket with a bassamp and a backing track over your computer speakers. Not gonna happen.
@@pillepalle3614 yep keeping lines like that together is a challenge .need to focus hard . there were a few spots he fell out ,some drum fills seem to throw him off probably a volume thing like he said . but still kicking my ass
I'm better...
@@fonkypluma2509 congratulations i'm glad you got over it :P
@@fonkypluma2509 lol you removed your video
Awesome, perfect end of a day is to watch your videos mr. Sklar
plays for 4 minutes, talks for 20 minutes and i enjoyed every single second of it! :)
grandmaster lee's got more stories than the books at the library.
looking forward to the next video
Mum bought me Spectrum in 1976 as I was a budding young drummer and she asked the record store attendant,”Do you have any drumming albums?”lol.
God bless the 70’s ,your bass line in Stratus,had me dancing in the room and Billy’s incredible drumming,what a lineup.
Hammer and Bolin,a perfect chemistry for a perfect fusion album,I rate this the best fusion album of all time!
I'd been listening to Lee, Billy, Jan & Tommy for a couple of years already when Spectrum came out and I thought I died & went to heaven to have them all playing together on the same album. SInce its release there haven't been many months, maybe even weeks, when I didn't give it a listen and enjoyed it again as one of my favorite musical encounters. Thank you so much, Mr. Sklar, for the years of enjoyment this has brought to me, and for the chance to hear you tell about how it happened. Amazing music, absolutely masterful!
Dude. Lee's stories are the *best*. Straight from the horse's mouth. He played on *everything*. Crazy.
I bought Spectrum at release, and that album was part of what turned me on to a whole new universe of music at the time (and to this day). I didn't realize that was YOU. You are one rock solid guy, Leland. Thanks.
Wow, you didn't know about Mahavishnu prior to hearing Spectrum? What a shame.. I wish I had gotten turned on to Mahavishnu 2 years prior, but I was able to catch their last concert in my area just before they split up and reformed..
It was Birds of Fire that made me buy Spectrum. After hearing that I went out and bought all the albums by the members of Mahavishnu (thus Spectrum), and then all the albums from the members of all THOSE bands, etc. I never did catch Mahavishnu, though I saw John McLaughlin play. Lucky you!
@@universeconsciouscitizensc592 after hearing BOF, i knew BC was the greatest drummer ever.
I love these videos. I love the stories. Thank you. A quick story. One perfect spring day in high school, many moons ago, me and a buddy cut school and went walking through Central Park. Walking through the Promenade toward the Bandshell we heard the faint sound of electric guitars. "That sounds like Carlos Santana," I said. "No," said my friend, "it's John McGlaughlin." We went back and forth like this. When we got to the Bandshell it was Carlos Santana and John McGlaughlin, just the two of them, no one else, two guitars, seated on stools opposite one another. There weren't a lot of people watching either. The whole thing was so low key. it was transcendental. I've been looking for recordings of some of the tunes I heard them play. Wow.
Thank you for sharing your stories! As someone who always wanted to be a pro musician, I love hearing about the nitty gritty details. You are a wonderful storyteller and a great example for aspiring artists!
What a treat to get to see you repeat a cool, *seemingly* simple line. There's a lot to learn from your playing here. How to stay focused in the groove, having a right hand pattern that's engaging, being aware of where everyone else is in the song... Thanks!
Hey Leland just recently found your youtube channel thanks to Rick Beato, Spectrum is on of my all time favorite albums!! Would love to see more play throughs of songs on that album and any other stories you have from around then, especially any stories involving Tommy Bolin (I don't think he gets brought up enough, he was a fantastic guitarist)!! Thanks for the great videos!
Love the bass on this track....
SO moving...and fine❤
From the age of 16-20 I was immersed deeply in BILLY, Billy is one of my Hero's. Leland thanks for making one of the best drum albums in History. I saw Billy do a show last night and he sounded Great.Musicians that are still sounding great in their late 70's RULE.
This was a test of endurance and accuracy!
You bet !!!
I would have f’d up many bars ago..
@@mickeyhernandez925 Sklar is like a drum machine. But in his case a "bass machine"!
@@AlexandreTasca He's like a sequencer which can also tell stories
I'm not a bass player but I really enjoy your in-depth chat regarding how you put your thing together. Not only that, your interesting experiences with fellow musicians are fabulous to listen to. I'm gonna keep listening Leland. Much love and appreciation from locked down England.
I love this channel. My daily bass-joke-story-drug. ThanXXL for doing this. Stay tuned and take care of yourself! Greetings from Germany.
I worked in a little independent record store on Saturdays while studying at art school. The week I heard Massive Attack's Safe From Harm I knew immediately what I would spend my credit note on come the weekend. At the end of the day I walked up to the counter, record in hand, beaming. My boss smiled back, came around front and pulled a copy of Spectrum down off the wall, he placed the disc on the turntable made available for customers to listen to stock and played me this track.
Suffice to say I left that day with no cash wages but two very cool records. Thank you so, so much.
Simply fantastic. best. fusion.record.ever. The back-story you relate makes this video even better. When Spectrum came out in 1973, I'd already been a big fan of Billy Cobham and Jan Hammer from the Mahavishnu Orchestra (etc), along with Tommy Bolin from Zephyr and Energy...and then listed in the liner notes there's this bass player that had played with Carole King and James Taylor, and I go...Hmmmm....this guy's got some chops!! Been a fan ever since. Thanks. Be safe out there.
The best Bass lick ever and the best example of how to SIT ON A GROOVE, and they did it without a click!!!! Bass players everywhere take note...
I first heard and fell in love with this bass line on Massive Attack's Safe From Harm (which I adore). One of the great challenges for me was to play the bass line all the way through without fumbling or my fingers cramping! It took a while, but I got there (although nothing like as tight or precise as Lee obviously).
I only found out the genesis of Safe From Harm when I heard Jeff Beck "covering" it. I then searched and found the original track, by Cobham et al. Stunning work.
Oh Mister Sklar,you are really creating the kind of flying Carpet a Musician can relax on!😀What a Groove!Thank you for all the great Music you gave us!😀🙏👍✌
this is honestly one of my top fav jazz fusion songs thank you for existing
That was so cool seeing you use the bass you used on the track. Really digging your videos Lee. The stories, the playing, the jokes, I love it all.
I just listened to Spectrum in its entirety on my walk this morning - what a coincidence! Love this tune and great playing as always Lee.
Too cool man....got some goosebumps....
I had never heard this track before...now I get our local barlady to play it in the pub...only when I feel the moment is there...and everyone always says "What is that?..It's brilliant!"...thank you Lee for sharing that😀
That bass line is indeed fire!
One of my all time favourites - great !! Spectrum was one of the greatest albums ever made. The git/key/drums solos are absolutely fantastic and stands out of time. Your bassline has a driving, holding-it-all-together, almost meditative character - I could listen to it for hours. As a bass player I have played it many times with my bands. You are a great inspiration to me.
Gracias, Lee Sklar, por Spectrum !!!!
Nunca pensé que iba a poder decirle tantos años después (yo tenía 18 y recién empezaba a tocar Bass) que sus líneas demoledoras en ese disco iban a ser decisivas para entender "de qué se trata todo"....
Y el pensamiento "quién será Lee Sklar, qué espectacular, cómo habrán elegido a éste músico capaz de seguir a Billy y su increíble forma de tocar batería ??" Por fin puedo agradecerte, Lee, tu música, cómo lo he disfrutado....Stratus es el golpe de batería más famoso de la historia, me parece....y esa patada al estómago cuando entrás con el Bass, wowwwwwwwwww !!!!
Gracias, ídolo !!! Tu inmensa carrera deja en silencio a cualquiera !!!!
Desde Argentina, Gustavo te ama, amigo !!!!
Thank you for your beautiful and articulate insights.
How wonderful to hear you play that mesmerizing bass part, and so intriguing to hear the story of the session. One of my all time favourite "fusion" albums. So kind of you to share these personal stories with us. Cheers from Vancouver. Geoffrey
I wasn't expecting this! Thank you for a terrific master class, Professor Sklar!
My fingers are tired just watching him play. Great growl!
you're right about that I even tried to airbass it while he was playing and after about 2 minutes my fingers got tired😱🤣🤣
Thanks lee from a Scotsman 🤩
Wow, talk about timing!...Spectrum's been in my car's CD player for the last month or so (I do that with my fave albums), and I was just listening to it while looking at the (legally unrideable) surf this afternoon.
Spectrum's been a milestone album for me since it was released, and as a player, the immediacy of the session was palpable by the 1st tune...I've always thought it was all live...you can hear it, and you can feel it.
Thank you sir for sharing the story behind one of my all-time favorite albums, one that I see as a perfect storm of the right material, chemistry and timing of some of my favorite players.
Your thing is so amazing!!!
What you know about billy tomo
What thing? His looks, his chops, his beard, his bass guitar, his penis??! 😳😀
Wow, it's amazing to listen the story of the album from inside, see you play your part on it anf is a great tribute to Tommy Bolin, thank You!
So loving and tolerant!
So cool.. my Everyday vid. This get me trough Some rough time!
His tone sounds so clear and the play is so hypnotic. wonderful.
It's been a long time since I've been brain pierced by a straight ahead bass groove like that. I can still feel the dent in my forehead! Well done sir! Thank you for the daily rides on the wayback machine which helps me maintain my sanity durin these trying times. Stay safe and carry on jus' like you're doin' and thanks again.
Yes!!!
Your bassline here is perfect, its simplicity totally serves the composition. I have always loved how tense and yet relaxed the tune is.
It is great to see you explaining it and telling stories from the road. Thank you very much!
What a machine!
Great work Leland. To my shame, I only just discovered this track in its original form . That killer bass line I heard was on the Massive attack track that was sampled from Stratus. you have a great groove on you and that bass your playing has one of the nicest tones I've ever heard. God bless and stay safe
I'm a bit behind you. When he started playing, I immediately recalled the Massive Attack track, and had never before realized it was a sample.
I was gonna bring this up also in a comment to Lee. He must know that he’s been sampled by the great Massive Attack. As a teen in high school I listened to the original BC album, and then years later I was exposed to the trip hop of Massive. It’s all great stuff.
I saw Billy Cobham in Germany while touring with Wolfang Schmid, Peter Wölpl, Rick Keller and Nippy Noya. That was Wolfgang's "Jubilee" tour around 1990. (I still have the live album on vinyl, although I haven't had a record player for the last 25 years or so.) That was when I was seriously infected by the drumming virus by virtue of Pete York's "Supper Drumming" series in German television. Ah, those were the days! I always liked this song and actually got myself "Spectrum" around that time. I got to "know" you via Phil Collins (remember that legendary "Seriously Live" Show in the Waldbühne in Berlin?). Anyway, I never knew that you played the legendary bass line on "Stratus" until I saw this video here. What a revelation! I couldn't wrap my head around that fact first. What a gift you and all these talented and true musicians are to all of us!
Thanks for a great example of what it means to serve the song. That groove is such a solid foundation for rest of the band to rock on. Wow! Love it! And thanks for bringing out that bass, too. Stay home...stay safe...save lives!
Despite being your own worst critic, the mix and the feel sound great on our end!!❤❤🤘🎸🤘🎸
To the 7 people who clicked thumbs down...... you don’t deserve thumbs. You’re the greatest Lee❤️
So their opinion isn't valid because they don't coincide with your own??
Randal Clarke get a sense of humor mate. Seriously life’s too short.
I bought this when it came out, as a college student. Still sounds as fresh today. Just sitting here watching your fingers do their dance put a real smile on my face. Thank you.
Life changing for this guitarist! Thank you, Leland.
Love it! That train is powering on! Would love to hear you somehow do a version of "Lobsterfoam" :D
Damn! And I thought playing “Foggy Mountain Breakdown” was a barn-burner.!!😳
this is my warm up every time I pick my bass up SICK!!!!!
Amazing, Lee this record changed my life, as a bass player, stratus, Red Baron, all learning material........great stories as well.....I'm old school, #59 born ....I understand the story, peace and love, stay healthy. Dave
Mesmerizing...like the heartbeat of a cyborg.