i feel this approach works best for commissions. however, for individual paintings, its best to have a balance and i find that when i take the time to plan every minute detail, i end up being unsatisfied with those paintings. and honestly, i have the most fun and success when just spontaneously painting, which is why i'm probably drawn to digital the most for finished paintings- you basically have unlimited experimentation. Basically, what I'm trying to say is that careful planning isn't for everyone, (but still works incredibly well for some) and you need to tailor your individual workflow for what works best for you :)
This! It happens to me almost the same. I agree that it’s good practice to sketch out an idea for a client from photoshop, before working on the canvas, but unless you are very well paid, that can be too much commitment for the amount of hours working on one single painting. Specially when the client come with their own idea that only exists on their mind or clients that are never 100% satisfied with the sketch. This doesn’t apply at all on personal projects because the craft and art of a painter is not the same than an illustrator or graphic designer. I mean, If you can do it on photoshop why you want to do it on a canvas? I prefer the satisfaction of sketching out FREE HAND on the canvas at the same time that I’m blocking colors than knowing exactly what is going to happen with my painting like a photorealistic painter, completing a jigsaw puzzle or sending an image to the printer.
I'm a graphic designer, and I never realised how much my skills would come in handy when I started my painting. I work everything out before I paint. Thanks for this video, because I really thought other artists magically somehow could see their way to the final painting in a way I couldn't!
I have been a painter all of my life. I started when I was about twelve, so I have been painting about 46 years. I learn from taking the advice of many different artists. I will always be learning. I find you to be amongst the best of them to learn from. Especially from your insights on the matters of developing one's own potential. Thank you.
@@tommullinerart we too often argue for our own limitations The term happy accident isn’t a function of “hope” Faith is the bird that feels the light when the dawn is still dark and sings Replace faith with the word Art and there are no limitations That said Commissions that you agree to that are as tight as a Nuns cotton panties - well … that’s on you for accepting that condition … I don’t do photorealism … so I don’t negotiate any commissions with too many Nuns looking for a photorealistic portrayal of Jesus on the cross type rise from the dead expectations ba ha ha ha I sling paint at canvas like a mad genius slinging burrito’s for a Buck fiddy in 1969 Southern California porn production lunch line … happy accidents are guaranteed…no Nuns allowed.
I think there is an argument to be made for both styles of painting...the planner, and the seat of your pants painter. I'm a seat of your pants kind of painter. Sometimes a painting doesn't turn out like I intended, but it's still good(happy accidents). For me, it can hamper me if I try to plan and pay attention to value, tone, color, and composition. I am on the autistic spectrum which is likely why I paint the way I do, often feeling my way through my art. My whole family is artistic...we call it having the art gene. None of us are professionally trained artists, but we have sold art regardless. I have been doing art since I was around age 3, and now I'm 55. So that's a LONG time to learn by trial and error! I can paint in my sleep now lol. With all that said, I recognize your video is probably more for the artist who went to school to learn art and for the commissioned painter. There is for sure something to be said about planning and you said it well!
While I understand this approach when it comes to commission work I often find the most impactful and emotionally gripping pieces I produce tend to be created in the moment with little fore thought
So long as youre extra great at proportion because thats the reason i suddenly see …its not working….of course painting you can go in fix it but i dont enjoy fixing all the things trying to make it work when the intention was freedom of sorts. So practising drawing is extra important so proportion issues dont ruin your spontinaity….and im a slave to likeness
Perhaps I am old fashioned, but I would rather do a series of small sketch paintings to work out the composition. I find it makes me more familiar with the actual subject as well as the background as you almost abstract it when you paint it 6 or so times and you learn what is important in the main focus as well as how it interacts with the background. Maybe I will try photoshop one day, but I like having a pencil/pen/charcoal/brush in my hand when I plan what works and what does not and feel a mouse would block my thought process out. I won't know till I try, I suppose...
You are right. After sketching it x times, you are almost able to paint it blind folded. But she's talking commission here. And a clients mind isn't as creative as yours. A client won't see in your sketches what you see. And that's were Photoshop comes in handy. Some clients need to see the full painting before they agree. And with Photoshop you can do that in minutes. After, of course, spending days and days figuring out how Photoshop works. In the end, it's what fits you best. Many roads lead to Rome 😉
Totally agree as well if you've got the time - i always end up finding the flow throughout the piece and am able to figure out what to emphasize and what to let go of
This is great advice for painters like me because I am good at reproducing what I can see. I have used photoshop to compose many of my paintings and it has been extremely helpful. I never liked doing thumbnails and I am too impatient to do a lot of sketches. I anxious to paint! Photography has taught me a lot about composition. Using photoshop I can move things, eliminate things, size things, and play with ideas easily and quickly. Lighting and color is a problem when using photos but you just have to learn how to compensate for that. You do all the planning and creative stuff on the computer. It doesn't diminish the final exercise of painting for me. When I do paint, there may be a "happy accident" that can lead me to in a slightly different direction. So creativity still plays in while painting. As one artist express, "Frist I talk to the painting, then the painting talks to me." But my most successful painting usually are because I did all the planning and creative playing on the computer and came up with an image that I can look at and that I am excited to paint.
I would be very careful here, this approach will take you only so far and is mainly applicable in final product oriented process, like commissions for example. Your creative painting process might suffer though, as it becomes mechanical and frankly can get boring. This becomes more clear once you become a competent painter, when the ability to paint something realistically is no longer enough. Being open to chance throughout the process can connect the artist with that which he or she doesn’t know yet. It keeps the process fresh, vulnerable and open ended. Having said that, this advice is great when you are aware of its limitations,
You are one of the most exciting artists on this platform so it's something of a relief to know these pieces don't just magically appear and actually result from concrete planning.
I have been going through Loomis's books trying to relearn portraiture (I was self taught before without ever looking at a formal book). I spent ages trying to follow the instruction. Nothing came out right. I said to my Mrs: name any animal you can think of. She said "bush baby". I sat with pencil in hand and a bush baby appeared on the paper in about 30 mins work. It frustrates and amuses me in equal measure that I seem to be able to draw with a reasonable level of accuracy any animal but human faces escape me right now. The only differences I notice are that when doing animal drawings I approach it with a 'don't care how it turns out' attitude. I also charge at it with more rapid moves of my arm when doing animal drawings. Portraits: I care how it turns out and work slower and more hestitantly. When I get my days off I'm gona try drawing a portrait in the same mindset as an animal drawing. Seat of your pants enough? 😁
Gorgeous painting, the thumbnail pulled me in, but the content of what you say is very correct! I did realize the importance of the mock up but seeing your model and how effectively and efficiently you use it really says more than words! Thank you, Chelsea! And I'll say that's one of the most beautiful bay horses paintings I've ever seen 🥰🥰🥰Cheryl
Very good points. I use Photoshop also to visualize and create the painting beforehand. Laughingly some clients send aerial views of their dog, expecting a head on view. I have to decline those! Your words make me feel better about being super picky about references provided. I have to say I paint what I see and don't make things up.
I don't care so much about perfect color matching. I don't premix any paint whatsoever. Just that I have to be absolutely sure where the light is coming from and how it drapes over the subjects.
A river doesn't plan how to make its way down through a valley, yet it is beautiful. I don't plan, I paint, draw, or sketch. My image is in my mind, and like that river, it flows out. The spontaneity is lost when planned out. Having to redo the same picture over is boring to me.
I do too. I like to paint like that. But I feel this video is extremely helpful on how to do a commission. I find comissions stressful. I have 3 commissions to do right now and the customers want something very specific, so I must plan it out. Last week I sold 2 paintings that were completely imagined and created by me. That felt really awesome. I'm learning how to do it both ways. This the life as an artist trying to make an income out of Art!! It's a blessing.
♥️✨ I’m exactly the same. I do use some references if I’m struggling with what I am seeing in my thoughts but I find if I fuss too much and try to be perfect I lose something. I have ruined so many paintings by doing this. I also find the joy goes out of the whole process of doing the actual painting. I’m not a professional artist and I admit I’m probably wrong in my approach.
Danke!!! Da ich meine Bilder webe und nicht male, muss ich immer zuerst einen Entwurf haben, den ich dann als Gewebe umsetze. Aber auch den Entwurf plane ich, meistens mit eigenen Fotos und ich verwende auch Photoshop. Ehrlich gesagt habe ich bisher immer so gedacht: ein guter Künstler muss auch aus einer schlechten Vorlage ein großes Kunstwerk machen können und das Licht oder andere Dinge einfach anpassen können. Das kann ich aber nicht oder nur sehr begrenzt. Hier jetzt zu hören, dass eine gute Planung vollkommen in Ordnung ist und man als Künstler nicht unbedingt wild drauf los malen muss (bzw. entwerfen wie bei mir), das hört man selten und das freut mich wirklich. Es tut mir leid, mein Englisch ist leider nicht gut genug, um das richtig auszudrücken.
I think the issue stems with we don't know how other plan out their stuff. So we just wing it. Most of the time winging it allows for just anything to happen. Planing thing just won't allow for happy accidents... most of the time. Both have a time and place but it's up to the artwork. Honestly. I think it's like how most people don't want to show how the "technical" steps work. I rather see it personally. It gives me more information then i wouldn't have known but it could lessen "the magic" the art work I guess?
If I was in your country, I'd be glad to work as an apprentice in your studio. Although I mostly do pencil art, I think some theories apply in all art despite the means and tools one use. And I always mix different drawing tools in practice.
I think this is a problem I have which causes me to have inconsistent results. So sometimes my paintings will turn out great and other times they are a disaster. The key being its hard for me to predict how the painting will turn out. Its something I'm trying to fix so that I can get more predictability. In regards to using photoshop as a study before the main painting, I think doing a small study in paint can work just as well.
I cant plan things. I am autistic, planning feels like useless work that i'm doing just to say I did it, to be like everyone else who's successful in art. I dont know how to plan a painting, but wish I did. My paintings aren't bad, nor are they masterpieces, but I feel like they'd come out better if I wasnt winging it p-p
I'm also autistic and I don't plan paintings either. My art however is successful because I've been doing it for decades. I think art can be a natural talent or a learned talent. However you get there and feel good about your work is fine. I for one create pretty crappy art when I try to plan. 🤷
Have a listen to Nathan Fowkes and see it's of use. Especially where he talks about the 2 value structure, he calls this "simple value structure/silhouette". In regards to planning a painting it's a great place to start. Hope that helps! czcams.com/video/5Ojk4idFSQg/video.html&ab_channel=BobbyChiu
Oh Chelsea that is gorgeous..congratulations- I do hope the owners fell in love with it..well how could they not!!! Now Im going to explore more of your work...I hope I can find some real time works too. Thank you from Western Australia 🥰🤗🦘🦘🦘 Without sending this and going back to look, Im presuming this is in oils?
imagination and painting your artistic vision by hand without the aid of technology is an artist. A good illustrator paints according to the client's vision using the help of a computer.
This isn't art, it's painting by numbers. Zero imagination, just working to please a client - playing to the gallery. If you want to be an artist, give this a hard pass. If you have something to say or express, you'll find a way. Which isn't to say you can't learn from others, it means, in the final analysis, your technique serves your vision.
I'm a beginner in doing commissions in oil painting. I love to use linseed oil as my medium. But will take longer drying time. So I planned to use liquin. After how much waiting time I can varnish ? Or if there's any better idea, pls suggest.
Hi, You can also cut the linseed oil with some solvent to make it dry faster or use "boiled linseed oil" which dries very fast...but liquin will also do the job if you want to speed up the drying time. For varnishing, easiest way is Gamvar that you can apply when your painting is dry to the touch. It's different from traditionnal varnish where you have to wait longer till the paint layer is dry inside.
I wasn't that person btw who did the thumbs down, but I agree with you! I knew the subject matter in this vid would get some pushback from untrained artists who just come by it naturally.
i feel this approach works best for commissions. however, for individual paintings, its best to have a balance and i find that when i take the time to plan every minute detail, i end up being unsatisfied with those paintings. and honestly, i have the most fun and success when just spontaneously painting, which is why i'm probably drawn to digital the most for finished paintings- you basically have unlimited experimentation. Basically, what I'm trying to say is that careful planning isn't for everyone, (but still works incredibly well for some) and you need to tailor your individual workflow for what works best for you :)
This!
It happens to me almost the same. I agree that it’s good practice to sketch out an idea for a client from photoshop, before working on the canvas, but unless you are very well paid, that can be too much commitment for the amount of hours working on one single painting. Specially when the client come with their own idea that only exists on their mind or clients that are never 100% satisfied with the sketch.
This doesn’t apply at all on personal projects because the craft and art of a painter is not the same than an illustrator or graphic designer. I mean, If you can do it on photoshop why you want to do it on a canvas? I prefer the satisfaction of sketching out FREE HAND on the canvas at the same time that I’m blocking colors than knowing exactly what is going to happen with my painting like a photorealistic painter, completing a jigsaw puzzle or sending an image to the printer.
@@retratosariel fs i love painting without having a plan, but for big projects i always do thumbnails, at least.
I'm a graphic designer, and I never realised how much my skills would come in handy when I started my painting. I work everything out before I paint. Thanks for this video, because I really thought other artists magically somehow could see their way to the final painting in a way I couldn't!
I have been a painter all of my life. I started when I was about twelve, so I have been painting about 46 years. I learn from taking the advice of many different artists. I will always be learning. I find you to be amongst the best of them to learn from. Especially from your insights on the matters of developing one's own potential. Thank you.
As an artist I prefer leaping off the cliff and trusting in the mystery of my wings and the air to lift my creativity to unknown horizons.
YES!
Yes, in some circumstances, that's fine. But when doing a commission when time is money, the risk of hoping for a 'happy accident' is often too great.
*FARTS*
@@tommullinerart we too often argue for our own limitations
The term happy accident isn’t a function of “hope”
Faith is the bird that feels the light when the dawn is still dark and sings
Replace faith with the word Art and there are no limitations
That said
Commissions that you agree to that are as tight as a Nuns cotton panties - well … that’s on you for accepting that condition …
I don’t do photorealism … so I don’t negotiate any commissions with too many Nuns looking for a photorealistic portrayal of Jesus on the cross type rise from the dead expectations ba ha ha ha
I sling paint at canvas like a mad genius slinging burrito’s for a Buck fiddy in 1969 Southern California porn production lunch line … happy accidents are guaranteed…no Nuns allowed.
@@Trey4x4
Exactly …
I think there is an argument to be made for both styles of painting...the planner, and the seat of your pants painter. I'm a seat of your pants kind of painter. Sometimes a painting doesn't turn out like I intended, but it's still good(happy accidents). For me, it can hamper me if I try to plan and pay attention to value, tone, color, and composition. I am on the autistic spectrum which is likely why I paint the way I do, often feeling my way through my art. My whole family is artistic...we call it having the art gene. None of us are professionally trained artists, but we have sold art regardless. I have been doing art since I was around age 3, and now I'm 55. So that's a LONG time to learn by trial and error! I can paint in my sleep now lol. With all that said, I recognize your video is probably more for the artist who went to school to learn art and for the commissioned painter. There is for sure something to be said about planning and you said it well!
While I understand this approach when it comes to commission work I often find the most impactful and emotionally gripping pieces I produce tend to be created in the moment with little fore thought
So long as youre extra great at proportion because thats the reason i suddenly see …its not working….of course painting you can go in fix it but i dont enjoy fixing all the things trying to make it work when the intention was freedom of sorts. So practising drawing is extra important so proportion issues dont ruin your spontinaity….and im a slave to likeness
Perhaps I am old fashioned, but I would rather do a series of small sketch paintings to work out the composition. I find it makes me more familiar with the actual subject as well as the background as you almost abstract it when you paint it 6 or so times and you learn what is important in the main focus as well as how it interacts with the background.
Maybe I will try photoshop one day, but I like having a pencil/pen/charcoal/brush in my hand when I plan what works and what does not and feel a mouse would block my thought process out. I won't know till I try, I suppose...
Your work will certainly benefit from hands on approach. Your drawing skills improve for one. Right on. I'm with ya.
You are right.
After sketching it x times, you are almost able to paint it blind folded.
But she's talking commission here.
And a clients mind isn't as creative as yours.
A client won't see in your sketches what you see.
And that's were Photoshop comes in handy.
Some clients need to see the full painting before they agree.
And with Photoshop you can do that in minutes.
After, of course, spending days and days figuring out how Photoshop works.
In the end, it's what fits you best.
Many roads lead to Rome 😉
@@mi85art Thanks for that clarification. It makes a lot of sense the way you explained it. Well put.
Sketch, draw....Agree 150%
Totally agree as well if you've got the time - i always end up finding the flow throughout the piece and am able to figure out what to emphasize and what to let go of
This is great advice for painters like me because I am good at reproducing what I can see. I have used photoshop to compose many of my paintings and it has been extremely helpful. I never liked doing thumbnails and I am too impatient to do a lot of sketches. I anxious to paint! Photography has taught me a lot about composition. Using photoshop I can move things, eliminate things, size things, and play with ideas easily and quickly. Lighting and color is a problem when using photos but you just have to learn how to compensate for that. You do all the planning and creative stuff on the computer. It doesn't diminish the final exercise of painting for me. When I do paint, there may be a "happy accident" that can lead me to in a slightly different direction. So creativity still plays in while painting. As one artist express, "Frist I talk to the painting, then the painting talks to me." But my most successful painting usually are because I did all the planning and creative playing on the computer and came up with an image that I can look at and that I am excited to paint.
I would be very careful here, this approach will take you only so far and is mainly applicable in final product oriented process, like commissions for example. Your creative painting process might suffer though, as it becomes mechanical and frankly can get boring. This becomes more clear once you become a competent painter, when the ability to paint something realistically is no longer enough. Being open to chance throughout the process can connect the artist with that which he or she doesn’t know yet. It keeps the process fresh, vulnerable and open ended. Having said that, this advice is great when you are aware of its limitations,
You are one of the most exciting artists on this platform so it's something of a relief to know these pieces don't just magically appear and actually result from concrete planning.
Look deep and wide.
I have been going through Loomis's books trying to relearn portraiture (I was self taught before without ever looking at a formal book). I spent ages trying to follow the instruction. Nothing came out right.
I said to my Mrs: name any animal you can think of. She said "bush baby". I sat with pencil in hand and a bush baby appeared on the paper in about 30 mins work.
It frustrates and amuses me in equal measure that I seem to be able to draw with a reasonable level of accuracy any animal but human faces escape me right now.
The only differences I notice are that when doing animal drawings I approach it with a 'don't care how it turns out' attitude. I also charge at it with more rapid moves of my arm when doing animal drawings.
Portraits: I care how it turns out and work slower and more hestitantly.
When I get my days off I'm gona try drawing a portrait in the same mindset as an animal drawing.
Seat of your pants enough? 😁
Gorgeous painting, the thumbnail pulled me in, but the content of what you say is very correct! I did realize the importance of the mock up but seeing your model and how effectively and efficiently you use it really says more than words! Thank you, Chelsea! And I'll say that's one of the most beautiful bay horses paintings I've ever seen 🥰🥰🥰Cheryl
Amazing to watch and absolutely stunning result! The horse's head seems to be lifting out of the canvas, like a relief. Love it.
What about his hair !!!???? Is it coming out of the canvas or it was snowing !!!?? Greetings from Pratt Institute
Gurl!!! This horse painting is unbelievable. I wish I could paint with you.
Very good points. I use Photoshop also to visualize and create the painting beforehand. Laughingly some clients send aerial views of their dog, expecting a head on view. I have to decline those! Your words make me feel better about being super picky about references provided. I have to say I paint what I see and don't make things up.
I appreciate your comforting voice
What a beautiful painting! Well done!
I absolutely agree with your advice. Planning is the key to victory!
Com'è possibile che da un guazzabuglio apparentemente senza senso nasca un magnifico capolavoro del genere? Applausi maestro!!!
I have tried both ways. And I like planning and observing more, especially about my light source.
I don't care so much about perfect color matching. I don't premix any paint whatsoever. Just that I have to be absolutely sure where the light is coming from and how it drapes over the subjects.
That is incredible! Great job!
This is a beautiful peace Chelsea! Also, thank you for showing the varnishing process, it is so satisfying!
Amazing piece of professional painting!
I like flying by the seat of my pants. Planning is so left-brained.
Chagrin. I think I really needed to hear this. Thank you Chelsea.
A river doesn't plan how to make its way down through a valley, yet it is beautiful. I don't plan, I paint, draw, or sketch. My image is in my mind, and like that river, it flows out. The spontaneity is lost when planned out. Having to redo the same picture over is boring to me.
I do too. I like to paint like that. But I feel this video is extremely helpful on how to do a commission. I find comissions stressful. I have 3 commissions to do right now and the customers want something very specific, so I must plan it out. Last week I sold 2 paintings that were completely imagined and created by me. That felt really awesome. I'm learning how to do it both ways. This the life as an artist trying to make an income out of Art!! It's a blessing.
@@hc509 I wasn't talking about commissions. Just drawing. A commissioned work requires a picture.
The river takes the path of least resistance
♥️✨ I’m exactly the same. I do use some references if I’m struggling with what I am seeing in my thoughts but I find if I fuss too much and try to be perfect I lose something. I have ruined so many paintings by doing this. I also find the joy goes out of the whole process of doing the actual painting. I’m not a professional artist and I admit I’m probably wrong in my approach.
Danke!!! Da ich meine Bilder webe und nicht male, muss ich immer zuerst einen Entwurf haben, den ich dann als Gewebe umsetze. Aber auch den Entwurf plane ich, meistens mit eigenen Fotos und ich verwende auch Photoshop. Ehrlich gesagt habe ich bisher immer so gedacht: ein guter Künstler muss auch aus einer schlechten Vorlage ein großes Kunstwerk machen können und das Licht oder andere Dinge einfach anpassen können. Das kann ich aber nicht oder nur sehr begrenzt.
Hier jetzt zu hören, dass eine gute Planung vollkommen in Ordnung ist und man als Künstler nicht unbedingt wild drauf los malen muss (bzw. entwerfen wie bei mir), das hört man selten und das freut mich wirklich.
Es tut mir leid, mein Englisch ist leider nicht gut genug, um das richtig auszudrücken.
Chelsea, your CZcamss are so inspiring, thank you.
Stunningly beautiful piece!!
I think the issue stems with we don't know how other plan out their stuff. So we just wing it.
Most of the time winging it allows for just anything to happen.
Planing thing just won't allow for happy accidents... most of the time.
Both have a time and place but it's up to the artwork.
Honestly. I think it's like how most people don't want to show how the "technical" steps work. I rather see it personally. It gives me more information then i wouldn't have known but it could lessen "the magic" the art work I guess?
beautiful painting
Fantastic!
Hermosa obra pictorica , felicidades...
It continues to sink in. Thanks!
If I was in your country, I'd be glad to work as an apprentice in your studio. Although I mostly do pencil art, I think some theories apply in all art despite the means and tools one use. And I always mix different drawing tools in practice.
Amazing talent.. thanks for inspiring us ❤️
I love this fantastic creation. 🤗🤗🤗🤗🤗
Beautiful painting, thanks for sharing.
So beautiful painting dear friend ❤️👍👍👍👍🎉🎉🎉🎉❤️🎉🎉❤️🎉
Your painting looks like a million bucks. Beautiful!
Very informative videos as always!
Thank you ☺️
I think this is a problem I have which causes me to have inconsistent results. So sometimes my paintings will turn out great and other times they are a disaster. The key being its hard for me to predict how the painting will turn out. Its something I'm trying to fix so that I can get more predictability. In regards to using photoshop as a study before the main painting, I think doing a small study in paint can work just as well.
AMAZING work
You are terrific !
very cool with the abstract contrast.
Fantastic demo 👍
MARARAVILLOSO!! 👍👍👍👍👍
Nice work and great points!
Wow awesome the horse seems real 🐴
I cant plan things. I am autistic, planning feels like useless work that i'm doing just to say I did it, to be like everyone else who's successful in art. I dont know how to plan a painting, but wish I did. My paintings aren't bad, nor are they masterpieces, but I feel like they'd come out better if I wasnt winging it p-p
I'm also autistic and I don't plan paintings either. My art however is successful because I've been doing it for decades. I think art can be a natural talent or a learned talent. However you get there and feel good about your work is fine. I for one create pretty crappy art when I try to plan. 🤷
Have a listen to Nathan Fowkes and see it's of use. Especially where he talks about the 2 value structure, he calls this "simple value structure/silhouette". In regards to planning a painting it's a great place to start. Hope that helps! czcams.com/video/5Ojk4idFSQg/video.html&ab_channel=BobbyChiu
Brilliant! Thank you so much!
Thank you, beautiful work.
Woaow..... so beautiful
Your drawings are so talented 😊
Love the composition.
Wow!
Great work.
Very nice.
It's borderline creepy how real that horse looks. Lol.
Wonderful your painting. Lovely
Thank you so much!!!!!!
Magnífica parabéns pelo trabalho artístico. Grande abraço Brasil
Yes...
Oh Chelsea that is gorgeous..congratulations- I do hope the owners fell in love with it..well how could they not!!! Now Im going to explore more of your work...I hope I can find some real time works too. Thank you from Western Australia 🥰🤗🦘🦘🦘 Without sending this and going back to look, Im presuming this is in oils?
Awesome!
У вас красиво получается, как будто живая Лошадь класс 👍👍👍
chelsea do you have a setup tour?? like how you film your painting videos
Fantástico.
Gracias.
YOU ARE FANTASTI C , SO MUCH SO THAT IM INTIMIDATED RATHER THAN INSPISRED. THANK YOU. TONY CAETANO
Beautiful!
Awesome friend,great sharing,best for u😃✌️.
Aku melihatnya karya ini tidak hanya menggambarkan kuda, namun menggambarkan jiwa yang sangat romantis. Salam yulianto
Thanks for your advices.
imagination and painting your artistic vision by hand without the aid of technology is an artist.
A good illustrator paints according to the client's vision using the help of a computer.
Very realistic, looks amazing, I love your commentary also, you are an amazing artist ❤️❤️❤️
Can you show me how to use linseed oil 😁😁😁
Нравится? Нравится!!! 👍👍👍
This isn't art, it's painting by numbers. Zero imagination, just working to please a client - playing to the gallery. If you want to be an artist, give this a hard pass. If you have something to say or express, you'll find a way. Which isn't to say you can't learn from others, it means, in the final analysis, your technique serves your vision.
Oh my gosh call mom she is good, very good.
Parabéns!...
Essa pintura é a óleo ou acrílica?... obrigado.
Nice how many times did you do this painting over and OVER!!!??? Greetings from Pratt Institute
bravo
Amazing,,,'''''''''''',,,,,,,,,,
Very good, i like it 👍✨
Don’t you think you lost your focal point with the white background?
Nice effort. ;)
What did you pour on the painting at the end?
Do you give painting class?
Hi abdulmuiz here...if i may ask...how do u do the brass plate thingy?
*hi what’s that stuff you’re applying at the very end?*
I'm a beginner in doing commissions in oil painting. I love to use linseed oil as my medium. But will take longer drying time. So I planned to use liquin. After how much waiting time I can varnish ? Or if there's any better idea, pls suggest.
Hi,
You can also cut the linseed oil with some solvent to make it dry faster or use "boiled linseed oil" which dries very fast...but liquin will also do the job if you want to speed up the drying time.
For varnishing, easiest way is Gamvar that you can apply when your painting is dry to the touch. It's different from traditionnal varnish where you have to wait longer till the paint layer is dry inside.
@@jeanluc5311 Thank you so much.
Failing to plan is planing to fail... Im a plotter.
Did you do this all in one day.
If you can do it on photoshop why you want to do it on canvas?
To person that gave thumbs down, you're clueless
No, that's an artist!
@@bagobeans Thank you :)
I wasn't that person btw who did the thumbs down, but I agree with you! I knew the subject matter in this vid would get some pushback from untrained artists who just come by it naturally.
Nice portrait but I am not sure about the background.
I thought yiu said riding
this mentality makes you a crafter, not an artist. you wont push the boundaries of art creating in the comfort zone of a predictable image.
It’s not that deep guys.
ver god iaiavyu krds iraq